FFMPEG-FILTERS(1)

NAME
ffmpeg-filters - FFmpeg filters

DESCRIPTION
This document describes filters, sources, and sinks provided by the libavfilter library.

FILTERING INTRODUCTION
Filtering in FFmpeg is enabled through the libavfilter library.

In libavfilter, a filter can have multiple inputs and multiple outputs. To illustrate the sorts of things that are possible, we consider the following filtergraph.

                        [main]
        input --> split ---------------------> overlay --> output
                    |                             ^
                    |[tmp]                  [flip]|
                    +-----> crop --> vflip -------+

This filtergraph splits the input stream in two streams, then sends one stream through the crop filter and the vflip filter, before merging it back with the other stream by overlaying it on top. You can use the following command to achieve this:

        ffmpeg -i INPUT -vf "split [main][tmp]; [tmp] crop=iw:ih/2:0:0, vflip [flip]; [main][flip] overlay=0:H/2" OUTPUT

The result will be that the top half of the video is mirrored onto the bottom half of the output video.

Filters in the same linear chain are separated by commas, and distinct linear chains of filters are separated by semicolons. In our example, crop,vflip are in one linear chain, split and overlay are separately in another. The points where the linear chains join are labelled by names enclosed in square brackets. In the example, the split filter generates two outputs that are associated to the labels [main] and [tmp].

The stream sent to the second output of split, labelled as [tmp], is processed through the crop filter, which crops away the lower half part of the video, and then vertically flipped. The overlay filter takes in input the first unchanged output of the split filter (which was labelled as [main]), and overlay on its lower half the output generated by the crop,vflip filterchain.

Some filters take in input a list of parameters: they are specified after the filter name and an equal sign, and are separated from each other by a colon.

There exist so-called source filters that do not have an audio/video input, and sink filters that will not have audio/video output.

GRAPH
The graph2dot program included in the FFmpeg tools directory can be used to parse a filtergraph description and issue a corresponding textual representation in the dot language.

Invoke the command:

        graph2dot -h

to see how to use graph2dot.

You can then pass the dot description to the dot program (from the graphviz suite of programs) and obtain a graphical representation of the filtergraph.

For example the sequence of commands:

        echo <GRAPH_DESCRIPTION> | \
        tools/graph2dot -o graph.tmp && \
        dot -Tpng graph.tmp -o graph.png && \
        display graph.png

can be used to create and display an image representing the graph described by the GRAPH_DESCRIPTION string. Note that this string must be a complete self-contained graph, with its inputs and outputs explicitly defined. For example if your command line is of the form:

        ffmpeg -i infile -vf scale=640:360 outfile

your GRAPH_DESCRIPTION string will need to be of the form:

        nullsrc,scale=640:360,nullsink

you may also need to set the nullsrc parameters and add a format filter in order to simulate a specific input file.

FILTERGRAPH DESCRIPTION
A filtergraph is a directed graph of connected filters. It can contain cycles, and there can be multiple links between a pair of filters. Each link has one input pad on one side connecting it to one filter from which it takes its input, and one output pad on the other side connecting it to one filter accepting its output.

Each filter in a filtergraph is an instance of a filter class registered in the application, which defines the features and the number of input and output pads of the filter.

A filter with no input pads is called a "source", and a filter with no output pads is called a "sink".

  Filtergraph syntax
A filtergraph has a textual representation, which is recognized by the -filter/-vf/-af and -filter_complex options in ffmpeg and -vf/-af in ffplay, and by the "avfilter_graph_parse_ptr()" function defined in libavfilter/avfilter.h.

A filterchain consists of a sequence of connected filters, each one connected to the previous one in the sequence. A filterchain is represented by a list of ","-separated filter descriptions.

A filtergraph consists of a sequence of filterchains. A sequence of filterchains is represented by a list of ";"-separated filterchain descriptions.

A filter is represented by a string of the form: [in_link_1]...[in_link_N]filter_name@id=arguments[out_link_1]...[out_link_M]

filter_name is the name of the filter class of which the described filter is an instance of, and has to be the name of one of the filter classes registered in the program optionally followed by "@id". The name of the filter class is optionally followed by a string "=arguments".

arguments is a string which contains the parameters used to initialize the filter instance. It may have one of two forms:

•   A ':'-separated list of key=value pairs.

•   A ':'-separated list of value. In this case, the keys are assumed to be the option names in the order they are declared. E.g. the "fade" filter declares three options in this order -- type, start_frame and nb_frames. Then the parameter list in:0:30 means that the value in is assigned to the option type, 0 to start_frame and 30 to nb_frames.

•   A ':'-separated list of mixed direct value and long key=value pairs. The direct value must precede the key=value pairs, and follow the same constraints order of the previous point. The following key=value pairs can be set in any preferred order.

If the option value itself is a list of items (e.g. the "format" filter takes a list of pixel formats), the items in the list are usually separated by |.

The list of arguments can be quoted using the character ' as initial and ending mark, and the character \ for escaping the characters within the quoted text; otherwise the argument string is considered terminated when the next special character (belonging to the set []=;,) is encountered.

A special syntax implemented in the ffmpeg CLI tool allows loading option values from files. This is done be prepending a slash '/' to the option name, then the supplied value is interpreted as a path from which the actual value is loaded. E.g.

        ffmpeg -i <INPUT> -vf drawtext=/text=/tmp/some_text <OUTPUT>

will load the text to be drawn from /tmp/some_text. API users wishing to implement a similar feature should use the "avfilter_graph_segment_*()" functions together with custom IO code.

The name and arguments of the filter are optionally preceded and followed by a list of link labels. A link label allows one to name a link and associate it to a filter output or input pad. The preceding labels in_link_1 ... in_link_N, are associated to the filter input pads, the following labels out_link_1 ... out_link_M, are associated to the output pads.

When two link labels with the same name are found in the filtergraph, a link between the corresponding input and output pad is created.

If an output pad is not labelled, it is linked by default to the first unlabelled input pad of the next filter in the filterchain. For example in the filterchain

        nullsrc, split[L1], [L2]overlay, nullsink

the split filter instance has two output pads, and the overlay filter instance two input pads. The first output pad of split is labelled "L1", the first input pad of overlay is labelled "L2", and the second output pad of split is linked to the second input pad of overlay, which are both unlabelled.

In a filter description, if the input label of the first filter is not specified, "in" is assumed; if the output label of the last filter is not specified, "out" is assumed.

In a complete filterchain all the unlabelled filter input and output pads must be connected. A filtergraph is considered valid if all the filter input and output pads of all the filterchains are connected.

Leading and trailing whitespaces (space, tabs, or line feeds) separating tokens in the filtergraph specification are ignored. This means that the filtergraph can be expressed using empty lines and spaces to improve readability.

For example, the filtergraph:

        testsrc,split[L1],hflip[L2];[L1][L2] hstack

can be represented as:

        testsrc,
        split [L1], hflip [L2];

        [L1][L2] hstack

Libavfilter will automatically insert scale filters where format conversion is required. It is possible to specify swscale flags for those automatically inserted scalers by prepending "sws_flags=flags;" to the filtergraph description.

Here is a BNF description of the filtergraph syntax:

        <NAME>             ::= sequence of alphanumeric characters and '_'
        <FILTER_NAME>      ::= <NAME>["@"<NAME>]
        <LINKLABEL>        ::= "[" <NAME> "]"
        <LINKLABELS>       ::= <LINKLABEL> [<LINKLABELS>]
        <FILTER_ARGUMENTS> ::= sequence of chars (possibly quoted)
        <FILTER>           ::= [<LINKLABELS>] <FILTER_NAME> ["=" <FILTER_ARGUMENTS>] [<LINKLABELS>]
        <FILTERCHAIN>      ::= <FILTER> [,<FILTERCHAIN>]
        <FILTERGRAPH>      ::= [sws_flags=<flags>;] <FILTERCHAIN> [;<FILTERGRAPH>]

  Notes on filtergraph escaping
Filtergraph description composition entails several levels of escaping. See the "Quoting and escaping" section in the ffmpeg-utils(1) manual for more information about the employed escaping procedure.

A first level escaping affects the content of each filter option value, which may contain the special character ":" used to separate values, or one of the escaping characters "\'".

A second level escaping affects the whole filter description, which may contain the escaping characters "\'" or the special characters "[],;" used by the filtergraph description.

Finally, when you specify a filtergraph on a shell commandline, you need to perform a third level escaping for the shell special characters contained within it.

For example, consider the following string to be embedded in the drawtext filter description text value:

        this is a 'string': may contain one, or more, special characters

This string contains the "'" special escaping character, and the ":" special character, so it needs to be escaped in this way:

        text=this is a \'string\'\: may contain one, or more, special characters

A second level of escaping is required when embedding the filter description in a filtergraph description, in order to escape all the filtergraph special characters. Thus the example above becomes:

        drawtext=text=this is a \\\'string\\\'\\: may contain one\, or more\, special characters

(note that in addition to the "\'" escaping special characters, also "," needs to be escaped).

Finally an additional level of escaping is needed when writing the filtergraph description in a shell command, which depends on the escaping rules of the adopted shell. For example, assuming that "\" is special and needs to be escaped with another "\", the previous string will finally result in:

        -vf "drawtext=text=this is a \\\\\\'string\\\\\\'\\\\: may contain one\\, or more\\, special characters"

In order to avoid cumbersome escaping when using a commandline tool accepting a filter specification as input, it is advisable to avoid direct inclusion of the filter or options specification in the shell.

For example, in case of the drawtext filter, you might prefer to use the textfile option in place of text to specify the text to render.

TIMELINE EDITING
Some filters support a generic enable option. For the filters supporting timeline editing, this option can be set to an expression which is evaluated before sending a frame to the filter. If the evaluation is non-zero, the filter will be enabled, otherwise the frame will be sent unchanged to the next filter in the filtergraph.

The expression accepts the following values:

t   timestamp expressed in seconds, NAN if the input timestamp is unknown

n   sequential number of the input frame, starting from 0

pos the position in the file of the input frame, NAN if unknown; deprecated, do not use

w
h   width and height of the input frame if video

Additionally, these filters support an enable command that can be used to re-define the expression.

Like any other filtering option, the enable option follows the same rules.

For example, to enable a blur filter (smartblur) from 10 seconds to 3 minutes, and a curves filter starting at 3 seconds:

        smartblur = enable='between(t,10,3*60)',
        curves    = enable='gte(t,3)' : preset=cross_process

See "ffmpeg -filters" to view which filters have timeline support.

CHANGING OPTIONS AT RUNTIME WITH A COMMAND
Some options can be changed during the operation of the filter using a command. These options are marked 'T' on the output of ffmpeg -h filter=<name of filter>. The name of the command is the name of the option and the argument is the new value.

OPTIONS FOR FILTERS WITH SEVERAL INPUTS
Some filters with several inputs support a common set of options. These options can only be set by name, not with the short notation.

eof_action
    The action to take when EOF is encountered on the secondary input; it accepts one of the following values:

    repeat
        Repeat the last frame (the default).

    endall
        End both streams.

    pass
        Pass the main input through.

shortest
    If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

repeatlast
    If set to 1, force the filter to extend the last frame of secondary streams until the end of the primary stream. A value of 0 disables this behavior. Default value is 1.

ts_sync_mode
    How strictly to sync streams based on secondary input timestamps; it accepts one of the following values:

    default
        Frame from secondary input with the nearest lower or equal timestamp to the primary input frame.

    nearest
        Frame from secondary input with the absolute nearest timestamp to the primary input frame.

AUDIO FILTERS
When you configure your FFmpeg build, you can disable any of the existing filters using "--disable-filters". The configure output will show the audio filters included in your build.

Below is a description of the currently available audio filters.

  aap
Apply Affine Projection algorithm to the first audio stream using the second audio stream.

This adaptive filter is used to estimate unknown audio based on multiple input audio samples. Affine projection algorithm can make trade-offs between computation complexity with convergence speed.

A description of the accepted options follows.

order
    Set the filter order.

projection
    Set the projection order.

mu  Set the filter mu.

delta
    Set the coefficient to initialize internal covariance matrix.

out_mode
    Set the filter output samples. It accepts the following values:

    i   Pass the 1st input.

    d   Pass the 2nd input.

    o   Pass difference between desired, 2nd input and error signal estimate.

    n   Pass difference between input, 1st input and error signal estimate.

    e   Pass error signal estimated samples.

        Default value is o.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

  acompressor
A compressor is mainly used to reduce the dynamic range of a signal. Especially modern music is mostly compressed at a high ratio to improve the overall loudness. It's done to get the highest attention of a listener, "fatten" the sound and bring more "power" to the track. If a signal is compressed too much it may sound dull or "dead" afterwards or it may start to "pump" (which could be a powerful effect but can also destroy a track completely). The right compression is the key to reach a professional sound and is the high art of mixing and mastering. Because of its complex settings it may take a long time to get the right feeling for this kind of effect.

Compression is done by detecting the volume above a chosen level "threshold" and dividing it by the factor set with "ratio". So if you set the threshold to -12dB and your signal reaches -6dB a ratio of 2:1 will result in a signal at -9dB. Because an exact manipulation of the signal would cause distortion of the waveform the reduction can be levelled over the time. This is done by setting "Attack" and "Release". "attack" determines how long the signal has to rise above the threshold before any reduction will occur and "release" sets the time the signal has to fall below the threshold to reduce the reduction again. Shorter signals than the chosen attack time will be left untouched. The overall reduction of the signal can be made up afterwards with the "makeup" setting. So compressing the peaks of a signal about 6dB and raising the makeup to this level results in a signal twice as loud than the source. To gain a softer entry in the compression the "knee" flattens the hard edge at the threshold in the range of the chosen decibels.

The filter accepts the following options:

level_in
    Set input gain. Default is 1. Range is between 0.015625 and 64.

mode
    Set mode of compressor operation. Can be "upward" or "downward". Default is "downward".

threshold
    If a signal of stream rises above this level it will affect the gain reduction. By default it is 0.125. Range is between 0.00097563 and 1.

ratio
    Set a ratio by which the signal is reduced. 1:2 means that if the level rose 4dB above the threshold, it will be only 2dB above after the reduction. Default is 2. Range is between 1 and 20.

attack
    Amount of milliseconds the signal has to rise above the threshold before gain reduction starts. Default is 20. Range is between 0.01 and 2000.

release
    Amount of milliseconds the signal has to fall below the threshold before reduction is decreased again. Default is 250. Range is between 0.01 and 9000.

makeup
    Set the amount by how much signal will be amplified after processing. Default is 1. Range is from 1 to 64.

knee
    Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.82843. Range is between 1 and 8.

link
    Choose if the "average" level between all channels of input stream or the louder("maximum") channel of input stream affects the reduction. Default is "average".

detection
    Should the exact signal be taken in case of "peak" or an RMS one in case of "rms". Default is "rms" which is mostly smoother.

mix How much to use compressed signal in output. Default is 1. Range is between 0 and 1.

Commands

This filter supports the all above options as commands.

  acontrast
Simple audio dynamic range compression/expansion filter.

The filter accepts the following options:

contrast
    Set contrast. Default is 33. Allowed range is between 0 and 100.

  acopy
Copy the input audio source unchanged to the output. This is mainly useful for testing purposes.

  acrossfade
Apply cross fade from one input audio stream to another input audio stream. The cross fade is applied for specified duration near the end of first stream.

The filter accepts the following options:

inputs, n
    Specify the number of inputs to crossfade. When crossfading multiple inputs, each input will be concatenated and crossfaded in sequence, similar to the concat filter. Default is 2.

nb_samples, ns
    Specify the number of samples for which the cross fade effect has to last. At the end of the cross fade effect the first input audio will be completely silent. Default is 44100.

duration, d
    Specify the duration of the cross fade effect. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. By default the duration is determined by nb_samples. If set this option is used instead of nb_samples.

overlap, o
    Should first stream end overlap with second stream start. Default is enabled.

curve1
    Set curve for cross fade transition for first stream.

curve2
    Set curve for cross fade transition for second stream.

    For description of available curve types see afade filter description.

Examples

•   Cross fade from one input to another:

            ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:c1=exp:c2=exp output.flac

•   Cross fade from one input to another but without overlapping:

            ffmpeg -i first.flac -i second.flac -filter_complex acrossfade=d=10:o=0:c1=exp:c2=exp output.flac

    Concatenate multiple inputs with cross fade between each:

            ffmpeg -i first.flac -i second.flac -i third.flac -filter_complex acrossfade=n=3 output.flac

  acrossover
Split audio stream into several bands.

This filter splits audio stream into two or more frequency ranges. Summing all streams back will give flat output.

The filter accepts the following options:

split
    Set split frequencies. Those must be positive and increasing.

order
    Set filter order for each band split. This controls filter roll-off or steepness of filter transfer function. Available values are:

    2nd 12 dB per octave.

    4th 24 dB per octave.

    6th 36 dB per octave.

    8th 48 dB per octave.

    10th
        60 dB per octave.

    12th
        72 dB per octave.

    14th
        84 dB per octave.

    16th
        96 dB per octave.

    18th
        108 dB per octave.

    20th
        120 dB per octave.

    Default is 4th.

level
    Set input gain level. Allowed range is from 0 to 1. Default value is 1.

gains
    Set output gain for each band. Default value is 1 for all bands.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

    Default value is "auto".

Examples

•   Split input audio stream into two bands (low and high) with split frequency of 1500 Hz, each band will be in separate stream:

            ffmpeg -i in.flac -filter_complex 'acrossover=split=1500[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav

•   Same as above, but with higher filter order:

            ffmpeg -i in.flac -filter_complex 'acrossover=split=1500:order=8th[LOW][HIGH]' -map '[LOW]' low.wav -map '[HIGH]' high.wav

•   Same as above, but also with additional middle band (frequencies between 1500 and 8000):

            ffmpeg -i in.flac -filter_complex 'acrossover=split=1500 8000:order=8th[LOW][MID][HIGH]' -map '[LOW]' low.wav -map '[MID]' mid.wav -map '[HIGH]' high.wav

  acrusher
Reduce audio bit resolution.

This filter is bit crusher with enhanced functionality. A bit crusher is used to audibly reduce number of bits an audio signal is sampled with. This doesn't change the bit depth at all, it just produces the effect. Material reduced in bit depth sounds more harsh and "digital". This filter is able to even round to continuous values instead of discrete bit depths. Additionally it has a D/C offset which results in different crushing of the lower and the upper half of the signal. An Anti-Aliasing setting is able to produce "softer" crushing sounds.

Another feature of this filter is the logarithmic mode. This setting switches from linear distances between bits to logarithmic ones. The result is a much more "natural" sounding crusher which doesn't gate low signals for example. The human ear has a logarithmic perception, so this kind of crushing is much more pleasant. Logarithmic crushing is also able to get anti-aliased.

The filter accepts the following options:

level_in
    Set level in.

level_out
    Set level out.

bits
    Set bit reduction.

mix Set mixing amount.

mode
    Can be linear: "lin" or logarithmic: "log".

dc  Set DC.

aa  Set anti-aliasing.

samples
    Set sample reduction.

lfo Enable LFO. By default disabled.

lforange
    Set LFO range.

lforate
    Set LFO rate.

Commands

This filter supports the all above options as commands.

  acue
Delay audio filtering until a given wallclock timestamp. See the cue filter.

  adeclick
Remove impulsive noise from input audio.

Samples detected as impulsive noise are replaced by interpolated samples using autoregressive modelling.

window, w
    Set window size, in milliseconds. Allowed range is from 10 to 100. Default value is 55 milliseconds. This sets size of window which will be processed at once.

overlap, o
    Set window overlap, in percentage of window size. Allowed range is from 50 to 95. Default value is 75 percent. Setting this to a very high value increases impulsive noise removal but makes whole process much slower.

arorder, a
    Set autoregression order, in percentage of window size. Allowed range is from 0 to 25. Default value is 2 percent. This option also controls quality of interpolated samples using neighbour good samples.

threshold, t
    Set threshold value. Allowed range is from 1 to 100. Default value is 2. This controls the strength of impulsive noise which is going to be removed. The lower value, the more samples will be detected as impulsive noise.

burst, b
    Set burst fusion, in percentage of window size. Allowed range is 0 to 10. Default value is 2. If any two samples detected as noise are spaced less than this value then any sample between those two samples will be also detected as noise.

method, m
    Set overlap method.

    It accepts the following values:

    add, a
        Select overlap-add method. Even not interpolated samples are slightly changed with this method.

    save, s
        Select overlap-save method. Not interpolated samples remain unchanged.

    Default value is "a".

  adeclip
Remove clipped samples from input audio.

Samples detected as clipped are replaced by interpolated samples using autoregressive modelling.

window, w
    Set window size, in milliseconds. Allowed range is from 10 to 100. Default value is 55 milliseconds. This sets size of window which will be processed at once.

overlap, o
    Set window overlap, in percentage of window size. Allowed range is from 50 to 95. Default value is 75 percent.

arorder, a
    Set autoregression order, in percentage of window size. Allowed range is from 0 to 25. Default value is 8 percent. This option also controls quality of interpolated samples using neighbour good samples.

threshold, t
    Set threshold value. Allowed range is from 1 to 100. Default value is 10. Higher values make clip detection less aggressive.

hsize, n
    Set size of histogram used to detect clips. Allowed range is from 100 to 9999. Default value is 1000. Higher values make clip detection less aggressive.

method, m
    Set overlap method.

    It accepts the following values:

    add, a
        Select overlap-add method. Even not interpolated samples are slightly changed with this method.

    save, s
        Select overlap-save method. Not interpolated samples remain unchanged.

    Default value is "a".

  adecorrelate
Apply decorrelation to input audio stream.

The filter accepts the following options:

stages
    Set decorrelation stages of filtering. Allowed range is from 1 to 16. Default value is 6.

seed
    Set random seed used for setting delay in samples across channels.

  adelay
Delay one or more audio channels.

Samples in delayed channel are filled with silence.

The filter accepts the following option:

delays
    Set list of delays in milliseconds for each channel separated by '|'. Unused delays will be silently ignored. If number of given delays is smaller than number of channels all remaining channels will not be delayed. If you want to delay exact number of samples, append 'S' to number. If you want instead to delay in seconds, append 's' to number.

all Use last set delay for all remaining channels. By default is disabled. This option if enabled changes how option "delays" is interpreted.

Examples

•   Delay first channel by 1.5 seconds, the third channel by 0.5 seconds and leave the second channel (and any other channels that may be present) unchanged.

            adelay=1500|0|500

•   Delay second channel by 500 samples, the third channel by 700 samples and leave the first channel (and any other channels that may be present) unchanged.

            adelay=0|500S|700S

•   Delay all channels by same number of samples:

            adelay=delays=64S:all=1

  adenorm
Remedy denormals in audio by adding extremely low-level noise.

This filter shall be placed before any filter that can produce denormals.

A description of the accepted parameters follows.

level
    Set level of added noise in dB. Default is "-351". Allowed range is from -451 to -90.

type
    Set type of added noise.

    dc  Add DC signal.

    ac  Add AC signal.

    square
        Add square signal.

    pulse
        Add pulse signal.

    Default is "dc".

Commands

This filter supports the all above options as commands.

  aderivative, aintegral
Compute derivative/integral of audio stream.

Applying both filters one after another produces original audio.

  adrc
Apply spectral dynamic range controller filter to input audio stream.

A description of the accepted options follows.

transfer
    Set the transfer expression.

    The expression can contain the following constants:

    ch  current channel number

    sn  current sample number

    nb_channels
        number of channels

    t   timestamp expressed in seconds

    sr  sample rate

    p   current frequency power value, in dB

    f   current frequency in Hz

    Default value is "p".

attack
    Set the attack in milliseconds. Default is 50 milliseconds. Allowed range is from 1 to 1000 milliseconds.

release
    Set the release in milliseconds. Default is 100 milliseconds. Allowed range is from 5 to 2000 milliseconds.

channels
    Set which channels to filter, by default "all" channels in audio stream are filtered.

Commands

This filter supports the all above options as commands.

Examples

•   Apply spectral compression to all frequencies with threshold of -50 dB and 1:6 ratio:

            adrc=transfer='if(gt(p,-50),-50+(p-(-50))/6,p)':attack=50:release=100

•   Similar to above but with 1:2 ratio and filtering only front center channel:

            adrc=transfer='if(gt(p,-50),-50+(p-(-50))/2,p)':attack=50:release=100:channels=FC

•   Apply spectral noise gate to all frequencies with threshold of -85 dB and with short attack time and short release time:

            adrc=transfer='if(lte(p,-85),p-800,p)':attack=1:release=5

•   Apply spectral expansion to all frequencies with threshold of -10 dB and 1:2 ratio:

            adrc=transfer='if(lt(p,-10),-10+(p-(-10))*2,p)':attack=50:release=100

•   Apply limiter to max -60 dB to all frequencies, with attack of 2 ms and release of 10 ms:

            adrc=transfer='min(p,-60)':attack=2:release=10

  adynamicequalizer
Apply dynamic equalization to input audio stream.

A description of the accepted options follows.

threshold
    Set the detection threshold used to trigger equalization. Threshold detection is using detection filter. Default value is 0. Allowed range is from 0 to 100.

dfrequency
    Set the detection frequency in Hz used for detection filter used to trigger equalization. Default value is 1000 Hz. Allowed range is between 2 and 1000000 Hz.

dqfactor
    Set the detection resonance factor for detection filter used to trigger equalization. Default value is 1. Allowed range is from 0.001 to 1000.

tfrequency
    Set the target frequency of equalization filter. Default value is 1000 Hz. Allowed range is between 2 and 1000000 Hz.

tqfactor
    Set the target resonance factor for target equalization filter. Default value is 1. Allowed range is from 0.001 to 1000.

attack
    Set the amount of milliseconds the signal from detection has to rise above the detection threshold before equalization starts. Default is 20. Allowed range is between 1 and 2000.

release
    Set the amount of milliseconds the signal from detection has to fall below the detection threshold before equalization ends. Default is 200. Allowed range is between 1 and 2000.

ratio
    Set the ratio by which the equalization gain is raised. Default is 1. Allowed range is between 0 and 30.

makeup
    Set the makeup offset by which the equalization gain is raised. Default is 0. Allowed range is between 0 and 100.

range
    Set the max allowed cut/boost amount. Default is 50. Allowed range is from 1 to 200.

mode
    Set the mode of filter operation, can be one of the following:

    listen
        Output only isolated detection signal.

    cutbelow
        Cut frequencies below detection threshold.

    cutabove
        Cut frequencies above detection threshold.

    boostbelow
        Boost frequencies below detection threshold.

    boostabove
        Boost frequencies above detection threshold.

    Default mode is cutbelow.

dftype
    Set the type of detection filter, can be one of the following:

    bandpass
    lowpass
    highpass
    peak

    Default type is bandpass.

tftype
    Set the type of target filter, can be one of the following:

    bell
    lowshelf
    highshelf

    Default type is bell.

auto
    Automatically gather threshold from detection filter. By default is disabled. This option is useful to detect threshold in certain time frame of input audio stream, in such case option value is changed at runtime.

    Available values are:

    disabled
        Disable using automatically gathered threshold value.

    off Stop picking threshold value.

    on  Start picking threshold value.

    adaptive
        Adaptively pick threshold value, by calculating sliding window entropy.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

Commands

This filter supports the all above options as commands.

  adynamicsmooth
Apply dynamic smoothing to input audio stream.

A description of the accepted options follows.

sensitivity
    Set an amount of sensitivity to frequency fluctations. Default is 2. Allowed range is from 0 to 1e+06.

basefreq
    Set a base frequency for smoothing. Default value is 22050. Allowed range is from 2 to 1e+06.

Commands

This filter supports the all above options as commands.

  aecho
Apply echoing to the input audio.

Echoes are reflected sound and can occur naturally amongst mountains (and sometimes large buildings) when talking or shouting; digital echo effects emulate this behaviour and are often used to help fill out the sound of a single instrument or vocal. The time difference between the original signal and the reflection is the "delay", and the loudness of the reflected signal is the "decay". Multiple echoes can have different delays and decays.

A description of the accepted parameters follows.

in_gain
    Set input gain of reflected signal. Default is 0.6.

out_gain
    Set output gain of reflected signal. Default is 0.3.

delays
    Set list of time intervals in milliseconds between original signal and reflections separated by '|'. Allowed range for each "delay" is "(0 - 90000.0]". Default is 1000.

decays
    Set list of loudness of reflected signals separated by '|'. Allowed range for each "decay" is "(0 - 1.0]". Default is 0.5.

Examples

•   Make it sound as if there are twice as many instruments as are actually playing:

            aecho=0.8:0.88:60:0.4

•   If delay is very short, then it sounds like a (metallic) robot playing music:

            aecho=0.8:0.88:6:0.4

•   A longer delay will sound like an open air concert in the mountains:

            aecho=0.8:0.9:1000:0.3

•   Same as above but with one more mountain:

            aecho=0.8:0.9:1000|1800:0.3|0.25

  aemphasis
Audio emphasis filter creates or restores material directly taken from LPs or emphased CDs with different filter curves. E.g. to store music on vinyl the signal has to be altered by a filter first to even out the disadvantages of this recording medium. Once the material is played back the inverse filter has to be applied to restore the distortion of the frequency response.

The filter accepts the following options:

level_in
    Set input gain.

level_out
    Set output gain.

mode
    Set filter mode. For restoring material use "reproduction" mode, otherwise use "production" mode. Default is "reproduction" mode.

type
    Set filter type. Selects medium. Can be one of the following:

    col select Columbia.

    emi select EMI.

    bsi select BSI (78RPM).

    riaa
        select RIAA.

    cd  select Compact Disc (CD).

    50fm
        select 50Xs (FM).

    75fm
        select 75Xs (FM).

    50kf
        select 50Xs (FM-KF).

    75kf
        select 75Xs (FM-KF).

Commands

This filter supports the all above options as commands.

  aeval
Modify an audio signal according to the specified expressions.

This filter accepts one or more expressions (one for each channel), which are evaluated and used to modify a corresponding audio signal.

It accepts the following parameters:

exprs
    Set the '|'-separated expressions list for each separate channel. If the number of input channels is greater than the number of expressions, the last specified expression is used for the remaining output channels.

channel_layout, c
    Set output channel layout. If not specified, the channel layout is specified by the number of expressions. If set to same, it will use by default the same input channel layout.

Each expression in exprs can contain the following constants and functions:

ch  channel number of the current expression

n   number of the evaluated sample, starting from 0

s   sample rate

t   time of the evaluated sample expressed in seconds

nb_in_channels
nb_out_channels
    input and output number of channels

val(CH)
    the value of input channel with number CH

Note: this filter is slow. For faster processing you should use a dedicated filter.

Examples

•   Half volume:

            aeval=val(ch)/2:c=same

•   Invert phase of the second channel:

            aeval=val(0)|-val(1)

  aexciter
An exciter is used to produce high sound that is not present in the original signal. This is done by creating harmonic distortions of the signal which are restricted in range and added to the original signal. An Exciter raises the upper end of an audio signal without simply raising the higher frequencies like an equalizer would do to create a more "crisp" or "brilliant" sound.

The filter accepts the following options:

level_in
    Set input level prior processing of signal. Allowed range is from 0 to 64. Default value is 1.

level_out
    Set output level after processing of signal. Allowed range is from 0 to 64. Default value is 1.

amount
    Set the amount of harmonics added to original signal. Allowed range is from 0 to 64. Default value is 1.

drive
    Set the amount of newly created harmonics. Allowed range is from 0.1 to 10. Default value is 8.5.

blend
    Set the octave of newly created harmonics. Allowed range is from -10 to 10. Default value is 0.

freq
    Set the lower frequency limit of producing harmonics in Hz. Allowed range is from 2000 to 12000 Hz. Default is 7500 Hz.

ceil
    Set the upper frequency limit of producing harmonics. Allowed range is from 9999 to 20000 Hz. If value is lower than 10000 Hz no limit is applied.

listen
    Mute the original signal and output only added harmonics. By default is disabled.

Commands

This filter supports the all above options as commands.

  afade
Apply fade-in/out effect to input audio.

A description of the accepted parameters follows.

type, t
    Specify the effect type, can be either "in" for fade-in, or "out" for a fade-out effect. Default is "in".

start_sample, ss
    Specify the number of the start sample for starting to apply the fade effect. Default is 0.

nb_samples, ns
    Specify the number of samples for which the fade effect has to last. At the end of the fade-in effect the output audio will have the same volume as the input audio, at the end of the fade-out transition the output audio will be silence. Default is 44100.

start_time, st
    Specify the start time of the fade effect. Default is 0. The value must be specified as a time duration; see the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. If set this option is used instead of start_sample.

duration, d
    Specify the duration of the fade effect. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. At the end of the fade-in effect the output audio will have the same volume as the input audio, at the end of the fade-out transition the output audio will be silence. By default the duration is determined by nb_samples. If set this option is used instead of nb_samples.

curve
    Set curve for fade transition.

    It accepts the following values:

    tri select triangular, linear slope (default)

    qsin
        select quarter of sine wave

    hsin
        select half of sine wave

    esin
        select exponential sine wave

    log select logarithmic

    ipar
        select inverted parabola

    qua select quadratic

    cub select cubic

    squ select square root

    cbr select cubic root

    par select parabola

    exp select exponential

    iqsin
        select inverted quarter of sine wave

    ihsin
        select inverted half of sine wave

    dese
        select double-exponential seat

    desi
        select double-exponential sigmoid

    losi
        select logistic sigmoid

    sinc
        select sine cardinal function

    isinc
        select inverted sine cardinal function

    quat
        select quartic

    quatr
        select quartic root

    qsin2
        select squared quarter of sine wave

    hsin2
        select squared half of sine wave

    nofade
        no fade applied

silence
    Set the initial gain for fade-in or final gain for fade-out. Default value is 0.0.

unity
    Set the initial gain for fade-out or final gain for fade-in. Default value is 1.0.

Commands

This filter supports the all above options as commands.

Examples

•   Fade in first 15 seconds of audio:

            afade=t=in:ss=0:d=15

•   Fade out last 25 seconds of a 900 seconds audio:

            afade=t=out:st=875:d=25

  afftdn
Denoise audio samples with FFT.

A description of the accepted parameters follows.

noise_reduction, nr
    Set the noise reduction in dB, allowed range is 0.01 to 97. Default value is 12 dB.

noise_floor, nf
    Set the noise floor in dB, allowed range is -80 to -20. Default value is -50 dB.

noise_type, nt
    Set the noise type.

    It accepts the following values:

    white, w
        Select white noise.

    vinyl, v
        Select vinyl noise.

    shellac, s
        Select shellac noise.

    custom, c
        Select custom noise, defined in "bn" option.

        Default value is white noise.

band_noise, bn
    Set custom band noise profile for every one of 15 bands. Bands are separated by ' ' or '|'.

residual_floor, rf
    Set the residual floor in dB, allowed range is -80 to -20. Default value is -38 dB.

track_noise, tn
    Enable noise floor tracking. By default is disabled. With this enabled, noise floor is automatically adjusted.

track_residual, tr
    Enable residual tracking. By default is disabled.

output_mode, om
    Set the output mode.

    It accepts the following values:

    input, i
        Pass input unchanged.

    output, o
        Pass noise filtered out.

    noise, n
        Pass only noise.

        Default value is output.

adaptivity, ad
    Set the adaptivity factor, used how fast to adapt gains adjustments per each frequency bin. Value 0 enables instant adaptation, while higher values react much slower. Allowed range is from 0 to 1. Default value is 0.5.

floor_offset, fo
    Set the noise floor offset factor. This option is used to adjust offset applied to measured noise floor. It is only effective when noise floor tracking is enabled. Allowed range is from -2.0 to 2.0. Default value is 1.0.

noise_link, nl
    Set the noise link used for multichannel audio.

    It accepts the following values:

    none
        Use unchanged channel's noise floor.

    min Use measured min noise floor of all channels.

    max Use measured max noise floor of all channels.

    average
        Use measured average noise floor of all channels.

        Default value is min.

band_multiplier, bm
    Set the band multiplier factor, used how much to spread bands across frequency bins. Allowed range is from 0.2 to 5. Default value is 1.25.

sample_noise, sn
    Toggle capturing and measurement of noise profile from input audio.

    It accepts the following values:

    start, begin
        Start sample noise capture.

    stop, end
        Stop sample noise capture and measure new noise band profile.

        Default value is "none".

gain_smooth, gs
    Set gain smooth spatial radius, used to smooth gains applied to each frequency bin. Useful to reduce random music noise artefacts. Higher values increases smoothing of gains. Allowed range is from 0 to 50. Default value is 0.

Commands

This filter supports the some above mentioned options as commands.

Examples

•   Reduce white noise by 10dB, and use previously measured noise floor of -40dB:

            afftdn=nr=10:nf=-40

•   Reduce white noise by 10dB, also set initial noise floor to -80dB and enable automatic tracking of noise floor so noise floor will gradually change during processing:

            afftdn=nr=10:nf=-80:tn=1

•   Reduce noise by 20dB, using noise floor of -40dB and using commands to take noise profile of first 0.4 seconds of input audio:

            asendcmd=0.0 afftdn sn start,asendcmd=0.4 afftdn sn stop,afftdn=nr=20:nf=-40

  afftfilt
Apply arbitrary expressions to samples in frequency domain.

real
    Set frequency domain real expression for each separate channel separated by '|'. Default is "re". If the number of input channels is greater than the number of expressions, the last specified expression is used for the remaining output channels.

imag
    Set frequency domain imaginary expression for each separate channel separated by '|'. Default is "im".

    Each expression in real and imag can contain the following constants and functions:

    sr  sample rate

    b   current frequency bin number

    nb  number of available bins

    ch  channel number of the current expression

    chs number of channels

    pts current frame pts

    re  current real part of frequency bin of current channel

    im  current imaginary part of frequency bin of current channel

    real(b, ch)
        Return the value of real part of frequency bin at location (bin,channel)

    imag(b, ch)
        Return the value of imaginary part of frequency bin at location (bin,channel)

win_size
    Set window size. Allowed range is from 16 to 131072. Default is 4096

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann, hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default is "hann".

overlap
    Set window overlap. If set to 1, the recommended overlap for selected window function will be picked. Default is 0.75.

Examples

•   Leave almost only low frequencies in audio:

            afftfilt="'real=re * (1-clip((b/nb)*b,0,1))':imag='im * (1-clip((b/nb)*b,0,1))'"

•   Apply robotize effect:

            afftfilt="real='hypot(re,im)*sin(0)':imag='hypot(re,im)*cos(0)':win_size=512:overlap=0.75"

•   Apply whisper effect:

            afftfilt="real='hypot(re,im)*cos((random(0)*2-1)*2*3.14)':imag='hypot(re,im)*sin((random(1)*2-1)*2*3.14)':win_size=128:overlap=0.8"

•   Apply phase shift:

            afftfilt="real=re*cos(1)-im*sin(1):imag=re*sin(1)+im*cos(1)"

  afir
Apply an arbitrary Finite Impulse Response filter.

This filter is designed for applying long FIR filters, up to 60 seconds long.

It can be used as component for digital crossover filters, room equalization, cross talk cancellation, wavefield synthesis, auralization, ambiophonics, ambisonics and spatialization.

This filter uses the streams higher than first one as FIR coefficients. If the non-first stream holds a single channel, it will be used for all input channels in the first stream, otherwise the number of channels in the non-first stream must be same as the number of channels in the first stream.

It accepts the following parameters:

dry Set dry gain. This sets input gain.

wet Set wet gain. This sets final output gain.

length
    Set Impulse Response filter length. Default is 1, which means whole IR is processed.

gtype
    This option is deprecated, and does nothing.

irnorm
    Set norm to be applied to IR coefficients before filtering. Allowed range is from -1 to 2. IR coefficients are normalized with calculated vector norm set by this option. For negative values, no norm is calculated, and IR coefficients are not modified at all. Default is 1.

irlink
    For multichannel IR if this option is set to true, all IR channels will be normalized with maximal measured gain of all IR channels coefficients as set by "irnorm" option. When disabled, all IR coefficients in each IR channel will be normalized independently. Default is true.

irgain
    Set gain to be applied to IR coefficients before filtering. Allowed range is 0 to 1. This gain is applied after any gain applied with irnorm option.

irfmt
    Set format of IR stream. Can be "mono" or "input". Default is "input".

maxir
    Set max allowed Impulse Response filter duration in seconds. Default is 30 seconds. Allowed range is 0.1 to 60 seconds.

response
    This option is deprecated, and does nothing.

channel
    This option is deprecated, and does nothing.

size
    This option is deprecated, and does nothing.

rate
    This option is deprecated, and does nothing.

minp
    Set minimal partition size used for convolution. Default is 8192. Allowed range is from 1 to 65536. Lower values decreases latency at cost of higher CPU usage.

maxp
    Set maximal partition size used for convolution. Default is 8192. Allowed range is from 8 to 65536. Lower values may increase CPU usage.

nbirs
    Set number of input impulse responses streams which will be switchable at runtime. Allowed range is from 1 to 32. Default is 1.

ir  Set IR stream which will be used for convolution, starting from 0, should always be lower than supplied value by "nbirs" option. Default is 0. This option can be changed at runtime via commands.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

    Default value is auto.

irload
    Set when to load IR stream. Can be "init" or "access". First one load and prepares all IRs on initialization, second one once on first access of specific IR. Default is "init".

Examples

•   Apply reverb to stream using mono IR file as second input, complete command using ffmpeg:

            ffmpeg -i input.wav -i middle_tunnel_1way_mono.wav -lavfi afir output.wav

•   Apply true stereo processing given input stereo stream, and two stereo impulse responses for left and right channel, the impulse response files are files with names l_ir.wav and r_ir.wav, and setting irnorm option value:

            "pan=4C|c0=FL|c1=FL|c2=FR|c3=FR[a];amovie=l_ir.wav[LIR];amovie=r_ir.wav[RIR];[LIR][RIR]amerge[ir];[a][ir]afir=irfmt=input:irnorm=1.2,pan=stereo|FL<c0+c2|FR<c1+c3"

•   Similar to above example, but with "irgain" explicitly set to estimated value and with "irnorm" disabled:

            "pan=4C|c0=FL|c1=FL|c2=FR|c3=FR[a];amovie=l_ir.wav[LIR];amovie=r_ir.wav[RIR];[LIR][RIR]amerge[ir];[a][ir]afir=irfmt=input:irgain=-5dB:irnom=-1,pan=stereo|FL<c0+c2|FR<c1+c3"

  aformat
Set output format constraints for the input audio. The framework will negotiate the most appropriate format to minimize conversions.

It accepts the following parameters:

sample_fmts, f
    A '|'-separated list of requested sample formats.

sample_rates, r
    A '|'-separated list of requested sample rates.

channel_layouts, cl
    A '|'-separated list of requested channel layouts.

    See the Channel Layout section in the ffmpeg-utils(1) manual for the required syntax.

If a parameter is omitted, all values are allowed.

Force the output to either unsigned 8-bit or signed 16-bit stereo

        aformat=sample_fmts=u8|s16:channel_layouts=stereo

  afreqshift
Apply frequency shift to input audio samples.

The filter accepts the following options:

shift
    Specify frequency shift. Allowed range is -INT_MAX to INT_MAX. Default value is 0.0.

level
    Set output gain applied to final output. Allowed range is from 0.0 to 1.0. Default value is 1.0.

order
    Set filter order used for filtering. Allowed range is from 1 to 16. Default value is 8.

Commands

This filter supports the all above options as commands.

  afwtdn
Reduce broadband noise from input samples using Wavelets.

A description of the accepted options follows.

sigma
    Set the noise sigma, allowed range is from 0 to 1. Default value is 0. This option controls strength of denoising applied to input samples. Most useful way to set this option is via decibels, eg. -45dB.

levels
    Set the number of wavelet levels of decomposition. Allowed range is from 1 to 12. Default value is 10. Setting this too low make denoising performance very poor.

wavet
    Set wavelet type for decomposition of input frame. They are sorted by number of coefficients, from lowest to highest. More coefficients means worse filtering speed, but overall better quality. Available wavelets are:

    sym2
    sym4
    rbior68
    deb10
    sym10
    coif5
    bl3
percent
    Set percent of full denoising. Allowed range is from 0 to 100 percent. Default value is 85 percent or partial denoising.

profile
    If enabled, first input frame will be used as noise profile. If first frame samples contain non-noise performance will be very poor.

adaptive
    If enabled, input frames are analyzed for presence of noise. If noise is detected with high possibility then input frame profile will be used for processing following frames, until new noise frame is detected.

samples
    Set size of single frame in number of samples. Allowed range is from 512 to 65536. Default frame size is 8192 samples.

softness
    Set softness applied inside thresholding function. Allowed range is from 0 to 10. Default softness is 1.

Commands

This filter supports the all above options as commands.

  agate
A gate is mainly used to reduce lower parts of a signal. This kind of signal processing reduces disturbing noise between useful signals.

Gating is done by detecting the volume below a chosen level threshold and dividing it by the factor set with ratio. The bottom of the noise floor is set via range. Because an exact manipulation of the signal would cause distortion of the waveform the reduction can be levelled over time. This is done by setting attack and release.

attack determines how long the signal has to fall below the threshold before any reduction will occur and release sets the time the signal has to rise above the threshold to reduce the reduction again. Shorter signals than the chosen attack time will be left untouched.

level_in
    Set input level before filtering. Default is 1. Allowed range is from 0.015625 to 64.

mode
    Set the mode of operation. Can be "upward" or "downward". Default is "downward". If set to "upward" mode, higher parts of signal will be amplified, expanding dynamic range in upward direction. Otherwise, in case of "downward" lower parts of signal will be reduced.

range
    Set the level of gain reduction when the signal is below the threshold. Default is 0.06125. Allowed range is from 0 to 1. Setting this to 0 disables reduction and then filter behaves like expander.

threshold
    If a signal rises above this level the gain reduction is released. Default is 0.125. Allowed range is from 0 to 1.

ratio
    Set a ratio by which the signal is reduced. Default is 2. Allowed range is from 1 to 9000.

attack
    Amount of milliseconds the signal has to rise above the threshold before gain reduction stops. Default is 20 milliseconds. Allowed range is from 0.01 to 9000.

release
    Amount of milliseconds the signal has to fall below the threshold before the reduction is increased again. Default is 250 milliseconds. Allowed range is from 0.01 to 9000.

makeup
    Set amount of amplification of signal after processing. Default is 1. Allowed range is from 1 to 64.

knee
    Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.828427125. Allowed range is from 1 to 8.

detection
    Choose if exact signal should be taken for detection or an RMS like one. Default is "rms". Can be "peak" or "rms".

link
    Choose if the average level between all channels or the louder channel affects the reduction. Default is "average". Can be "average" or "maximum".

Commands

This filter supports the all above options as commands.

  aiir
Apply an arbitrary Infinite Impulse Response filter.

It accepts the following parameters:

zeros, z
    Set B/numerator/zeros/reflection coefficients.

poles, p
    Set A/denominator/poles/ladder coefficients.

gains, k
    Set channels gains.

dry_gain
    Set input gain.

wet_gain
    Set output gain.

format, f
    Set coefficients format.

    ll  lattice-ladder function

    sf  analog transfer function

    tf  digital transfer function

    zp  Z-plane zeros/poles, cartesian (default)

    pr  Z-plane zeros/poles, polar radians

    pd  Z-plane zeros/poles, polar degrees

    sp  S-plane zeros/poles

process, r
    Set type of processing.

    d   direct processing

    s   serial processing

    p   parallel processing

precision, e
    Set filtering precision.

    dbl double-precision floating-point (default)

    flt single-precision floating-point

    i32 32-bit integers

    i16 16-bit integers

normalize, n
    Normalize filter coefficients, by default is enabled. Enabling it will normalize magnitude response at DC to 0dB.

mix How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

response
    Show IR frequency response, magnitude(magenta), phase(green) and group delay(yellow) in additional video stream. By default it is disabled.

channel
    Set for which IR channel to display frequency response. By default is first channel displayed. This option is used only when response is enabled.

size
    Set video stream size. This option is used only when response is enabled.

Coefficients in "tf" and "sf" format are separated by spaces and are in ascending order.

Coefficients in "zp" format are separated by spaces and order of coefficients doesn't matter. Coefficients in "zp" format are complex numbers with i imaginary unit.

Different coefficients and gains can be provided for every channel, in such case use '|' to separate coefficients or gains. Last provided coefficients will be used for all remaining channels.

Examples

•   Apply 2 pole elliptic notch at around 5000Hz for 48000 Hz sample rate:

            aiir=k=1:z=7.957584807809675810E-1 -2.575128568908332300 3.674839853930788710 -2.57512875289799137 7.957586296317130880E-1:p=1 -2.86950072432325953 3.63022088054647218 -2.28075678147272232 6.361362326477423500E-1:f=tf:r=d

•   Same as above but in "zp" format:

            aiir=k=0.79575848078096756:z=0.80918701+0.58773007i 0.80918701-0.58773007i 0.80884700+0.58784055i 0.80884700-0.58784055i:p=0.63892345+0.59951235i 0.63892345-0.59951235i 0.79582691+0.44198673i 0.79582691-0.44198673i:f=zp:r=s

•   Apply 3-rd order analog normalized Butterworth low-pass filter, using analog transfer function format:

            aiir=z=1.3057 0 0 0:p=1.3057 2.3892 2.1860 1:f=sf:r=d

  alimiter
The limiter prevents an input signal from rising over a desired threshold. This limiter uses lookahead technology to prevent your signal from distorting. It means that there is a small delay after the signal is processed. Keep in mind that the delay it produces is the attack time you set.

The filter accepts the following options:

level_in
    Set input gain. Default is 1.

level_out
    Set output gain. Default is 1.

limit
    Don't let signals above this level pass the limiter. Default is 1.

attack
    The limiter will reach its attenuation level in this amount of time in milliseconds. Default is 5 milliseconds.

release
    Come back from limiting to attenuation 1.0 in this amount of milliseconds. Default is 50 milliseconds.

asc When gain reduction is always needed ASC takes care of releasing to an average reduction level rather than reaching a reduction of 0 in the release time.

asc_level
    Select how much the release time is affected by ASC, 0 means nearly no changes in release time while 1 produces higher release times.

level
    Auto level output signal. Default is enabled. This normalizes audio back to 0dB if enabled.

latency
    Compensate the delay introduced by using the lookahead buffer set with attack parameter. Also flush the valid audio data in the lookahead buffer when the stream hits EOF.

Depending on picked setting it is recommended to upsample input 2x or 4x times with aresample before applying this filter.

  allpass
Apply a two-pole all-pass filter with central frequency (in Hz) frequency, and filter-width width. An all-pass filter changes the audio's frequency to phase relationship without changing its frequency to amplitude relationship.

The filter accepts the following options:

frequency, f
    Set frequency in Hz.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

order, o
    Set the filter order, can be 1 or 2. Default is 2.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

Commands

This filter supports the following commands:

frequency, f
    Change allpass frequency. Syntax for the command is : "frequency"

width_type, t
    Change allpass width_type. Syntax for the command is : "width_type"

width, w
    Change allpass width. Syntax for the command is : "width"

mix, m
    Change allpass mix. Syntax for the command is : "mix"

  aloop
Loop audio samples.

The filter accepts the following options:

loop
    Set the number of loops. Setting this value to -1 will result in infinite loops. Default is 0.

size
    Set maximal number of samples. Default is 0.

start
    Set first sample of loop. Default is 0.

time
    Set the time of loop start in seconds. Only used if option named start is set to "-1".

  amerge
Merge two or more audio streams into a single multi-channel stream.

All inputs must have the same sample rate, and format.

If inputs do not have the same duration, the output will stop with the shortest.

The filter accepts the following options:

inputs
    Set the number of inputs. Default is 2.

layout_mode
    This option controls how the output channel layout is determined and if the audio channels are reordered during merge.

    legacy
        This is the mode how the filter behaved historically so it is the default.

        If the channel layouts of the inputs are known and disjoint, and therefore compatible, the channel layout of the output will be set accordingly and the channels will be reordered as necessary. If the channel layouts of the inputs are not disjoint, some of them are unknown, or they are using special channel layouts, such as ambisonics, the output will have all the channels of the first input then all the channels of the second input, in that order, and the channel layout of the output will be the default value corresponding to the total number of channels.

        For example, if the first input is in 2.1 (FL+FR+LF) and the second input is FC+BL+BR, then the output will be in 5.1, with the channels in the following order: a1, a2, b1, a3, b2, b3 (a1 is the first channel of the first input, b1 is the first channel of the second input).

        On the other hand, if both input are in stereo, the output channels will be in the default order: a1, a2, b1, b2, and the channel layout will be arbitrarily set to 4.0, which may or may not be the expected value.

    reset
        This mode ignores the input channel layouts and does no channel reordering. The output will have all the channels of the first input, then all the channels of the second input, in that order, and so on.

        The output channel layout will only specify the total channel count.

    normal
        This mode keeps channel name and designation information from the input channels and does no channel reordering. The output will have all the channels of the first input, then all the channels of the second input, in that order, and so on.

Examples

•   Merge two mono files into a stereo stream:

            amovie=left.wav [l] ; amovie=right.mp3 [r] ; [l] [r] amerge

•   Multiple merges assuming 1 video stream and 6 audio streams in input.mkv:

            ffmpeg -i input.mkv -filter_complex "[0:1][0:2][0:3][0:4][0:5][0:6] amerge=inputs=6" -c:a pcm_s16le output.mkv

  amix
Mixes multiple audio inputs into a single output.

Note that this filter only supports float samples (the amerge and pan audio filters support many formats). If the amix input has integer samples then aresample will be automatically inserted to perform the conversion to float samples.

It accepts the following parameters:

inputs
    The number of inputs. If unspecified, it defaults to 2.

duration
    How to determine the end-of-stream.

    longest
        The duration of the longest input. (default)

    shortest
        The duration of the shortest input.

    first
        The duration of the first input.

dropout_transition
    The transition time, in seconds, for volume renormalization when an input stream ends. The default value is 2 seconds.

weights
    Specify weight of each input audio stream as a sequence of numbers separated by a space. If fewer weights are specified compared to number of inputs, the last weight is assigned to the remaining inputs. Default weight for each input is 1.

normalize
    Always scale inputs instead of only doing summation of samples. Beware of heavy clipping if inputs are not normalized prior or after filtering by this filter if this option is disabled. By default is enabled.

Examples

•   This will mix 3 input audio streams to a single output with the same duration as the first input and a dropout transition time of 3 seconds:

            ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex amix=inputs=3:duration=first:dropout_transition=3 OUTPUT

•   This will mix one vocal and one music input audio stream to a single output with the same duration as the longest input. The music will have quarter the weight as the vocals, and the inputs are not normalized:

            ffmpeg -i VOCALS -i MUSIC -filter_complex amix=inputs=2:duration=longest:dropout_transition=0:weights="1 0.25":normalize=0 OUTPUT

Commands

This filter supports the following commands:

weights
normalize
    Syntax is same as option with same name.

  amultiply
Multiply first audio stream with second audio stream and store result in output audio stream. Multiplication is done by multiplying each sample from first stream with sample at same position from second stream.

With this element-wise multiplication one can create amplitude fades and amplitude modulations.

  anequalizer
High-order parametric multiband equalizer for each channel.

It accepts the following parameters:

params
    This option string is in format: "cchn f=cf w=w g=g t=f | ..." Each equalizer band is separated by '|'.

    chn Set channel number to which equalization will be applied. If input doesn't have that channel the entry is ignored.

    f   Set central frequency for band. If input doesn't have that frequency the entry is ignored.

    w   Set band width in Hertz.

    g   Set band gain in dB.

    t   Set filter type for band, optional, can be:

        0   Butterworth, this is default.

        1   Chebyshev type 1.

        2   Chebyshev type 2.

curves
    With this option activated frequency response of anequalizer is displayed in video stream.

size
    Set video stream size. Only useful if curves option is activated.

mgain
    Set max gain that will be displayed. Only useful if curves option is activated. Setting this to a reasonable value makes it possible to display gain which is derived from neighbour bands which are too close to each other and thus produce higher gain when both are activated.

fscale
    Set frequency scale used to draw frequency response in video output. Can be linear or logarithmic. Default is logarithmic.

colors
    Set color for each channel curve which is going to be displayed in video stream. This is list of color names separated by space or by '|'. Unrecognised or missing colors will be replaced by white color.

Examples

•   Lower gain by 10 of central frequency 200Hz and width 100 Hz for first 2 channels using Chebyshev type 1 filter:

            anequalizer=c0 f=200 w=100 g=-10 t=1|c1 f=200 w=100 g=-10 t=1

Commands

This filter supports the following commands:

change
    Alter existing filter parameters. Syntax for the commands is : "fN|f=freq|w=width|g=gain"

    fN is existing filter number, starting from 0, if no such filter is available error is returned. freq set new frequency parameter. width set new width parameter in Hertz. gain set new gain parameter in dB.

    Full filter invocation with asendcmd may look like this: asendcmd=c='4.0 anequalizer change 0|f=200|w=50|g=1',anequalizer=...

  anlmdn
Reduce broadband noise in audio samples using Non-Local Means algorithm.

Each sample is adjusted by looking for other samples with similar contexts. This context similarity is defined by comparing their surrounding patches of size p. Patches are searched in an area of r around the sample.

The filter accepts the following options:

strength, s
    Set denoising strength. Allowed range is from 0.00001 to 10000. Default value is 0.00001.

patch, p
    Set patch radius duration. Allowed range is from 1 to 100 milliseconds. Default value is 2 milliseconds.

research, r
    Set research radius duration. Allowed range is from 2 to 300 milliseconds. Default value is 6 milliseconds.

output, o
    Set the output mode.

    It accepts the following values:

    i   Pass input unchanged.

    o   Pass noise filtered out.

    n   Pass only noise.

        Default value is o.

smooth, m
    Set smooth factor. Default value is 11. Allowed range is from 1 to 1000.

Commands

This filter supports the all above options as commands.

  anlmf, anlms
Apply Normalized Least-Mean-(Squares|Fourth) algorithm to the first audio stream using the second audio stream.

This adaptive filter is used to mimic a desired filter by finding the filter coefficients that relate to producing the least mean square of the error signal (difference between the desired, 2nd input audio stream and the actual signal, the 1st input audio stream).

A description of the accepted options follows.

order
    Set filter order.

mu  Set filter mu.

eps Set the filter eps.

leakage
    Set the filter leakage.

out_mode
    It accepts the following values:

    i   Pass the 1st input.

    d   Pass the 2nd input.

    o   Pass difference between desired, 2nd input and error signal estimate.

    n   Pass difference between input, 1st input and error signal estimate.

    e   Pass error signal estimated samples.

        Default value is o.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

Examples

•   One of many usages of this filter is noise reduction, input audio is filtered with same samples that are delayed by fixed amount, one such example for stereo audio is:

            asplit[a][b],[a]adelay=32S|32S[a],[b][a]anlms=order=128:leakage=0.0005:mu=.5:out_mode=o

Commands

This filter supports the same commands as options, excluding option "order".

  anull
Pass the audio source unchanged to the output.

  apad
Pad the end of an audio stream with silence.

This can be used together with ffmpeg -shortest to extend audio streams to the same length as the video stream.

A description of the accepted options follows.

packet_size
    Set silence packet size. Default value is 4096.

pad_len
    Set the number of samples of silence to add to the end. After the value is reached, the stream is terminated. This option is mutually exclusive with whole_len.

whole_len
    Set the minimum total number of samples in the output audio stream. If the value is longer than the input audio length, silence is added to the end, until the value is reached. This option is mutually exclusive with pad_len.

pad_dur
    Specify the duration of samples of silence to add. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. Used only if set to non-negative value.

whole_dur
    Specify the minimum total duration in the output audio stream. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. Used only if set to non-negative value. If the value is longer than the input audio length, silence is added to the end, until the value is reached. This option is mutually exclusive with pad_dur

If neither the pad_len nor the whole_len nor pad_dur nor whole_dur option is set, the filter will add silence to the end of the input stream indefinitely.

Note that for ffmpeg 4.4 and earlier a zero pad_dur or whole_dur also caused the filter to add silence indefinitely.

Examples

•   Add 1024 samples of silence to the end of the input:

            apad=pad_len=1024

•   Make sure the audio output will contain at least 10000 samples, pad the input with silence if required:

            apad=whole_len=10000

•   Use ffmpeg to pad the audio input with silence, so that the video stream will always result the shortest and will be converted until the end in the output file when using the shortest option:

            ffmpeg -i VIDEO -i AUDIO -filter_complex "[1:0]apad" -shortest OUTPUT

  aphaser
Add a phasing effect to the input audio.

A phaser filter creates series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs are modulated so that they vary over time, creating a sweeping effect.

A description of the accepted parameters follows.

in_gain
    Set input gain. Default is 0.4.

out_gain
    Set output gain. Default is 0.74

delay
    Set delay in milliseconds. Default is 3.0.

decay
    Set decay. Default is 0.4.

speed
    Set modulation speed in Hz. Default is 0.5.

type
    Set modulation type. Default is triangular.

    It accepts the following values:

    triangular, t
    sinusoidal, s

  aphaseshift
Apply phase shift to input audio samples.

The filter accepts the following options:

shift
    Specify phase shift. Allowed range is from -1.0 to 1.0. Default value is 0.0.

level
    Set output gain applied to final output. Allowed range is from 0.0 to 1.0. Default value is 1.0.

order
    Set filter order used for filtering. Allowed range is from 1 to 16. Default value is 8.

Commands

This filter supports the all above options as commands.

  apsnr
Measure Audio Peak Signal-to-Noise Ratio.

This filter takes two audio streams for input, and outputs first audio stream. Results are in dB per channel at end of either input.

  apsyclip
Apply Psychoacoustic clipper to input audio stream.

The filter accepts the following options:

level_in
    Set input gain. By default it is 1. Range is [0.015625 - 64].

level_out
    Set output gain. By default it is 1. Range is [0.015625 - 64].

clip
    Set the clipping start value. Default value is 0dBFS or 1.

diff
    Output only difference samples, useful to hear introduced distortions. By default is disabled.

adaptive
    Set strength of adaptive distortion applied. Default value is 0.5. Allowed range is from 0 to 1.

iterations
    Set number of iterations of psychoacoustic clipper. Allowed range is from 1 to 20. Default value is 10.

level
    Auto level output signal. Default is disabled. This normalizes audio back to 0dBFS if enabled.

Commands

This filter supports the all above options as commands.

  apulsator
Audio pulsator is something between an autopanner and a tremolo. But it can produce funny stereo effects as well. Pulsator changes the volume of the left and right channel based on a LFO (low frequency oscillator) with different waveforms and shifted phases. This filter have the ability to define an offset between left and right channel. An offset of 0 means that both LFO shapes match each other. The left and right channel are altered equally - a conventional tremolo. An offset of 50% means that the shape of the right channel is exactly shifted in phase (or moved backwards about half of the frequency) - pulsator acts as an autopanner. At 1 both curves match again. Every setting in between moves the phase shift gapless between all stages and produces some "bypassing" sounds with sine and triangle waveforms. The more you set the offset near 1 (starting from the 0.5) the faster the signal passes from the left to the right speaker.

The filter accepts the following options:

level_in
    Set input gain. By default it is 1. Range is [0.015625 - 64].

level_out
    Set output gain. By default it is 1. Range is [0.015625 - 64].

mode
    Set waveform shape the LFO will use. Can be one of: sine, triangle, square, sawup or sawdown. Default is sine.

amount
    Set modulation. Define how much of original signal is affected by the LFO.

offset_l
    Set left channel offset. Default is 0. Allowed range is [0 - 1].

offset_r
    Set right channel offset. Default is 0.5. Allowed range is [0 - 1].

width
    Set pulse width. Default is 1. Allowed range is [0 - 2].

timing
    Set possible timing mode. Can be one of: bpm, ms or hz. Default is hz.

bpm Set bpm. Default is 120. Allowed range is [30 - 300]. Only used if timing is set to bpm.

ms  Set ms. Default is 500. Allowed range is [10 - 2000]. Only used if timing is set to ms.

hz  Set frequency in Hz. Default is 2. Allowed range is [0.01 - 100]. Only used if timing is set to hz.

  aresample
Resample the input audio to the specified parameters, using the libswresample library. If none are specified then the filter will automatically convert between its input and output.

This filter is also able to stretch/squeeze the audio data to make it match the timestamps or to inject silence / cut out audio to make it match the timestamps, do a combination of both or do neither.

The filter accepts the syntax [sample_rate:]resampler_options, where sample_rate expresses a sample rate and resampler_options is a list of key=value pairs, separated by ":". See the "Resampler Options" section in the ffmpeg-resampler(1) manual for the complete list of supported options.

Examples

•   Resample the input audio to 44100Hz:

            aresample=44100

•   Stretch/squeeze samples to the given timestamps, with a maximum of 1000 samples per second compensation:

            aresample=async=1000

  areverse
Reverse an audio clip.

Warning: This filter requires memory to buffer the entire clip, so trimming is suggested.

Examples

•   Take the first 5 seconds of a clip, and reverse it.

            atrim=end=5,areverse

  arls
Apply Recursive Least Squares algorithm to the first audio stream using the second audio stream.

This adaptive filter is used to mimic a desired filter by recursively finding the filter coefficients that relate to producing the minimal weighted linear least squares cost function of the error signal (difference between the desired, 2nd input audio stream and the actual signal, the 1st input audio stream).

A description of the accepted options follows.

order
    Set the filter order.

lambda
    Set the forgetting factor.

delta
    Set the coefficient to initialize internal covariance matrix.

out_mode
    Set the filter output samples. It accepts the following values:

    i   Pass the 1st input.

    d   Pass the 2nd input.

    o   Pass difference between desired, 2nd input and error signal estimate.

    n   Pass difference between input, 1st input and error signal estimate.

    e   Pass error signal estimated samples.

        Default value is o.

precision
    Set which precision to use when processing samples.

    auto
        Auto pick internal sample format depending on other filters.

    float
        Always use single-floating point precision sample format.

    double
        Always use double-floating point precision sample format.

  arnndn
Reduce noise from speech using Recurrent Neural Networks.

This filter accepts the following options:

model, m
    Set train model file to load. This option is always required.

mix Set how much to mix filtered samples into final output. Allowed range is from -1 to 1. Default value is 1. Negative values are special, they set how much to keep filtered noise in the final filter output. Set this option to -1 to hear actual noise removed from input signal.

Commands

This filter supports the all above options as commands.

  asdr
Measure Audio Signal-to-Distortion Ratio.

This filter takes two audio streams for input, and outputs first audio stream. Results are in dB per channel at end of either input.

  asetnsamples
Set the number of samples per each output audio frame.

The last output packet may contain a different number of samples, as the filter will flush all the remaining samples when the input audio signals its end.

The filter accepts the following options:

nb_out_samples, n
    Set the number of frames per each output audio frame. The number is intended as the number of samples per each channel. Default value is 1024.

pad, p
    If set to 1, the filter will pad the last audio frame with zeroes, so that the last frame will contain the same number of samples as the previous ones. Default value is 1.

For example, to set the number of per-frame samples to 1234 and disable padding for the last frame, use:

        asetnsamples=n=1234:p=0

  asetrate
Set the sample rate without altering the PCM data. This will result in a change of speed and pitch.

The filter accepts the following options:

sample_rate, r
    Set the output sample rate. Default is 44100 Hz.

  ashowinfo
Show a line containing various information for each input audio frame. The input audio is not modified.

The shown line contains a sequence of key/value pairs of the form key:value.

The following values are shown in the output:

n   The (sequential) number of the input frame, starting from 0.

pts The presentation timestamp of the input frame, in time base units; the time base depends on the filter input pad, and is usually 1/sample_rate.

pts_time
    The presentation timestamp of the input frame in seconds.

fmt The sample format.

chlayout
    The channel layout.

rate
    The sample rate for the audio frame.

nb_samples
    The number of samples (per channel) in the frame.

checksum
    The Adler-32 checksum (printed in hexadecimal) of the audio data. For planar audio, the data is treated as if all the planes were concatenated.

plane_checksums
    A list of Adler-32 checksums for each data plane.

  asisdr
Measure Audio Scaled-Invariant Signal-to-Distortion Ratio.

This filter takes two audio streams for input, and outputs first audio stream. Results are in dB per channel at end of either input.

  asoftclip
Apply audio soft clipping.

Soft clipping is a type of distortion effect where the amplitude of a signal is saturated along a smooth curve, rather than the abrupt shape of hard-clipping.

This filter accepts the following options:

type
    Set type of soft-clipping.

    It accepts the following values:

    hard
    tanh
    atan
    cubic
    exp
    alg
    quintic
    sin
    erf
threshold
    Set threshold from where to start clipping. Default value is 0dB or 1.

output
    Set gain applied to output. Default value is 0dB or 1.

param
    Set additional parameter which controls sigmoid function.

oversample
    Set oversampling factor.

Commands

This filter supports the all above options as commands.

  aspectralstats
Display frequency domain statistical information about the audio channels. Statistics are calculated and stored as metadata for each audio channel and for each audio frame.

It accepts the following option:

win_size
    Set the window length in samples. Default value is 2048. Allowed range is from 32 to 65536.

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann, hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default is "hann".

overlap
    Set window overlap. Allowed range is from 0 to 1. Default value is 0.5.

measure
    Select the parameters which are measured. The metadata keys can be used as flags, default is all which measures everything. none disables all measurement.

A list of each metadata key follows:

mean
variance
centroid
spread
skewness
kurtosis
entropy
flatness
crest
flux
slope
decrease
rolloff

  asr
Automatic Speech Recognition

This filter uses PocketSphinx for speech recognition. To enable compilation of this filter, you need to configure FFmpeg with "--enable-pocketsphinx".

It accepts the following options:

rate
    Set sampling rate of input audio. Defaults is 16000. This need to match speech models, otherwise one will get poor results.

hmm Set dictionary containing acoustic model files.

dict
    Set pronunciation dictionary.

lm  Set language model file.

lmctl
    Set language model set.

lmname
    Set which language model to use.

logfn
    Set output for log messages.

The filter exports recognized speech as the frame metadata "lavfi.asr.text".

  astats
Display time domain statistical information about the audio channels. Statistics are calculated and displayed for each audio channel and, where applicable, an overall figure is also given.

It accepts the following option:

length
    Short window length in seconds, used for peak and through RMS measurement. Default is 0.05 (50 milliseconds). Allowed range is "[0 - 10]".

metadata
    Set metadata injection. All the metadata keys are prefixed with "lavfi.astats.X", where "X" is channel number starting from 1 or string "Overall". Default is disabled.

    Available keys for each channel are: Bit_depth Crest_factor DC_offset Dynamic_range Entropy Flat_factor Max_difference Max_level Mean_difference Min_difference Min_level Noise_floor Noise_floor_count Number_of_Infs Number_of_NaNs Number_of_denormals Peak_count Abs_Peak_count Peak_level RMS_difference RMS_peak RMS_trough Zero_crossings Zero_crossings_rate

    and for "Overall": Bit_depth DC_offset Entropy Flat_factor Max_difference Max_level Mean_difference Min_difference Min_level Noise_floor Noise_floor_count Number_of_Infs Number_of_NaNs Number_of_denormals Number_of_samples Peak_count Abs_Peak_count Peak_level RMS_difference RMS_level RMS_peak RMS_trough

    For example, a full key looks like "lavfi.astats.1.DC_offset" or "lavfi.astats.Overall.Peak_count".

    Read below for the description of the keys.

reset
    Set the number of frames over which cumulative stats are calculated before being reset. Default is disabled.

measure_perchannel
    Select the parameters which are measured per channel. The metadata keys can be used as flags, default is all which measures everything. none disables all per channel measurement.

measure_overall
    Select the parameters which are measured overall. The metadata keys can be used as flags, default is all which measures everything. none disables all overall measurement.

A description of the measure keys follow:

none
    no measures

all all measures

Bit_depth
    overall bit depth of audio, i.e. number of bits used for each sample

Crest_factor
    standard ratio of peak to RMS level (note: not in dB)

DC_offset
    mean amplitude displacement from zero

Dynamic_range
    measured dynamic range of audio in dB

Entropy
    entropy measured across whole audio, entropy of value near 1.0 is typically measured for white noise

Flat_factor
    flatness (i.e. consecutive samples with the same value) of the signal at its peak levels (i.e. either Min_level or Max_level)

Max_difference
    maximal difference between two consecutive samples

Max_level
    maximal sample level

Mean_difference
    mean difference between two consecutive samples, i.e. the average of each difference between two consecutive samples

Min_difference
    minimal difference between two consecutive samples

Min_level
    minimal sample level

Noise_floor
    minimum local peak measured in dBFS over a short window

Noise_floor_count
    number of occasions (not the number of samples) that the signal attained Noise floor

Number_of_Infs
    number of samples with an infinite value

Number_of_NaNs
    number of samples with a NaN (not a number) value

Number_of_denormals
    number of samples with a subnormal value

Number_of_samples
    number of samples

Peak_count
    number of occasions (not the number of samples) that the signal attained either Min_level or Max_level

Abs_Peak_count
    number of occasions that the absolute samples taken from the signal attained max absolute value of Min_level and Max_level

Peak_level
    standard peak level measured in dBFS

RMS_difference
    Root Mean Square difference between two consecutive samples

RMS_level
    standard RMS level measured in dBFS

RMS_peak
RMS_trough
    peak and through values for RMS level measured over a short window, measured in dBFS.

Zero crossings
    number of points where the waveform crosses the zero level axis

Zero crossings rate
    rate of Zero crossings and number of audio samples

  asubboost
Boost subwoofer frequencies.

The filter accepts the following options:

dry Set dry gain, how much of original signal is kept. Allowed range is from 0 to 1. Default value is 1.0.

wet Set wet gain, how much of filtered signal is kept. Allowed range is from 0 to 1. Default value is 1.0.

boost
    Set max boost factor. Allowed range is from 1 to 12. Default value is 2.

decay
    Set delay line decay gain value. Allowed range is from 0 to 1. Default value is 0.0.

feedback
    Set delay line feedback gain value. Allowed range is from 0 to 1. Default value is 0.9.

cutoff
    Set cutoff frequency in Hertz. Allowed range is 50 to 900. Default value is 100.

slope
    Set slope amount for cutoff frequency. Allowed range is 0.0001 to 1. Default value is 0.5.

delay
    Set delay. Allowed range is from 1 to 100. Default value is 20.

channels
    Set the channels to process. Default value is all available.

Commands

This filter supports the all above options as commands.

  asubcut
Cut subwoofer frequencies.

This filter allows to set custom, steeper roll off than highpass filter, and thus is able to more attenuate frequency content in stop-band.

The filter accepts the following options:

cutoff
    Set cutoff frequency in Hertz. Allowed range is 2 to 200. Default value is 20.

order
    Set filter order. Available values are from 3 to 20. Default value is 10.

level
    Set input gain level. Allowed range is from 0 to 1. Default value is 1.

Commands

This filter supports the all above options as commands.

  asupercut
Cut super frequencies.

The filter accepts the following options:

cutoff
    Set cutoff frequency in Hertz. Allowed range is 20000 to 192000. Default value is 20000.

order
    Set filter order. Available values are from 3 to 20. Default value is 10.

level
    Set input gain level. Allowed range is from 0 to 1. Default value is 1.

Commands

This filter supports the all above options as commands.

  asuperpass
Apply high order Butterworth band-pass filter.

The filter accepts the following options:

centerf
    Set center frequency in Hertz. Allowed range is 2 to 999999. Default value is 1000.

order
    Set filter order. Available values are from 4 to 20. Default value is 4.

qfactor
    Set Q-factor. Allowed range is from 0.01 to 100. Default value is 1.

level
    Set input gain level. Allowed range is from 0 to 2. Default value is 1.

Commands

This filter supports the all above options as commands.

  asuperstop
Apply high order Butterworth band-stop filter.

The filter accepts the following options:

centerf
    Set center frequency in Hertz. Allowed range is 2 to 999999. Default value is 1000.

order
    Set filter order. Available values are from 4 to 20. Default value is 4.

qfactor
    Set Q-factor. Allowed range is from 0.01 to 100. Default value is 1.

level
    Set input gain level. Allowed range is from 0 to 2. Default value is 1.

Commands

This filter supports the all above options as commands.

  atempo
Adjust audio tempo.

The filter accepts exactly one parameter, the audio tempo. If not specified then the filter will assume nominal 1.0 tempo. Tempo must be in the [0.5, 100.0] range.

Note that tempo greater than 2 will skip some samples rather than blend them in. If for any reason this is a concern it is always possible to daisy-chain several instances of atempo to achieve the desired product tempo.

Examples

•   Slow down audio to 80% tempo:

            atempo=0.8

•   To speed up audio to 300% tempo:

            atempo=3

•   To speed up audio to 300% tempo by daisy-chaining two atempo instances:

            atempo=sqrt(3),atempo=sqrt(3)

Commands

This filter supports the following commands:

tempo
    Change filter tempo scale factor. Syntax for the command is : "tempo"

  atilt
Apply spectral tilt filter to audio stream.

This filter apply any spectral roll-off slope over any specified frequency band.

The filter accepts the following options:

freq
    Set central frequency of tilt in Hz. Default is 10000 Hz.

slope
    Set slope direction of tilt. Default is 0. Allowed range is from -1 to 1.

width
    Set width of tilt. Default is 1000. Allowed range is from 100 to 10000.

order
    Set order of tilt filter.

level
    Set input volume level. Allowed range is from 0 to 4. Default is 1.

Commands

This filter supports the all above options as commands.

  atrim
Trim the input so that the output contains one continuous subpart of the input.

It accepts the following parameters:

start
    Timestamp (in seconds) of the start of the section to keep. I.e. the audio sample with the timestamp start will be the first sample in the output.

end Specify time of the first audio sample that will be dropped, i.e. the audio sample immediately preceding the one with the timestamp end will be the last sample in the output.

start_pts
    Same as start, except this option sets the start timestamp in samples instead of seconds.

end_pts
    Same as end, except this option sets the end timestamp in samples instead of seconds.

duration
    The maximum duration of the output in seconds.

start_sample
    The number of the first sample that should be output.

end_sample
    The number of the first sample that should be dropped.

start, end, and duration are expressed as time duration specifications; see the Time duration section in the ffmpeg-utils(1) manual.

Note that the first two sets of the start/end options and the duration option look at the frame timestamp, while the _sample options simply count the samples that pass through the filter. So start/end_pts and start/end_sample will give different results when the timestamps are wrong, inexact or do not start at zero. Also note that this filter does not modify the timestamps. If you wish to have the output timestamps start at zero, insert the asetpts filter after the atrim filter.

If multiple start or end options are set, this filter tries to be greedy and keep all samples that match at least one of the specified constraints. To keep only the part that matches all the constraints at once, chain multiple atrim filters.

The defaults are such that all the input is kept. So it is possible to set e.g. just the end values to keep everything before the specified time.

Examples:

•   Drop everything except the second minute of input:

            ffmpeg -i INPUT -af atrim=60:120

•   Keep only the first 1000 samples:

            ffmpeg -i INPUT -af atrim=end_sample=1000

  axcorrelate
Calculate normalized windowed cross-correlation between two input audio streams.

Resulted samples are always between -1 and 1 inclusive. If result is 1 it means two input samples are highly correlated in that selected segment. Result 0 means they are not correlated at all. If result is -1 it means two input samples are out of phase, which means they cancel each other.

The filter accepts the following options:

size
    Set size of segment over which cross-correlation is calculated. Default is 256. Allowed range is from 2 to 131072.

algo
    Set algorithm for cross-correlation. Can be "slow" or "fast" or "best". Default is "best". Fast algorithm assumes mean values over any given segment are always zero and thus need much less calculations to make. This is generally not true, but is valid for typical audio streams.

Examples

•   Calculate correlation between channels in stereo audio stream:

            ffmpeg -i stereo.wav -af channelsplit,axcorrelate=size=1024:algo=fast correlation.wav

  bandpass
Apply a two-pole Butterworth band-pass filter with central frequency frequency, and (3dB-point) band-width width. The csg option selects a constant skirt gain (peak gain = Q) instead of the default: constant 0dB peak gain. The filter roll off at 6dB per octave (20dB per decade).

The filter accepts the following options:

frequency, f
    Set the filter's central frequency. Default is 3000.

csg Constant skirt gain if set to 1. Defaults to 0.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the following commands:

frequency, f
    Change bandpass frequency. Syntax for the command is : "frequency"

width_type, t
    Change bandpass width_type. Syntax for the command is : "width_type"

width, w
    Change bandpass width. Syntax for the command is : "width"

mix, m
    Change bandpass mix. Syntax for the command is : "mix"

  bandreject
Apply a two-pole Butterworth band-reject filter with central frequency frequency, and (3dB-point) band-width width. The filter roll off at 6dB per octave (20dB per decade).

The filter accepts the following options:

frequency, f
    Set the filter's central frequency. Default is 3000.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the following commands:

frequency, f
    Change bandreject frequency. Syntax for the command is : "frequency"

width_type, t
    Change bandreject width_type. Syntax for the command is : "width_type"

width, w
    Change bandreject width. Syntax for the command is : "width"

mix, m
    Change bandreject mix. Syntax for the command is : "mix"

  bass, lowshelf
Boost or cut the bass (lower) frequencies of the audio using a two-pole shelving filter with a response similar to that of a standard hi-fi's tone-controls. This is also known as shelving equalisation (EQ).

The filter accepts the following options:

gain, g
    Give the gain at 0 Hz. Its useful range is about -20 (for a large cut) to +20 (for a large boost). Beware of clipping when using a positive gain.

frequency, f
    Set the filter's central frequency and so can be used to extend or reduce the frequency range to be boosted or cut. The default value is 100 Hz.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Determine how steep is the filter's shelf transition.

poles, p
    Set number of poles. Default is 2.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the following commands:

frequency, f
    Change bass frequency. Syntax for the command is : "frequency"

width_type, t
    Change bass width_type. Syntax for the command is : "width_type"

width, w
    Change bass width. Syntax for the command is : "width"

gain, g
    Change bass gain. Syntax for the command is : "gain"

mix, m
    Change bass mix. Syntax for the command is : "mix"

  biquad
Apply a biquad IIR filter with the given coefficients. Where b0, b1, b2 and a0, a1, a2 are the numerator and denominator coefficients respectively. and channels, c specify which channels to filter, by default all available are filtered.

Commands

This filter supports the following commands:

a0
a1
a2
b0
b1
b2  Change biquad parameter. Syntax for the command is : "value"

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

  bs2b
Bauer stereo to binaural transformation, which improves headphone listening of stereo audio records.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libbs2b".

It accepts the following parameters:

profile
    Pre-defined crossfeed level.

    default
        Default level (fcut=700, feed=50).

    cmoy
        Chu Moy circuit (fcut=700, feed=60).

    jmeier
        Jan Meier circuit (fcut=650, feed=95).

fcut
    Cut frequency (in Hz).

feed
    Feed level (in Hz).

  channelmap
Remap input channels to new locations.

It accepts the following parameters:

map Map channels from input to output. The argument is a '|'-separated list of mappings, each in the "in_channel-out_channel" or "in_channel" form. in_channel can be either the name of the input channel (e.g. FL for front left) or its index in the input channel layout. out_channel is the name of the output channel or its index in the output channel layout. If out_channel is not given then it is implicitly an index, starting with zero and increasing by one for each mapping. Mixing different types of mappings is not allowed and will result in a parse error.

channel_layout
    The channel layout of the output stream. If not specified, then filter will guess it based on the out_channel names or the number of mappings. Guessed layouts will not necessarily contain channels in the order of the mappings.

If no mapping is present, the filter will implicitly map input channels to output channels, preserving indices.

Examples

•   For example, assuming a 5.1+downmix input MOV file,

            ffmpeg -i in.mov -filter 'channelmap=map=DL-FL|DR-FR' out.wav

    will create an output WAV file tagged as stereo from the downmix channels of the input.

•   To fix a 5.1 WAV improperly encoded in AAC's native channel order

            ffmpeg -i in.wav -filter 'channelmap=1|2|0|5|3|4:5.1' out.wav

  channelsplit
Split each channel from an input audio stream into a separate output stream.

It accepts the following parameters:

channel_layout
    The channel layout of the input stream. The default is "stereo".

channels
    A channel layout describing the channels to be extracted as separate output streams or "all" to extract each input channel as a separate stream. The default is "all".

    Choosing channels not present in channel layout in the input will result in an error.

Examples

•   For example, assuming a stereo input MP3 file,

            ffmpeg -i in.mp3 -filter_complex channelsplit out.mkv

    will create an output Matroska file with two audio streams, one containing only the left channel and the other the right channel.

•   Split a 5.1 WAV file into per-channel files:

            ffmpeg -i in.wav -filter_complex
            'channelsplit=channel_layout=5.1[FL][FR][FC][LFE][SL][SR]'
            -map '[FL]' front_left.wav -map '[FR]' front_right.wav -map '[FC]'
            front_center.wav -map '[LFE]' lfe.wav -map '[SL]' side_left.wav -map '[SR]'
            side_right.wav

•   Extract only LFE from a 5.1 WAV file:

            ffmpeg -i in.wav -filter_complex 'channelsplit=channel_layout=5.1:channels=LFE[LFE]'
            -map '[LFE]' lfe.wav

  chorus
Add a chorus effect to the audio.

Can make a single vocal sound like a chorus, but can also be applied to instrumentation.

Chorus resembles an echo effect with a short delay, but whereas with echo the delay is constant, with chorus, it is varied using sinusoidal or triangular modulation. The modulation depth defines the range the modulated delay is played before or after the delay. Hence the delayed sound will sound slower or faster, that is the delayed sound tuned around the original one, like in a chorus where some vocals are slightly off key.

It accepts the following parameters:

in_gain
    Set input gain. Default is 0.4.

out_gain
    Set output gain. Default is 0.4.

delays
    Set delays. A typical delay is around 40ms to 60ms.

decays
    Set decays.

speeds
    Set speeds.

depths
    Set depths.

Examples

•   A single delay:

            chorus=0.7:0.9:55:0.4:0.25:2

•   Two delays:

            chorus=0.6:0.9:50|60:0.4|0.32:0.25|0.4:2|1.3

•   Fuller sounding chorus with three delays:

            chorus=0.5:0.9:50|60|40:0.4|0.32|0.3:0.25|0.4|0.3:2|2.3|1.3

  compand
Compress or expand the audio's dynamic range.

It accepts the following parameters:

attacks
decays
    A list of times in seconds for each channel over which the instantaneous level of the input signal is averaged to determine its volume. attacks refers to increase of volume and decays refers to decrease of volume. For most situations, the attack time (response to the audio getting louder) should be shorter than the decay time, because the human ear is more sensitive to sudden loud audio than sudden soft audio. A typical value for attack is 0.3 seconds and a typical value for decay is 0.8 seconds. If specified number of attacks & decays is lower than number of channels, the last set attack/decay will be used for all remaining channels.

points
    A list of points for the transfer function, specified in dB relative to the maximum possible signal amplitude. Each key points list must be defined using the following syntax: "x0/y0|x1/y1|x2/y2|...." or "x0/y0 x1/y1 x2/y2 ...."

    The input values must be in strictly increasing order but the transfer function does not have to be monotonically rising. The point "0/0" is assumed but may be overridden (by "0/out-dBn"). Typical values for the transfer function are "-70/-70|-60/-20|1/0".

soft-knee
    Set the curve radius in dB for all joints. It defaults to 0.01.

gain
    Set the additional gain in dB to be applied at all points on the transfer function. This allows for easy adjustment of the overall gain. It defaults to 0.

volume
    Set an initial volume, in dB, to be assumed for each channel when filtering starts. This permits the user to supply a nominal level initially, so that, for example, a very large gain is not applied to initial signal levels before the companding has begun to operate. A typical value for audio which is initially quiet is -90 dB. It defaults to 0.

delay
    Set a delay, in seconds. The input audio is analyzed immediately, but audio is delayed before being fed to the volume adjuster. Specifying a delay approximately equal to the attack/decay times allows the filter to effectively operate in predictive rather than reactive mode. It defaults to 0.

Examples

•   Make music with both quiet and loud passages suitable for listening to in a noisy environment:

            compand=.3|.3:1|1:-90/-60|-60/-40|-40/-30|-20/-20:6:0:-90:0.2

    Another example for audio with whisper and explosion parts:

            compand=0|0:1|1:-90/-900|-70/-70|-30/-9|0/-3:6:0:0:0

•   A noise gate for when the noise is at a lower level than the signal:

            compand=.1|.1:.2|.2:-900/-900|-50.1/-900|-50/-50:.01:0:-90:.1

•   Here is another noise gate, this time for when the noise is at a higher level than the signal (making it, in some ways, similar to squelch):

            compand=.1|.1:.1|.1:-45.1/-45.1|-45/-900|0/-900:.01:45:-90:.1

•   2:1 compression starting at -6dB:

            compand=points=-80/-80|-6/-6|0/-3.8|20/3.5

•   2:1 compression starting at -9dB:

            compand=points=-80/-80|-9/-9|0/-5.3|20/2.9

•   2:1 compression starting at -12dB:

            compand=points=-80/-80|-12/-12|0/-6.8|20/1.9

•   2:1 compression starting at -18dB:

            compand=points=-80/-80|-18/-18|0/-9.8|20/0.7

•   3:1 compression starting at -15dB:

            compand=points=-80/-80|-15/-15|0/-10.8|20/-5.2

•   Compressor/Gate:

            compand=points=-80/-105|-62/-80|-15.4/-15.4|0/-12|20/-7.6

•   Expander:

            compand=attacks=0:points=-80/-169|-54/-80|-49.5/-64.6|-41.1/-41.1|-25.8/-15|-10.8/-4.5|0/0|20/8.3

•   Hard limiter at -6dB:

            compand=attacks=0:points=-80/-80|-6/-6|20/-6

•   Hard limiter at -12dB:

            compand=attacks=0:points=-80/-80|-12/-12|20/-12

•   Hard noise gate at -35 dB:

            compand=attacks=0:points=-80/-115|-35.1/-80|-35/-35|20/20

•   Soft limiter:

            compand=attacks=0:points=-80/-80|-12.4/-12.4|-6/-8|0/-6.8|20/-2.8

  compensationdelay
Compensation Delay Line is a metric based delay to compensate differing positions of microphones or speakers.

For example, you have recorded guitar with two microphones placed in different locations. Because the front of sound wave has fixed speed in normal conditions, the phasing of microphones can vary and depends on their location and interposition. The best sound mix can be achieved when these microphones are in phase (synchronized). Note that a distance of ~30 cm between microphones makes one microphone capture the signal in antiphase to the other microphone. That makes the final mix sound moody. This filter helps to solve phasing problems by adding different delays to each microphone track and make them synchronized.

The best result can be reached when you take one track as base and synchronize other tracks one by one with it. Remember that synchronization/delay tolerance depends on sample rate, too. Higher sample rates will give more tolerance.

The filter accepts the following parameters:

mm  Set millimeters distance. This is compensation distance for fine tuning. Default is 0.

cm  Set cm distance. This is compensation distance for tightening distance setup. Default is 0.

m   Set meters distance. This is compensation distance for hard distance setup. Default is 0.

dry Set dry amount. Amount of unprocessed (dry) signal. Default is 0.

wet Set wet amount. Amount of processed (wet) signal. Default is 1.

temp
    Set temperature in degrees Celsius. This is the temperature of the environment. Default is 20.

Commands

This filter supports the all above options as commands.

  crossfeed
Apply headphone crossfeed filter.

Crossfeed is the process of blending the left and right channels of stereo audio recording. It is mainly used to reduce extreme stereo separation of low frequencies.

The intent is to produce more speaker like sound to the listener.

The filter accepts the following options:

strength
    Set strength of crossfeed. Default is 0.2. Allowed range is from 0 to 1. This sets gain of low shelf filter for side part of stereo image. Default is -6dB. Max allowed is -30db when strength is set to 1.

range
    Set soundstage wideness. Default is 0.5. Allowed range is from 0 to 1. This sets cut off frequency of low shelf filter. Default is cut off near 1550 Hz. With range set to 1 cut off frequency is set to 2100 Hz.

slope
    Set curve slope of low shelf filter. Default is 0.5. Allowed range is from 0.01 to 1.

level_in
    Set input gain. Default is 0.9.

level_out
    Set output gain. Default is 1.

block_size
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the all above options as commands.

  crystalizer
Simple algorithm for audio noise sharpening.

This filter linearly increases differences between each audio sample.

The filter accepts the following options:

i   Sets the intensity of effect (default: 2.0). Must be in range between -10.0 to 0 (unchanged sound) to 10.0 (maximum effect). To inverse filtering use negative value.

c   Enable clipping. By default is enabled.

Commands

This filter supports the all above options as commands.

  dcshift
Apply a DC shift to the audio.

This can be useful to remove a DC offset (caused perhaps by a hardware problem in the recording chain) from the audio. The effect of a DC offset is reduced headroom and hence volume. The astats filter can be used to determine if a signal has a DC offset.

shift
    Set the DC shift, allowed range is [-1, 1]. It indicates the amount to shift the audio.

limitergain
    Optional. It should have a value much less than 1 (e.g. 0.05 or 0.02) and is used to prevent clipping.

  deesser
Apply de-essing to the audio samples.

i   Set intensity for triggering de-essing. Allowed range is from 0 to 1. Default is 0.

m   Set amount of ducking on treble part of sound. Allowed range is from 0 to 1. Default is 0.5.

f   How much of original frequency content to keep when de-essing. Allowed range is from 0 to 1. Default is 0.5.

s   Set the output mode.

    It accepts the following values:

    i   Pass input unchanged.

    o   Pass ess filtered out.

    e   Pass only ess.

        Default value is o.

  dialoguenhance
Enhance dialogue in stereo audio.

This filter accepts stereo input and produce surround (3.0) channels output. The newly produced front center channel have enhanced speech dialogue originally available in both stereo channels. This filter outputs front left and front right channels same as available in stereo input.

The filter accepts the following options:

original
    Set the original center factor to keep in front center channel output. Allowed range is from 0 to 1. Default value is 1.

enhance
    Set the dialogue enhance factor to put in front center channel output. Allowed range is from 0 to 3. Default value is 1.

voice
    Set the voice detection factor. Allowed range is from 2 to 32. Default value is 2.

Commands

This filter supports the all above options as commands.

  drmeter
Measure audio dynamic range.

DR values of 14 and higher is found in very dynamic material. DR of 8 to 13 is found in transition material. And anything less that 8 have very poor dynamics and is very compressed.

The filter accepts the following options:

length
    Set window length in seconds used to split audio into segments of equal length. Default is 3 seconds.

  dynaudnorm
Dynamic Audio Normalizer.

This filter applies a certain amount of gain to the input audio in order to bring its peak magnitude to a target level (e.g. 0 dBFS). However, in contrast to more "simple" normalization algorithms, the Dynamic Audio Normalizer *dynamically* re-adjusts the gain factor to the input audio. This allows for applying extra gain to the "quiet" sections of the audio while avoiding distortions or clipping the "loud" sections. In other words: The Dynamic Audio Normalizer will "even out" the volume of quiet and loud sections, in the sense that the volume of each section is brought to the same target level. Note, however, that the Dynamic Audio Normalizer achieves this goal *without* applying "dynamic range compressing". It will retain 100% of the dynamic range *within* each section of the audio file.

framelen, f
    Set the frame length in milliseconds. In range from 10 to 8000 milliseconds. Default is 500 milliseconds. The Dynamic Audio Normalizer processes the input audio in small chunks, referred to as frames. This is required, because a peak magnitude has no meaning for just a single sample value. Instead, we need to determine the peak magnitude for a contiguous sequence of sample values. While a "standard" normalizer would simply use the peak magnitude of the complete file, the Dynamic Audio Normalizer determines the peak magnitude individually for each frame. The length of a frame is specified in milliseconds. By default, the Dynamic Audio Normalizer uses a frame length of 500 milliseconds, which has been found to give good results with most files. Note that the exact frame length, in number of samples, will be determined automatically, based on the sampling rate of the individual input audio file.

gausssize, g
    Set the Gaussian filter window size. In range from 3 to 301, must be odd number. Default is 31. Probably the most important parameter of the Dynamic Audio Normalizer is the "window size" of the Gaussian smoothing filter. The filter's window size is specified in frames, centered around the current frame. For the sake of simplicity, this must be an odd number. Consequently, the default value of 31 takes into account the current frame, as well as the 15 preceding frames and the 15 subsequent frames. Using a larger window results in a stronger smoothing effect and thus in less gain variation, i.e. slower gain adaptation. Conversely, using a smaller window results in a weaker smoothing effect and thus in more gain variation, i.e. faster gain adaptation. In other words, the more you increase this value, the more the Dynamic Audio Normalizer will behave like a "traditional" normalization filter. On the contrary, the more you decrease this value, the more the Dynamic Audio Normalizer will behave like a dynamic range compressor.

peak, p
    Set the target peak value. This specifies the highest permissible magnitude level for the normalized audio input. This filter will try to approach the target peak magnitude as closely as possible, but at the same time it also makes sure that the normalized signal will never exceed the peak magnitude. A frame's maximum local gain factor is imposed directly by the target peak magnitude. The default value is 0.95 and thus leaves a headroom of 5%*. It is not recommended to go above this value.

maxgain, m
    Set the maximum gain factor. In range from 1.0 to 100.0. Default is 10.0. The Dynamic Audio Normalizer determines the maximum possible (local) gain factor for each input frame, i.e. the maximum gain factor that does not result in clipping or distortion. The maximum gain factor is determined by the frame's highest magnitude sample. However, the Dynamic Audio Normalizer additionally bounds the frame's maximum gain factor by a predetermined (global) maximum gain factor. This is done in order to avoid excessive gain factors in "silent" or almost silent frames. By default, the maximum gain factor is 10.0, For most inputs the default value should be sufficient and it usually is not recommended to increase this value. Though, for input with an extremely low overall volume level, it may be necessary to allow even higher gain factors. Note, however, that the Dynamic Audio Normalizer does not simply apply a "hard" threshold (i.e. cut off values above the threshold). Instead, a "sigmoid" threshold function will be applied. This way, the gain factors will smoothly approach the threshold value, but never exceed that value.

targetrms, r
    Set the target RMS. In range from 0.0 to 1.0. Default is 0.0 - disabled. By default, the Dynamic Audio Normalizer performs "peak" normalization. This means that the maximum local gain factor for each frame is defined (only) by the frame's highest magnitude sample. This way, the samples can be amplified as much as possible without exceeding the maximum signal level, i.e. without clipping. Optionally, however, the Dynamic Audio Normalizer can also take into account the frame's root mean square, abbreviated RMS. In electrical engineering, the RMS is commonly used to determine the power of a time-varying signal. It is therefore considered that the RMS is a better approximation of the "perceived loudness" than just looking at the signal's peak magnitude. Consequently, by adjusting all frames to a constant RMS value, a uniform "perceived loudness" can be established. If a target RMS value has been specified, a frame's local gain factor is defined as the factor that would result in exactly that RMS value. Note, however, that the maximum local gain factor is still restricted by the frame's highest magnitude sample, in order to prevent clipping.

coupling, n
    Enable channels coupling. By default is enabled. By default, the Dynamic Audio Normalizer will amplify all channels by the same amount. This means the same gain factor will be applied to all channels, i.e. the maximum possible gain factor is determined by the "loudest" channel. However, in some recordings, it may happen that the volume of the different channels is uneven, e.g. one channel may be "quieter" than the other one(s). In this case, this option can be used to disable the channel coupling. This way, the gain factor will be determined independently for each channel, depending only on the individual channel's highest magnitude sample. This allows for harmonizing the volume of the different channels.

correctdc, c
    Enable DC bias correction. By default is disabled. An audio signal (in the time domain) is a sequence of sample values. In the Dynamic Audio Normalizer these sample values are represented in the -1.0 to 1.0 range, regardless of the original input format. Normally, the audio signal, or "waveform", should be centered around the zero point. That means if we calculate the mean value of all samples in a file, or in a single frame, then the result should be 0.0 or at least very close to that value. If, however, there is a significant deviation of the mean value from 0.0, in either positive or negative direction, this is referred to as a DC bias or DC offset. Since a DC bias is clearly undesirable, the Dynamic Audio Normalizer provides optional DC bias correction. With DC bias correction enabled, the Dynamic Audio Normalizer will determine the mean value, or "DC correction" offset, of each input frame and subtract that value from all of the frame's sample values which ensures those samples are centered around 0.0 again. Also, in order to avoid "gaps" at the frame boundaries, the DC correction offset values will be interpolated smoothly between neighbouring frames.

altboundary, b
    Enable alternative boundary mode. By default is disabled. The Dynamic Audio Normalizer takes into account a certain neighbourhood around each frame. This includes the preceding frames as well as the subsequent frames. However, for the "boundary" frames, located at the very beginning and at the very end of the audio file, not all neighbouring frames are available. In particular, for the first few frames in the audio file, the preceding frames are not known. And, similarly, for the last few frames in the audio file, the subsequent frames are not known. Thus, the question arises which gain factors should be assumed for the missing frames in the "boundary" region. The Dynamic Audio Normalizer implements two modes to deal with this situation. The default boundary mode assumes a gain factor of exactly 1.0 for the missing frames, resulting in a smooth "fade in" and "fade out" at the beginning and at the end of the input, respectively.

compress, s
    Set the compress factor. In range from 0.0 to 30.0. Default is 0.0. By default, the Dynamic Audio Normalizer does not apply "traditional" compression. This means that signal peaks will not be pruned and thus the full dynamic range will be retained within each local neighbourhood. However, in some cases it may be desirable to combine the Dynamic Audio Normalizer's normalization algorithm with a more "traditional" compression. For this purpose, the Dynamic Audio Normalizer provides an optional compression (thresholding) function. If (and only if) the compression feature is enabled, all input frames will be processed by a soft knee thresholding function prior to the actual normalization process. Put simply, the thresholding function is going to prune all samples whose magnitude exceeds a certain threshold value. However, the Dynamic Audio Normalizer does not simply apply a fixed threshold value. Instead, the threshold value will be adjusted for each individual frame. In general, smaller parameters result in stronger compression, and vice versa. Values below 3.0 are not recommended, because audible distortion may appear.

threshold, t
    Set the target threshold value. This specifies the lowest permissible magnitude level for the audio input which will be normalized. If input frame volume is above this value frame will be normalized. Otherwise frame may not be normalized at all. The default value is set to 0, which means all input frames will be normalized. This option is mostly useful if digital noise is not wanted to be amplified.

channels, h
    Specify which channels to filter, by default all available channels are filtered.

overlap, o
    Specify overlap for frames. If set to 0 (default) no frame overlapping is done. Using >0 and <1 values will make less conservative gain adjustments, like when framelen option is set to smaller value, if framelen option value is compensated for non-zero overlap then gain adjustments will be smoother across time compared to zero overlap case.

curve, v
    Specify the peak mapping curve expression which is going to be used when calculating gain applied to frames. The max output frame gain will still be limited by other options mentioned previously for this filter.

    The expression can contain the following constants:

    ch  current channel number

    sn  current sample number

    nb_channels
        number of channels

    t   timestamp expressed in seconds

    sr  sample rate

    p   current frame peak value

Commands

This filter supports the all above options as commands.

  earwax
Make audio easier to listen to on headphones.

This filter adds `cues' to 44.1kHz stereo (i.e. audio CD format) audio so that when listened to on headphones the stereo image is moved from inside your head (standard for headphones) to outside and in front of the listener (standard for speakers).

Ported from SoX.

  equalizer
Apply a two-pole peaking equalisation (EQ) filter. With this filter, the signal-level at and around a selected frequency can be increased or decreased, whilst (unlike bandpass and bandreject filters) that at all other frequencies is unchanged.

In order to produce complex equalisation curves, this filter can be given several times, each with a different central frequency.

The filter accepts the following options:

frequency, f
    Set the filter's central frequency in Hz.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units.

gain, g
    Set the required gain or attenuation in dB. Beware of clipping when using a positive gain.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Examples

•   Attenuate 10 dB at 1000 Hz, with a bandwidth of 200 Hz:

            equalizer=f=1000:t=h:width=200:g=-10

•   Apply 2 dB gain at 1000 Hz with Q 1 and attenuate 5 dB at 100 Hz with Q 2:

            equalizer=f=1000:t=q:w=1:g=2,equalizer=f=100:t=q:w=2:g=-5

Commands

This filter supports the following commands:

frequency, f
    Change equalizer frequency. Syntax for the command is : "frequency"

width_type, t
    Change equalizer width_type. Syntax for the command is : "width_type"

width, w
    Change equalizer width. Syntax for the command is : "width"

gain, g
    Change equalizer gain. Syntax for the command is : "gain"

mix, m
    Change equalizer mix. Syntax for the command is : "mix"

  extrastereo
Linearly increases the difference between left and right channels which adds some sort of "live" effect to playback.

The filter accepts the following options:

m   Sets the difference coefficient (default: 2.5). 0.0 means mono sound (average of both channels), with 1.0 sound will be unchanged, with -1.0 left and right channels will be swapped.

c   Enable clipping. By default is enabled.

Commands

This filter supports the all above options as commands.

  firequalizer
Apply FIR Equalization using arbitrary frequency response.

The filter accepts the following option:

gain
    Set gain curve equation (in dB). The expression can contain variables:

    f   the evaluated frequency

    sr  sample rate

    ch  channel number, set to 0 when multichannels evaluation is disabled

    chid
        channel id, see libavutil/channel_layout.h, set to the first channel id when multichannels evaluation is disabled

    chs number of channels

    chlayout
        channel_layout, see libavutil/channel_layout.h

    and functions:

    gain_interpolate(f)
        interpolate gain on frequency f based on gain_entry

    cubic_interpolate(f)
        same as gain_interpolate, but smoother

    This option is also available as command. Default is gain_interpolate(f).

gain_entry
    Set gain entry for gain_interpolate function. The expression can contain functions:

    entry(f, g)
        store gain entry at frequency f with value g

    This option is also available as command.

delay
    Set filter delay in seconds. Higher value means more accurate. Default is 0.01.

accuracy
    Set filter accuracy in Hz. Lower value means more accurate. Default is 5.

wfunc
    Set window function. Acceptable values are:

    rectangular
        rectangular window, useful when gain curve is already smooth

    hann
        hann window (default)

    hamming
        hamming window

    blackman
        blackman window

    nuttall3
        3-terms continuous 1st derivative nuttall window

    mnuttall3
        minimum 3-terms discontinuous nuttall window

    nuttall
        4-terms continuous 1st derivative nuttall window

    bnuttall
        minimum 4-terms discontinuous nuttall (blackman-nuttall) window

    bharris
        blackman-harris window

    tukey
        tukey window

fixed
    If enabled, use fixed number of audio samples. This improves speed when filtering with large delay. Default is disabled.

multi
    Enable multichannels evaluation on gain. Default is disabled.

zero_phase
    Enable zero phase mode by subtracting timestamp to compensate delay. Default is disabled.

scale
    Set scale used by gain. Acceptable values are:

    linlin
        linear frequency, linear gain

    linlog
        linear frequency, logarithmic (in dB) gain (default)

    loglin
        logarithmic (in octave scale where 20 Hz is 0) frequency, linear gain

    loglog
        logarithmic frequency, logarithmic gain

dumpfile
    Set file for dumping, suitable for gnuplot.

dumpscale
    Set scale for dumpfile. Acceptable values are same with scale option. Default is linlog.

fft2
    Enable 2-channel convolution using complex FFT. This improves speed significantly. Default is disabled.

min_phase
    Enable minimum phase impulse response. Default is disabled.

Examples

•   lowpass at 1000 Hz:

            firequalizer=gain='if(lt(f,1000), 0, -INF)'

•   lowpass at 1000 Hz with gain_entry:

            firequalizer=gain_entry='entry(1000,0); entry(1001, -INF)'

•   custom equalization:

            firequalizer=gain_entry='entry(100,0); entry(400, -4); entry(1000, -6); entry(2000, 0)'

•   higher delay with zero phase to compensate delay:

            firequalizer=delay=0.1:fixed=on:zero_phase=on

•   lowpass on left channel, highpass on right channel:

            firequalizer=gain='if(eq(chid,1), gain_interpolate(f), if(eq(chid,2), gain_interpolate(1e6+f), 0))'
            :gain_entry='entry(1000, 0); entry(1001,-INF); entry(1e6+1000,0)':multi=on

  flanger
Apply a flanging effect to the audio.

The filter accepts the following options:

delay
    Set base delay in milliseconds. Range from 0 to 30. Default value is 0.

depth
    Set added sweep delay in milliseconds. Range from 0 to 10. Default value is 2.

regen
    Set percentage regeneration (delayed signal feedback). Range from -95 to 95. Default value is 0.

width
    Set percentage of delayed signal mixed with original. Range from 0 to 100. Default value is 71.

speed
    Set sweeps per second (Hz). Range from 0.1 to 10. Default value is 0.5.

shape
    Set swept wave shape, can be triangular or sinusoidal. Default value is sinusoidal.

phase
    Set swept wave percentage-shift for multi channel. Range from 0 to 100. Default value is 25.

interp
    Set delay-line interpolation, linear or quadratic. Default is linear.

  haas
Apply Haas effect to audio.

Note that this makes most sense to apply on mono signals. With this filter applied to mono signals it give some directionality and stretches its stereo image.

The filter accepts the following options:

level_in
    Set input level. By default is 1, or 0dB

level_out
    Set output level. By default is 1, or 0dB.

side_gain
    Set gain applied to side part of signal. By default is 1.

middle_source
    Set kind of middle source. Can be one of the following:

    left
        Pick left channel.

    right
        Pick right channel.

    mid Pick middle part signal of stereo image.

    side
        Pick side part signal of stereo image.

middle_phase
    Change middle phase. By default is disabled.

left_delay
    Set left channel delay. By default is 2.05 milliseconds.

left_balance
    Set left channel balance. By default is -1.

left_gain
    Set left channel gain. By default is 1.

left_phase
    Change left phase. By default is disabled.

right_delay
    Set right channel delay. By defaults is 2.12 milliseconds.

right_balance
    Set right channel balance. By default is 1.

right_gain
    Set right channel gain. By default is 1.

right_phase
    Change right phase. By default is enabled.

  hdcd
Decodes High Definition Compatible Digital (HDCD) data. A 16-bit PCM stream with embedded HDCD codes is expanded into a 20-bit PCM stream.

The filter supports the Peak Extend and Low-level Gain Adjustment features of HDCD, and detects the Transient Filter flag.

        ffmpeg -i HDCD16.flac -af hdcd OUT24.flac

When using the filter with wav, note the default encoding for wav is 16-bit, so the resulting 20-bit stream will be truncated back to 16-bit. Use something like -acodec pcm_s24le after the filter to get 24-bit PCM output.

        ffmpeg -i HDCD16.wav -af hdcd OUT16.wav
        ffmpeg -i HDCD16.wav -af hdcd -c:a pcm_s24le OUT24.wav

The filter accepts the following options:

disable_autoconvert
    Disable any automatic format conversion or resampling in the filter graph.

process_stereo
    Process the stereo channels together. If target_gain does not match between channels, consider it invalid and use the last valid target_gain.

cdt_ms
    Set the code detect timer period in ms.

force_pe
    Always extend peaks above -3dBFS even if PE isn't signaled.

analyze_mode
    Replace audio with a solid tone and adjust the amplitude to signal some specific aspect of the decoding process. The output file can be loaded in an audio editor alongside the original to aid analysis.

    "analyze_mode=pe:force_pe=true" can be used to see all samples above the PE level.

    Modes are:

    0, off
        Disabled

    1, lle
        Gain adjustment level at each sample

    2, pe
        Samples where peak extend occurs

    3, cdt
        Samples where the code detect timer is active

    4, tgm
        Samples where the target gain does not match between channels

  headphone
Apply head-related transfer functions (HRTFs) to create virtual loudspeakers around the user for binaural listening via headphones. The HRIRs are provided via additional streams, for each channel one stereo input stream is needed.

The filter accepts the following options:

map Set mapping of input streams for convolution. The argument is a '|'-separated list of channel names in order as they are given as additional stream inputs for filter. This also specify number of input streams. Number of input streams must be not less than number of channels in first stream plus one.

gain
    Set gain applied to audio. Value is in dB. Default is 0.

type
    Set processing type. Can be time or freq. time is processing audio in time domain which is slow. freq is processing audio in frequency domain which is fast. Default is freq.

lfe Set custom gain for LFE channels. Value is in dB. Default is 0.

size
    Set size of frame in number of samples which will be processed at once. Default value is 1024. Allowed range is from 1024 to 96000.

hrir
    Set format of hrir stream. Default value is stereo. Alternative value is multich. If value is set to stereo, number of additional streams should be greater or equal to number of input channels in first input stream. Also each additional stream should have stereo number of channels. If value is set to multich, number of additional streams should be exactly one. Also number of input channels of additional stream should be equal or greater than twice number of channels of first input stream.

Examples

•   Full example using wav files as coefficients with amovie filters for 7.1 downmix, each amovie filter use stereo file with IR coefficients as input. The files give coefficients for each position of virtual loudspeaker:

            ffmpeg -i input.wav
            -filter_complex "amovie=azi_270_ele_0_DFC.wav[sr];amovie=azi_90_ele_0_DFC.wav[sl];amovie=azi_225_ele_0_DFC.wav[br];amovie=azi_135_ele_0_DFC.wav[bl];amovie=azi_0_ele_0_DFC.wav,asplit[fc][lfe];amovie=azi_35_ele_0_DFC.wav[fl];amovie=azi_325_ele_0_DFC.wav[fr];[0:a][fl][fr][fc][lfe][bl][br][sl][sr]headphone=FL|FR|FC|LFE|BL|BR|SL|SR"
            output.wav

•   Full example using wav files as coefficients with amovie filters for 7.1 downmix, but now in multich hrir format.

            ffmpeg -i input.wav -filter_complex "amovie=minp.wav[hrirs];[0:a][hrirs]headphone=map=FL|FR|FC|LFE|BL|BR|SL|SR:hrir=multich"
            output.wav

  highpass
Apply a high-pass filter with 3dB point frequency. The filter can be either single-pole, or double-pole (the default). The filter roll off at 6dB per pole per octave (20dB per pole per decade).

The filter accepts the following options:

frequency, f
    Set frequency in Hz. Default is 3000.

poles, p
    Set number of poles. Default is 2.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units. Applies only to double-pole filter. The default is 0.707q and gives a Butterworth response.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the following commands:

frequency, f
    Change highpass frequency. Syntax for the command is : "frequency"

width_type, t
    Change highpass width_type. Syntax for the command is : "width_type"

width, w
    Change highpass width. Syntax for the command is : "width"

mix, m
    Change highpass mix. Syntax for the command is : "mix"

  join
Join multiple input streams into one multi-channel stream.

It accepts the following parameters:

inputs
    The number of input streams. It defaults to 2.

channel_layout
    The desired output channel layout. It defaults to stereo.

map Map channels from inputs to output. The argument is a '|'-separated list of mappings, each in the "input_idx.in_channel-out_channel" form. input_idx is the 0-based index of the input stream. in_channel can be either the name of the input channel (e.g. FL for front left) or its index in the specified input stream. out_channel is the name of the output channel.

The filter will attempt to guess the mappings when they are not specified explicitly. It does so by first trying to find an unused matching input channel and if that fails it picks the first unused input channel.

Join 3 inputs (with properly set channel layouts):

        ffmpeg -i INPUT1 -i INPUT2 -i INPUT3 -filter_complex join=inputs=3 OUTPUT

Build a 5.1 output from 6 single-channel streams:

        ffmpeg -i fl -i fr -i fc -i sl -i sr -i lfe -filter_complex
        'join=inputs=6:channel_layout=5.1:map=0.0-FL|1.0-FR|2.0-FC|3.0-SL|4.0-SR|5.0-LFE'
        out

  ladspa
Load a LADSPA (Linux Audio Developer's Simple Plugin API) plugin.

To enable compilation of this filter you need to configure FFmpeg with "--enable-ladspa".

file, f
    Specifies the name of LADSPA plugin library to load. If the environment variable LADSPA_PATH is defined, the LADSPA plugin is searched in each one of the directories specified by the colon separated list in LADSPA_PATH, otherwise in the standard LADSPA paths, which are in this order: HOME/.ladspa/lib/, /usr/local/lib/ladspa/, /usr/lib/ladspa/.

plugin, p
    Specifies the plugin within the library. Some libraries contain only one plugin, but others contain many of them. If this is not set filter will list all available plugins within the specified library.

controls, c
    Set the '|' separated list of controls which are zero or more floating point values that determine the behavior of the loaded plugin (for example delay, threshold or gain). Controls need to be defined using the following syntax: c0=value0|c1=value1|c2=value2|..., where valuei is the value set on the i-th control. Alternatively they can be also defined using the following syntax: value0|value1|value2|..., where valuei is the value set on the i-th control. If controls is set to "help", all available controls and their valid ranges are printed.

sample_rate, s
    Specify the sample rate, default to 44100. Only used if plugin have zero inputs.

nb_samples, n
    Set the number of samples per channel per each output frame, default is 1024. Only used if plugin have zero inputs.

duration, d
    Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame. If not specified, or the expressed duration is negative, the audio is supposed to be generated forever. Only used if plugin have zero inputs.

latency, l
    Enable latency compensation, by default is disabled. Only used if plugin have inputs.

Examples

•   List all available plugins within amp (LADSPA example plugin) library:

            ladspa=file=amp

•   List all available controls and their valid ranges for "vcf_notch" plugin from "VCF" library:

            ladspa=f=vcf:p=vcf_notch:c=help

•   Simulate low quality audio equipment using "Computer Music Toolkit" (CMT) plugin library:

            ladspa=file=cmt:plugin=lofi:controls=c0=22|c1=12|c2=12

•   Add reverberation to the audio using TAP-plugins (Tom's Audio Processing plugins):

            ladspa=file=tap_reverb:tap_reverb

•   Generate white noise, with 0.2 amplitude:

            ladspa=file=cmt:noise_source_white:c=c0=.2

•   Generate 20 bpm clicks using plugin "C* Click - Metronome" from the "C* Audio Plugin Suite" (CAPS) library:

            ladspa=file=caps:Click:c=c1=20'

•   Apply "C* Eq10X2 - Stereo 10-band equaliser" effect:

            ladspa=caps:Eq10X2:c=c0=-48|c9=-24|c3=12|c4=2

•   Increase volume by 20dB using fast lookahead limiter from Steve Harris "SWH Plugins" collection:

            ladspa=fast_lookahead_limiter_1913:fastLookaheadLimiter:20|0|2

•   Attenuate low frequencies using Multiband EQ from Steve Harris "SWH Plugins" collection:

            ladspa=mbeq_1197:mbeq:-24|-24|-24|0|0|0|0|0|0|0|0|0|0|0|0

•   Reduce stereo image using "Narrower" from the "C* Audio Plugin Suite" (CAPS) library:

            ladspa=caps:Narrower

•   Another white noise, now using "C* Audio Plugin Suite" (CAPS) library:

            ladspa=caps:White:.2

•   Some fractal noise, using "C* Audio Plugin Suite" (CAPS) library:

            ladspa=caps:Fractal:c=c1=1

•   Dynamic volume normalization using "VLevel" plugin:

            ladspa=vlevel-ladspa:vlevel_mono

Commands

This filter supports the following commands:

cN  Modify the N-th control value.

    If the specified value is not valid, it is ignored and prior one is kept.

  loudnorm
EBU R128 loudness normalization. Includes both dynamic and linear normalization modes. Support for both single pass (livestreams, files) and double pass (files) modes. This algorithm can target IL, LRA, and maximum true peak. In dynamic mode, to accurately detect true peaks, the audio stream will be upsampled to 192 kHz. Use the "-ar" option or "aresample" filter to explicitly set an output sample rate.

The filter accepts the following options:

I, i
    Set integrated loudness target. Range is -70.0 - -5.0. Default value is -24.0.

LRA, lra
    Set loudness range target. Range is 1.0 - 50.0. Default value is 7.0.

TP, tp
    Set maximum true peak. Range is -9.0 - +0.0. Default value is -2.0.

measured_I, measured_i
    Measured IL of input file. Range is -99.0 - +0.0.

measured_LRA, measured_lra
    Measured LRA of input file. Range is 0.0 - 99.0.

measured_TP, measured_tp
    Measured true peak of input file. Range is -99.0 - +99.0.

measured_thresh
    Measured threshold of input file. Range is -99.0 - +0.0.

offset
    Set offset gain. Gain is applied before the true-peak limiter. Range is -99.0 - +99.0. Default is +0.0.

linear
    Normalize by linearly scaling the source audio. "measured_I", "measured_LRA", "measured_TP", and "measured_thresh" must all be specified. Target LRA shouldn't be lower than source LRA and the change in integrated loudness shouldn't result in a true peak which exceeds the target TP. If any of these conditions aren't met, normalization mode will revert to dynamic. Options are "true" or "false". Default is "true".

dual_mono
    Treat mono input files as "dual-mono". If a mono file is intended for playback on a stereo system, its EBU R128 measurement will be perceptually incorrect. If set to "true", this option will compensate for this effect. Multi-channel input files are not affected by this option. Options are true or false. Default is false.

print_format
    Set print format for stats. Options are summary, json, or none. Default value is none.

stats_file
    Write stats to specified file. Format is controlled by print_format, which must be set. Specify "-" to write to standard output. Default is unset.

  lowpass
Apply a low-pass filter with 3dB point frequency. The filter can be either single-pole or double-pole (the default). The filter roll off at 6dB per pole per octave (20dB per pole per decade).

The filter accepts the following options:

frequency, f
    Set frequency in Hz. Default is 500.

poles, p
    Set number of poles. Default is 2.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Specify the band-width of a filter in width_type units. Applies only to double-pole filter. The default is 0.707q and gives a Butterworth response.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Examples

•   Lowpass only LFE channel, it LFE is not present it does nothing:

            lowpass=c=LFE

Commands

This filter supports the following commands:

frequency, f
    Change lowpass frequency. Syntax for the command is : "frequency"

width_type, t
    Change lowpass width_type. Syntax for the command is : "width_type"

width, w
    Change lowpass width. Syntax for the command is : "width"

mix, m
    Change lowpass mix. Syntax for the command is : "mix"

  lv2
Load a LV2 (LADSPA Version 2) plugin.

To enable compilation of this filter you need to configure FFmpeg with "--enable-lv2".

plugin, p
    Specifies the plugin URI. You may need to escape ':'.

controls, c
    Set the '|' separated list of controls which are zero or more floating point values that determine the behavior of the loaded plugin (for example delay, threshold or gain). If controls is set to "help", all available controls and their valid ranges are printed.

sample_rate, s
    Specify the sample rate, default to 44100. Only used if plugin have zero inputs.

nb_samples, n
    Set the number of samples per channel per each output frame, default is 1024. Only used if plugin have zero inputs.

duration, d
    Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame. If not specified, or the expressed duration is negative, the audio is supposed to be generated forever. Only used if plugin have zero inputs.

Examples

•   Apply bass enhancer plugin from Calf:

            lv2=p=http\\\\://calf.sourceforge.net/plugins/BassEnhancer:c=amount=2

•   Apply vinyl plugin from Calf:

            lv2=p=http\\\\://calf.sourceforge.net/plugins/Vinyl:c=drone=0.2|aging=0.5

•   Apply bit crusher plugin from ArtyFX:

            lv2=p=http\\\\://www.openavproductions.com/artyfx#bitta:c=crush=0.3

Commands

This filter supports all options that are exported by plugin as commands.

  mcompand
Multiband Compress or expand the audio's dynamic range.

The input audio is divided into bands using 4th order Linkwitz-Riley IIRs. This is akin to the crossover of a loudspeaker, and results in flat frequency response when absent compander action.

It accepts the following parameters:

args
    This option syntax is: attack,decay,[attack,decay..] soft-knee points crossover_frequency [delay [initial_volume [gain]]] | attack,decay ... For explanation of each item refer to compand filter documentation.

  pan
Mix channels with specific gain levels. The filter accepts the output channel layout followed by a set of channels definitions.

This filter is also designed to efficiently remap the channels of an audio stream.

The filter accepts parameters of the form: "l|outdef|outdef|..."

l   output channel layout or number of channels

outdef
    output channel specification, of the form: "out_name=[gain*]in_name[(+-)[gain*]in_name...]"

out_name
    output channel to define, either a channel name (FL, FR, etc.) or a channel number (c0, c1, etc.)

gain
    multiplicative coefficient for the channel, 1 leaving the volume unchanged

in_name
    input channel to use, see out_name for details; it is not possible to mix named and numbered input channels

If the `=' in a channel specification is replaced by `<', then the gains for that specification will be renormalized so that the total is 1, thus avoiding clipping noise.

Mixing examples

For example, if you want to down-mix from stereo to mono, but with a bigger factor for the left channel:

        pan=1c|c0=0.9*c0+0.1*c1

A customized down-mix to stereo that works automatically for 3-, 4-, 5- and 7-channels surround:

        pan=stereo| FL < FL + 0.5*FC + 0.6*BL + 0.6*SL | FR < FR + 0.5*FC + 0.6*BR + 0.6*SR

Note that ffmpeg integrates a default down-mix (and up-mix) system that should be preferred (see "-ac" option) unless you have very specific needs.

Remapping examples

The channel remapping will be effective if, and only if:

*<gain coefficients are zeroes or ones,>
*<only one input per channel output,>

If all these conditions are satisfied, the filter will notify the user ("Pure channel mapping detected"), and use an optimized and lossless method to do the remapping.

For example, if you have a 5.1 source and want a stereo audio stream by dropping the extra channels:

        pan="stereo| c0=FL | c1=FR"

Given the same source, you can also switch front left and front right channels and keep the input channel layout:

        pan="5.1| c0=c1 | c1=c0 | c2=c2 | c3=c3 | c4=c4 | c5=c5"

If the input is a stereo audio stream, you can mute the front left channel (and still keep the stereo channel layout) with:

        pan="stereo|c1=c1"

Still with a stereo audio stream input, you can copy the right channel in both front left and right:

        pan="stereo| c0=FR | c1=FR"

  replaygain
ReplayGain scanner filter. This filter takes an audio stream as an input and outputs it unchanged. At end of filtering it displays "track_gain" and "track_peak".

The filter accepts the following exported read-only options:

track_gain
    Exported track gain in dB at end of stream.

track_peak
    Exported track peak at end of stream.

  resample
Convert the audio sample format, sample rate and channel layout. It is not meant to be used directly.

  rubberband
Apply time-stretching and pitch-shifting with librubberband.

To enable compilation of this filter, you need to configure FFmpeg with "--enable-librubberband".

The filter accepts the following options:

tempo
    Set tempo scale factor.

pitch
    Set pitch scale factor.

transients
    Set transients detector. Possible values are:

    crisp
    mixed
    smooth
detector
    Set detector. Possible values are:

    compound
    percussive
    soft
phase
    Set phase. Possible values are:

    laminar
    independent
window
    Set processing window size. Possible values are:

    standard
    short
    long
smoothing
    Set smoothing. Possible values are:

    off
    on
formant
    Enable formant preservation when shift pitching. Possible values are:

    shifted
    preserved
pitchq
    Set pitch quality. Possible values are:

    quality
    speed
    consistency
channels
    Set channels. Possible values are:

    apart
    together

Commands

This filter supports the following commands:

tempo
    Change filter tempo scale factor. Syntax for the command is : "tempo"

pitch
    Change filter pitch scale factor. Syntax for the command is : "pitch"

  sidechaincompress
This filter acts like normal compressor but has the ability to compress detected signal using second input signal. It needs two input streams and returns one output stream. First input stream will be processed depending on second stream signal. The filtered signal then can be filtered with other filters in later stages of processing. See pan and amerge filter.

The filter accepts the following options:

level_in
    Set input gain. Default is 1. Range is between 0.015625 and 64.

mode
    Set mode of compressor operation. Can be "upward" or "downward". Default is "downward".

threshold
    If a signal of second stream raises above this level it will affect the gain reduction of first stream. By default is 0.125. Range is between 0.00097563 and 1.

ratio
    Set a ratio about which the signal is reduced. 1:2 means that if the level raised 4dB above the threshold, it will be only 2dB above after the reduction. Default is 2. Range is between 1 and 20.

attack
    Amount of milliseconds the signal has to rise above the threshold before gain reduction starts. Default is 20. Range is between 0.01 and 2000.

release
    Amount of milliseconds the signal has to fall below the threshold before reduction is decreased again. Default is 250. Range is between 0.01 and 9000.

makeup
    Set the amount by how much signal will be amplified after processing. Default is 1. Range is from 1 to 64.

knee
    Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.82843. Range is between 1 and 8.

link
    Choose if the "average" level between all channels of side-chain stream or the louder("maximum") channel of side-chain stream affects the reduction. Default is "average".

detection
    Should the exact signal be taken in case of "peak" or an RMS one in case of "rms". Default is "rms" which is mainly smoother.

level_sc
    Set sidechain gain. Default is 1. Range is between 0.015625 and 64.

mix How much to use compressed signal in output. Default is 1. Range is between 0 and 1.

Commands

This filter supports the all above options as commands.

Examples

•   Full ffmpeg example taking 2 audio inputs, 1st input to be compressed depending on the signal of 2nd input and later compressed signal to be merged with 2nd input:

            ffmpeg -i main.flac -i sidechain.flac -filter_complex "[1:a]asplit=2[sc][mix];[0:a][sc]sidechaincompress[compr];[compr][mix]amerge"

  sidechaingate
A sidechain gate acts like a normal (wideband) gate but has the ability to filter the detected signal before sending it to the gain reduction stage. Normally a gate uses the full range signal to detect a level above the threshold. For example: If you cut all lower frequencies from your sidechain signal the gate will decrease the volume of your track only if not enough highs appear. With this technique you are able to reduce the resonation of a natural drum or remove "rumbling" of muted strokes from a heavily distorted guitar. It needs two input streams and returns one output stream. First input stream will be processed depending on second stream signal.

The filter accepts the following options:

level_in
    Set input level before filtering. Default is 1. Allowed range is from 0.015625 to 64.

mode
    Set the mode of operation. Can be "upward" or "downward". Default is "downward". If set to "upward" mode, higher parts of signal will be amplified, expanding dynamic range in upward direction. Otherwise, in case of "downward" lower parts of signal will be reduced.

range
    Set the level of gain reduction when the signal is below the threshold. Default is 0.06125. Allowed range is from 0 to 1. Setting this to 0 disables reduction and then filter behaves like expander.

threshold
    If a signal rises above this level the gain reduction is released. Default is 0.125. Allowed range is from 0 to 1.

ratio
    Set a ratio about which the signal is reduced. Default is 2. Allowed range is from 1 to 9000.

attack
    Amount of milliseconds the signal has to rise above the threshold before gain reduction stops. Default is 20 milliseconds. Allowed range is from 0.01 to 9000.

release
    Amount of milliseconds the signal has to fall below the threshold before the reduction is increased again. Default is 250 milliseconds. Allowed range is from 0.01 to 9000.

makeup
    Set amount of amplification of signal after processing. Default is 1. Allowed range is from 1 to 64.

knee
    Curve the sharp knee around the threshold to enter gain reduction more softly. Default is 2.828427125. Allowed range is from 1 to 8.

detection
    Choose if exact signal should be taken for detection or an RMS like one. Default is rms. Can be peak or rms.

link
    Choose if the average level between all channels or the louder channel affects the reduction. Default is average. Can be average or maximum.

level_sc
    Set sidechain gain. Default is 1. Range is from 0.015625 to 64.

Commands

This filter supports the all above options as commands.

  silencedetect
Detect silence in an audio stream.

This filter logs a message when it detects that the input audio volume is less or equal to a noise tolerance value for a duration greater or equal to the minimum detected noise duration.

The printed times and duration are expressed in seconds. The "lavfi.silence_start" or "lavfi.silence_start.X" metadata key is set on the first frame whose timestamp equals or exceeds the detection duration and it contains the timestamp of the first frame of the silence.

The "lavfi.silence_duration" or "lavfi.silence_duration.X" and "lavfi.silence_end" or "lavfi.silence_end.X" metadata keys are set on the first frame after the silence. If mono is enabled, and each channel is evaluated separately, the ".X" suffixed keys are used, and "X" corresponds to the channel number.

The filter accepts the following options:

noise, n
    Set noise tolerance. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default is -60dB, or 0.001.

duration, d
    Set silence duration until notification (default is 2 seconds). See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

mono, m
    Process each channel separately, instead of combined. By default is disabled.

Examples

•   Detect 5 seconds of silence with -50dB noise tolerance:

            silencedetect=n=-50dB:d=5

•   Complete example with ffmpeg to detect silence with 0.0001 noise tolerance in silence.mp3:

            ffmpeg -i silence.mp3 -af silencedetect=noise=0.0001 -f null -

  silenceremove
Remove silence from the beginning, middle or end of the audio.

The filter accepts the following options:

start_periods
    This value is used to indicate if audio should be trimmed at beginning of the audio. A value of zero indicates no silence should be trimmed from the beginning. When specifying a non-zero value, it trims audio up until it finds non-silence. Normally, when trimming silence from beginning of audio the start_periods will be 1 but it can be increased to higher values to trim all audio up to specific count of non-silence periods. Default value is 0.

start_duration
    Specify the amount of time that non-silence must be detected before it stops trimming audio. By increasing the duration, bursts of noises can be treated as silence and trimmed off. Default value is 0.

start_threshold
    This indicates what sample value should be treated as silence. For digital audio, a value of 0 may be fine but for audio recorded from analog, you may wish to increase the value to account for background noise. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default value is 0.

start_silence
    Specify max duration of silence at beginning that will be kept after trimming. Default is 0, which is equal to trimming all samples detected as silence.

start_mode
    Specify mode of detection of silence end at start of multi-channel audio. Can be any or all. Default is any. With any, any sample from any channel that is detected as non-silence will trigger end of silence trimming at start of audio stream. With all, only if every sample from every channel is detected as non-silence will trigger end of silence trimming at start of audio stream, limited usage.

stop_periods
    Set the count for trimming silence from the end of audio. When specifying a positive value, it trims audio after it finds specified silence period. To remove silence from the middle of a file, specify a stop_periods that is negative. This value is then treated as a positive value and is used to indicate the effect should restart processing as specified by stop_periods, making it suitable for removing periods of silence in the middle of the audio. Default value is 0.

stop_duration
    Specify a duration of silence that must exist before audio is not copied any more. By specifying a higher duration, silence that is wanted can be left in the audio. Default value is 0.

stop_threshold
    This is the same as start_threshold but for trimming silence from the end of audio. Can be specified in dB (in case "dB" is appended to the specified value) or amplitude ratio. Default value is 0.

stop_silence
    Specify max duration of silence at end that will be kept after trimming. Default is 0, which is equal to trimming all samples detected as silence.

stop_mode
    Specify mode of detection of silence start after start of multi-channel audio. Can be any or all. Default is all. With any, any sample from any channel that is detected as silence will trigger start of silence trimming after start of audio stream, limited usage. With all, only if every sample from every channel is detected as silence will trigger start of silence trimming after start of audio stream.

detection
    Set how is silence detected.

    avg Mean of absolute values of samples in moving window.

    rms Root squared mean of absolute values of samples in moving window.

    peak
        Maximum of absolute values of samples in moving window.

    median
        Median of absolute values of samples in moving window.

    ptp Absolute of max peak to min peak difference of samples in moving window.

    dev Standard deviation of values of samples in moving window.

    Default value is "rms".

window
    Set duration in number of seconds used to calculate size of window in number of samples for detecting silence. Using 0 will effectively disable any windowing and use only single sample per channel for silence detection. In that case it may be needed to also set start_silence and/or stop_silence to nonzero values with also start_duration and/or stop_duration to nonzero values. Default value is 0.02. Allowed range is from 0 to 10.

timestamp
    Set processing mode of every audio frame output timestamp.

    write
        Full timestamps rewrite, keep only the start time for the first output frame.

    copy
        Non-dropped frames are left with same timestamp as input audio frame.

    Defaults value is "write".

Examples

•   The following example shows how this filter can be used to start a recording that does not contain the delay at the start which usually occurs between pressing the record button and the start of the performance:

            silenceremove=start_periods=1:start_duration=5:start_threshold=0.02

•   Trim all silence encountered from beginning to end where there is more than 1 second of silence in audio:

            silenceremove=stop_periods=-1:stop_duration=1:stop_threshold=-90dB

•   Trim all digital silence samples, using peak detection, from beginning to end where there is more than 0 samples of digital silence in audio and digital silence is detected in all channels at same positions in stream:

            silenceremove=window=0:detection=peak:stop_mode=all:start_mode=all:stop_periods=-1:stop_threshold=0

•   Trim every 2nd encountered silence period from beginning to end where there is more than 1 second of silence per silence period in audio:

            silenceremove=stop_periods=-2:stop_duration=1:stop_threshold=-90dB

•   Similar as above, but keep maximum of 0.5 seconds of silence from each trimmed period:

            silenceremove=stop_periods=-2:stop_duration=1:stop_threshold=-90dB:stop_silence=0.5

•   Similar as above, but keep maximum of 1.5 seconds of silence from start of audio:

            silenceremove=stop_periods=-2:stop_duration=1:stop_threshold=-90dB:stop_silence=0.5:start_periods=1:start_duration=1:start_silence=1.5:stop_threshold=-90dB

Commands

This filter supports some above options as commands.

  sofalizer
SOFAlizer uses head-related transfer functions (HRTFs) to create virtual loudspeakers around the user for binaural listening via headphones (audio formats up to 9 channels supported). The HRTFs are stored in SOFA files (see <http://www.sofacoustics.org/> for a database). SOFAlizer is developed at the Acoustics Research Institute (ARI) of the Austrian Academy of Sciences.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libmysofa".

The filter accepts the following options:

sofa
    Set the SOFA file used for rendering.

gain
    Set gain applied to audio. Value is in dB. Default is 0.

rotation
    Set rotation of virtual loudspeakers in deg. Default is 0.

elevation
    Set elevation of virtual speakers in deg. Default is 0.

radius
    Set distance in meters between loudspeakers and the listener with near-field HRTFs. Default is 1.

type
    Set processing type. Can be time or freq. time is processing audio in time domain which is slow. freq is processing audio in frequency domain which is fast. Default is freq.

speakers
    Set custom positions of virtual loudspeakers. Syntax for this option is: <CH> <AZIM> <ELEV>[|<CH> <AZIM> <ELEV>|...]. Each virtual loudspeaker is described with short channel name following with azimuth and elevation in degrees. Each virtual loudspeaker description is separated by '|'. For example to override front left and front right channel positions use: 'speakers=FL 45 15|FR 345 15'. Descriptions with unrecognised channel names are ignored.

lfegain
    Set custom gain for LFE channels. Value is in dB. Default is 0.

framesize
    Set custom frame size in number of samples. Default is 1024. Allowed range is from 1024 to 96000. Only used if option type is set to freq.

normalize
    Should all IRs be normalized upon importing SOFA file. By default is enabled.

interpolate
    Should nearest IRs be interpolated with neighbor IRs if exact position does not match. By default is disabled.

minphase
    Minphase all IRs upon loading of SOFA file. By default is disabled.

anglestep
    Set neighbor search angle step. Only used if option interpolate is enabled.

radstep
    Set neighbor search radius step. Only used if option interpolate is enabled.

Examples

•   Using ClubFritz6 sofa file:

            sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=1

•   Using ClubFritz12 sofa file and bigger radius with small rotation:

            sofalizer=sofa=/path/to/ClubFritz12.sofa:type=freq:radius=2:rotation=5

•   Similar as above but with custom speaker positions for front left, front right, back left and back right and also with custom gain:

            "sofalizer=sofa=/path/to/ClubFritz6.sofa:type=freq:radius=2:speakers=FL 45|FR 315|BL 135|BR 225:gain=28"

  speechnorm
Speech Normalizer.

This filter expands or compresses each half-cycle of audio samples (local set of samples all above or all below zero and between two nearest zero crossings) depending on threshold value, so audio reaches target peak value under conditions controlled by below options.

The filter accepts the following options:

peak, p
    Set the expansion target peak value. This specifies the highest allowed absolute amplitude level for the normalized audio input. Default value is 0.95. Allowed range is from 0.0 to 1.0.

expansion, e
    Set the maximum expansion factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. This option controls maximum local half-cycle of samples expansion. The maximum expansion would be such that local peak value reaches target peak value but never to surpass it and that ratio between new and previous peak value does not surpass this option value.

compression, c
    Set the maximum compression factor. Allowed range is from 1.0 to 50.0. Default value is 2.0. This option controls maximum local half-cycle of samples compression. This option is used only if threshold option is set to value greater than 0.0, then in such cases when local peak is lower or same as value set by threshold all samples belonging to that peak's half-cycle will be compressed by current compression factor.

threshold, t
    Set the threshold value. Default value is 0.0. Allowed range is from 0.0 to 1.0. This option specifies which half-cycles of samples will be compressed and which will be expanded. Any half-cycle samples with their local peak value below or same as this option value will be compressed by current compression factor, otherwise, if greater than threshold value they will be expanded with expansion factor so that it could reach peak target value but never surpass it.

raise, r
    Set the expansion raising amount per each half-cycle of samples. Default value is 0.001. Allowed range is from 0.0 to 1.0. This controls how fast expansion factor is raised per each new half-cycle until it reaches expansion value. Setting this options too high may lead to distortions.

fall, f
    Set the compression raising amount per each half-cycle of samples. Default value is 0.001. Allowed range is from 0.0 to 1.0. This controls how fast compression factor is raised per each new half-cycle until it reaches compression value.

channels, h
    Specify which channels to filter, by default all available channels are filtered.

invert, i
    Enable inverted filtering, by default is disabled. This inverts interpretation of threshold option. When enabled any half-cycle of samples with their local peak value below or same as threshold option will be expanded otherwise it will be compressed.

link, l
    Link channels when calculating gain applied to each filtered channel sample, by default is disabled. When disabled each filtered channel gain calculation is independent, otherwise when this option is enabled the minimum of all possible gains for each filtered channel is used.

rms, m
    Set the expansion target RMS value. This specifies the highest allowed RMS level for the normalized audio input. Default value is 0.0, thus disabled. Allowed range is from 0.0 to 1.0.

Commands

This filter supports the all above options as commands.

Examples

•   Weak and slow amplification:

            speechnorm=e=3:r=0.00001:l=1

•   Moderate and slow amplification:

            speechnorm=e=6.25:r=0.00001:l=1

•   Strong and fast amplification:

            speechnorm=e=12.5:r=0.0001:l=1

•   Very strong and fast amplification:

            speechnorm=e=25:r=0.0001:l=1

•   Extreme and fast amplification:

            speechnorm=e=50:r=0.0001:l=1

  stereotools
This filter has some handy utilities to manage stereo signals, for converting M/S stereo recordings to L/R signal while having control over the parameters or spreading the stereo image of master track.

The filter accepts the following options:

level_in
    Set input level before filtering for both channels. Defaults is 1. Allowed range is from 0.015625 to 64.

level_out
    Set output level after filtering for both channels. Defaults is 1. Allowed range is from 0.015625 to 64.

balance_in
    Set input balance between both channels. Default is 0. Allowed range is from -1 to 1.

balance_out
    Set output balance between both channels. Default is 0. Allowed range is from -1 to 1.

softclip
    Enable softclipping. Results in analog distortion instead of harsh digital 0dB clipping. Disabled by default.

mutel
    Mute the left channel. Disabled by default.

muter
    Mute the right channel. Disabled by default.

phasel
    Change the phase of the left channel. Disabled by default.

phaser
    Change the phase of the right channel. Disabled by default.

mode
    Set stereo mode. Available values are:

    lr>lr
        Left/Right to Left/Right, this is default.

    lr>ms
        Left/Right to Mid/Side.

    ms>lr
        Mid/Side to Left/Right.

    lr>ll
        Left/Right to Left/Left.

    lr>rr
        Left/Right to Right/Right.

    lr>l+r
        Left/Right to Left + Right.

    lr>rl
        Left/Right to Right/Left.

    ms>ll
        Mid/Side to Left/Left.

    ms>rr
        Mid/Side to Right/Right.

    ms>rl
        Mid/Side to Right/Left.

    lr>l-r
        Left/Right to Left - Right.

slev
    Set level of side signal. Default is 1. Allowed range is from 0.015625 to 64.

sbal
    Set balance of side signal. Default is 0. Allowed range is from -1 to 1.

mlev
    Set level of the middle signal. Default is 1. Allowed range is from 0.015625 to 64.

mpan
    Set middle signal pan. Default is 0. Allowed range is from -1 to 1.

base
    Set stereo base between mono and inversed channels. Default is 0. Allowed range is from -1 to 1.

delay
    Set delay in milliseconds how much to delay left from right channel and vice versa. Default is 0. Allowed range is from -20 to 20.

sclevel
    Set S/C level. Default is 1. Allowed range is from 1 to 100.

phase
    Set the stereo phase in degrees. Default is 0. Allowed range is from 0 to 360.

bmode_in, bmode_out
    Set balance mode for balance_in/balance_out option.

    Can be one of the following:

    balance
        Classic balance mode. Attenuate one channel at time. Gain is raised up to 1.

    amplitude
        Similar as classic mode above but gain is raised up to 2.

    power
        Equal power distribution, from -6dB to +6dB range.

Commands

This filter supports the all above options as commands.

Examples

•   Apply karaoke like effect:

            stereotools=mlev=0.015625

•   Convert M/S signal to L/R:

            "stereotools=mode=ms>lr"

  stereowiden
This filter enhance the stereo effect by suppressing signal common to both channels and by delaying the signal of left into right and vice versa, thereby widening the stereo effect.

The filter accepts the following options:

delay
    Time in milliseconds of the delay of left signal into right and vice versa. Default is 20 milliseconds.

feedback
    Amount of gain in delayed signal into right and vice versa. Gives a delay effect of left signal in right output and vice versa which gives widening effect. Default is 0.3.

crossfeed
    Cross feed of left into right with inverted phase. This helps in suppressing the mono. If the value is 1 it will cancel all the signal common to both channels. Default is 0.3.

drymix
    Set level of input signal of original channel. Default is 0.8.

Commands

This filter supports the all above options except "delay" as commands.

  superequalizer
Apply 18 band equalizer.

The filter accepts the following options:

1b  Set 65Hz band gain.

2b  Set 92Hz band gain.

3b  Set 131Hz band gain.

4b  Set 185Hz band gain.

5b  Set 262Hz band gain.

6b  Set 370Hz band gain.

7b  Set 523Hz band gain.

8b  Set 740Hz band gain.

9b  Set 1047Hz band gain.

10b Set 1480Hz band gain.

11b Set 2093Hz band gain.

12b Set 2960Hz band gain.

13b Set 4186Hz band gain.

14b Set 5920Hz band gain.

15b Set 8372Hz band gain.

16b Set 11840Hz band gain.

17b Set 16744Hz band gain.

18b Set 20000Hz band gain.

  surround
Apply audio surround upmix filter.

This filter allows to produce multichannel output from audio stream.

The filter accepts the following options:

chl_out
    Set output channel layout. By default, this is 5.1.

    See the Channel Layout section in the ffmpeg-utils(1) manual for the required syntax.

chl_in
    Set input channel layout. By default, this is stereo.

    See the Channel Layout section in the ffmpeg-utils(1) manual for the required syntax.

level_in
    Set input volume level. By default, this is 1.

level_out
    Set output volume level. By default, this is 1.

lfe Enable LFE channel output if output channel layout has it. By default, this is enabled.

lfe_low
    Set LFE low cut off frequency. By default, this is 128 Hz.

lfe_high
    Set LFE high cut off frequency. By default, this is 256 Hz.

lfe_mode
    Set LFE mode, can be add or sub. Default is add. In add mode, LFE channel is created from input audio and added to output. In sub mode, LFE channel is created from input audio and added to output but also all non-LFE output channels are subtracted with output LFE channel.

smooth
    Set temporal smoothness strength, used to gradually change factors when transforming stereo sound in time. Allowed range is from 0.0 to 1.0. Useful to improve output quality with focus option values greater than 0.0. Default is 0.0. Only values inside this range and without edges are effective.

angle
    Set angle of stereo surround transform, Allowed range is from 0 to 360. Default is 90.

focus
    Set focus of stereo surround transform, Allowed range is from -1 to 1. Default is 0.

fc_in
    Set front center input volume. By default, this is 1.

fc_out
    Set front center output volume. By default, this is 1.

fl_in
    Set front left input volume. By default, this is 1.

fl_out
    Set front left output volume. By default, this is 1.

fr_in
    Set front right input volume. By default, this is 1.

fr_out
    Set front right output volume. By default, this is 1.

sl_in
    Set side left input volume. By default, this is 1.

sl_out
    Set side left output volume. By default, this is 1.

sr_in
    Set side right input volume. By default, this is 1.

sr_out
    Set side right output volume. By default, this is 1.

bl_in
    Set back left input volume. By default, this is 1.

bl_out
    Set back left output volume. By default, this is 1.

br_in
    Set back right input volume. By default, this is 1.

br_out
    Set back right output volume. By default, this is 1.

bc_in
    Set back center input volume. By default, this is 1.

bc_out
    Set back center output volume. By default, this is 1.

lfe_in
    Set LFE input volume. By default, this is 1.

lfe_out
    Set LFE output volume. By default, this is 1.

allx
    Set spread usage of stereo image across X axis for all channels. Allowed range is from -1 to 15. By default this value is negative -1, and thus unused.

ally
    Set spread usage of stereo image across Y axis for all channels. Allowed range is from -1 to 15. By default this value is negative -1, and thus unused.

fcx, flx, frx, blx, brx, slx, srx, bcx
    Set spread usage of stereo image across X axis for each channel. Allowed range is from 0.06 to 15. By default this value is 0.5.

fcy, fly, fry, bly, bry, sly, sry, bcy
    Set spread usage of stereo image across Y axis for each channel. Allowed range is from 0.06 to 15. By default this value is 0.5.

win_size
    Set window size. Allowed range is from 1024 to 65536. Default size is 4096.

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann, hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default is "hann".

overlap
    Set window overlap. If set to 1, the recommended overlap for selected window function will be picked. Default is 0.5.

  tiltshelf
Boost or cut the lower frequencies and cut or boost higher frequencies of the audio using a two-pole shelving filter with a response similar to that of a standard hi-fi's tone-controls. This is also known as shelving equalisation (EQ).

The filter accepts the following options:

gain, g
    Give the gain at 0 Hz. Its useful range is about -20 (for a large cut) to +20 (for a large boost). Beware of clipping when using a positive gain.

frequency, f
    Set the filter's central frequency and so can be used to extend or reduce the frequency range to be boosted or cut. The default value is 3000 Hz.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Determine how steep is the filter's shelf transition.

poles, p
    Set number of poles. Default is 2.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports some options as commands.

  treble, highshelf
Boost or cut treble (upper) frequencies of the audio using a two-pole shelving filter with a response similar to that of a standard hi-fi's tone-controls. This is also known as shelving equalisation (EQ).

The filter accepts the following options:

gain, g
    Give the gain at whichever is the lower of ~22 kHz and the Nyquist frequency. Its useful range is about -20 (for a large cut) to +20 (for a large boost). Beware of clipping when using a positive gain.

frequency, f
    Set the filter's central frequency and so can be used to extend or reduce the frequency range to be boosted or cut. The default value is 3000 Hz.

width_type, t
    Set method to specify band-width of filter.

    h   Hz

    q   Q-Factor

    o   octave

    s   slope

    k   kHz

width, w
    Determine how steep is the filter's shelf transition.

poles, p
    Set number of poles. Default is 2.

mix, m
    How much to use filtered signal in output. Default is 1. Range is between 0 and 1.

channels, c
    Specify which channels to filter, by default all available are filtered.

normalize, n
    Normalize biquad coefficients, by default is disabled. Enabling it will normalize magnitude response at DC to 0dB.

transform, a
    Set transform type of IIR filter.

    di
    dii
    tdi
    tdii
    latt
    svf
    zdf
precision, r
    Set precision of filtering.

    auto
        Pick automatic sample format depending on surround filters.

    s16 Always use signed 16-bit.

    s32 Always use signed 32-bit.

    f32 Always use float 32-bit.

    f64 Always use float 64-bit.

block_size, b
    Set block size used for reverse IIR processing. If this value is set to high enough value (higher than impulse response length truncated when reaches near zero values) filtering will become linear phase otherwise if not big enough it will just produce nasty artifacts.

    Note that filter delay will be exactly this many samples when set to non-zero value.

Commands

This filter supports the following commands:

frequency, f
    Change treble frequency. Syntax for the command is : "frequency"

width_type, t
    Change treble width_type. Syntax for the command is : "width_type"

width, w
    Change treble width. Syntax for the command is : "width"

gain, g
    Change treble gain. Syntax for the command is : "gain"

mix, m
    Change treble mix. Syntax for the command is : "mix"

  tremolo
Sinusoidal amplitude modulation.

The filter accepts the following options:

f   Modulation frequency in Hertz. Modulation frequencies in the subharmonic range (20 Hz or lower) will result in a tremolo effect. This filter may also be used as a ring modulator by specifying a modulation frequency higher than 20 Hz. Range is 0.1 - 20000.0. Default value is 5.0 Hz.

d   Depth of modulation as a percentage. Range is 0.0 - 1.0. Default value is 0.5.

  vibrato
Sinusoidal phase modulation.

The filter accepts the following options:

f   Modulation frequency in Hertz. Range is 0.1 - 20000.0. Default value is 5.0 Hz.

d   Depth of modulation as a percentage. Range is 0.0 - 1.0. Default value is 0.5.

  virtualbass
Apply audio Virtual Bass filter.

This filter accepts stereo input and produce stereo with LFE (2.1) channels output. The newly produced LFE channel have enhanced virtual bass originally obtained from both stereo channels. This filter outputs front left and front right channels unchanged as available in stereo input.

The filter accepts the following options:

cutoff
    Set the virtual bass cutoff frequency. Default value is 250 Hz. Allowed range is from 100 to 500 Hz.

strength
    Set the virtual bass strength. Allowed range is from 0.5 to 3. Default value is 3.

  volume
Adjust the input audio volume.

It accepts the following parameters:

volume
    Set audio volume expression.

    Output values are clipped to the maximum value.

    The output audio volume is given by the relation:

            <output_volume> = <volume> * <input_volume>

    The default value for volume is "1.0".

precision
    This parameter represents the mathematical precision.

    It determines which input sample formats will be allowed, which affects the precision of the volume scaling.

    fixed
        8-bit fixed-point; this limits input sample format to U8, S16, and S32.

    float
        32-bit floating-point; this limits input sample format to FLT. (default)

    double
        64-bit floating-point; this limits input sample format to DBL.

replaygain
    Choose the behaviour on encountering ReplayGain side data in input frames.

    drop
        Remove ReplayGain side data, ignoring its contents (the default).

    ignore
        Ignore ReplayGain side data, but leave it in the frame.

    track
        Prefer the track gain, if present.

    album
        Prefer the album gain, if present.

replaygain_preamp
    Pre-amplification gain in dB to apply to the selected replaygain gain.

    Default value for replaygain_preamp is 0.0.

replaygain_noclip
    Prevent clipping by limiting the gain applied.

    Default value for replaygain_noclip is 1.

eval
    Set when the volume expression is evaluated.

    It accepts the following values:

    once
        only evaluate expression once during the filter initialization, or when the volume command is sent

    frame
        evaluate expression for each incoming frame

    Default value is once.

The volume expression can contain the following parameters.

n   frame number (starting at zero)

nb_channels
    number of channels

nb_consumed_samples
    number of samples consumed by the filter

nb_samples
    number of samples in the current frame

pos original frame position in the file; deprecated, do not use

pts frame PTS

sample_rate
    sample rate

startpts
    PTS at start of stream

startt
    time at start of stream

t   frame time

tb  timestamp timebase

volume
    last set volume value

Note that when eval is set to once only the sample_rate and tb variables are available, all other variables will evaluate to NAN.

Commands

This filter supports the following commands:

volume
    Modify the volume expression. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

Examples

•   Halve the input audio volume:

            volume=volume=0.5
            volume=volume=1/2
            volume=volume=-6.0206dB

    In all the above example the named key for volume can be omitted, for example like in:

            volume=0.5

•   Increase input audio power by 6 decibels using fixed-point precision:

            volume=volume=6dB:precision=fixed

•   Fade volume after time 10 with an annihilation period of 5 seconds:

            volume='if(lt(t,10),1,max(1-(t-10)/5,0))':eval=frame

  volumedetect
Detect the volume of the input video.

The filter has no parameters. It supports only 16-bit signed integer samples, so the input will be converted when needed. Statistics about the volume will be printed in the log when the input stream end is reached.

In particular it will show the mean volume (root mean square), maximum volume (on a per-sample basis), and the beginning of a histogram of the registered volume values (from the maximum value to a cumulated 1/1000 of the samples).

All volumes are in decibels relative to the maximum PCM value.

Examples

Here is an excerpt of the output:

        [Parsed_volumedetect_0  0xa23120] mean_volume: -27 dB
        [Parsed_volumedetect_0  0xa23120] max_volume: -4 dB
        [Parsed_volumedetect_0  0xa23120] histogram_4db: 6
        [Parsed_volumedetect_0  0xa23120] histogram_5db: 62
        [Parsed_volumedetect_0  0xa23120] histogram_6db: 286
        [Parsed_volumedetect_0  0xa23120] histogram_7db: 1042
        [Parsed_volumedetect_0  0xa23120] histogram_8db: 2551
        [Parsed_volumedetect_0  0xa23120] histogram_9db: 4609
        [Parsed_volumedetect_0  0xa23120] histogram_10db: 8409

It means that:

•   The mean square energy is approximately -27 dB, or 10^-2.7.

•   The largest sample is at -4 dB, or more precisely between -4 dB and -5 dB.

•   There are 6 samples at -4 dB, 62 at -5 dB, 286 at -6 dB, etc.

In other words, raising the volume by +4 dB does not cause any clipping, raising it by +5 dB causes clipping for 6 samples, etc.

  whisper
It runs automatic speech recognition using the OpenAI's Whisper model.

It requires the whisper.cpp library (https://github.com/ggml-org/whisper.cpp) as a prerequisite. After installing the library it can be enabled using: "./configure --enable-whisper".

The filter has following options:

model
    The file path of the downloaded whisper.cpp model (mandatory).

language
    The language to use for transcription ('auto' for auto-detect). Default value: "auto"

queue
    The maximum size that will be queued into the filter before processing the audio with whisper. Using a small value the audio stream will be processed more often, but the transcription quality will be lower and the required processing power will be higher. Using a large value (e.g. 10-20s) will produce more accurate results using less CPU (as using the whisper-cli tool), but the transcription latency will be higher, thus not useful to process real-time streams. Consider using the vad_model option associated with a large queue value. Default value: "3"

use_gpu
    If the GPU support should be enabled. Default value: "true"

gpu_device
    The GPU device index to use. Default value: "0"

destination
    If set, the transcription output will be sent to the specified file or URL (use one of the FFmpeg AVIO protocols); otherwise, the output will be logged as info messages. The output will also be set in the "lavfi.whisper.text" frame metadata. If the destination is a file and it already exists, it will be overwritten.

format
    The destination format string; it could be "text" (only the transcribed text will be sent to the destination), "srt" (subtitle format) or "json". Default value: "text"

max_len
    Maximum segment length in characters. When set to a value greater than 0, transcription segments will be split to not exceed this length. This is useful for generating subtitles with shorter lines. Default value: "0"

vad_model
    Path to the VAD model file. If set, the filter will load an additional voice activity detection module (https://github.com/snakers4/silero-vad) that will be used to fragment the audio queue; use this option setting a valid path obtained from the whisper.cpp repository (e.g. "../whisper.cpp/models/ggml-silero-v5.1.2.bin") and increase the queue parameter to a higher value (e.g. 20).

vad_threshold
    The VAD threshold to use. Default value: "0.5"

vad_min_speech_duration
    The minimum VAD speaking duration. Default value: "0.1"

vad_min_silence_duration
    The minimum VAD silence duration. Default value: "0.5"

Examples

•   Run a transcription with srt file generation:

            ffmpeg -i input.mp4 -vn -af "whisper=model=../whisper.cpp/models/ggml-base.en.bin\
            :language=en\
            :queue=3\
            :destination=output.srt\
            :format=srt" -f null -

•   Run a transcription and send the output in JSON format to an HTTP service:

            ffmpeg -i input.mp4 -vn -af "whisper=model=../whisper.cpp/models/ggml-base.en.bin\
            :language=en\
            :queue=3\
            :destination=http\\://localhost\\:3000\
            :format=json' -f null -

•   Transcribe the microphone input using the VAD option:

            ffmpeg -loglevel warning -f pulse -i default \
            -af 'highpass=f=200,lowpass=f=3000,whisper=model=../whisper.cpp/models/ggml-medium.bin\
            :language=en\
            :queue=10\
            :destination=-\
            :format=json\
            :vad_model=../whisper.cpp/models/ggml-silero-v5.1.2.bin' -f null -

AUDIO SOURCES
Below is a description of the currently available audio sources.

  abuffer
Buffer audio frames, and make them available to the filter chain.

This source is mainly intended for a programmatic use, in particular through the interface defined in libavfilter/buffersrc.h.

It accepts the following parameters:

time_base
    The timebase which will be used for timestamps of submitted frames. It must be either a floating-point number or in numerator/denominator form.

sample_rate
    The sample rate of the incoming audio buffers.

sample_fmt
    The sample format of the incoming audio buffers. Either a sample format name or its corresponding integer representation from the enum AVSampleFormat in libavutil/samplefmt.h

channel_layout
    The channel layout of the incoming audio buffers. Either a channel layout name from channel_layout_map in libavutil/channel_layout.c or its corresponding integer representation from the AV_CH_LAYOUT_* macros in libavutil/channel_layout.h

channels
    The number of channels of the incoming audio buffers. If both channels and channel_layout are specified, then they must be consistent.

Examples

        abuffer=sample_rate=44100:sample_fmt=s16p:channel_layout=stereo

will instruct the source to accept planar 16bit signed stereo at 44100Hz. Since the sample format with name "s16p" corresponds to the number 6 and the "stereo" channel layout corresponds to the value 0x3, this is equivalent to:

        abuffer=sample_rate=44100:sample_fmt=6:channel_layout=0x3

  aevalsrc
Generate an audio signal specified by an expression.

This source accepts in input one or more expressions (one for each channel), which are evaluated and used to generate a corresponding audio signal.

This source accepts the following options:

exprs
    Set the '|'-separated expressions list for each separate channel. In case the channel_layout option is not specified, the selected channel layout depends on the number of provided expressions. Otherwise the last specified expression is applied to the remaining output channels.

channel_layout, c
    Set the channel layout. The number of channels in the specified layout must be equal to the number of specified expressions.

duration, d
    Set the minimum duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. Note that the resulting duration may be greater than the specified duration, as the generated audio is always cut at the end of a complete frame.

    If not specified, or the expressed duration is negative, the audio is supposed to be generated forever.

nb_samples, n
    Set the number of samples per channel per each output frame, default to 1024.

sample_rate, s
    Specify the sample rate, default to 44100.

Each expression in exprs can contain the following constants:

n   number of the evaluated sample, starting from 0

t   time of the evaluated sample expressed in seconds, starting from 0

s   sample rate

Examples

•   Generate silence:

            aevalsrc=0

•   Generate a sin signal with frequency of 440 Hz, set sample rate to 8000 Hz:

            aevalsrc="sin(440*2*PI*t):s=8000"

•   Generate a two channels signal, specify the channel layout (Front Center + Back Center) explicitly:

            aevalsrc="sin(420*2*PI*t)|cos(430*2*PI*t):c=FC|BC"

•   Generate white noise:

            aevalsrc="-2+random(0)"

•   Generate an amplitude modulated signal:

            aevalsrc="sin(10*2*PI*t)*sin(880*2*PI*t)"

•   Generate 2.5 Hz binaural beats on a 360 Hz carrier:

            aevalsrc="0.1*sin(2*PI*(360-2.5/2)*t) | 0.1*sin(2*PI*(360+2.5/2)*t)"

  afdelaysrc
Generate a fractional delay FIR coefficients.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

delay, d
    Set the fractional delay. Default is 0.

sample_rate, r
    Set the sample rate, default is 44100.

nb_samples, n
    Set the number of samples per each frame. Default is 1024.

taps, t
    Set the number of filter coefficients in output audio stream. Default value is 0.

channel_layout, c
    Specifies the channel layout, and can be a string representing a channel layout. The default value of channel_layout is "stereo".

  afireqsrc
Generate a FIR equalizer coefficients.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

preset, p
    Set equalizer preset. Default preset is "flat".

    Available presets are:

    custom
    flat
    acoustic
    bass
    beats
    classic
    clear
    deep bass
    dubstep
    electronic
    hard-style
    hip-hop
    jazz
    metal
    movie
    pop
    r&b
    rock
    vocal booster
gains, g
    Set custom gains for each band. Only used if the preset option is set to "custom". Gains are separated by white spaces and each gain is set in dBFS. Default is "0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0".

bands, b
    Set the custom bands from where custom equalizer gains are set. This must be in strictly increasing order. Only used if the preset option is set to "custom". Bands are separated by white spaces and each band represent frequency in Hz. Default is "25 40 63 100 160 250 400 630 1000 1600 2500 4000 6300 10000 16000 24000".

taps, t
    Set number of filter coefficients in output audio stream. Default value is 4096.

sample_rate, r
    Set sample rate of output audio stream, default is 44100.

nb_samples, n
    Set number of samples per each frame in output audio stream. Default is 1024.

interp, i
    Set interpolation method for FIR equalizer coefficients. Can be "linear" or "cubic".

phase, h
    Set phase type of FIR filter. Can be "linear" or "min": minimum-phase. Default is minimum-phase filter.

  afirsrc
Generate a FIR coefficients using frequency sampling method.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

taps, t
    Set number of filter coefficients in output audio stream. Default value is 1025.

frequency, f
    Set frequency points from where magnitude and phase are set. This must be in non decreasing order, and first element must be 0, while last element must be 1. Elements are separated by white spaces.

magnitude, m
    Set magnitude value for every frequency point set by frequency. Number of values must be same as number of frequency points. Values are separated by white spaces.

phase, p
    Set phase value for every frequency point set by frequency. Number of values must be same as number of frequency points. Values are separated by white spaces.

sample_rate, r
    Set sample rate, default is 44100.

nb_samples, n
    Set number of samples per each frame. Default is 1024.

win_func, w
    Set window function. Default is blackman.

  anullsrc
The null audio source, return unprocessed audio frames. It is mainly useful as a template and to be employed in analysis / debugging tools, or as the source for filters which ignore the input data (for example the sox synth filter).

This source accepts the following options:

channel_layout, cl
    Specifies the channel layout, and can be either an integer or a string representing a channel layout. The default value of channel_layout is "stereo".

    Check the channel_layout_map definition in libavutil/channel_layout.c for the mapping between strings and channel layout values.

sample_rate, r
    Specifies the sample rate, and defaults to 44100.

nb_samples, n
    Set the number of samples per requested frames.

duration, d
    Set the duration of the sourced audio. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the audio is supposed to be generated forever.

Examples

•   Set the sample rate to 48000 Hz and the channel layout to AV_CH_LAYOUT_MONO.

            anullsrc=r=48000:cl=4

•   Do the same operation with a more obvious syntax:

            anullsrc=r=48000:cl=mono

All the parameters need to be explicitly defined.

  flite
Synthesize a voice utterance using the libflite library.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libflite".

Note that versions of the flite library prior to 2.0 are not thread-safe.

The filter accepts the following options:

list_voices
    If set to 1, list the names of the available voices and exit immediately. Default value is 0.

nb_samples, n
    Set the maximum number of samples per frame. Default value is 512.

textfile
    Set the filename containing the text to speak.

text
    Set the text to speak.

voice, v
    Set the voice to use for the speech synthesis. Default value is "kal". See also the list_voices option.

Examples

•   Read from file speech.txt, and synthesize the text using the standard flite voice:

            flite=textfile=speech.txt

•   Read the specified text selecting the "slt" voice:

            flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt

•   Input text to ffmpeg:

            ffmpeg -f lavfi -i flite=text='So fare thee well, poor devil of a Sub-Sub, whose commentator I am':voice=slt

•   Make ffplay speak the specified text, using "flite" and the "lavfi" device:

            ffplay -f lavfi flite=text='No more be grieved for which that thou hast done.'

For more information about libflite, check: <http://www.festvox.org/flite/>

  anoisesrc
Generate a noise audio signal.

The filter accepts the following options:

sample_rate, r
    Specify the sample rate. Default value is 48000 Hz.

amplitude, a
    Specify the amplitude (0.0 - 1.0) of the generated audio stream. Default value is 1.0.

duration, d
    Specify the duration of the generated audio stream. Not specifying this option results in noise with an infinite length.

color, colour, c
    Specify the color of noise. Available noise colors are white, pink, brown, blue, violet and velvet. Default color is white.

seed, s
    Specify a value used to seed the PRNG.

nb_samples, n
    Set the number of samples per each output frame, default is 1024.

density
    Set the density (0.0 - 1.0) for the velvet noise generator, default is 0.05.

Examples

•   Generate 60 seconds of pink noise, with a 44.1 kHz sampling rate and an amplitude of 0.5:

            anoisesrc=d=60:c=pink:r=44100:a=0.5

  hilbert
Generate odd-tap Hilbert transform FIR coefficients.

The resulting stream can be used with afir filter for phase-shifting the signal by 90 degrees.

This is used in many matrix coding schemes and for analytic signal generation. The process is often written as a multiplication by i (or j), the imaginary unit.

The filter accepts the following options:

sample_rate, s
    Set sample rate, default is 44100.

taps, t
    Set length of FIR filter, default is 22051.

nb_samples, n
    Set number of samples per each frame.

win_func, w
    Set window function to be used when generating FIR coefficients.

  sinc
Generate a sinc kaiser-windowed low-pass, high-pass, band-pass, or band-reject FIR coefficients.

The resulting stream can be used with afir filter for filtering the audio signal.

The filter accepts the following options:

sample_rate, r
    Set sample rate, default is 44100.

nb_samples, n
    Set number of samples per each frame. Default is 1024.

hp  Set high-pass frequency. Default is 0.

lp  Set low-pass frequency. Default is 0. If high-pass frequency is lower than low-pass frequency and low-pass frequency is higher than 0 then filter will create band-pass filter coefficients, otherwise band-reject filter coefficients.

phase
    Set filter phase response. Default is 50. Allowed range is from 0 to 100.

beta
    Set Kaiser window beta.

att Set stop-band attenuation. Default is 120dB, allowed range is from 40 to 180 dB.

round
    Enable rounding, by default is disabled.

hptaps
    Set number of taps for high-pass filter.

lptaps
    Set number of taps for low-pass filter.

  sine
Generate an audio signal made of a sine wave with amplitude 1/8.

The audio signal is bit-exact.

The filter accepts the following options:

frequency, f
    Set the carrier frequency. Default is 440 Hz.

beep_factor, b
    Enable a periodic beep every second with frequency beep_factor times the carrier frequency. Default is 0, meaning the beep is disabled.

sample_rate, r
    Specify the sample rate, default is 44100.

duration, d
    Specify the duration of the generated audio stream.

samples_per_frame
    Set the number of samples per output frame.

    The expression can contain the following constants:

    n   The (sequential) number of the output audio frame, starting from 0.

    pts The PTS (Presentation TimeStamp) of the output audio frame, expressed in TB units.

    t   The PTS of the output audio frame, expressed in seconds.

    TB  The timebase of the output audio frames.

    Default is 1024.

Examples

•   Generate a simple 440 Hz sine wave:

            sine

•   Generate a 220 Hz sine wave with a 880 Hz beep each second, for 5 seconds:

            sine=220:4:d=5
            sine=f=220:b=4:d=5
            sine=frequency=220:beep_factor=4:duration=5

•   Generate a 1 kHz sine wave following "1602,1601,1602,1601,1602" NTSC pattern:

            sine=1000:samples_per_frame='st(0,mod(n,5)); 1602-not(not(eq(ld(0),1)+eq(ld(0),3)))'

AUDIO SINKS
Below is a description of the currently available audio sinks.

  abuffersink
Buffer audio frames, and make them available to the end of filter chain.

This sink is mainly intended for programmatic use, in particular through the interface defined in libavfilter/buffersink.h or the options system.

It accepts a pointer to an AVABufferSinkContext structure, which defines the incoming buffers' formats, to be passed as the opaque parameter to "avfilter_init_filter" for initialization.

  anullsink
Null audio sink; do absolutely nothing with the input audio. It is mainly useful as a template and for use in analysis / debugging tools.

VIDEO FILTERS
When you configure your FFmpeg build, you can disable any of the existing filters using "--disable-filters". The configure output will show the video filters included in your build.

Below is a description of the currently available video filters.

  addroi
Mark a region of interest in a video frame.

The frame data is passed through unchanged, but metadata is attached to the frame indicating regions of interest which can affect the behaviour of later encoding. Multiple regions can be marked by applying the filter multiple times.

x   Region distance in pixels from the left edge of the frame.

y   Region distance in pixels from the top edge of the frame.

w   Region width in pixels.

h   Region height in pixels.

    The parameters x, y, w and h are expressions, and may contain the following variables:

    iw  Width of the input frame.

    ih  Height of the input frame.

qoffset
    Quantisation offset to apply within the region.

    This must be a real value in the range -1 to +1. A value of zero indicates no quality change. A negative value asks for better quality (less quantisation), while a positive value asks for worse quality (greater quantisation).

    The range is calibrated so that the extreme values indicate the largest possible offset - if the rest of the frame is encoded with the worst possible quality, an offset of -1 indicates that this region should be encoded with the best possible quality anyway. Intermediate values are then interpolated in some codec-dependent way.

    For example, in 10-bit H.264 the quantisation parameter varies between -12 and 51. A typical qoffset value of -1/10 therefore indicates that this region should be encoded with a QP around one-tenth of the full range better than the rest of the frame. So, if most of the frame were to be encoded with a QP of around 30, this region would get a QP of around 24 (an offset of approximately -1/10 * (51 - -12) = -6.3). An extreme value of -1 would indicate that this region should be encoded with the best possible quality regardless of the treatment of the rest of the frame - that is, should be encoded at a QP of -12.

clear
    If set to true, remove any existing regions of interest marked on the frame before adding the new one.

Examples

•   Mark the centre quarter of the frame as interesting.

            addroi=iw/4:ih/4:iw/2:ih/2:-1/10

•   Mark the 100-pixel-wide region on the left edge of the frame as very uninteresting (to be encoded at much lower quality than the rest of the frame).

            addroi=0:0:100:ih:+1/5

  alphaextract
Extract the alpha component from the input as a grayscale video. This is especially useful with the alphamerge filter.

  alphamerge
Add or replace the alpha component of the primary input with the grayscale value of a second input. This is intended for use with alphaextract to allow the transmission or storage of frame sequences that have alpha in a format that doesn't support an alpha channel.

For example, to reconstruct full frames from a normal YUV-encoded video and a separate video created with alphaextract, you might use:

        movie=in_alpha.mkv [alpha]; [in][alpha] alphamerge [out]

  amplify
Amplify differences between current pixel and pixels of adjacent frames in same pixel location.

This filter accepts the following options:

radius
    Set frame radius. Default is 2. Allowed range is from 1 to 63. For example radius of 3 will instruct filter to calculate average of 7 frames.

factor
    Set factor to amplify difference. Default is 2. Allowed range is from 0 to 65535.

threshold
    Set threshold for difference amplification. Any difference greater or equal to this value will not alter source pixel. Default is 10. Allowed range is from 0 to 65535.

tolerance
    Set tolerance for difference amplification. Any difference lower to this value will not alter source pixel. Default is 0. Allowed range is from 0 to 65535.

low Set lower limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. This option controls maximum possible value that will decrease source pixel value.

high
    Set high limit for changing source pixel. Default is 65535. Allowed range is from 0 to 65535. This option controls maximum possible value that will increase source pixel value.

planes
    Set which planes to filter. Default is all. Allowed range is from 0 to 15.

Commands

This filter supports the following commands that corresponds to option of same name:

factor
threshold
tolerance
low
high
planes

  ass
Same as the subtitles filter, except that it doesn't require libavcodec and libavformat to work. On the other hand, it is limited to ASS (Advanced Substation Alpha) subtitles files.

This filter accepts the following option in addition to the common options from the subtitles filter:

shaping
    Set the shaping engine

    Available values are:

    auto
        The default libass shaping engine, which is the best available.

    simple
        Fast, font-agnostic shaper that can do only substitutions

    complex
        Slower shaper using OpenType for substitutions and positioning

    The default is "auto".

  atadenoise
Apply an Adaptive Temporal Averaging Denoiser to the video input.

The filter accepts the following options:

0a  Set threshold A for 1st plane. Default is 0.02. Valid range is 0 to 0.3.

0b  Set threshold B for 1st plane. Default is 0.04. Valid range is 0 to 5.

1a  Set threshold A for 2nd plane. Default is 0.02. Valid range is 0 to 0.3.

1b  Set threshold B for 2nd plane. Default is 0.04. Valid range is 0 to 5.

2a  Set threshold A for 3rd plane. Default is 0.02. Valid range is 0 to 0.3.

2b  Set threshold B for 3rd plane. Default is 0.04. Valid range is 0 to 5.

    Threshold A is designed to react on abrupt changes in the input signal and threshold B is designed to react on continuous changes in the input signal.

s   Set number of frames filter will use for averaging. Default is 9. Must be odd number in range [5, 129].

p   Set what planes of frame filter will use for averaging. Default is all.

a   Set what variant of algorithm filter will use for averaging. Default is "p" parallel. Alternatively can be set to "s" serial.

    Parallel can be faster then serial, while other way around is never true. Parallel will abort early on first change being greater then thresholds, while serial will continue processing other side of frames if they are equal or below thresholds.

0s
1s
2s  Set sigma for 1st plane, 2nd plane or 3rd plane. Default is 32767. Valid range is from 0 to 32767. This options controls weight for each pixel in radius defined by size. Default value means every pixel have same weight. Setting this option to 0 effectively disables filtering.

Commands

This filter supports same commands as options except option "s". The command accepts the same syntax of the corresponding option.

  avgblur
Apply average blur filter.

The filter accepts the following options:

sizeX
    Set horizontal radius size.

planes
    Set which planes to filter. By default all planes are filtered.

sizeY
    Set vertical radius size, if zero it will be same as "sizeX". Default is 0.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  backgroundkey
Turns a static background into transparency.

The filter accepts the following option:

threshold
    Threshold for scene change detection.

similarity
    Similarity percentage with the background.

blend
    Set the blend amount for pixels that are not similar.

Commands

This filter supports the all above options as commands.

  bbox
Compute the bounding box for the non-black pixels in the input frame luma plane.

This filter computes the bounding box containing all the pixels with a luma value greater than the minimum allowed value. The parameters describing the bounding box are printed on the filter log.

The filter accepts the following option:

min_val
    Set the minimal luma value. Default is 16.

Commands

This filter supports the all above options as commands.

  bilateral
Apply bilateral filter, spatial smoothing while preserving edges.

The filter accepts the following options:

sigmaS
    Set sigma of gaussian function to calculate spatial weight. Allowed range is 0 to 512. Default is 0.1.

sigmaR
    Set sigma of gaussian function to calculate range weight. Allowed range is 0 to 1. Default is 0.1.

planes
    Set planes to filter. Default is first only.

Commands

This filter supports the all above options as commands.

  bitplanenoise
Show and measure bit plane noise.

The filter accepts the following options:

bitplane
    Set which plane to analyze. Default is 1.

filter
    Filter out noisy pixels from "bitplane" set above. Default is disabled.

  blackdetect, blackdetect_vulkan
Detect video intervals that are (almost) completely black. Can be useful to detect chapter transitions, commercials, or invalid recordings.

The filter outputs its detection analysis to both the log as well as frame metadata. If a black segment of at least the specified minimum duration is found, a line with the start and end timestamps as well as duration is printed to the log with level "info". In addition, a log line with level "debug" is printed per frame showing the black amount detected for that frame.

The filter also attaches metadata to the first frame of a black segment with key "lavfi.black_start" and to the first frame after the black segment ends with key "lavfi.black_end". The value is the frame's timestamp. This metadata is added regardless of the minimum duration specified.

The filter accepts the following options:

black_min_duration, d
    Set the minimum detected black duration expressed in seconds. It must be a non-negative floating point number.

    Default value is 2.0.

picture_black_ratio_th, pic_th
    Set the threshold for considering a picture "black". Express the minimum value for the ratio:

            <nb_black_pixels> / <nb_pixels>

    for which a picture is considered black. Default value is 0.98.

pixel_black_th, pix_th
    Set the threshold for considering a pixel "black".

    The threshold expresses the maximum pixel luma value for which a pixel is considered "black". The provided value is scaled according to the following equation:

            <absolute_threshold> = <luma_minimum_value> + <pixel_black_th> * <luma_range_size>

    luma_range_size and luma_minimum_value depend on the input video format, the range is [0-255] for YUV full-range formats and [16-235] for YUV non full-range formats.

    Default value is 0.10.

alpha
    If true, check the alpha channel instead of the luma channel. Detects frames which are (almost) transparent, instead of frames which are almost black.

    Default value is disabled.

The following example sets the maximum pixel threshold to the minimum value, and detects only black intervals of 2 or more seconds:

        blackdetect=d=2:pix_th=0.00

  blackframe
Detect frames that are (almost) completely black. Can be useful to detect chapter transitions or commercials. Output lines consist of the frame number of the detected frame, the percentage of blackness, the position in the file if known or -1 and the timestamp in seconds.

In order to display the output lines, you need to set the loglevel at least to the AV_LOG_INFO value.

This filter exports frame metadata "lavfi.blackframe.pblack". The value represents the percentage of pixels in the picture that are below the threshold value.

It accepts the following parameters:

amount
    The percentage of the pixels that have to be below the threshold; it defaults to 98.

threshold, thresh
    The threshold below which a pixel value is considered black; it defaults to 32.

  blend
Blend two video frames into each other.

The "blend" filter takes two input streams and outputs one stream, the first input is the "top" layer and second input is "bottom" layer. By default, the output terminates when the longest input terminates.

The "tblend" (time blend) filter takes two consecutive frames from one single stream, and outputs the result obtained by blending the new frame on top of the old frame.

A description of the accepted options follows.

c0_mode
c1_mode
c2_mode
c3_mode
all_mode
    Set blend mode for specific pixel component or all pixel components in case of all_mode. Default value is "normal".

    Available values for component modes are:

    addition
    and
    average
    bleach
    burn
    darken
    difference
    divide
    dodge
    exclusion
    extremity
    freeze
    geometric
    glow
    grainextract
    grainmerge
    hardlight
    hardmix
    hardoverlay
    harmonic
    heat
    interpolate
    lighten
    linearlight
    multiply
    multiply128
    negation
    normal
    or
    overlay
    phoenix
    pinlight
    reflect
    screen
    softdifference
    softlight
    stain
    subtract
    vividlight
    xor
c0_opacity
c1_opacity
c2_opacity
c3_opacity
all_opacity
    Set blend opacity for specific pixel component or all pixel components in case of all_opacity. Only used in combination with pixel component blend modes.

c0_expr
c1_expr
c2_expr
c3_expr
all_expr
    Set blend expression for specific pixel component or all pixel components in case of all_expr. Note that related mode options will be ignored if those are set.

    The expressions can use the following variables:

    N   The sequential number of the filtered frame, starting from 0.

    X
    Y   the coordinates of the current sample

    W
    H   the width and height of currently filtered plane

    SW
    SH  Width and height scale for the plane being filtered. It is the ratio between the dimensions of the current plane to the luma plane, e.g. for a "yuv420p" frame, the values are "1,1" for the luma plane and "0.5,0.5" for the chroma planes.

    T   Time of the current frame, expressed in seconds.

    TOP, A
        Value of pixel component at current location for first video frame (top layer).

    BOTTOM, B
        Value of pixel component at current location for second video frame (bottom layer).

The "blend" filter also supports the framesync options.

Examples

•   Apply transition from bottom layer to top layer in first 10 seconds:

            blend=all_expr='A*(if(gte(T,10),1,T/10))+B*(1-(if(gte(T,10),1,T/10)))'

•   Apply linear horizontal transition from top layer to bottom layer:

            blend=all_expr='A*(X/W)+B*(1-X/W)'

•   Apply 1x1 checkerboard effect:

            blend=all_expr='if(eq(mod(X,2),mod(Y,2)),A,B)'

•   Apply uncover left effect:

            blend=all_expr='if(gte(N*SW+X,W),A,B)'

•   Apply uncover down effect:

            blend=all_expr='if(gte(Y-N*SH,0),A,B)'

•   Apply uncover up-left effect:

            blend=all_expr='if(gte(T*SH*40+Y,H)*gte((T*40*SW+X)*W/H,W),A,B)'

•   Split diagonally video and shows top and bottom layer on each side:

            blend=all_expr='if(gt(X,Y*(W/H)),A,B)'

•   Display differences between the current and the previous frame:

            tblend=all_mode=grainextract

Commands

This filter supports same commands as options.

  blockdetect
Determines blockiness of frames without altering the input frames.

Based on Remco Muijs and Ihor Kirenko: "A no-reference blocking artifact measure for adaptive video processing." 2005 13th European signal processing conference.

The filter accepts the following options:

period_min
period_max
    Set minimum and maximum values for determining pixel grids (periods). Default values are [3,24].

planes
    Set planes to filter. Default is first only.

Examples

•   Determine blockiness for the first plane and search for periods within [8,32]:

            blockdetect=period_min=8:period_max=32:planes=1

  blurdetect
Determines blurriness of frames without altering the input frames.

Based on Marziliano, Pina, et al. "A no-reference perceptual blur metric." Allows for a block-based abbreviation.

The filter accepts the following options:

low
high
    Set low and high threshold values used by the Canny thresholding algorithm.

    The high threshold selects the "strong" edge pixels, which are then connected through 8-connectivity with the "weak" edge pixels selected by the low threshold.

    low and high threshold values must be chosen in the range [0,1], and low should be lesser or equal to high.

    Default value for low is "20/255", and default value for high is "50/255".

radius
    Define the radius to search around an edge pixel for local maxima.

block_pct
    Determine blurriness only for the most significant blocks, given in percentage.

block_width
    Determine blurriness for blocks of width block_width. If set to any value smaller 1, no blocks are used and the whole image is processed as one no matter of block_height.

block_height
    Determine blurriness for blocks of height block_height. If set to any value smaller 1, no blocks are used and the whole image is processed as one no matter of block_width.

planes
    Set planes to filter. Default is first only.

Examples

•   Determine blur for 80% of most significant 32x32 blocks:

            blurdetect=block_width=32:block_height=32:block_pct=80

  bm3d
Denoise frames using Block-Matching 3D algorithm.

The filter accepts the following options.

sigma
    Set denoising strength. Default value is 1. Allowed range is from 0 to 999.9. The denoising algorithm is very sensitive to sigma, so adjust it according to the source.

block
    Set local patch size. This sets dimensions in 2D.

bstep
    Set sliding step for processing blocks. Default value is 4. Allowed range is from 1 to 64. Smaller values allows processing more reference blocks and is slower.

group
    Set maximal number of similar blocks for 3rd dimension. Default value is 1. When set to 1, no block matching is done. Larger values allows more blocks in single group. Allowed range is from 1 to 256.

range
    Set radius for search block matching. Default is 9. Allowed range is from 1 to INT32_MAX.

mstep
    Set step between two search locations for block matching. Default is 1. Allowed range is from 1 to 64. Smaller is slower.

thmse
    Set threshold of mean square error for block matching. Valid range is 0 to INT32_MAX.

hdthr
    Set thresholding parameter for hard thresholding in 3D transformed domain. Larger values results in stronger hard-thresholding filtering in frequency domain.

estim
    Set filtering estimation mode. Can be "basic" or "final". Default is "basic".

ref If enabled, filter will use 2nd stream for block matching. Default is disabled for "basic" value of estim option, and always enabled if value of estim is "final".

planes
    Set planes to filter. Default is all available except alpha.

Examples

•   Basic filtering with bm3d:

            bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic

•   Same as above, but filtering only luma:

            bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic:planes=1

•   Same as above, but with both estimation modes:

            split[a][b],[a]bm3d=sigma=3:block=4:bstep=2:group=1:estim=basic[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1

•   Same as above, but prefilter with nlmeans filter instead:

            split[a][b],[a]nlmeans=s=3:r=7:p=3[a],[b][a]bm3d=sigma=3:block=4:bstep=2:group=16:estim=final:ref=1

  boxblur
Apply a boxblur algorithm to the input video.

It accepts the following parameters:

luma_radius, lr
luma_power, lp
chroma_radius, cr
chroma_power, cp
alpha_radius, ar
alpha_power, ap

A description of the accepted options follows.

luma_radius, lr
chroma_radius, cr
alpha_radius, ar
    Set an expression for the box radius in pixels used for blurring the corresponding input plane.

    The radius value must be a non-negative number, and must not be greater than the value of the expression "min(w,h)/2" for the luma and alpha planes, and of "min(cw,ch)/2" for the chroma planes.

    Default value for luma_radius is "2". If not specified, chroma_radius and alpha_radius default to the corresponding value set for luma_radius.

    The expressions can contain the following constants:

    w
    h   The input width and height in pixels.

    cw
    ch  The input chroma image width and height in pixels.

    hsub
    vsub
        The horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p", hsub is 2 and vsub is 1.

luma_power, lp
chroma_power, cp
alpha_power, ap
    Specify how many times the boxblur filter is applied to the corresponding plane.

    Default value for luma_power is 2. If not specified, chroma_power and alpha_power default to the corresponding value set for luma_power.

    A value of 0 will disable the effect.

Examples

•   Apply a boxblur filter with the luma, chroma, and alpha radii set to 2:

            boxblur=luma_radius=2:luma_power=1
            boxblur=2:1

•   Set the luma radius to 2, and alpha and chroma radius to 0:

            boxblur=2:1:cr=0:ar=0

•   Set the luma and chroma radii to a fraction of the video dimension:

            boxblur=luma_radius=min(h\,w)/10:luma_power=1:chroma_radius=min(cw\,ch)/10:chroma_power=1

  bwdif
Deinterlace the input video ("bwdif" stands for "Bob Weaver Deinterlacing Filter").

Motion adaptive deinterlacing based on yadif with the use of w3fdif and cubic interpolation algorithms. It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    0, send_frame
        Output one frame for each frame.

    1, send_field
        Output one frame for each field.

    The default value is "send_field".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    0, tff
        Assume the top field is first.

    1, bff
        Assume the bottom field is first.

    -1, auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    0, all
        Deinterlace all frames.

    1, interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

  ccrepack
Repack CEA-708 closed captioning side data

This filter fixes various issues seen with commercial encoders related to upstream malformed CEA-708 payloads, specifically incorrect number of tuples (wrong cc_count for the target FPS), and incorrect ordering of tuples (i.e. the CEA-608 tuples are not at the first entries in the payload).

  cas
Apply Contrast Adaptive Sharpen filter to video stream.

The filter accepts the following options:

strength
    Set the sharpening strength. Default value is 0.

planes
    Set planes to filter. Default value is to filter all planes except alpha plane.

Commands

This filter supports same commands as options.

  chromahold
Remove all color information for all colors except for certain one.

The filter accepts the following options:

color
    The color which will not be replaced with neutral chroma.

similarity
    Similarity percentage with the above color. 0.01 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage. 0.0 makes pixels either fully gray, or not gray at all. Higher values result in more preserved color.

yuv Signals that the color passed is already in YUV instead of RGB.

    Literal colors like "green" or "red" don't make sense with this enabled anymore. This can be used to pass exact YUV values as hexadecimal numbers.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  chromakey
YUV colorspace color/chroma keying.

The filter accepts the following options:

color
    The color which will be replaced with transparency.

similarity
    Similarity percentage with the key color.

    0.01 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage.

    0.0 makes pixels either fully transparent, or not transparent at all.

    Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

yuv Signals that the color passed is already in YUV instead of RGB.

    Literal colors like "green" or "red" don't make sense with this enabled anymore. This can be used to pass exact YUV values as hexadecimal numbers.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples

•   Make every green pixel in the input image transparent:

            ffmpeg -i input.png -vf chromakey=green out.png

•   Overlay a greenscreen-video on top of a static black background.

            ffmpeg -f lavfi -i color=c=black:s=1280x720 -i video.mp4 -shortest -filter_complex "[1:v]chromakey=0x70de77:0.1:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.mkv

  chromanr
Reduce chrominance noise.

The filter accepts the following options:

thres
    Set threshold for averaging chrominance values. Sum of absolute difference of Y, U and V pixel components of current pixel and neighbour pixels lower than this threshold will be used in averaging. Luma component is left unchanged and is copied to output. Default value is 30. Allowed range is from 1 to 200.

sizew
    Set horizontal radius of rectangle used for averaging. Allowed range is from 1 to 100. Default value is 5.

sizeh
    Set vertical radius of rectangle used for averaging. Allowed range is from 1 to 100. Default value is 5.

stepw
    Set horizontal step when averaging. Default value is 1. Allowed range is from 1 to 50. Mostly useful to speed-up filtering.

steph
    Set vertical step when averaging. Default value is 1. Allowed range is from 1 to 50. Mostly useful to speed-up filtering.

threy
    Set Y threshold for averaging chrominance values. Set finer control for max allowed difference between Y components of current pixel and neighbour pixels. Default value is 200. Allowed range is from 1 to 200.

threu
    Set U threshold for averaging chrominance values. Set finer control for max allowed difference between U components of current pixel and neighbour pixels. Default value is 200. Allowed range is from 1 to 200.

threv
    Set V threshold for averaging chrominance values. Set finer control for max allowed difference between V components of current pixel and neighbour pixels. Default value is 200. Allowed range is from 1 to 200.

distance
    Set distance type used in calculations.

    manhattan
        Absolute difference.

    euclidean
        Difference squared.

    Default distance type is manhattan.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

  chromashift
Shift chroma pixels horizontally and/or vertically.

The filter accepts the following options:

cbh Set amount to shift chroma-blue horizontally.

cbv Set amount to shift chroma-blue vertically.

crh Set amount to shift chroma-red horizontally.

crv Set amount to shift chroma-red vertically.

edge
    Set edge mode, can be smear, default, or warp.

Commands

This filter supports the all above options as commands.

  ciescope
Display CIE color diagram with pixels overlaid onto it.

The filter accepts the following options:

system
    Set color system.

    ntsc, 470m
    ebu, 470bg
    smpte
    240m
    apple
    widergb
    cie1931
    rec709, hdtv
    uhdtv, rec2020
    dcip3
cie Set CIE system.

    xyy
    ucs
    luv
gamuts
    Set what gamuts to draw.

    See "system" option for available values.

size, s
    Set ciescope size, by default set to 512.

intensity, i
    Set intensity used to map input pixel values to CIE diagram.

contrast
    Set contrast used to draw tongue colors that are out of active color system gamut.

corrgamma
    Correct gamma displayed on scope, by default enabled.

showwhite
    Show white point on CIE diagram, by default disabled.

gamma
    Set input gamma. Used only with XYZ input color space.

fill
    Fill with CIE colors. By default is enabled.

  codecview
Visualize information exported by some codecs.

Some codecs can export information through frames using side-data or other means. For example, some MPEG based codecs export motion vectors through the export_mvs flag in the codec flags2 option.

The filter accepts the following option:

block
    Display block partition structure using the luma plane.

mv  Set motion vectors to visualize.

    Available flags for mv are:

    pf  forward predicted MVs of P-frames

    bf  forward predicted MVs of B-frames

    bb  backward predicted MVs of B-frames

qp  Display quantization parameters using the chroma planes.

mv_type, mvt
    Set motion vectors type to visualize. Includes MVs from all frames unless specified by frame_type option.

    Available flags for mv_type are:

    fp  forward predicted MVs

    bp  backward predicted MVs

frame_type, ft
    Set frame type to visualize motion vectors of.

    Available flags for frame_type are:

    if  intra-coded frames (I-frames)

    pf  predicted frames (P-frames)

    bf  bi-directionally predicted frames (B-frames)

Examples

•   Visualize forward predicted MVs of all frames using ffplay:

            ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv_type=fp

•   Visualize multi-directionals MVs of P and B-Frames using ffplay:

            ffplay -flags2 +export_mvs input.mp4 -vf codecview=mv=pf+bf+bb

  colorbalance
Modify intensity of primary colors (red, green and blue) of input frames.

The filter allows an input frame to be adjusted in the shadows, midtones or highlights regions for the red-cyan, green-magenta or blue-yellow balance.

A positive adjustment value shifts the balance towards the primary color, a negative value towards the complementary color.

The filter accepts the following options:

rs
gs
bs  Adjust red, green and blue shadows (darkest pixels).

rm
gm
bm  Adjust red, green and blue midtones (medium pixels).

rh
gh
bh  Adjust red, green and blue highlights (brightest pixels).

    Allowed ranges for options are "[-1.0, 1.0]". Defaults are 0.

pl  Preserve lightness when changing color balance. Default is disabled.

Examples

•   Add red color cast to shadows:

            colorbalance=rs=.3

Commands

This filter supports the all above options as commands.

  colorcontrast
Adjust color contrast between RGB components.

The filter accepts the following options:

rc  Set the red-cyan contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0.

gm  Set the green-magenta contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0.

by  Set the blue-yellow contrast. Defaults is 0.0. Allowed range is from -1.0 to 1.0.

rcw
gmw
byw Set the weight of each "rc", "gm", "by" option value. Default value is 0.0. Allowed range is from 0.0 to 1.0. If all weights are 0.0 filtering is disabled.

pl  Set the amount of preserving lightness. Default value is 0.0. Allowed range is from 0.0 to 1.0.

Commands

This filter supports the all above options as commands.

  colorcorrect
Adjust color white balance selectively for blacks and whites. This filter operates in YUV colorspace.

The filter accepts the following options:

rl  Set the red shadow spot. Allowed range is from -1.0 to 1.0. Default value is 0.

bl  Set the blue shadow spot. Allowed range is from -1.0 to 1.0. Default value is 0.

rh  Set the red highlight spot. Allowed range is from -1.0 to 1.0. Default value is 0.

bh  Set the blue highlight spot. Allowed range is from -1.0 to 1.0. Default value is 0.

saturation
    Set the amount of saturation. Allowed range is from -3.0 to 3.0. Default value is 1.

analyze
    If set to anything other than "manual" it will analyze every frame and use derived parameters for filtering output frame.

    Possible values are:

    manual
    average
    minmax
    median

    Default value is "manual".

Commands

This filter supports the all above options as commands.

  colorchannelmixer
Adjust video input frames by re-mixing color channels.

This filter modifies a color channel by adding the values associated to the other channels of the same pixels. For example if the value to modify is red, the output value will be:

        <red>=<red>*<rr> + <blue>*<rb> + <green>*<rg> + <alpha>*<ra>

The filter accepts the following options:

rr
rg
rb
ra  Adjust contribution of input red, green, blue and alpha channels for output red channel. Default is 1 for rr, and 0 for rg, rb and ra.

gr
gg
gb
ga  Adjust contribution of input red, green, blue and alpha channels for output green channel. Default is 1 for gg, and 0 for gr, gb and ga.

br
bg
bb
ba  Adjust contribution of input red, green, blue and alpha channels for output blue channel. Default is 1 for bb, and 0 for br, bg and ba.

ar
ag
ab
aa  Adjust contribution of input red, green, blue and alpha channels for output alpha channel. Default is 1 for aa, and 0 for ar, ag and ab.

    Allowed ranges for options are "[-2.0, 2.0]".

pc  Set preserve color mode. The accepted values are:

    none
        Disable color preserving, this is default.

    lum Preserve luminance.

    max Preserve max value of RGB triplet.

    avg Preserve average value of RGB triplet.

    sum Preserve sum value of RGB triplet.

    nrm Preserve normalized value of RGB triplet.

    pwr Preserve power value of RGB triplet.

pa  Set the preserve color amount when changing colors. Allowed range is from "[0.0, 1.0]". Default is 0.0, thus disabled.

Examples

•   Convert source to grayscale:

            colorchannelmixer=.3:.4:.3:0:.3:.4:.3:0:.3:.4:.3

•   Simulate sepia tones:

            colorchannelmixer=.393:.769:.189:0:.349:.686:.168:0:.272:.534:.131

Commands

This filter supports the all above options as commands.

  colordetect
Analyze the video frames to determine the effective value range and alpha mode.

The filter accepts the following options:

mode
    Set of properties to detect. Unavailable properties, such as alpha mode for an input image without an alpha channel, will be ignored automatically.

    Accepts a combination of the following flags:

    color_range
        Detect if the source contains luma pixels outside the limited (MPEG) range, which indicates that this is a full range YUV source.

    alpha_mode
        Detect if the source contains color values above the alpha channel, which indicates that the alpha channel is independent (straight), rather than premultiplied. Also detects if the alpha plane is fully opaque or not.

    all Enable detection of all of the above properties. This is the default.

  colorize
Overlay a solid color on the video stream.

The filter accepts the following options:

hue Set the color hue. Allowed range is from 0 to 360. Default value is 0.

saturation
    Set the color saturation. Allowed range is from 0 to 1. Default value is 0.5.

lightness
    Set the color lightness. Allowed range is from 0 to 1. Default value is 0.5.

mix Set the mix of source lightness. By default is set to 1.0. Allowed range is from 0.0 to 1.0.

Commands

This filter supports the all above options as commands.

  colorkey
RGB colorspace color keying. This filter operates on 8-bit RGB format frames by setting the alpha component of each pixel which falls within the similarity radius of the key color to 0. The alpha value for pixels outside the similarity radius depends on the value of the blend option.

The filter accepts the following options:

color
    Set the color for which alpha will be set to 0 (full transparency). See "Color" section in the ffmpeg-utils manual. Default is "black".

similarity
    Set the radius from the key color within which other colors also have full transparency. The computed distance is related to the unit fractional distance in 3D space between the RGB values of the key color and the pixel's color. Range is 0.01 to 1.0. 0.01 matches within a very small radius around the exact key color, while 1.0 matches everything. Default is 0.01.

blend
    Set how the alpha value for pixels that fall outside the similarity radius is computed. 0.0 makes pixels either fully transparent or fully opaque. Higher values result in semi-transparent pixels, with greater transparency the more similar the pixel color is to the key color. Range is 0.0 to 1.0. Default is 0.0.

Examples

•   Make every green pixel in the input image transparent:

            ffmpeg -i input.png -vf colorkey=green out.png

•   Overlay a greenscreen-video on top of a static background image.

            ffmpeg -i background.png -i video.mp4 -filter_complex "[1:v]colorkey=0x3BBD1E:0.3:0.2[ckout];[0:v][ckout]overlay[out]" -map "[out]" output.flv

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  colorhold
Remove all color information for all RGB colors except for certain one.

The filter accepts the following options:

color
    The color which will not be replaced with neutral gray.

similarity
    Similarity percentage with the above color. 0.01 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage. 0.0 makes pixels fully gray. Higher values result in more preserved color.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  colorlevels
Adjust video input frames using levels.

The filter accepts the following options:

rimin
gimin
bimin
aimin
    Adjust red, green, blue and alpha input black point. Allowed ranges for options are "[-1.0, 1.0]". Defaults are 0.

rimax
gimax
bimax
aimax
    Adjust red, green, blue and alpha input white point. Allowed ranges for options are "[-1.0, 1.0]". Defaults are 1.

    Input levels are used to lighten highlights (bright tones), darken shadows (dark tones), change the balance of bright and dark tones.

romin
gomin
bomin
aomin
    Adjust red, green, blue and alpha output black point. Allowed ranges for options are "[0, 1.0]". Defaults are 0.

romax
gomax
bomax
aomax
    Adjust red, green, blue and alpha output white point. Allowed ranges for options are "[0, 1.0]". Defaults are 1.

    Output levels allows manual selection of a constrained output level range.

preserve
    Set preserve color mode. The accepted values are:

    none
        Disable color preserving, this is default.

    lum Preserve luminance.

    max Preserve max value of RGB triplet.

    avg Preserve average value of RGB triplet.

    sum Preserve sum value of RGB triplet.

    nrm Preserve normalized value of RGB triplet.

    pwr Preserve power value of RGB triplet.

Examples

•   Make video output darker:

            colorlevels=rimin=0.058:gimin=0.058:bimin=0.058

•   Increase contrast:

            colorlevels=rimin=0.039:gimin=0.039:bimin=0.039:rimax=0.96:gimax=0.96:bimax=0.96

•   Make video output lighter:

            colorlevels=rimax=0.902:gimax=0.902:bimax=0.902

•   Increase brightness:

            colorlevels=romin=0.5:gomin=0.5:bomin=0.5

Commands

This filter supports the all above options as commands.

  colormap
Apply custom color maps to video stream.

This filter needs three input video streams. First stream is video stream that is going to be filtered out. Second and third video stream specify color patches for source color to target color mapping.

The filter accepts the following options:

patch_size
    Set the source and target video stream patch size in pixels.

nb_patches
    Set the max number of used patches from source and target video stream. Default value is number of patches available in additional video streams. Max allowed number of patches is 64.

type
    Set the adjustments used for target colors. Can be "relative" or "absolute". Defaults is "absolute".

kernel
    Set the kernel used to measure color differences between mapped colors.

    The accepted values are:

    euclidean
    weuclidean

    Default is "euclidean".

  colormatrix
Convert color matrix.

The filter accepts the following options:

src
dst Specify the source and destination color matrix. Both values must be specified.

    The accepted values are:

    bt709
        BT.709

    fcc FCC

    bt601
        BT.601

    bt470
        BT.470

    bt470bg
        BT.470BG

    smpte170m
        SMPTE-170M

    smpte240m
        SMPTE-240M

    bt2020
        BT.2020

For example to convert from BT.601 to SMPTE-240M, use the command:

        colormatrix=bt601:smpte240m

  colorspace
Convert colorspace, transfer characteristics or color primaries. Input video needs to have an even size.

The filter accepts the following options:

all Specify all color properties at once.

    The accepted values are:

    bt470m
        BT.470M

    bt470bg
        BT.470BG

    bt601-6-525
        BT.601-6 525

    bt601-6-625
        BT.601-6 625

    bt709
        BT.709

    smpte170m
        SMPTE-170M

    smpte240m
        SMPTE-240M

    bt2020
        BT.2020

space
    Specify output colorspace.

    The accepted values are:

    bt709
        BT.709

    fcc FCC

    bt470bg
        BT.470BG or BT.601-6 625

    smpte170m
        SMPTE-170M or BT.601-6 525

    smpte240m
        SMPTE-240M

    ycgco
        YCgCo

    bt2020ncl
        BT.2020 with non-constant luminance

trc Specify output transfer characteristics.

    The accepted values are:

    bt709
        BT.709

    bt470m
        BT.470M

    bt470bg
        BT.470BG

    gamma22
        Constant gamma of 2.2

    gamma28
        Constant gamma of 2.8

    smpte170m
        SMPTE-170M, BT.601-6 625 or BT.601-6 525

    smpte240m
        SMPTE-240M

    srgb
        SRGB

    iec61966-2-1
        iec61966-2-1

    iec61966-2-4
        iec61966-2-4

    xvycc
        xvycc

    bt2020-10
        BT.2020 for 10-bits content

    bt2020-12
        BT.2020 for 12-bits content

primaries
    Specify output color primaries.

    The accepted values are:

    bt709
        BT.709

    bt470m
        BT.470M

    bt470bg
        BT.470BG or BT.601-6 625

    smpte170m
        SMPTE-170M or BT.601-6 525

    smpte240m
        SMPTE-240M

    film
        film

    smpte431
        SMPTE-431

    smpte432
        SMPTE-432

    bt2020
        BT.2020

    jedec-p22
        JEDEC P22 phosphors

range
    Specify output color range.

    The accepted values are:

    tv  TV (restricted) range

    mpeg
        MPEG (restricted) range

    pc  PC (full) range

    jpeg
        JPEG (full) range

format
    Specify output color format.

    The accepted values are:

    yuv420p
        YUV 4:2:0 planar 8-bits

    yuv420p10
        YUV 4:2:0 planar 10-bits

    yuv420p12
        YUV 4:2:0 planar 12-bits

    yuv422p
        YUV 4:2:2 planar 8-bits

    yuv422p10
        YUV 4:2:2 planar 10-bits

    yuv422p12
        YUV 4:2:2 planar 12-bits

    yuv444p
        YUV 4:4:4 planar 8-bits

    yuv444p10
        YUV 4:4:4 planar 10-bits

    yuv444p12
        YUV 4:4:4 planar 12-bits

fast
    Do a fast conversion, which skips gamma/primary correction. This will take significantly less CPU, but will be mathematically incorrect. To get output compatible with that produced by the colormatrix filter, use fast=1.

dither
    Specify dithering mode.

    The accepted values are:

    none
        No dithering

    fsb Floyd-Steinberg dithering

wpadapt
    Whitepoint adaptation mode.

    The accepted values are:

    bradford
        Bradford whitepoint adaptation

    vonkries
        von Kries whitepoint adaptation

    identity
        identity whitepoint adaptation (i.e. no whitepoint adaptation)

clipgamut
    Controls how to clip out-of-gamut colors that arise as a result of colorspace conversion.

    The accepted values are:

    none
        No clipping of out of gamut colors.

    rgb Clips the RGB values to the [0, 1] range when building the gamma transfer LUTs.

iall
    Override all input properties at once. Same accepted values as all.

ispace
    Override input colorspace. Same accepted values as space.

iprimaries
    Override input color primaries. Same accepted values as primaries.

itrc
    Override input transfer characteristics. Same accepted values as trc.

irange
    Override input color range. Same accepted values as range.

The filter converts the transfer characteristics, color space and color primaries to the specified user values. The output value, if not specified, is set to a default value based on the "all" property. If that property is also not specified, the filter will log an error. The output color range and format default to the same value as the input color range and format. The input transfer characteristics, color space, color primaries and color range should be set on the input data. If any of these are missing, the filter will log an error and no conversion will take place.

For example to convert the input to SMPTE-240M, use the command:

        colorspace=smpte240m

  colortemperature
Adjust color temperature in video to simulate variations in ambient color temperature.

The filter accepts the following options:

temperature
    Set the temperature in Kelvin. Allowed range is from 1000 to 40000. Default value is 6500 K.

mix Set mixing with filtered output. Allowed range is from 0 to 1. Default value is 1.

pl  Set the amount of preserving lightness. Allowed range is from 0 to 1. Default value is 0.

Commands

This filter supports same commands as options.

  convolution
Apply convolution of 3x3, 5x5, 7x7 or horizontal/vertical up to 49 elements.

The filter accepts the following options:

0m
1m
2m
3m  Set matrix for each plane. Matrix is sequence of 9, 25 or 49 signed integers in square mode, and from 1 to 49 odd number of signed integers in row mode.

0rdiv
1rdiv
2rdiv
3rdiv
    Set multiplier for calculated value for each plane. If unset or 0, it will be 1/sum of all matrix elements.

0bias
1bias
2bias
3bias
    Set bias for each plane. This value is added to the result of the multiplication. Useful for making the overall image brighter or darker. Default is 0.0.

0mode
1mode
2mode
3mode
    Set matrix mode for each plane. Can be square, row or column. Default is square.

Commands

This filter supports the all above options as commands.

Examples

•   Apply sharpen:

            convolution="0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0"

•   Apply blur:

            convolution="1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9"

•   Apply edge enhance:

            convolution="0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128"

•   Apply edge detect:

            convolution="0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128"

•   Apply laplacian edge detector which includes diagonals:

            convolution="1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0"

•   Apply emboss:

            convolution="-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2"

  convolve
Apply 2D convolution of video stream in frequency domain using second stream as impulse.

The filter accepts the following options:

planes
    Set which planes to process.

impulse
    Set which impulse video frames will be processed, can be first or all. Default is all.

The "convolve" filter also supports the framesync options.

  copy
Copy the input video source unchanged to the output. This is mainly useful for testing purposes.

  coreimage
Video filtering on GPU using Apple's CoreImage API on OSX.

Hardware acceleration is based on an OpenGL context. Usually, this means it is processed by video hardware. However, software-based OpenGL implementations exist which means there is no guarantee for hardware processing. It depends on the respective OSX.

There are many filters and image generators provided by Apple that come with a large variety of options. The filter has to be referenced by its name along with its options.

The coreimage filter accepts the following options:

list_filters
    List all available filters and generators along with all their respective options as well as possible minimum and maximum values along with the default values.

            list_filters=true

filter
    Specify all filters by their respective name and options. Use list_filters to determine all valid filter names and options. Numerical options are specified by a float value and are automatically clamped to their respective value range. Vector and color options have to be specified by a list of space separated float values. Character escaping has to be done. A special option name "default" is available to use default options for a filter.

    It is required to specify either "default" or at least one of the filter options. All omitted options are used with their default values. The syntax of the filter string is as follows:

            filter=<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...][#<NAME>@<OPTION>=<VALUE>[@<OPTION>=<VALUE>][@...]][#...]

output_rect
    Specify a rectangle where the output of the filter chain is copied into the input image. It is given by a list of space separated float values:

            output_rect=x\ y\ width\ height

    If not given, the output rectangle equals the dimensions of the input image. The output rectangle is automatically cropped at the borders of the input image. Negative values are valid for each component.

            output_rect=25\ 25\ 100\ 100

Several filters can be chained for successive processing without GPU-HOST transfers allowing for fast processing of complex filter chains. Currently, only filters with zero (generators) or exactly one (filters) input image and one output image are supported. Also, transition filters are not yet usable as intended.

Some filters generate output images with additional padding depending on the respective filter kernel. The padding is automatically removed to ensure the filter output has the same size as the input image.

For image generators, the size of the output image is determined by the previous output image of the filter chain or the input image of the whole filterchain, respectively. The generators do not use the pixel information of this image to generate their output. However, the generated output is blended onto this image, resulting in partial or complete coverage of the output image.

The coreimagesrc video source can be used for generating input images which are directly fed into the filter chain. By using it, providing input images by another video source or an input video is not required.

Examples

•   List all filters available:

            coreimage=list_filters=true

•   Use the CIBoxBlur filter with default options to blur an image:

            coreimage=filter=CIBoxBlur@default

•   Use a filter chain with CISepiaTone at default values and CIVignetteEffect with its center at 100x100 and a radius of 50 pixels:

            coreimage=filter=CIBoxBlur@default#CIVignetteEffect@inputCenter=100\ 100@inputRadius=50

•   Use nullsrc and CIQRCodeGenerator to create a QR code for the FFmpeg homepage, given as complete and escaped command-line for Apple's standard bash shell:

            ffmpeg -f lavfi -i nullsrc=s=100x100,coreimage=filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png

  corr
Obtain the correlation between two input videos.

This filter takes two input videos.

Both input videos must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained per component, average, min and max correlation is printed through the logging system.

The filter stores the calculated correlation of each frame in frame metadata.

This filter also supports the framesync options.

In the below example the input file main.mpg being processed is compared with the reference file ref.mpg.

        ffmpeg -i main.mpg -i ref.mpg -lavfi corr -f null -

  cover_rect
Cover a rectangular object

It accepts the following options:

cover
    Filepath of the optional cover image, needs to be in yuv420.

mode
    Set covering mode.

    It accepts the following values:

    cover
        cover it by the supplied image

    blur
        cover it by interpolating the surrounding pixels

    Default value is blur.

Examples

•   Cover a rectangular object by the supplied image of a given video using ffmpeg:

            ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv

  crop
Crop the input video to given dimensions.

It accepts the following parameters:

w, out_w
    The width of the output video. It defaults to "iw". This expression is evaluated only once during the filter configuration, or when the w or out_w command is sent.

h, out_h
    The height of the output video. It defaults to "ih". This expression is evaluated only once during the filter configuration, or when the h or out_h command is sent.

x   The horizontal position, in the input video, of the left edge of the output video. It defaults to "(in_w-out_w)/2". This expression is evaluated per-frame.

y   The vertical position, in the input video, of the top edge of the output video. It defaults to "(in_h-out_h)/2". This expression is evaluated per-frame.

keep_aspect
    If set to 1 will force the output display aspect ratio to be the same of the input, by changing the output sample aspect ratio. It defaults to 0.

exact
    Enable exact cropping. If enabled, subsampled videos will be cropped at exact width/height/x/y as specified and will not be rounded to nearest smaller value. It defaults to 0.

The out_w, out_h, x, y parameters are expressions containing the following constants:

x
y   The computed values for x and y. They are evaluated for each new frame.

in_w
in_h
    The input width and height.

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output (cropped) width and height.

ow
oh  These are the same as out_w and out_h.

a   same as iw / ih

sar input sample aspect ratio

dar input display aspect ratio, it is the same as (iw / ih) * sar

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

n   The number of the input frame, starting from 0.

pos the position in the file of the input frame, NAN if unknown; deprecated, do not use

t   The timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

The expression for out_w may depend on the value of out_h, and the expression for out_h may depend on out_w, but they cannot depend on x and y, as x and y are evaluated after out_w and out_h.

The x and y parameters specify the expressions for the position of the top-left corner of the output (non-cropped) area. They are evaluated for each frame. If the evaluated value is not valid, it is approximated to the nearest valid value.

The expression for x may depend on y, and the expression for y may depend on x.

Examples

•   Crop area with size 100x100 at position (12,34).

            crop=100:100:12:34

    Using named options, the example above becomes:

            crop=w=100:h=100:x=12:y=34

•   Crop the central input area with size 100x100:

            crop=100:100

•   Crop the central input area with size 2/3 of the input video:

            crop=2/3*in_w:2/3*in_h

•   Crop the input video central square:

            crop=out_w=in_h
            crop=in_h

•   Delimit the rectangle with the top-left corner placed at position 100:100 and the right-bottom corner corresponding to the right-bottom corner of the input image.

            crop=in_w-100:in_h-100:100:100

•   Crop 10 pixels from the left and right borders, and 20 pixels from the top and bottom borders

            crop=in_w-2*10:in_h-2*20

•   Keep only the bottom right quarter of the input image:

            crop=in_w/2:in_h/2:in_w/2:in_h/2

•   Crop height for getting Greek harmony:

            crop=in_w:1/PHI*in_w

•   Apply trembling effect:

            crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(n/10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(n/7)

•   Apply erratic camera effect depending on timestamp:

            crop=in_w/2:in_h/2:(in_w-out_w)/2+((in_w-out_w)/2)*sin(t*10):(in_h-out_h)/2 +((in_h-out_h)/2)*sin(t*13)

•   Set x depending on the value of y:

            crop=in_w/2:in_h/2:y:10+10*sin(n/10)

Commands

This filter supports the following commands:

w, out_w
h, out_h
x
y   Set width/height of the output video and the horizontal/vertical position in the input video. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

  cropdetect
Auto-detect the crop size.

It calculates the necessary cropping parameters and prints the recommended parameters via the logging system. The detected dimensions correspond to the non-black or video area of the input video according to mode.

It accepts the following parameters:

mode
    Depending on mode crop detection is based on either the mere black value of surrounding pixels or a combination of motion vectors and edge pixels.

    black
        Detect black pixels surrounding the playing video. For fine control use option limit.

    mvedges
        Detect the playing video by the motion vectors inside the video and scanning for edge pixels typically forming the border of a playing video.

limit
    Set higher black value threshold, which can be optionally specified from nothing (0) to everything (255 for 8-bit based formats). An intensity value greater to the set value is considered non-black. It defaults to 24. You can also specify a value between 0.0 and 1.0 which will be scaled depending on the bitdepth of the pixel format.

round
    The value which the width/height should be divisible by. It defaults to 16. The offset is automatically adjusted to center the video. Use 2 to get only even dimensions (needed for 4:2:2 video). 16 is best when encoding to most video codecs.

skip
    Set the number of initial frames for which evaluation is skipped. Default is 2. Range is 0 to INT_MAX.

reset_count, reset
    Set the counter that determines after how many frames cropdetect will reset the previously detected largest video area and start over to detect the current optimal crop area. Default value is 0.

    This can be useful when channel logos distort the video area. 0 indicates 'never reset', and returns the largest area encountered during playback.

mv_threshold
    Set motion in pixel units as threshold for motion detection. It defaults to 8.

low
high
    Set low and high threshold values used by the Canny thresholding algorithm.

    The high threshold selects the "strong" edge pixels, which are then connected through 8-connectivity with the "weak" edge pixels selected by the low threshold.

    low and high threshold values must be chosen in the range [0,1], and low should be lesser or equal to high.

    Default value for low is "5/255", and default value for high is "15/255".

Examples

•   Find video area surrounded by black borders:

            ffmpeg -i file.mp4 -vf cropdetect,metadata=mode=print -f null -

•   Find an embedded video area, generate motion vectors beforehand:

            ffmpeg -i file.mp4 -vf mestimate,cropdetect=mode=mvedges,metadata=mode=print -f null -

•   Find an embedded video area, use motion vectors from decoder:

            ffmpeg -flags2 +export_mvs -i file.mp4 -vf cropdetect=mode=mvedges,metadata=mode=print -f null -

Commands

This filter supports the following commands:

limit
    The command accepts the same syntax of the corresponding option. If the specified expression is not valid, it is kept at its current value.

  cue
Delay video filtering until a given wallclock timestamp. The filter first passes on preroll amount of frames, then it buffers at most buffer amount of frames and waits for the cue. After reaching the cue it forwards the buffered frames and also any subsequent frames coming in its input.

The filter can be used synchronize the output of multiple ffmpeg processes for realtime output devices like decklink. By putting the delay in the filtering chain and pre-buffering frames the process can pass on data to output almost immediately after the target wallclock timestamp is reached.

Perfect frame accuracy cannot be guaranteed, but the result is good enough for some use cases.

cue The cue timestamp expressed in a UNIX timestamp in microseconds. Default is 0.

preroll
    The duration of content to pass on as preroll expressed in seconds. Default is 0.

buffer
    The maximum duration of content to buffer before waiting for the cue expressed in seconds. Default is 0.

  curves
Apply color adjustments using curves.

This filter is similar to the Adobe Photoshop and GIMP curves tools. Each component (red, green and blue) has its values defined by N key points tied from each other using a smooth curve. The x-axis represents the pixel values from the input frame, and the y-axis the new pixel values to be set for the output frame.

By default, a component curve is defined by the two points (0;0) and (1;1). This creates a straight line where each original pixel value is "adjusted" to its own value, which means no change to the image.

The filter allows you to redefine these two points and add some more. A new curve will be defined to pass smoothly through all these new coordinates. The new defined points need to be strictly increasing over the x-axis, and their x and y values must be in the [0;1] interval. The curve is formed by using a natural or monotonic cubic spline interpolation, depending on the interp option (default: "natural"). The "natural" spline produces a smoother curve in general while the monotonic ("pchip") spline guarantees the transitions between the specified points to be monotonic. If the computed curves happened to go outside the vector spaces, the values will be clipped accordingly.

The filter accepts the following options:

preset
    Select one of the available color presets. This option can be used in addition to the r, g, b parameters; in this case, the later options takes priority on the preset values. Available presets are:

    none
    color_negative
    cross_process
    darker
    increase_contrast
    lighter
    linear_contrast
    medium_contrast
    negative
    strong_contrast
    vintage

    Default is "none".

master, m
    Set the master key points. These points will define a second pass mapping. It is sometimes called a "luminance" or "value" mapping. It can be used with r, g, b or all since it acts like a post-processing LUT.

red, r
    Set the key points for the red component.

green, g
    Set the key points for the green component.

blue, b
    Set the key points for the blue component.

all Set the key points for all components (not including master). Can be used in addition to the other key points component options. In this case, the unset component(s) will fallback on this all setting.

psfile
    Specify a Photoshop curves file (".acv") to import the settings from.

plot
    Save Gnuplot script of the curves in specified file.

interp
    Specify the kind of interpolation. Available algorithms are:

    natural
        Natural cubic spline using a piece-wise cubic polynomial that is twice continuously differentiable.

    pchip
        Monotonic cubic spline using a piecewise cubic Hermite interpolating polynomial (PCHIP).

To avoid some filtergraph syntax conflicts, each key points list need to be defined using the following syntax: "x0/y0 x1/y1 x2/y2 ...".

Commands

This filter supports same commands as options.

Examples

•   Increase slightly the middle level of blue:

            curves=blue='0/0 0.5/0.58 1/1'

•   Vintage effect:

            curves=r='0/0.11 .42/.51 1/0.95':g='0/0 0.50/0.48 1/1':b='0/0.22 .49/.44 1/0.8'

    Here we obtain the following coordinates for each components:

    red "(0;0.11) (0.42;0.51) (1;0.95)"

    green
        "(0;0) (0.50;0.48) (1;1)"

    blue
        "(0;0.22) (0.49;0.44) (1;0.80)"

•   The previous example can also be achieved with the associated built-in preset:

            curves=preset=vintage

•   Or simply:

            curves=vintage

•   Use a Photoshop preset and redefine the points of the green component:

            curves=psfile='MyCurvesPresets/purple.acv':green='0/0 0.45/0.53 1/1'

•   Check out the curves of the "cross_process" profile using ffmpeg and gnuplot:

            ffmpeg -f lavfi -i color -vf curves=cross_process:plot=/tmp/curves.plt -frames:v 1 -f null -
            gnuplot -p /tmp/curves.plt

  datascope
Video data analysis filter.

This filter shows hexadecimal pixel values of part of video.

The filter accepts the following options:

size, s
    Set output video size.

x   Set x offset from where to pick pixels.

y   Set y offset from where to pick pixels.

mode
    Set scope mode, can be one of the following:

    mono
        Draw hexadecimal pixel values with white color on black background.

    color
        Draw hexadecimal pixel values with input video pixel color on black background.

    color2
        Draw hexadecimal pixel values on color background picked from input video, the text color is picked in such way so its always visible.

axis
    Draw rows and columns numbers on left and top of video.

opacity
    Set background opacity.

format
    Set display number format. Can be "hex", or "dec". Default is "hex".

components
    Set pixel components to display. By default all pixel components are displayed.

Commands

This filter supports same commands as options excluding "size" option.

  dblur
Apply Directional blur filter.

The filter accepts the following options:

angle
    Set angle of directional blur. Default is 45.

radius
    Set radius of directional blur. Default is 5.

planes
    Set which planes to filter. By default all planes are filtered.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  dctdnoiz
Denoise frames using 2D DCT (frequency domain filtering).

This filter is not designed for real time.

The filter accepts the following options:

sigma, s
    Set the noise sigma constant.

    This sigma defines a hard threshold of "3 * sigma"; every DCT coefficient (absolute value) below this threshold with be dropped.

    If you need a more advanced filtering, see expr.

    Default is 0.

overlap
    Set number overlapping pixels for each block. Since the filter can be slow, you may want to reduce this value, at the cost of a less effective filter and the risk of various artefacts.

    If the overlapping value doesn't permit processing the whole input width or height, a warning will be displayed and according borders won't be denoised.

    Default value is blocksize-1, which is the best possible setting.

expr, e
    Set the coefficient factor expression.

    For each coefficient of a DCT block, this expression will be evaluated as a multiplier value for the coefficient.

    If this is option is set, the sigma option will be ignored.

    The absolute value of the coefficient can be accessed through the c variable.

n   Set the blocksize using the number of bits. "1<<n" defines the blocksize, which is the width and height of the processed blocks.

    The default value is 3 (8x8) and can be raised to 4 for a blocksize of 16x16. Note that changing this setting has huge consequences on the speed processing. Also, a larger block size does not necessarily means a better de-noising.

Examples

Apply a denoise with a sigma of 4.5:

        dctdnoiz=4.5

The same operation can be achieved using the expression system:

        dctdnoiz=e='gte(c, 4.5*3)'

Violent denoise using a block size of "16x16":

        dctdnoiz=15:n=4

  deband
Remove banding artifacts from input video. It works by replacing banded pixels with average value of referenced pixels.

The filter accepts the following options:

1thr
2thr
3thr
4thr
    Set banding detection threshold for each plane. Default is 0.02. Valid range is 0.00003 to 0.5. If difference between current pixel and reference pixel is less than threshold, it will be considered as banded.

range, r
    Banding detection range in pixels. Default is 16. If positive, random number in range 0 to set value will be used. If negative, exact absolute value will be used. The range defines square of four pixels around current pixel.

direction, d
    Set direction in radians from which four pixel will be compared. If positive, random direction from 0 to set direction will be picked. If negative, exact of absolute value will be picked. For example direction 0, -PI or -2*PI radians will pick only pixels on same row and -PI/2 will pick only pixels on same column.

blur, b
    If enabled, current pixel is compared with average value of all four surrounding pixels. The default is enabled. If disabled current pixel is compared with all four surrounding pixels. The pixel is considered banded if only all four differences with surrounding pixels are less than threshold.

coupling, c
    If enabled, current pixel is changed if and only if all pixel components are banded, e.g. banding detection threshold is triggered for all color components. The default is disabled.

Commands

This filter supports the all above options as commands.

  deblock
Remove blocking artifacts from input video.

The filter accepts the following options:

filter
    Set filter type, can be weak or strong. Default is strong. This controls what kind of deblocking is applied.

block
    Set size of block, allowed range is from 4 to 512. Default is 8.

alpha
beta
gamma
delta
    Set blocking detection thresholds. Allowed range is 0 to 1. Defaults are: 0.098 for alpha and 0.05 for the rest. Using higher threshold gives more deblocking strength. Setting alpha controls threshold detection at exact edge of block. Remaining options controls threshold detection near the edge. Each one for below/above or left/right. Setting any of those to 0 disables deblocking.

planes
    Set planes to filter. Default is to filter all available planes.

Examples

•   Deblock using weak filter and block size of 4 pixels.

            deblock=filter=weak:block=4

•   Deblock using strong filter, block size of 4 pixels and custom thresholds for deblocking more edges.

            deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05

•   Similar as above, but filter only first plane.

            deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=1

•   Similar as above, but filter only second and third plane.

            deblock=filter=strong:block=4:alpha=0.12:beta=0.07:gamma=0.06:delta=0.05:planes=6

Commands

This filter supports the all above options as commands.

  decimate
Drop duplicated frames at regular intervals.

The filter accepts the following options:

cycle
    Set the number of frames from which one will be dropped. Setting this to N means one frame in every batch of N frames will be dropped. Default is 5.

dupthresh
    Set the threshold for duplicate detection. If the difference metric for a frame is less than or equal to this value, then it is declared as duplicate. Default is 1.1

scthresh
    Set scene change threshold. Default is 15.

blockx
blocky
    Set the size of the x and y-axis blocks used during metric calculations. Larger blocks give better noise suppression, but also give worse detection of small movements. Must be a power of two. Default is 32.

ppsrc
    Mark main input as a pre-processed input and activate clean source input stream. This allows the input to be pre-processed with various filters to help the metrics calculation while keeping the frame selection lossless. When set to 1, the first stream is for the pre-processed input, and the second stream is the clean source from where the kept frames are chosen. Default is 0.

chroma
    Set whether or not chroma is considered in the metric calculations. Default is 1.

mixed
    Set whether or not the input only partially contains content to be decimated. Default is "false". If enabled video output stream will be in variable frame rate.

  deconvolve
Apply 2D deconvolution of video stream in frequency domain using second stream as impulse.

The filter accepts the following options:

planes
    Set which planes to process.

impulse
    Set which impulse video frames will be processed, can be first or all. Default is all.

noise
    Set noise when doing divisions. Default is 0.0000001. Useful when width and height are not same and not power of 2 or if stream prior to convolving had noise.

The "deconvolve" filter also supports the framesync options.

  dedot
Reduce cross-luminance (dot-crawl) and cross-color (rainbows) from video.

It accepts the following options:

m   Set mode of operation. Can be combination of dotcrawl for cross-luminance reduction and/or rainbows for cross-color reduction.

lt  Set spatial luma threshold. Lower values increases reduction of cross-luminance.

tl  Set tolerance for temporal luma. Higher values increases reduction of cross-luminance.

tc  Set tolerance for chroma temporal variation. Higher values increases reduction of cross-color.

ct  Set temporal chroma threshold. Lower values increases reduction of cross-color.

  deflate
Apply deflate effect to the video.

This filter replaces the pixel by the local(3x3) average by taking into account only values lower than the pixel.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

Commands

This filter supports the all above options as commands.

  deflicker
Remove temporal frame luminance variations.

It accepts the following options:

size, s
    Set moving-average filter size in frames. Default is 5. Allowed range is 2 - 129.

mode, m
    Set averaging mode to smooth temporal luminance variations.

    Available values are:

    am  Arithmetic mean

    gm  Geometric mean

    hm  Harmonic mean

    qm  Quadratic mean

    cm  Cubic mean

    pm  Power mean

    median
        Median

bypass
    Do not actually modify frame. Useful when one only wants metadata.

  deinterlace_d3d12
Deinterlace the input video using D3D12 hardware-accelerated video processing.

This filter uses the DirectX 12 Video Processor to perform deinterlacing on GPU, supporting both simple bob and driver-defined advanced (motion-adaptive) algorithms. It requires the input to be in "d3d12" hardware pixel format.

The filter automatically queries the hardware for the required number of temporal reference frames (if needed) and manages a frame queue to supply them.

It accepts the following options:

method
    The deinterlacing method. It accepts one of the following values:

    default
        Select the best deinterlacing method available on the hardware. If the driver supports "custom", that method is used; otherwise falls back to "bob". This is the default.

    bob Bob deinterlacing. Each field is independently scaled to full frame height. Simple and fast, but may produce visible bob artifacts on moving content.

    custom
        Driver-defined advanced deinterlacing. The exact algorithm is hardware-specific and typically employs motion-adaptive techniques with temporal reference frames for higher quality.

    The default value is "default".

mode
    Specify the interlacing mode. It accepts one of the following values:

    frame
        Send one frame for each frame. The output frame rate equals the input frame rate. This is the default.

    field
        Send one frame for each field. The output frame rate is double the input frame rate.

    The default value is "frame".

deint
    Specify which frames to deinterlace. It accepts one of the following values:

    all Deinterlace all frames. This is the default.

    interlaced
        Only deinterlace frames marked as interlaced; progressive frames are passed through unchanged.

    The default value is "all".

Examples

•   Deinterlace an interlaced video using software decoding and the best available hardware deinterlacing method:

            ffmpeg -init_hw_device d3d12va=d3d12 -filter_hw_device d3d12 -i input.ts \
                   -vf "format=nv12,hwupload,deinterlace_d3d12=method=default,hwdownload,format=nv12" \
                   -c:v libx264 -crf 18 output.mp4

•   Deinterlace at field rate (double the frame rate) using bob method with hardware decoding (full d3d12 pipeline):

            ffmpeg -hwaccel d3d12va -hwaccel_output_format d3d12 -i input.ts \
                   -vf "deinterlace_d3d12=method=bob:mode=field" \
                   -c:v h264_d3d12va output.mp4

•   Deinterlace only interlaced frames, passing progressive frames through:

            ffmpeg -init_hw_device d3d12va=d3d12 -filter_hw_device d3d12 -i input.ts \
                   -vf "format=nv12,hwupload,deinterlace_d3d12=deint=interlaced,hwdownload,format=nv12" \
                   -c:v libx264 -crf 18 output.mp4

  dejudder
Remove judder produced by partially interlaced telecined content.

Judder can be introduced, for instance, by pullup filter. If the original source was partially telecined content then the output of "pullup,dejudder" will have a variable frame rate. May change the recorded frame rate of the container. Aside from that change, this filter will not affect constant frame rate video.

The option available in this filter is:

cycle
    Specify the length of the window over which the judder repeats.

    Accepts any integer greater than 1. Useful values are:

    4   If the original was telecined from 24 to 30 fps (Film to NTSC).

    5   If the original was telecined from 25 to 30 fps (PAL to NTSC).

    20  If a mixture of the two.

    The default is 4.

  delogo
Suppress a TV station logo by a simple interpolation of the surrounding pixels. Just set a rectangle covering the logo and watch it disappear (and sometimes something even uglier appear - your mileage may vary).

It accepts the following parameters:

x
y   Specify the top left corner coordinates of the logo. They must be specified.

w
h   Specify the width and height of the logo to clear. They must be specified.

show
    When set to 1, a green rectangle is drawn on the screen to simplify finding the right x, y, w, and h parameters. The default value is 0.

    The rectangle is drawn on the outermost pixels which will be (partly) replaced with interpolated values. The values of the next pixels immediately outside this rectangle in each direction will be used to compute the interpolated pixel values inside the rectangle.

Examples

•   Set a rectangle covering the area with top left corner coordinates 0,0 and size 100x77:

            delogo=x=0:y=0:w=100:h=77

  derain
Remove the rain in the input image/video by applying the derain methods based on convolutional neural networks. Supported models:

•   Recurrent Squeeze-and-Excitation Context Aggregation Net (RESCAN). See <http://openaccess.thecvf.com/content_ECCV_2018/papers/Xia_Li_Recurrent_Squeeze-and-Excitation_Context_ECCV_2018_paper.pdf>.

Training as well as model generation scripts are provided in the repository at <https://github.com/XueweiMeng/derain_filter.git>.

The filter accepts the following options:

filter_type
    Specify which filter to use. This option accepts the following values:

    derain
        Derain filter. To conduct derain filter, you need to use a derain model.

    dehaze
        Dehaze filter. To conduct dehaze filter, you need to use a dehaze model.

    Default value is derain.

dnn_backend
    Specify which DNN backend to use for model loading and execution. This option accepts the following values:

    tensorflow
        TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see <https://www.tensorflow.org/install/lang_c>) and configure FFmpeg with "--enable-libtensorflow"

model
    Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow can load files for only its format.

To get full functionality (such as async execution), please use the dnn_processing filter.

  deshake
Attempt to fix small changes in horizontal and/or vertical shift. This filter helps remove camera shake from hand-holding a camera, bumping a tripod, moving on a vehicle, etc.

The filter accepts the following options:

x
y
w
h   Specify a rectangular area where to limit the search for motion vectors. If desired the search for motion vectors can be limited to a rectangular area of the frame defined by its top left corner, width and height. These parameters have the same meaning as the drawbox filter which can be used to visualise the position of the bounding box.

    This is useful when simultaneous movement of subjects within the frame might be confused for camera motion by the motion vector search.

    If any or all of x, y, w and h are set to -1 then the full frame is used. This allows later options to be set without specifying the bounding box for the motion vector search.

    Default - search the whole frame.

rx
ry  Specify the maximum extent of movement in x and y directions in the range 0-64 pixels. Default 16.

edge
    Specify how to generate pixels to fill blanks at the edge of the frame. Available values are:

    blank, 0
        Fill zeroes at blank locations

    original, 1
        Original image at blank locations

    clamp, 2
        Extruded edge value at blank locations

    mirror, 3
        Mirrored edge at blank locations

    Default value is mirror.

blocksize
    Specify the blocksize to use for motion search. Range 4-128 pixels, default 8.

contrast
    Specify the contrast threshold for blocks. Only blocks with more than the specified contrast (difference between darkest and lightest pixels) will be considered. Range 1-255, default 125.

search
    Specify the search strategy. Available values are:

    exhaustive, 0
        Set exhaustive search

    less, 1
        Set less exhaustive search.

    Default value is exhaustive.

filename
    If set then a detailed log of the motion search is written to the specified file.

  despill
Remove unwanted contamination of foreground colors, caused by reflected color of greenscreen or bluescreen.

This filter accepts the following options:

type
    Set what type of despill to use.

mix Set how spillmap will be generated.

expand
    Set how much to get rid of still remaining spill.

red Controls amount of red in spill area.

green
    Controls amount of green in spill area. Should be -1 for greenscreen.

blue
    Controls amount of blue in spill area. Should be -1 for bluescreen.

brightness
    Controls brightness of spill area, preserving colors.

alpha
    Modify alpha from generated spillmap.

Commands

This filter supports the all above options as commands.

  detelecine
Apply an exact inverse of the telecine operation. It requires a predefined pattern specified using the pattern option which must be the same as that passed to the telecine filter.

This filter accepts the following options:

first_field
    top, t
        top field first

    bottom, b
        bottom field first The default value is "top".

pattern
    A string of numbers representing the pulldown pattern you wish to apply. The default value is 23.

start_frame
    A number representing position of the first frame with respect to the telecine pattern. This is to be used if the stream is cut. The default value is 0.

  dilation
Apply dilation effect to the video.

This filter replaces the pixel by the local(3x3) maximum.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

coordinates
    Flag which specifies the pixel to refer to. Default is 255 i.e. all eight pixels are used.

    Flags to local 3x3 coordinates maps like this:

        1 2 3
        4   5
        6 7 8

Commands

This filter supports the all above options as commands.

  displace
Displace pixels as indicated by second and third input stream.

It takes three input streams and outputs one stream, the first input is the source, and second and third input are displacement maps.

The second input specifies how much to displace pixels along the x-axis, while the third input specifies how much to displace pixels along the y-axis. If one of displacement map streams terminates, last frame from that displacement map will be used.

Note that once generated, displacements maps can be reused over and over again.

A description of the accepted options follows.

edge
    Set displace behavior for pixels that are out of range.

    Available values are:

    blank
        Missing pixels are replaced by black pixels.

    smear
        Adjacent pixels will spread out to replace missing pixels.

    wrap
        Out of range pixels are wrapped so they point to pixels of other side.

    mirror
        Out of range pixels will be replaced with mirrored pixels.

    Default is smear.

Examples

•   Add ripple effect to rgb input of video size hd720:

            ffmpeg -i INPUT -f lavfi -i nullsrc=s=hd720,lutrgb=128:128:128 -f lavfi -i nullsrc=s=hd720,geq='r=128+30*sin(2*PI*X/400+T):g=128+30*sin(2*PI*X/400+T):b=128+30*sin(2*PI*X/400+T)' -lavfi '[0][1][2]displace' OUTPUT

•   Add wave effect to rgb input of video size hd720:

            ffmpeg -i INPUT -f lavfi -i nullsrc=hd720,geq='r=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):g=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T)):b=128+80*(sin(sqrt((X-W/2)*(X-W/2)+(Y-H/2)*(Y-H/2))/220*2*PI+T))' -lavfi '[1]split[x][y],[0][x][y]displace' OUTPUT

  dnn_classify
Do classification with deep neural networks based on bounding boxes.

The filter accepts the following options:

dnn_backend
    Specify which DNN backend to use for model loading and execution. This option accepts only openvino now, tensorflow backends will be added.

model
    Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats.

input
    Set the input name of the dnn network.

output
    Set the output name of the dnn network.

confidence
    Set the confidence threshold (default: 0.5).

labels
    Set path to label file specifying the mapping between label id and name. Each label name is written in one line, tailing spaces and empty lines are skipped. The first line is the name of label id 0, and the second line is the name of label id 1, etc. The label id is considered as name if the label file is not provided.

backend_configs
    Set the configs to be passed into backend

    For tensorflow backend, you can set its configs with sess_config options, please use tools/python/tf_sess_config.py to get the configs for your system.

  dnn_detect
Do object detection with deep neural networks.

The filter accepts the following options:

dnn_backend
    Specify which DNN backend to use for model loading and execution. This option accepts only openvino now, tensorflow backends will be added.

model
    Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats.

input
    Set the input name of the dnn network.

output
    Set the output name of the dnn network.

confidence
    Set the confidence threshold (default: 0.5).

labels
    Set path to label file specifying the mapping between label id and name. Each label name is written in one line, tailing spaces and empty lines are skipped. The first line is the name of label id 0 (usually it is 'background'), and the second line is the name of label id 1, etc. The label id is considered as name if the label file is not provided.

backend_configs
    Set the configs to be passed into backend. To use async execution, set async (default: set). Roll back to sync execution if the backend does not support async.

  dnn_processing
Do image processing with deep neural networks. It works together with another filter which converts the pixel format of the Frame to what the dnn network requires.

The filter accepts the following options:

dnn_backend
    Specify which DNN backend to use for model loading and execution. This option accepts the following values:

    tensorflow
        TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see <https://www.tensorflow.org/install/lang_c>) and configure FFmpeg with "--enable-libtensorflow"

    openvino
        OpenVINO backend. To enable this backend you need to build and install the OpenVINO for C library (see <https://github.com/openvinotoolkit/openvino/blob/master/build-instruction.md>) and configure FFmpeg with "--enable-libopenvino" (--extra-cflags=-I... --extra-ldflags=-L... might be needed if the header files and libraries are not installed into system path)

    torch
        Libtorch backend. To enable this backend you need to build and install Libtroch for C++ library. Please download cxx11 ABI version (see <https://pytorch.org/get-started/locally>) and configure FFmpeg with "--enable-libtorch --extra-cflags=-I/libtorch_root/libtorch/include --extra-cflags=-I/libtorch_root/libtorch/include/torch/csrc/api/include --extra-ldflags=-L/libtorch_root/libtorch/lib/"

model
    Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow, OpenVINO and Libtorch backend can load files for only its format.

input
    Set the input name of the dnn network.

output
    Set the output name of the dnn network.

backend_configs
    Set the configs to be passed into backend. To use async execution, set async (default: set). Roll back to sync execution if the backend does not support async.

    For tensorflow backend, you can set its configs with sess_config options, please use tools/python/tf_sess_config.py to get the configs of TensorFlow backend for your system.

Examples

•   Remove rain in rgb24 frame with can.pb (see derain filter):

            ./ffmpeg -i rain.jpg -vf format=rgb24,dnn_processing=dnn_backend=tensorflow:model=can.pb:input=x:output=y derain.jpg

•   Handle the Y channel with srcnn.pb (see sr filter) for frame with yuv420p (planar YUV formats supported):

            ./ffmpeg -i 480p.jpg -vf format=yuv420p,scale=w=iw*2:h=ih*2,dnn_processing=dnn_backend=tensorflow:model=srcnn.pb:input=x:output=y -y srcnn.jpg

•   Handle the Y channel with espcn.pb (see sr filter), which changes frame size, for format yuv420p (planar YUV formats supported), please use tools/python/tf_sess_config.py to get the configs of TensorFlow backend for your system.

            ./ffmpeg -i 480p.jpg -vf format=yuv420p,dnn_processing=dnn_backend=tensorflow:model=espcn.pb:input=x:output=y:backend_configs=sess_config=0x10022805320e09cdccccccccccec3f20012a01303801 -y tmp.espcn.jpg

  drawbox
Draw a colored box on the input image.

It accepts the following parameters:

x
y   The expressions which specify the top left corner coordinates of the box. It defaults to 0.

width, w
height, h
    The expressions which specify the width and height of the box; if 0 they are interpreted as the input width and height. It defaults to 0.

color, c
    Specify the color of the box to write. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual. If the special value "invert" is used, the box edge color is the same as the video with inverted luma.

thickness, t
    The expression which sets the thickness of the box edge. A value of "fill" will create a filled box. Default value is 3.

    See below for the list of accepted constants.

replace
    Applicable if the input has alpha. With value 1, the pixels of the painted box will overwrite the video's color and alpha pixels. Default is 0, which composites the box onto the input, leaving the video's alpha intact.

The parameters for x, y, w and h and t are expressions containing the following constants:

dar The input display aspect ratio, it is the same as (w / h) * sar.

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

in_h, ih
in_w, iw
    The input width and height.

sar The input sample aspect ratio.

x
y   The x and y offset coordinates where the box is drawn.

w
h   The width and height of the drawn box.

box_source
    Box source can be set as side_data_detection_bboxes if you want to use box data in detection bboxes of side data.

    If box_source is set, the x, y, width and height will be ignored and still use box data in detection bboxes of side data. So please do not use this parameter if you were not sure about the box source.

t   The thickness of the drawn box.

    These constants allow the x, y, w, h and t expressions to refer to each other, so you may for example specify "y=x/dar" or "h=w/dar".

Examples

•   Draw a black box around the edge of the input image:

            drawbox

•   Draw a box with color red and an opacity of 50%:

            drawbox=10:20:200:60:red@0.5

    The previous example can be specified as:

            drawbox=x=10:y=20:w=200:h=60:color=red@0.5

•   Fill the box with pink color:

            drawbox=x=10:y=10:w=100:h=100:color=pink@0.5:t=fill

•   Draw a 2-pixel red 2.40:1 mask:

            drawbox=x=-t:y=0.5*(ih-iw/2.4)-t:w=iw+t*2:h=iw/2.4+t*2:t=2:c=red

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  drawgraph
Draw a graph using input video metadata.

It accepts the following parameters:

m1  Set 1st frame metadata key from which metadata values will be used to draw a graph.

fg1 Set 1st foreground color expression.

m2  Set 2nd frame metadata key from which metadata values will be used to draw a graph.

fg2 Set 2nd foreground color expression.

m3  Set 3rd frame metadata key from which metadata values will be used to draw a graph.

fg3 Set 3rd foreground color expression.

m4  Set 4th frame metadata key from which metadata values will be used to draw a graph.

fg4 Set 4th foreground color expression.

min Set minimal value of metadata value.

max Set maximal value of metadata value.

bg  Set graph background color. Default is white.

mode
    Set graph mode.

    Available values for mode is:

    bar
    dot
    line

    Default is "line".

slide
    Set slide mode.

    Available values for slide is:

    frame
        Draw new frame when right border is reached.

    replace
        Replace old columns with new ones.

    scroll
        Scroll from right to left.

    rscroll
        Scroll from left to right.

    picture
        Draw single picture.

    Default is "frame".

size
    Set size of graph video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. The default value is "900x256".

rate, r
    Set the output frame rate. Default value is 25.

    The foreground color expressions can use the following variables:

    MIN Minimal value of metadata value.

    MAX Maximal value of metadata value.

    VAL Current metadata key value.

    The color is defined as 0xAABBGGRR.

Example using metadata from signalstats filter:

        signalstats,drawgraph=lavfi.signalstats.YAVG:min=0:max=255

Example using metadata from ebur128 filter:

        ebur128=metadata=1,adrawgraph=lavfi.r128.M:min=-120:max=5

  drawgrid
Draw a grid on the input image.

It accepts the following parameters:

x
y   The expressions which specify the coordinates of some point of grid intersection (meant to configure offset). Both default to 0.

width, w
height, h
    The expressions which specify the width and height of the grid cell, if 0 they are interpreted as the input width and height, respectively, minus "thickness", so image gets framed. Default to 0.

color, c
    Specify the color of the grid. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual. If the special value "invert" is used, the grid color is the same as the video with inverted luma.

thickness, t
    The expression which sets the thickness of the grid line. Default value is 1.

    See below for the list of accepted constants.

replace
    Applicable if the input has alpha. With 1 the pixels of the painted grid will overwrite the video's color and alpha pixels. Default is 0, which composites the grid onto the input, leaving the video's alpha intact.

The parameters for x, y, w and h and t are expressions containing the following constants:

dar The input display aspect ratio, it is the same as (w / h) * sar.

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

in_h, ih
in_w, iw
    The input grid cell width and height.

sar The input sample aspect ratio.

x
y   The x and y coordinates of some point of grid intersection (meant to configure offset).

w
h   The width and height of the drawn cell.

t   The thickness of the drawn cell.

    These constants allow the x, y, w, h and t expressions to refer to each other, so you may for example specify "y=x/dar" or "h=w/dar".

Examples

•   Draw a grid with cell 100x100 pixels, thickness 2 pixels, with color red and an opacity of 50%:

            drawgrid=width=100:height=100:thickness=2:color=red@0.5

•   Draw a white 3x3 grid with an opacity of 50%:

            drawgrid=w=iw/3:h=ih/3:t=2:c=white@0.5

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  drawtext
Draw a text string or text from a specified file on top of a video, using the libfreetype library.

To enable compilation of this filter, you need to configure FFmpeg with "--enable-libfreetype" and "--enable-libharfbuzz". To enable default font fallback and the font option you need to configure FFmpeg with "--enable-libfontconfig". To enable the text_shaping option, you need to configure FFmpeg with "--enable-libfribidi".

Syntax

It accepts the following parameters:

box Used to draw a box around text using the background color. The value must be either 1 (enable) or 0 (disable). The default value of box is 0.

boxborderw
    Set the width of the border to be drawn around the box using boxcolor. The value must be specified using one of the following formats:

    *<"boxborderw=10" set the width of all the borders to 10>
    *<"boxborderw=10|20" set the width of the top and bottom borders to 10>
            and the width of the left and right borders to 20

    *<"boxborderw=10|20|30" set the width of the top border to 10, the width>
            of the bottom border to 30 and the width of the left and right borders to 20

    *<"boxborderw=10|20|30|40" set the borders width to 10 (top), 20 (right),>
            30 (bottom), 40 (left)

    The default value of boxborderw is "0".

boxcolor
    The color to be used for drawing box around text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of boxcolor is "white".

line_spacing
    Set the line spacing in pixels. The default value of line_spacing is 0.

text_align
    Set the vertical and horizontal alignment of the text with respect to the box boundaries. The value is combination of flags, one for the vertical alignment (T=top, M=middle, B=bottom) and one for the horizontal alignment (L=left, C=center, R=right). Please note that tab characters are only supported with the left horizontal alignment.

y_align
    Specify what the y value is referred to. Possible values are:

    *<"text" the top of the highest glyph of the first text line is placed at y>
    *<"baseline" the baseline of the first text line is placed at y>
    *<"font" the baseline of the first text line is placed at y plus the>
            ascent (in pixels) defined in the font metrics

    The default value of y_align is "text" for backward compatibility.

borderw
    Set the width of the border to be drawn around the text using bordercolor. The default value of borderw is 0.

bordercolor
    Set the color to be used for drawing border around text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of bordercolor is "black".

expansion
    Select how the text is expanded. Can be either "none", "strftime" (deprecated) or "normal" (default). See the drawtext_expansion, Text expansion section below for details.

basetime
    Set a start time for the count. Value is in microseconds. Only applied in the deprecated "strftime" expansion mode. To emulate in normal expansion mode use the "pts" function, supplying the start time (in seconds) as the second argument.

fix_bounds
    If true, check and fix text coords to avoid clipping.

fontcolor
    The color to be used for drawing fonts. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of fontcolor is "black".

fontcolor_expr
    String which is expanded the same way as text to obtain dynamic fontcolor value. By default this option has empty value and is not processed. When this option is set, it overrides fontcolor option.

font
    The font family to be used for drawing text. By default Sans.

fontfile
    The font file to be used for drawing text. The path must be included. This parameter is mandatory if the fontconfig support is disabled.

alpha
    Draw the text applying alpha blending. The value can be a number between 0.0 and 1.0. The expression accepts the same variables x, y as well. The default value is 1. Please see fontcolor_expr.

fontsize
    The font size to be used for drawing text. The default value of fontsize is 16.

text_shaping
    If set to 1, attempt to shape the text (for example, reverse the order of right-to-left text and join Arabic characters) before drawing it. Otherwise, just draw the text exactly as given. By default 1 (if supported).

ft_load_flags
    The flags to be used for loading the fonts.

    The flags map the corresponding flags supported by libfreetype, and are a combination of the following values:

    default
    no_scale
    no_hinting
    render
    no_bitmap
    vertical_layout
    force_autohint
    crop_bitmap
    pedantic
    ignore_global_advance_width
    no_recurse
    ignore_transform
    monochrome
    linear_design
    no_autohint

    Default value is "default".

    For more information consult the documentation for the FT_LOAD_* libfreetype flags.

shadowcolor
    The color to be used for drawing a shadow behind the drawn text. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of shadowcolor is "black".

boxw
    Set the width of the box to be drawn around text. The default value of boxw is computed automatically to match the text width

boxh
    Set the height of the box to be drawn around text. The default value of boxh is computed automatically to match the text height

shadowx
shadowy
    The x and y offsets for the text shadow position with respect to the position of the text. They can be either positive or negative values. The default value for both is "0".

start_number
    The starting frame number for the n/frame_num variable. The default value is "0".

tabsize
    The size in number of spaces to use for rendering the tab. Default value is 4.

timecode
    Set the initial timecode representation in "hh:mm:ss[:;.]ff" format. It can be used with or without text parameter. timecode_rate option must be specified.

timecode_rate, rate, r
    Set the timecode frame rate (timecode only). Value will be rounded to nearest integer. Minimum value is "1". Drop-frame timecode is supported for frame rates 30 & 60.

tc24hmax
    If set to 1, the output of the timecode option will wrap around at 24 hours. Default is 0 (disabled).

text
    The text string to be drawn. The text must be a sequence of UTF-8 encoded characters. This parameter is mandatory if no file is specified with the parameter textfile.

textfile
    A text file containing text to be drawn. The text must be a sequence of UTF-8 encoded characters.

    This parameter is mandatory if no text string is specified with the parameter text.

    If both text and textfile are specified, an error is thrown.

text_source
    Text source should be set as side_data_detection_bboxes if you want to use text data in detection bboxes of side data.

    If text source is set, text and textfile will be ignored and still use text data in detection bboxes of side data. So please do not use this parameter if you are not sure about the text source.

reload
    The textfile will be reloaded at specified frame interval. Be sure to update textfile atomically, or it may be read partially, or even fail. Range is 0 to INT_MAX. Default is 0.

x
y   The expressions which specify the offsets where text will be drawn within the video frame. They are relative to the top/left border of the output image.

    The default value of x and y is "0".

    See below for the list of accepted constants and functions.

The parameters for x and y are expressions containing the following constants and functions:

dar input display aspect ratio, it is the same as (w / h) * sar

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

line_h, lh
    the height of each text line

main_h, h, H
    the input height

main_w, w, W
    the input width

max_glyph_a, ascent
    the maximum distance from the baseline to the highest/upper grid coordinate used to place a glyph outline point, for all the rendered glyphs. It is a positive value, due to the grid's orientation with the Y axis upwards.

max_glyph_d, descent
    the maximum distance from the baseline to the lowest grid coordinate used to place a glyph outline point, for all the rendered glyphs. This is a negative value, due to the grid's orientation, with the Y axis upwards.

max_glyph_h
    maximum glyph height, that is the maximum height for all the glyphs contained in the rendered text, it is equivalent to ascent - descent.

max_glyph_w
    maximum glyph width, that is the maximum width for all the glyphs contained in the rendered text

font_a
    the ascent size defined in the font metrics

font_d
    the descent size defined in the font metrics

top_a
    the maximum ascender of the glyphs of the first text line

bottom_d
    the maximum descender of the glyphs of the last text line

n   the number of input frame, starting from 0

rand(min, max)
    return a random number included between min and max

sar The input sample aspect ratio.

t   timestamp expressed in seconds, NAN if the input timestamp is unknown

text_h, th
    the height of the rendered text

text_w, tw
    the width of the rendered text

x
y   the x and y offset coordinates where the text is drawn.

    These parameters allow the x and y expressions to refer to each other, so you can for example specify "y=x/dar".

pict_type
    A one character description of the current frame's picture type.

pkt_pos
    The current packet's position in the input file or stream (in bytes, from the start of the input). A value of -1 indicates this info is not available.

duration
    The current packet's duration, in seconds.

pkt_size
    The current packet's size (in bytes).

Text expansion

If expansion is set to "strftime", the filter recognizes sequences accepted by the "strftime" C function in the provided text and expands them accordingly. Check the documentation of "strftime". This feature is deprecated in favor of "normal" expansion with the "gmtime" or "localtime" expansion functions.

If expansion is set to "none", the text is printed verbatim.

If expansion is set to "normal" (which is the default), the following expansion mechanism is used.

The backslash character \, followed by any character, always expands to the second character.

Sequences of the form "%{...}" are expanded. The text between the braces is a function name, possibly followed by arguments separated by ':'. If the arguments contain special characters or delimiters (':' or '}'), they should be escaped.

Note that they probably must also be escaped as the value for the text option in the filter argument string and as the filter argument in the filtergraph description, and possibly also for the shell, that makes up to four levels of escaping; using a text file with the textfile option avoids these problems.

The following functions are available:

expr, e
    The expression evaluation result.

    It must take one argument specifying the expression to be evaluated, which accepts the same constants and functions as the x and y values. Note that not all constants should be used, for example the text size is not known when evaluating the expression, so the constants text_w and text_h will have an undefined value.

expr_int_format, eif
    Evaluate the expression's value and output as formatted integer.

    The first argument is the expression to be evaluated, just as for the expr function. The second argument specifies the output format. Allowed values are x, X, d and u. They are treated exactly as in the "printf" function. The third parameter is optional and sets the number of positions taken by the output. It can be used to add padding with zeros from the left.

gmtime
    The time at which the filter is running, expressed in UTC. It can accept an argument: a "strftime" C function format string. The format string is extended to support the variable %[1-6]N which prints fractions of the second with optionally specified number of digits.

localtime
    The time at which the filter is running, expressed in the local time zone. It can accept an argument: a "strftime" C function format string. The format string is extended to support the variable %[1-6]N which prints fractions of the second with optionally specified number of digits.

metadata
    Frame metadata. Takes one or two arguments.

    The first argument is mandatory and specifies the metadata key.

    The second argument is optional and specifies a default value, used when the metadata key is not found or empty.

    Available metadata can be identified by inspecting entries starting with TAG included within each frame section printed by running "ffprobe -show_frames".

    String metadata generated in filters leading to the drawtext filter are also available.

n, frame_num
    The frame number, starting from 0.

pict_type
    A one character description of the current picture type.

pts The timestamp of the current frame. It can take up to three arguments.

    The first argument is the format of the timestamp; it defaults to "flt" for seconds as a decimal number with microsecond accuracy; "hms" stands for a formatted [-]HH:MM:SS.mmm timestamp with millisecond accuracy. "gmtime" stands for the timestamp of the frame formatted as UTC time; "localtime" stands for the timestamp of the frame formatted as local time zone time.

    The second argument is an offset added to the timestamp.

    If the format is set to "hms", a third argument "24HH" may be supplied to present the hour part of the formatted timestamp in 24h format (00-23).

    If the format is set to "localtime" or "gmtime", a third argument may be supplied: a "strftime" C function format string. By default, YYYY-MM-DD HH:MM:SS format will be used.

Commands

This filter supports altering parameters via commands:

reinit
    Alter existing filter parameters.

    Syntax for the argument is the same as for filter invocation, e.g.

            fontsize=56:fontcolor=green:text='Hello World'

    Full filter invocation with sendcmd would look like this:

            sendcmd=c='56.0 drawtext reinit fontsize=56\:fontcolor=green\:text=Hello\\ World'

    If the entire argument can't be parsed or applied as valid values then the filter will continue with its existing parameters.

The following options are also supported as commands:

*<x>
*<y>
*<alpha>
*<fontsize>
*<fontcolor>
*<boxcolor>
*<bordercolor>
*<shadowcolor>
*<box>
*<boxw>
*<boxh>
*<boxborderw>
*<line_spacing>
*<text_align>
*<shadowx>
*<shadowy>
*<borderw>

Examples

•   Draw "Test Text" with font FreeSerif, using the default values for the optional parameters.

            drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text'"

•   Draw 'Test Text' with font FreeSerif of size 24 at position x=100 and y=50 (counting from the top-left corner of the screen), text is yellow with a red box around it. Both the text and the box have an opacity of 20%.

            drawtext="fontfile=/usr/share/fonts/truetype/freefont/FreeSerif.ttf: text='Test Text':\
                      x=100: y=50: fontsize=24: fontcolor=yellow@0.2: box=1: boxcolor=red@0.2"

    Note that the double quotes are not necessary if spaces are not used within the parameter list.

•   Show the text at the center of the video frame:

            drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=(w-text_w)/2:y=(h-text_h)/2"

•   Show the text at a random position, switching to a new position every 30 seconds:

            drawtext="fontsize=30:fontfile=FreeSerif.ttf:text='hello world':x=if(eq(mod(t\,30)\,0)\,rand(0\,(w-text_w))\,x):y=if(eq(mod(t\,30)\,0)\,rand(0\,(h-text_h))\,y)"

•   Show a text line sliding from right to left in the last row of the video frame. The file LONG_LINE is assumed to contain a single line with no newlines.

            drawtext="fontsize=15:fontfile=FreeSerif.ttf:text=LONG_LINE:y=h-line_h:x=-50*t"

•   Show the content of file CREDITS off the bottom of the frame and scroll up.

            drawtext="fontsize=20:fontfile=FreeSerif.ttf:textfile=CREDITS:y=h-20*t"

•   Draw a single green letter "g", at the center of the input video. The glyph baseline is placed at half screen height.

            drawtext="fontsize=60:fontfile=FreeSerif.ttf:fontcolor=green:text=g:x=(w-max_glyph_w)/2:y=h/2-ascent"

•   Show text for 1 second every 3 seconds:

            drawtext="fontfile=FreeSerif.ttf:fontcolor=white:x=100:y=x/dar:enable=lt(mod(t\,3)\,1):text='blink'"

•   Use fontconfig to set the font. Note that the colons need to be escaped.

            drawtext='fontfile=Linux Libertine O-40\\:style=Semibold:text=FFmpeg'

•   Draw "Test Text" with font size dependent on height of the video.

            drawtext="text='Test Text': fontsize=h/30: x=(w-text_w)/2: y=(h-text_h*2)"

•   Print the date of a real-time encoding (see documentation for the "strftime" C function):

            drawtext='fontfile=FreeSans.ttf:text=%{localtime\:%a %b %d %Y}'

•   Show text fading in and out (appearing/disappearing):

            #!/bin/sh
            DS=1.0 # display start
            DE=10.0 # display end
            FID=1.5 # fade in duration
            FOD=5 # fade out duration
            ffplay -f lavfi "color,drawtext=text=TEST:fontsize=50:fontfile=FreeSerif.ttf:fontcolor_expr=ff0000%{eif\\\\: clip(255*(1*between(t\\, $DS + $FID\\, $DE - $FOD) + ((t - $DS)/$FID)*between(t\\, $DS\\, $DS + $FID) + (-(t - $DE)/$FOD)*between(t\\, $DE - $FOD\\, $DE) )\\, 0\\, 255) \\\\: x\\\\: 2 }"

•   Horizontally align multiple separate texts. Note that max_glyph_a and the fontsize value are included in the y offset.

            drawtext=fontfile=FreeSans.ttf:text=DOG:fontsize=24:x=10:y=20+24-max_glyph_a,
            drawtext=fontfile=FreeSans.ttf:text=cow:fontsize=24:x=80:y=20+24-max_glyph_a

•   Plot special lavf.image2dec.source_basename metadata onto each frame if such metadata exists. Otherwise, plot the string "NA". Note that image2 demuxer must have option -export_path_metadata 1 for the special metadata fields to be available for filters.

            drawtext="fontsize=20:fontcolor=white:fontfile=FreeSans.ttf:text='%{metadata\:lavf.image2dec.source_basename\:NA}':x=10:y=10"

For more information about libfreetype, check: <http://www.freetype.org/>.

For more information about fontconfig, check: <http://freedesktop.org/software/fontconfig/fontconfig-user.html>.

For more information about libfribidi, check: <http://fribidi.org/>.

For more information about libharfbuzz, check: <https://github.com/harfbuzz/harfbuzz>.

  drawvg
Draw vector graphics on top of video frames, by executing a script written in a custom language called VGS (Vector Graphics Script).

The documentation for the language can be found in drawvg - Language Reference. A version of this reference with rendered examples can be found at the <https://ayosec.github.io/ffmpeg-drawvg/playground/docs/langref.html>.

Graphics are rendered using the <https://cairographics.org/>.

To enable compilation of this filter, you need to configure FFmpeg with "--enable-cairo".

Parameters

Either "script" or "file" must be set.

s, script
    Script source to draw the graphics.

file
    Path of the file to load the script source.

Pixel Formats

Since Cairo only supports RGB images, if the input video is something else (like YUV 4:2:0), before executing the script the video is converted to a format compatible with Cairo. Then, you have to use either the format filter, or the "-pix_fmt" option, to convert it to the expected format in the output.

Examples

•   Draw the outline of an ellipse.

            ffmpeg -i input.webm \
                -vf 'drawvg=ellipse (w/2) (h/2) (w/3) (h/3) stroke' \
                -pix_fmt yuv420p \
                output.webm

•   Draw a square rotating in the middle of the frame.

    The script for drawvg is in a file "draw.vgs":

            translate (w/2) (h/2)
            rotate t
            rect -100 -100 200 200
            setcolor red@0.5
            fill

    Then:

            ffmpeg -i input.webm -vf 'drawvg=file=draw.vgs,format=yuv420p' output.webm

  edgedetect
Detect and draw edges. The filter uses the Canny Edge Detection algorithm.

The filter accepts the following options:

low
high
    Set low and high threshold values used by the Canny thresholding algorithm.

    The high threshold selects the "strong" edge pixels, which are then connected through 8-connectivity with the "weak" edge pixels selected by the low threshold.

    low and high threshold values must be chosen in the range [0,1], and low should be lesser or equal to high.

    Default value for low is "20/255", and default value for high is "50/255".

mode
    Define the drawing mode.

    wires
        Draw white/gray wires on black background.

    colormix
        Mix the colors to create a paint/cartoon effect.

    canny
        Apply Canny edge detector on all selected planes.

    Default value is wires.

planes
    Select planes for filtering. By default all available planes are filtered.

Examples

•   Standard edge detection with custom values for the hysteresis thresholding:

            edgedetect=low=0.1:high=0.4

•   Painting effect without thresholding:

            edgedetect=mode=colormix:high=0

  elbg
Apply a posterize effect using the ELBG (Enhanced LBG) algorithm.

For each input image, the filter will compute the optimal mapping from the input to the output given the codebook length, that is the number of distinct output colors.

This filter accepts the following options.

codebook_length, l
    Set codebook length. The value must be a positive integer, and represents the number of distinct output colors. Default value is 256.

nb_steps, n
    Set the maximum number of iterations to apply for computing the optimal mapping. The higher the value the better the result and the higher the computation time. Default value is 1.

seed, s
    Set a random seed, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

pal8
    Set pal8 output pixel format. This option does not work with codebook length greater than 256. Default is disabled.

use_alpha
    Include alpha values in the quantization calculation. Allows creating palettized output images (e.g. PNG8) with multiple alpha smooth blending.

  entropy
Measure graylevel entropy in histogram of color channels of video frames.

It accepts the following parameters:

mode
    Can be either normal or diff. Default is normal.

    diff mode measures entropy of histogram delta values, absolute differences between neighbour histogram values.

  epx
Apply the EPX magnification filter which is designed for pixel art.

It accepts the following option:

n   Set the scaling dimension: 2 for "2xEPX", 3 for "3xEPX". Default is 3.

  eq
Set brightness, contrast, saturation and approximate gamma adjustment.

The filter accepts the following options:

contrast
    Set the contrast expression. The value must be a float value in range "-1000.0" to 1000.0. The default value is "1".

brightness
    Set the brightness expression. The value must be a float value in range "-1.0" to 1.0. The default value is "0".

saturation
    Set the saturation expression. The value must be a float in range 0.0 to 3.0. The default value is "1".

gamma
    Set the gamma expression. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_r
    Set the gamma expression for red. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_g
    Set the gamma expression for green. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_b
    Set the gamma expression for blue. The value must be a float in range 0.1 to 10.0. The default value is "1".

gamma_weight
    Set the gamma weight expression. It can be used to reduce the effect of a high gamma value on bright image areas, e.g. keep them from getting overamplified and just plain white. The value must be a float in range 0.0 to 1.0. A value of 0.0 turns the gamma correction all the way down while 1.0 leaves it at its full strength. Default is "1".

eval
    Set when the expressions for brightness, contrast, saturation and gamma expressions are evaluated.

    It accepts the following values:

    init
        only evaluate expressions once during the filter initialization or when a command is processed

    frame
        evaluate expressions for each incoming frame

    Default value is init.

The expressions accept the following parameters:

n   frame count of the input frame starting from 0

pos byte position of the corresponding packet in the input file, NAN if unspecified; deprecated, do not use

r   frame rate of the input video, NAN if the input frame rate is unknown

t   timestamp expressed in seconds, NAN if the input timestamp is unknown

Commands

The filter supports the following commands:

contrast
    Set the contrast expression.

brightness
    Set the brightness expression.

saturation
    Set the saturation expression.

gamma
    Set the gamma expression.

gamma_r
    Set the gamma_r expression.

gamma_g
    Set gamma_g expression.

gamma_b
    Set gamma_b expression.

gamma_weight
    Set gamma_weight expression.

    The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

  erosion
Apply erosion effect to the video.

This filter replaces the pixel by the local(3x3) minimum.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

coordinates
    Flag which specifies the pixel to refer to. Default is 255 i.e. all eight pixels are used.

    Flags to local 3x3 coordinates maps like this:

        1 2 3
        4   5
        6 7 8

Commands

This filter supports the all above options as commands.

  estdif
Deinterlace the input video ("estdif" stands for "Edge Slope Tracing Deinterlacing Filter").

Spatial only filter that uses edge slope tracing algorithm to interpolate missing lines. It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    frame
        Output one frame for each frame.

    field
        Output one frame for each field.

    The default value is "field".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    tff Assume the top field is first.

    bff Assume the bottom field is first.

    auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    all Deinterlace all frames.

    interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

rslope
    Specify the search radius for edge slope tracing. Default value is 1. Allowed range is from 1 to 15.

redge
    Specify the search radius for best edge matching. Default value is 2. Allowed range is from 0 to 15.

ecost
    Specify the edge cost for edge matching. Default value is 2. Allowed range is from 0 to 50.

mcost
    Specify the middle cost for edge matching. Default value is 1. Allowed range is from 0 to 50.

dcost
    Specify the distance cost for edge matching. Default value is 1. Allowed range is from 0 to 50.

interp
    Specify the interpolation used. Default is 4-point interpolation. It accepts one of the following values:

    2p  Two-point interpolation.

    4p  Four-point interpolation.

    6p  Six-point interpolation.

Commands

This filter supports same commands as options.

  exposure
Adjust exposure of the video stream.

The filter accepts the following options:

exposure
    Set the exposure correction in EV. Allowed range is from -3.0 to 3.0 EV Default value is 0 EV.

black
    Set the black level correction. Allowed range is from -1.0 to 1.0. Default value is 0.

Commands

This filter supports same commands as options.

  extractplanes
Extract color channel components from input video stream into separate grayscale video streams.

The filter accepts the following option:

planes
    Set plane(s) to extract.

    Available values for planes are:

    y
    u
    v
    a
    r
    g
    b

    Choosing planes not available in the input will result in an error. That means you cannot select "r", "g", "b" planes with "y", "u", "v" planes at same time.

Examples

•   Extract luma, u and v color channel component from input video frame into 3 grayscale outputs:

            ffmpeg -i video.avi -filter_complex 'extractplanes=y+u+v[y][u][v]' -map '[y]' y.avi -map '[u]' u.avi -map '[v]' v.avi

  fade
Apply a fade-in/out effect to the input video.

It accepts the following parameters:

type, t
    The effect type can be either "in" for a fade-in, or "out" for a fade-out effect. Default is "in".

start_frame, s
    Specify the number of the frame to start applying the fade effect at. Default is 0.

nb_frames, n
    The number of frames that the fade effect lasts. At the end of the fade-in effect, the output video will have the same intensity as the input video. At the end of the fade-out transition, the output video will be filled with the selected color. Default is 25.

alpha
    If set to 1, fade only alpha channel, if one exists on the input. Default value is 0.

start_time, st
    Specify the timestamp (in seconds) of the frame to start to apply the fade effect. If both start_frame and start_time are specified, the fade will start at whichever comes last. Default is 0.

duration, d
    The number of seconds for which the fade effect has to last. At the end of the fade-in effect the output video will have the same intensity as the input video, at the end of the fade-out transition the output video will be filled with the selected color. If both duration and nb_frames are specified, duration is used. Default is 0 (nb_frames is used by default).

color, c
    Specify the color of the fade. Default is "black".

Examples

•   Fade in the first 30 frames of video:

            fade=in:0:30

    The command above is equivalent to:

            fade=t=in:s=0:n=30

•   Fade out the last 45 frames of a 200-frame video:

            fade=out:155:45
            fade=type=out:start_frame=155:nb_frames=45

•   Fade in the first 25 frames and fade out the last 25 frames of a 1000-frame video:

            fade=in:0:25, fade=out:975:25

•   Make the first 5 frames yellow, then fade in from frame 5-24:

            fade=in:5:20:color=yellow

•   Fade in alpha over first 25 frames of video:

            fade=in:0:25:alpha=1

•   Make the first 5.5 seconds black, then fade in for 0.5 seconds:

            fade=t=in:st=5.5:d=0.5

  feedback
Apply feedback video filter.

This filter pass cropped input frames to 2nd output. From there it can be filtered with other video filters. After filter receives frame from 2nd input, that frame is combined on top of original frame from 1st input and passed to 1st output.

The typical usage is filter only part of frame.

The filter accepts the following options:

x
y   Set the top left crop position.

w
h   Set the crop size.

Examples

•   Blur only top left rectangular part of video frame size 100x100 with gblur filter.

            [in][blurin]feedback=x=0:y=0:w=100:h=100[out][blurout];[blurout]gblur=8[blurin]

•   Draw black box on top left part of video frame of size 100x100 with drawbox filter.

            [in][blurin]feedback=x=0:y=0:w=100:h=100[out][blurout];[blurout]drawbox=x=0:y=0:w=100:h=100:t=100[blurin]

•   Pixelize rectangular part of video frame of size 100x100 with pixelize filter.

            [in][blurin]feedback=x=320:y=240:w=100:h=100[out][blurout];[blurout]pixelize[blurin]

  fftdnoiz
Denoise frames using 3D FFT (frequency domain filtering).

The filter accepts the following options:

sigma
    Set the noise sigma constant. This sets denoising strength. Default value is 1. Allowed range is from 0 to 30. Using very high sigma with low overlap may give blocking artifacts.

amount
    Set amount of denoising. By default all detected noise is reduced. Default value is 1. Allowed range is from 0 to 1.

block
    Set size of block in pixels, Default is 32, can be 8 to 256.

overlap
    Set block overlap. Default is 0.5. Allowed range is from 0.2 to 0.8.

method
    Set denoising method. Default is "wiener", can also be "hard".

prev
    Set number of previous frames to use for denoising. By default is set to 0.

next
    Set number of next frames to to use for denoising. By default is set to 0.

planes
    Set planes which will be filtered, by default are all available filtered except alpha.

  fftfilt
Apply arbitrary expressions to samples in frequency domain

dc_Y
    Adjust the dc value (gain) of the luma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

dc_U
    Adjust the dc value (gain) of the 1st chroma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

dc_V
    Adjust the dc value (gain) of the 2nd chroma plane of the image. The filter accepts an integer value in range 0 to 1000. The default value is set to 0.

weight_Y
    Set the frequency domain weight expression for the luma plane.

weight_U
    Set the frequency domain weight expression for the 1st chroma plane.

weight_V
    Set the frequency domain weight expression for the 2nd chroma plane.

eval
    Set when the expressions are evaluated.

    It accepts the following values:

    init
        Only evaluate expressions once during the filter initialization.

    frame
        Evaluate expressions for each incoming frame.

    Default value is init.

    The filter accepts the following variables:

X
Y   The coordinates of the current sample.

W
H   The width and height of the image.

N   The number of input frame, starting from 0.

WS
HS  The size of FFT array for horizontal and vertical processing.

Examples

•   High-pass:

            fftfilt=dc_Y=128:weight_Y='squish(1-(Y+X)/100)'

•   Low-pass:

            fftfilt=dc_Y=0:weight_Y='squish((Y+X)/100-1)'

•   Sharpen:

            fftfilt=dc_Y=0:weight_Y='1+squish(1-(Y+X)/100)'

•   Blur:

            fftfilt=dc_Y=0:weight_Y='exp(-4 * ((Y+X)/(W+H)))'

  field
Extract a single field from an interlaced image using stride arithmetic to avoid wasting CPU time. The output frames are marked as non-interlaced.

The filter accepts the following options:

type
    Specify whether to extract the top (if the value is 0 or "top") or the bottom field (if the value is 1 or "bottom").

  fieldhint
Create new frames by copying the top and bottom fields from surrounding frames supplied as numbers by the hint file.

hint
    Set file containing hints: absolute/relative frame numbers.

    There must be one line for each frame in a clip. Each line must contain two numbers separated by the comma, optionally followed by "-" or "+". Numbers supplied on each line of file can not be out of [N-1,N+1] where N is current frame number for "absolute" mode or out of [-1, 1] range for "relative" mode. First number tells from which frame to pick up top field and second number tells from which frame to pick up bottom field.

    If optionally followed by "+" output frame will be marked as interlaced, else if followed by "-" output frame will be marked as progressive, else it will be marked same as input frame. If optionally followed by "t" output frame will use only top field, or in case of "b" it will use only bottom field. If line starts with "#" or ";" that line is skipped.

mode
    Can be item "absolute" or "relative" or "pattern". Default is "absolute". The "pattern" mode is same as "relative" mode, except at last entry of file if there are more frames to process than "hint" file is seek back to start.

Example of first several lines of "hint" file for "relative" mode:

        0,0 - # first frame
        1,0 - # second frame, use third's frame top field and second's frame bottom field
        1,0 - # third frame, use fourth's frame top field and third's frame bottom field
        1,0 -
        0,0 -
        0,0 -
        1,0 -
        1,0 -
        1,0 -
        0,0 -
        0,0 -
        1,0 -
        1,0 -
        1,0 -
        0,0 -

  fieldmatch
Field matching filter for inverse telecine. It is meant to reconstruct the progressive frames from a telecined stream. The filter does not drop duplicated frames, so to achieve a complete inverse telecine "fieldmatch" needs to be followed by a decimation filter such as decimate in the filtergraph.

The separation of the field matching and the decimation is notably motivated by the possibility of inserting a de-interlacing filter fallback between the two. If the source has mixed telecined and real interlaced content, "fieldmatch" will not be able to match fields for the interlaced parts. But these remaining combed frames will be marked as interlaced, and thus can be de-interlaced by a later filter such as yadif before decimation.

In addition to the various configuration options, "fieldmatch" can take an optional second stream, activated through the ppsrc option. If enabled, the frames reconstruction will be based on the fields and frames from this second stream. This allows the first input to be pre-processed in order to help the various algorithms of the filter, while keeping the output lossless (assuming the fields are matched properly). Typically, a field-aware denoiser, or brightness/contrast adjustments can help.

Note that this filter uses the same algorithms as TIVTC/TFM (AviSynth project) and VIVTC/VFM (VapourSynth project). The later is a light clone of TFM from which "fieldmatch" is based on. While the semantic and usage are very close, some behaviour and options names can differ.

The decimate filter currently only works for constant frame rate input. If your input has mixed telecined (30fps) and progressive content with a lower framerate like 24fps use the following filterchain to produce the necessary cfr stream: "dejudder,fps=30000/1001,fieldmatch,decimate".

The filter accepts the following options:

order
    Specify the assumed field order of the input stream. Available values are:

    auto
        Auto detect parity (use FFmpeg's internal parity value).

    bff Assume bottom field first.

    tff Assume top field first.

    Note that it is sometimes recommended not to trust the parity announced by the stream.

    Default value is auto.

mode
    Set the matching mode or strategy to use. pc mode is the safest in the sense that it won't risk creating jerkiness due to duplicate frames when possible, but if there are bad edits or blended fields it will end up outputting combed frames when a good match might actually exist. On the other hand, pcn_ub mode is the most risky in terms of creating jerkiness, but will almost always find a good frame if there is one. The other values are all somewhere in between pc and pcn_ub in terms of risking jerkiness and creating duplicate frames versus finding good matches in sections with bad edits, orphaned fields, blended fields, etc.

    More details about p/c/n/u/b are available in p/c/n/u/b meaning section.

    Available values are:

    pc  2-way matching (p/c)

    pc_n
        2-way matching, and trying 3rd match if still combed (p/c + n)

    pc_u
        2-way matching, and trying 3rd match (same order) if still combed (p/c + u)

    pc_n_ub
        2-way matching, trying 3rd match if still combed, and trying 4th/5th matches if still combed (p/c + n + u/b)

    pcn 3-way matching (p/c/n)

    pcn_ub
        3-way matching, and trying 4th/5th matches if all 3 of the original matches are detected as combed (p/c/n + u/b)

    The parenthesis at the end indicate the matches that would be used for that mode assuming order=tff (and field on auto or top).

    In terms of speed pc mode is by far the fastest and pcn_ub is the slowest.

    Default value is pc_n.

ppsrc
    Mark the main input stream as a pre-processed input, and enable the secondary input stream as the clean source to pick the fields from. See the filter introduction for more details. It is similar to the clip2 feature from VFM/TFM.

    Default value is 0 (disabled).

field
    Set the field to match from. It is recommended to set this to the same value as order unless you experience matching failures with that setting. In certain circumstances changing the field that is used to match from can have a large impact on matching performance. Available values are:

    auto
        Automatic (same value as order).

    bottom
        Match from the bottom field.

    top Match from the top field.

    Default value is auto.

mchroma
    Set whether or not chroma is included during the match comparisons. In most cases it is recommended to leave this enabled. You should set this to 0 only if your clip has bad chroma problems such as heavy rainbowing or other artifacts. Setting this to 0 could also be used to speed things up at the cost of some accuracy.

    Default value is 1.

y0
y1  These define an exclusion band which excludes the lines between y0 and y1 from being included in the field matching decision. An exclusion band can be used to ignore subtitles, a logo, or other things that may interfere with the matching. y0 sets the starting scan line and y1 sets the ending line; all lines in between y0 and y1 (including y0 and y1) will be ignored. Setting y0 and y1 to the same value will disable the feature. y0 and y1 defaults to 0.

scthresh
    Set the scene change detection threshold as a percentage of maximum change on the luma plane. Good values are in the "[8.0, 14.0]" range. Scene change detection is only relevant in case combmatch=sc. The range for scthresh is "[0.0, 100.0]".

    Default value is 12.0.

combmatch
    When combatch is not none, "fieldmatch" will take into account the combed scores of matches when deciding what match to use as the final match. Available values are:

    none
        No final matching based on combed scores.

    sc  Combed scores are only used when a scene change is detected.

    full
        Use combed scores all the time.

    Default is sc.

combdbg
    Force "fieldmatch" to calculate the combed metrics for certain matches and print them. This setting is known as micout in TFM/VFM vocabulary. Available values are:

    none
        No forced calculation.

    pcn Force p/c/n calculations.

    pcnub
        Force p/c/n/u/b calculations.

    Default value is none.

cthresh
    This is the area combing threshold used for combed frame detection. This essentially controls how "strong" or "visible" combing must be to be detected. Larger values mean combing must be more visible and smaller values mean combing can be less visible or strong and still be detected. Valid settings are from "-1" (every pixel will be detected as combed) to 255 (no pixel will be detected as combed). This is basically a pixel difference value. A good range is "[8, 12]".

    Default value is 9.

chroma
    Sets whether or not chroma is considered in the combed frame decision. Only disable this if your source has chroma problems (rainbowing, etc.) that are causing problems for the combed frame detection with chroma enabled. Actually, using chroma=0 is usually more reliable, except for the case where there is chroma only combing in the source.

    Default value is 0.

blockx
blocky
    Respectively set the x-axis and y-axis size of the window used during combed frame detection. This has to do with the size of the area in which combpel pixels are required to be detected as combed for a frame to be declared combed. See the combpel parameter description for more info. Possible values are any number that is a power of 2 starting at 4 and going up to 512.

    Default value is 16.

combpel
    The number of combed pixels inside any of the blocky by blockx size blocks on the frame for the frame to be detected as combed. While cthresh controls how "visible" the combing must be, this setting controls "how much" combing there must be in any localized area (a window defined by the blockx and blocky settings) on the frame. Minimum value is 0 and maximum is "blocky x blockx" (at which point no frames will ever be detected as combed). This setting is known as MI in TFM/VFM vocabulary.

    Default value is 80.

p/c/n/u/b meaning

p/c/n

We assume the following telecined stream:

        Top fields:     1 2 2 3 4
        Bottom fields:  1 2 3 4 4

The numbers correspond to the progressive frame the fields relate to. Here, the first two frames are progressive, the 3rd and 4th are combed, and so on.

When "fieldmatch" is configured to run a matching from bottom (field=bottom) this is how this input stream get transformed:

        Input stream:
                        T     1 2 2 3 4
                        B     1 2 3 4 4   <-- matching reference

        Matches:              c c n n c

        Output stream:
                        T     1 2 3 4 4
                        B     1 2 3 4 4

As a result of the field matching, we can see that some frames get duplicated. To perform a complete inverse telecine, you need to rely on a decimation filter after this operation. See for instance the decimate filter.

The same operation now matching from top fields (field=top) looks like this:

        Input stream:
                        T     1 2 2 3 4   <-- matching reference
                        B     1 2 3 4 4

        Matches:              c c p p c

        Output stream:
                        T     1 2 2 3 4
                        B     1 2 2 3 4

In these examples, we can see what p, c and n mean; basically, they refer to the frame and field of the opposite parity:

*<p matches the field of the opposite parity in the previous frame>
*<c matches the field of the opposite parity in the current frame>
*<n matches the field of the opposite parity in the next frame>

u/b

The u and b matching are a bit special in the sense that they match from the opposite parity flag. In the following examples, we assume that we are currently matching the 2nd frame (Top:2, bottom:2). According to the match, a 'x' is placed above and below each matched fields.

With bottom matching (field=bottom):

        Match:           c         p           n          b          u

                         x       x               x        x          x
          Top          1 2 2     1 2 2       1 2 2      1 2 2      1 2 2
          Bottom       1 2 3     1 2 3       1 2 3      1 2 3      1 2 3
                         x         x           x        x              x

        Output frames:
                         2          1          2          2          2
                         2          2          2          1          3

With top matching (field=top):

        Match:           c         p           n          b          u

                         x         x           x        x              x
          Top          1 2 2     1 2 2       1 2 2      1 2 2      1 2 2
          Bottom       1 2 3     1 2 3       1 2 3      1 2 3      1 2 3
                         x       x               x        x          x

        Output frames:
                         2          2          2          1          2
                         2          1          3          2          2

Examples

Simple IVTC of a top field first telecined stream:

        fieldmatch=order=tff:combmatch=none, decimate

Advanced IVTC, with fallback on yadif for still combed frames:

        fieldmatch=order=tff:combmatch=full, yadif=deint=interlaced, decimate

  fieldorder
Transform the field order of the input video.

It accepts the following parameters:

order
    The output field order. Valid values are tff for top field first or bff for bottom field first.

The default value is tff.

The transformation is done by shifting the picture content up or down by one line, and filling the remaining line with appropriate picture content. This method is consistent with most broadcast field order converters.

If the input video is not flagged as being interlaced, or it is already flagged as being of the required output field order, then this filter does not alter the incoming video.

It is very useful when converting to or from PAL DV material, which is bottom field first.

For example:

        ffmpeg -i in.vob -vf "fieldorder=bff" out.dv

  fillborders
Fill borders of the input video, without changing video stream dimensions. Sometimes video can have garbage at the four edges and you may not want to crop video input to keep size multiple of some number.

This filter accepts the following options:

left
    Number of pixels to fill from left border.

right
    Number of pixels to fill from right border.

top Number of pixels to fill from top border.

bottom
    Number of pixels to fill from bottom border.

mode
    Set fill mode.

    It accepts the following values:

    smear
        fill pixels using outermost pixels

    mirror
        fill pixels using mirroring (half sample symmetric)

    fixed
        fill pixels with constant value

    reflect
        fill pixels using reflecting (whole sample symmetric)

    wrap
        fill pixels using wrapping

    fade
        fade pixels to constant value

    margins
        fill pixels at top and bottom with weighted averages pixels near borders

    Default is smear.

color
    Set color for pixels in fixed or fade mode. Default is black.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  find_rect
Find a rectangular object in the input video.

The object to search for must be specified as a gray8 image specified with the object option.

For each possible match, a score is computed. If the score reaches the specified threshold, the object is considered found.

If the input video contains multiple instances of the object, the filter will find only one of them.

When an object is found, the following metadata entries are set in the matching frame:

lavfi.rect.w
    width of object

lavfi.rect.h
    height of object

lavfi.rect.x
    x position of object

lavfi.rect.y
    y position of object

lavfi.rect.score
    match score of the found object

It accepts the following options:

object
    Filepath of the object image, needs to be in gray8.

threshold
    Detection threshold, expressed as a decimal number in the range 0-1.

    A threshold value of 0.01 means only exact matches, a threshold of 0.99 means almost everything matches.

    Default value is 0.5.

mipmaps
    Number of mipmaps, default is 3.

xmin, ymin, xmax, ymax
    Specifies the rectangle in which to search.

discard
    Discard frames where object is not detected. Default is disabled.

Examples

•   Cover a rectangular object by the supplied image of a given video using ffmpeg:

            ffmpeg -i file.ts -vf find_rect=newref.pgm,cover_rect=cover.jpg:mode=cover new.mkv

•   Find the position of an object in each frame using ffprobe and write it to a log file:

            ffprobe -f lavfi movie=test.mp4,find_rect=object=object.pgm:threshold=0.3 \
              -show_entries frame=pkt_pts_time:frame_tags=lavfi.rect.x,lavfi.rect.y \
              -of csv -o find_rect.csv

  floodfill
Flood area with values of same pixel components with another values.

It accepts the following options:

x   Set pixel x coordinate.

y   Set pixel y coordinate.

s0  Set source #0 component value.

s1  Set source #1 component value.

s2  Set source #2 component value.

s3  Set source #3 component value.

d0  Set destination #0 component value.

d1  Set destination #1 component value.

d2  Set destination #2 component value.

d3  Set destination #3 component value.

  format
Convert the input video to one of the specified pixel formats. Libavfilter will try to pick one that is suitable as input to the next filter.

It accepts the following parameters:

pix_fmts
    A '|'-separated list of pixel format names, such as "pix_fmts=yuv420p|monow|rgb24".

color_spaces
    A '|'-separated list of color space names, such as "color_spaces=bt709|bt470bg|bt2020nc".

color_ranges
    A '|'-separated list of color range names, such as "color_ranges=tv|pc".

alpha_modes
    A '|'-separated list of color range names, such as "alpha_modes=straight|premultiplied".

Examples

•   Convert the input video to the yuv420p format

            format=pix_fmts=yuv420p

    Convert the input video to any of the formats in the list

            format=pix_fmts=yuv420p|yuv444p|yuv410p

  fps
Convert the video to specified constant frame rate by duplicating or dropping frames as necessary.

It accepts the following parameters:

fps The desired output frame rate. It accepts expressions containing the following constants:

    source_fps
        The input's frame rate

    ntsc
        NTSC frame rate of "30000/1001"

    pal PAL frame rate of 25.0

    film
        Film frame rate of 24.0

    ntsc_film
        NTSC-film frame rate of "24000/1001"

    The default is 25.

start_time
    Assume the first PTS should be the given value, in seconds. This allows for padding/trimming at the start of stream. By default, no assumption is made about the first frame's expected PTS, so no padding or trimming is done. For example, this could be set to 0 to pad the beginning with duplicates of the first frame if a video stream starts after the audio stream or to trim any frames with a negative PTS.

round
    Timestamp (PTS) rounding method.

    Possible values are:

    zero
        round towards 0

    inf round away from 0

    down
        round towards -infinity

    up  round towards +infinity

    near
        round to nearest

    The default is "near".

eof_action
    Action performed when reading the last frame.

    Possible values are:

    round
        Use same timestamp rounding method as used for other frames.

    pass
        Pass through last frame if input duration has not been reached yet.

    The default is "round".

Alternatively, the options can be specified as a flat string: fps[:start_time[:round]].

See also the setpts filter.

Examples

•   A typical usage in order to set the fps to 25:

            fps=fps=25

•   Sets the fps to 24, using abbreviation and rounding method to round to nearest:

            fps=fps=film:round=near

  framepack
Pack two different video streams into a stereoscopic video, setting proper metadata on supported codecs. The two views should have the same size and framerate and processing will stop when the shorter video ends. Please note that you may conveniently adjust view properties with the scale and fps filters.

It accepts the following parameters:

format
    The desired packing format. Supported values are:

    sbs The views are next to each other (default).

    tab The views are on top of each other.

    lines
        The views are packed by line.

    columns
        The views are packed by column.

    frameseq
        The views are temporally interleaved.

Some examples:

        # Convert left and right views into a frame-sequential video
        ffmpeg -i LEFT -i RIGHT -filter_complex framepack=frameseq OUTPUT

        # Convert views into a side-by-side video with the same output resolution as the input
        ffmpeg -i LEFT -i RIGHT -filter_complex [0:v]scale=w=iw/2[left],[1:v]scale=w=iw/2[right],[left][right]framepack=sbs OUTPUT

  framerate
Change the frame rate by interpolating new video output frames from the source frames.

This filter is not designed to function correctly with interlaced media. If you wish to change the frame rate of interlaced media then you are required to deinterlace before this filter and re-interlace after this filter.

A description of the accepted options follows.

fps Specify the output frames per second. This option can also be specified as a value alone. The default is 50.

interp_start
    Specify the start of a range where the output frame will be created as a linear interpolation of two frames. The range is [0-255], the default is 15.

interp_end
    Specify the end of a range where the output frame will be created as a linear interpolation of two frames. The range is [0-255], the default is 240.

scene
    Specify the level at which a scene change is detected as a value between 0 and 100 to indicate a new scene; a low value reflects a low probability for the current frame to introduce a new scene, while a higher value means the current frame is more likely to be one. The default is 8.2.

flags
    Specify flags influencing the filter process.

    Available value for flags is:

    scene_change_detect, scd
        Enable scene change detection using the value of the option scene. This flag is enabled by default.

  framestep
Select one frame every N-th frame.

This filter accepts the following option:

step
    Select frame after every "step" frames. Allowed values are positive integers higher than 0. Default value is 1.

  freezedetect
Detect frozen video.

This filter logs a message and sets frame metadata when it detects that the input video has no significant change in content during a specified duration. Video freeze detection calculates the mean average absolute difference of all the components of video frames and compares it to a noise floor.

The printed times and duration are expressed in seconds. The "lavfi.freezedetect.freeze_start" metadata key is set on the first frame whose timestamp equals or exceeds the detection duration and it contains the timestamp of the first frame of the freeze. The "lavfi.freezedetect.freeze_duration" and "lavfi.freezedetect.freeze_end" metadata keys are set on the first frame after the freeze.

The filter accepts the following options:

noise, n
    Set noise tolerance. Can be specified in dB (in case "dB" is appended to the specified value) or as a difference ratio between 0 and 1. Default is -60dB, or 0.001.

duration, d
    Set freeze duration until notification (default is 2 seconds).

  freezeframes
Freeze video frames.

This filter freezes video frames using frame from 2nd input.

The filter accepts the following options:

first
    Set number of first frame from which to start freeze.

last
    Set number of last frame from which to end freeze.

replace
    Set number of frame from 2nd input which will be used instead of replaced frames.

  frei0r
Apply a frei0r effect to the input video.

To enable the compilation of this filter, you need to install the frei0r header and configure FFmpeg with "--enable-frei0r".

It accepts the following parameters:

filter_name
    The name of the frei0r effect to load. If the environment variable FREI0R_PATH is defined, the frei0r effect is searched for in each of the directories specified by the colon-separated list in FREI0R_PATH. Otherwise, the standard frei0r paths are searched, in this order: HOME/.frei0r-1/lib/, /usr/local/lib/frei0r-1/, /usr/lib/frei0r-1/.

filter_params
    A '|'-separated list of parameters to pass to the frei0r effect.

A frei0r effect parameter can be a boolean (its value is either "y" or "n"), a double, a color (specified as R/G/B, where R, G, and B are floating point numbers between 0.0 and 1.0, inclusive) or a color description as specified in the "Color" section in the ffmpeg-utils manual, a position (specified as X/Y, where X and Y are floating point numbers) and/or a string.

The number and types of parameters depend on the loaded effect. If an effect parameter is not specified, the default value is set.

Examples

•   Apply the distort0r effect, setting the first two double parameters:

            frei0r=filter_name=distort0r:filter_params=0.5|0.01

•   Apply the colordistance effect, taking a color as the first parameter:

            frei0r=colordistance:0.2/0.3/0.4
            frei0r=colordistance:violet
            frei0r=colordistance:0x112233

•   Apply the perspective effect, specifying the top left and top right image positions:

            frei0r=perspective:0.2/0.2|0.8/0.2

For more information, see <http://frei0r.dyne.org>

Commands

This filter supports the filter_params option as commands.

  fspp
Apply fast and simple postprocessing. It is a faster version of spp.

It splits (I)DCT into horizontal/vertical passes. Unlike the simple post- processing filter, one of them is performed once per block, not per pixel. This allows for much higher speed.

The filter accepts the following options:

quality
    Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 4-5. Default value is 4.

qp  Force a constant quantization parameter. It accepts an integer in range 0-63. If not set, the filter will use the QP from the video stream (if available).

strength
    Set filter strength. It accepts an integer in range -15 to 32. Lower values mean more details but also more artifacts, while higher values make the image smoother but also blurrier. Default value is 0 X PSNR optimal.

use_bframe_qp
    Enable the use of the QP from the B-Frames if set to 1. Using this option may cause flicker since the B-Frames have often larger QP. Default is 0 (not enabled).

  fsync
Synchronize video frames with an external mapping from a file.

For each input PTS given in the map file it either drops or creates as many frames as necessary to recreate the sequence of output frames given in the map file.

This filter is useful to recreate the output frames of a framerate conversion by the fps filter, recorded into a map file using the ffmpeg option "-stats_mux_pre", and do further processing to the corresponding frames e.g. quality comparison.

Each line of the map file must contain three items per input frame, the input PTS (decimal), the output PTS (decimal) and the output TIMEBASE (decimal/decimal), separated by a space. This file format corresponds to the output of "-stats_mux_pre_fmt="{ptsi} {pts} {tb}"".

The filter assumes the map file is sorted by increasing input PTS.

The filter accepts the following options:

file, f
    The filename of the map file to be used.

Example:

        # Convert a video to 25 fps and record a MAP_FILE file with the default format of this filter
        ffmpeg -i INPUT -vf fps=fps=25 -stats_mux_pre MAP_FILE -stats_mux_pre_fmt "{ptsi} {pts} {tb}" OUTPUT

        # Sort MAP_FILE by increasing input PTS
        sort -n MAP_FILE

        # Use INPUT, OUTPUT and the MAP_FILE from above to compare the corresponding frames in INPUT and OUTPUT via SSIM
        ffmpeg -i INPUT -i OUTPUT -filter_complex '[0:v]fsync=file=MAP_FILE[ref];[1:v][ref]ssim' -f null -

  gblur
Apply Gaussian blur filter.

The filter accepts the following options:

sigma
    Set horizontal sigma, standard deviation of Gaussian blur. Default is 0.5.

steps
    Set number of steps for Gaussian approximation. Default is 1.

planes
    Set which planes to filter. By default all planes are filtered.

sigmaV
    Set vertical sigma, if negative it will be same as "sigma". Default is "-1".

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  geq
Apply generic equation to each pixel.

The filter accepts the following options:

lum_expr, lum
    Set the luma expression.

cb_expr, cb
    Set the chrominance blue expression.

cr_expr, cr
    Set the chrominance red expression.

alpha_expr, a
    Set the alpha expression.

red_expr, r
    Set the red expression.

green_expr, g
    Set the green expression.

blue_expr, b
    Set the blue expression.

The colorspace is selected according to the specified options. If one of the lum_expr, cb_expr, or cr_expr options is specified, the filter will automatically select a YCbCr colorspace. If one of the red_expr, green_expr, or blue_expr options is specified, it will select an RGB colorspace.

If one of the chrominance expression is not defined, it falls back on the other one. If no alpha expression is specified it will evaluate to opaque value. If none of chrominance expressions are specified, they will evaluate to the luma expression.

The expressions can use the following variables and functions:

N   The sequential number of the filtered frame, starting from 0.

X
Y   The coordinates of the current sample.

W
H   The width and height of the image.

SW
SH  Width and height scale depending on the currently filtered plane. It is the ratio between the corresponding luma plane number of pixels and the current plane ones. E.g. for YUV4:2:0 the values are "1,1" for the luma plane, and "0.5,0.5" for chroma planes.

T   Time of the current frame, expressed in seconds.

p(x, y)
    Return the value of the pixel at location (x,y) of the current plane.

lum(x, y)
    Return the value of the pixel at location (x,y) of the luma plane.

cb(x, y)
    Return the value of the pixel at location (x,y) of the blue-difference chroma plane. Return 0 if there is no such plane.

cr(x, y)
    Return the value of the pixel at location (x,y) of the red-difference chroma plane. Return 0 if there is no such plane.

r(x, y)
g(x, y)
b(x, y)
    Return the value of the pixel at location (x,y) of the red/green/blue component. Return 0 if there is no such component.

alpha(x, y)
    Return the value of the pixel at location (x,y) of the alpha plane. Return 0 if there is no such plane.

psum(x,y), lumsum(x, y), cbsum(x,y), crsum(x,y), rsum(x,y), gsum(x,y), bsum(x,y), alphasum(x,y)
    Sum of sample values in the rectangle from (0,0) to (x,y), this allows obtaining sums of samples within a rectangle. See the functions without the sum postfix.

interpolation
    Set one of interpolation methods:

    nearest, n
    bilinear, b

    Default is bilinear.

For functions, if x and y are outside the area, the value will be automatically clipped to the closer edge.

Please note that this filter can use multiple threads in which case each slice will have its own expression state. If you want to use only a single expression state because your expressions depend on previous state then you should limit the number of filter threads to 1.

Examples

•   Flip the image horizontally:

            geq=p(W-X\,Y)

•   Generate a bidimensional sine wave, with angle "PI/3" and a wavelength of 100 pixels:

            geq=128 + 100*sin(2*(PI/100)*(cos(PI/3)*(X-50*T) + sin(PI/3)*Y)):128:128

•   Generate a fancy enigmatic moving light:

            nullsrc=s=256x256,geq=random(1)/hypot(X-cos(N*0.07)*W/2-W/2\,Y-sin(N*0.09)*H/2-H/2)^2*1000000*sin(N*0.02):128:128

•   Generate a quick emboss effect:

            format=gray,geq=lum_expr='(p(X,Y)+(256-p(X-4,Y-4)))/2'

•   Modify RGB components depending on pixel position:

            geq=r='X/W*r(X,Y)':g='(1-X/W)*g(X,Y)':b='(H-Y)/H*b(X,Y)'

•   Create a radial gradient that is the same size as the input (also see the vignette filter):

            geq=lum=255*gauss((X/W-0.5)*3)*gauss((Y/H-0.5)*3)/gauss(0)/gauss(0),format=gray

  gradfun
Fix the banding artifacts that are sometimes introduced into nearly flat regions by truncation to 8-bit color depth. Interpolate the gradients that should go where the bands are, and dither them.

It is designed for playback only. Do not use it prior to lossy compression, because compression tends to lose the dither and bring back the bands.

It accepts the following parameters:

strength
    The maximum amount by which the filter will change any one pixel. This is also the threshold for detecting nearly flat regions. Acceptable values range from .51 to 64; the default value is 1.2. Out-of-range values will be clipped to the valid range.

radius
    The neighborhood to fit the gradient to. A larger radius makes for smoother gradients, but also prevents the filter from modifying the pixels near detailed regions. Acceptable values are 8-32; the default value is 16. Out-of-range values will be clipped to the valid range.

Alternatively, the options can be specified as a flat string: strength[:radius]

Examples

•   Apply the filter with a 3.5 strength and radius of 8:

            gradfun=3.5:8

•   Specify radius, omitting the strength (which will fall-back to the default value):

            gradfun=radius=8

  graphmonitor
Show various filtergraph stats.

With this filter one can debug complete filtergraph. Especially issues with links filling with queued frames.

The filter accepts the following options:

size, s
    Set video output size. Default is hd720.

opacity, o
    Set video opacity. Default is 0.9. Allowed range is from 0 to 1.

mode, m
    Set output mode flags.

    Available values for flags are:

    full
        No any filtering. Default.

    compact
        Show only filters with queued frames.

    nozero
        Show only filters with non-zero stats.

    noeof
        Show only filters with non-eof stat.

    nodisabled
        Show only filters that are enabled in timeline.

flags, f
    Set flags which enable which stats are shown in video.

    Available values for flags are:

    none
        All flags turned off.

    all All flags turned on.

    queue
        Display number of queued frames in each link.

    frame_count_in
        Display number of frames taken from filter.

    frame_count_out
        Display number of frames given out from filter.

    frame_count_delta
        Display delta number of frames between above two values.

    pts Display current filtered frame pts.

    pts_delta
        Display pts delta between current and previous frame.

    time
        Display current filtered frame time.

    time_delta
        Display time delta between current and previous frame.

    timebase
        Display time base for filter link.

    format
        Display used format for filter link.

    size
        Display video size or number of audio channels in case of audio used by filter link.

    rate
        Display video frame rate or sample rate in case of audio used by filter link.

    eof Display link output status.

    sample_count_in
        Display number of samples taken from filter.

    sample_count_out
        Display number of samples given out from filter.

    sample_count_delta
        Display delta number of samples between above two values.

    disabled
        Show the timeline filter status.

rate, r
    Set upper limit for video rate of output stream, Default value is 25. This guarantee that output video frame rate will not be higher than this value.

  grayworld
A color constancy filter that applies color correction based on the grayworld assumption

See: <https://www.researchgate.net/publication/275213614_A_New_Color_Correction_Method_for_Underwater_Imaging>

The algorithm uses linear light, so input data should be linearized beforehand (and possibly correctly tagged).

        ffmpeg -i INPUT -vf zscale=transfer=linear,grayworld,zscale=transfer=bt709,format=yuv420p OUTPUT

  greyedge
A color constancy variation filter which estimates scene illumination via grey edge algorithm and corrects the scene colors accordingly.

See: <https://staff.science.uva.nl/th.gevers/pub/GeversTIP07.pdf>

The filter accepts the following options:

difford
    The order of differentiation to be applied on the scene. Must be chosen in the range [0,2] and default value is 1.

minknorm
    The Minkowski parameter to be used for calculating the Minkowski distance. Must be chosen in the range [0,20] and default value is 1. Set to 0 for getting max value instead of calculating Minkowski distance.

sigma
    The standard deviation of Gaussian blur to be applied on the scene. Must be chosen in the range [0,1024.0] and default value = 1. floor( sigma * break_off_sigma(3) ) can't be equal to 0 if difford is greater than 0.

Examples

•   Grey Edge:

            greyedge=difford=1:minknorm=5:sigma=2

•   Max Edge:

            greyedge=difford=1:minknorm=0:sigma=2

  guided
Apply guided filter for edge-preserving smoothing, dehazing and so on.

The filter accepts the following options:

radius
    Set the box radius in pixels. Allowed range is 1 to 20. Default is 3.

eps Set regularization parameter (with square). Allowed range is 0 to 1. Default is 0.01.

mode
    Set filter mode. Can be "basic" or "fast". Default is "basic".

sub Set subsampling ratio for "fast" mode. Range is 2 to 64. Default is 4. No subsampling occurs in "basic" mode.

guidance
    Set guidance mode. Can be "off" or "on". Default is "off". If "off", single input is required. If "on", two inputs of the same resolution and pixel format are required. The second input serves as the guidance.

planes
    Set planes to filter. Default is first only.

Commands

This filter supports the all above options as commands.

Examples

•   Edge-preserving smoothing with guided filter:

            ffmpeg -i in.png -vf guided out.png

•   Dehazing, structure-transferring filtering, detail enhancement with guided filter. For the generation of guidance image, refer to paper "Guided Image Filtering". See: <http://kaiminghe.com/publications/pami12guidedfilter.pdf>.

            ffmpeg -i in.png -i guidance.png -filter_complex guided=guidance=on out.png

  haldclut
Apply a Hald CLUT to a video stream.

First input is the video stream to process, and second one is the Hald CLUT. The Hald CLUT input can be a simple picture or a complete video stream.

The filter accepts the following options:

clut
    Set which CLUT video frames will be processed from second input stream, can be first or all. Default is all.

shortest
    Force termination when the shortest input terminates. Default is 0.

repeatlast
    Continue applying the last CLUT after the end of the stream. A value of 0 disable the filter after the last frame of the CLUT is reached. Default is 1.

"haldclut" also has the same interpolation options as lut3d (both filters share the same internals).

This filter also supports the framesync options.

More information about the Hald CLUT can be found on Eskil Steenberg's website (Hald CLUT author) at <http://www.quelsolaar.com/technology/clut.html>.

Commands

This filter supports the "interp" option as commands.

Workflow examples

Hald CLUT video stream

Generate an identity Hald CLUT stream altered with various effects:

        ffmpeg -f lavfi -i B<haldclutsrc>=8 -vf "hue=H=2*PI*t:s=sin(2*PI*t)+1, curves=cross_process" -t 10 -c:v ffv1 clut.nut

Note: make sure you use a lossless codec.

Then use it with "haldclut" to apply it on some random stream:

        ffmpeg -f lavfi -i mandelbrot -i clut.nut -filter_complex '[0][1] haldclut' -t 20 mandelclut.mkv

The Hald CLUT will be applied to the 10 first seconds (duration of clut.nut), then the latest picture of that CLUT stream will be applied to the remaining frames of the "mandelbrot" stream.

Hald CLUT with preview

A Hald CLUT is supposed to be a squared image of "Level*Level*Level" by "Level*Level*Level" pixels. For a given Hald CLUT, FFmpeg will select the biggest possible square starting at the top left of the picture. The remaining padding pixels (bottom or right) will be ignored. This area can be used to add a preview of the Hald CLUT.

Typically, the following generated Hald CLUT will be supported by the "haldclut" filter:

        ffmpeg -f lavfi -i B<haldclutsrc>=8 -vf "
           pad=iw+320 [padded_clut];
           smptebars=s=320x256, split [a][b];
           [padded_clut][a] overlay=W-320:h, curves=color_negative [main];
           [main][b] overlay=W-320" -frames:v 1 clut.png

It contains the original and a preview of the effect of the CLUT: SMPTE color bars are displayed on the right-top, and below the same color bars processed by the color changes.

Then, the effect of this Hald CLUT can be visualized with:

        ffplay input.mkv -vf "movie=clut.png, [in] haldclut"

  hflip
Flip the input video horizontally.

For example, to horizontally flip the input video with ffmpeg:

        ffmpeg -i in.avi -vf "hflip" out.avi

  histeq
This filter applies a global color histogram equalization on a per-frame basis.

It can be used to correct video that has a compressed range of pixel intensities. The filter redistributes the pixel intensities to equalize their distribution across the intensity range. It may be viewed as an "automatically adjusting contrast filter". This filter is useful only for correcting degraded or poorly captured source video.

The filter accepts the following options:

strength
    Determine the amount of equalization to be applied. As the strength is reduced, the distribution of pixel intensities more-and-more approaches that of the input frame. The value must be a float number in the range [0,1] and defaults to 0.200.

intensity
    Set the maximum intensity that can generated and scale the output values appropriately. The strength should be set as desired and then the intensity can be limited if needed to avoid washing-out. The value must be a float number in the range [0,1] and defaults to 0.210.

antibanding
    Set the antibanding level. If enabled the filter will randomly vary the luminance of output pixels by a small amount to avoid banding of the histogram. Possible values are "none", "weak" or "strong". It defaults to "none".

  histogram
Compute and draw a color distribution histogram for the input video.

The computed histogram is a representation of the color component distribution in an image.

Standard histogram displays the color components distribution in an image. Displays color graph for each color component. Shows distribution of the Y, U, V, A or R, G, B components, depending on input format, in the current frame. Below each graph a color component scale meter is shown.

The filter accepts the following options:

level_height
    Set height of level. Default value is 200. Allowed range is [50, 2048].

scale_height
    Set height of color scale. Default value is 12. Allowed range is [0, 40].

display_mode
    Set display mode. It accepts the following values:

    stack
        Per color component graphs are placed below each other.

    parade
        Per color component graphs are placed side by side.

    overlay
        Presents information identical to that in the "parade", except that the graphs representing color components are superimposed directly over one another.

    Default is "stack".

levels_mode
    Set mode. Can be either "linear", or "logarithmic". Default is "linear".

components
    Set what color components to display. Default is 7.

fgopacity
    Set foreground opacity. Default is 0.7.

bgopacity
    Set background opacity. Default is 0.5.

colors_mode
    Set colors mode. It accepts the following values:

    whiteonblack
    blackonwhite
    whiteongray
    blackongray
    coloronblack
    coloronwhite
    colorongray
    blackoncolor
    whiteoncolor
    grayoncolor

    Default is "whiteonblack".

Examples

•   Calculate and draw histogram:

            ffplay -i input -vf histogram

  hqdn3d
This is a high precision/quality 3d denoise filter. It aims to reduce image noise, producing smooth images and making still images really still. It should enhance compressibility.

It accepts the following optional parameters:

luma_spatial
    A non-negative floating point number which specifies spatial luma strength. It defaults to 4.0.

chroma_spatial
    A non-negative floating point number which specifies spatial chroma strength. It defaults to 3.0*luma_spatial/4.0.

luma_tmp
    A floating point number which specifies luma temporal strength. It defaults to 6.0*luma_spatial/4.0.

chroma_tmp
    A floating point number which specifies chroma temporal strength. It defaults to luma_tmp*chroma_spatial/luma_spatial.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  hwdownload
Download hardware frames to system memory.

The input must be in hardware frames, and the output a non-hardware format. Not all formats will be supported on the output - it may be necessary to insert an additional format filter immediately following in the graph to get the output in a supported format.

  hwmap
Map hardware frames to system memory or to another device.

This filter has several different modes of operation; which one is used depends on the input and output formats:

•   Hardware frame input, normal frame output

    Map the input frames to system memory and pass them to the output. If the original hardware frame is later required (for example, after overlaying something else on part of it), the hwmap filter can be used again in the next mode to retrieve it.

•   Normal frame input, hardware frame output

    If the input is actually a software-mapped hardware frame, then unmap it - that is, return the original hardware frame.

    Otherwise, a device must be provided. Create new hardware surfaces on that device for the output, then map them back to the software format at the input and give those frames to the preceding filter. This will then act like the hwupload filter, but may be able to avoid an additional copy when the input is already in a compatible format.

•   Hardware frame input and output

    A device must be supplied for the output, either directly or with the derive_device option. The input and output devices must be of different types and compatible - the exact meaning of this is system-dependent, but typically it means that they must refer to the same underlying hardware context (for example, refer to the same graphics card).

    If the input frames were originally created on the output device, then unmap to retrieve the original frames.

    Otherwise, map the frames to the output device - create new hardware frames on the output corresponding to the frames on the input.

The following additional parameters are accepted:

mode
    Set the frame mapping mode. Some combination of:

    read
        The mapped frame should be readable.

    write
        The mapped frame should be writeable.

    overwrite
        The mapping will always overwrite the entire frame.

        This may improve performance in some cases, as the original contents of the frame need not be loaded.

    direct
        The mapping must not involve any copying.

        Indirect mappings to copies of frames are created in some cases where either direct mapping is not possible or it would have unexpected properties. Setting this flag ensures that the mapping is direct and will fail if that is not possible.

    Defaults to read+write if not specified.

derive_device type
    Rather than using the device supplied at initialisation, instead derive a new device of type type from the device the input frames exist on.

reverse
    In a hardware to hardware mapping, map in reverse - create frames in the sink and map them back to the source. This may be necessary in some cases where a mapping in one direction is required but only the opposite direction is supported by the devices being used.

    This option is dangerous - it may break the preceding filter in undefined ways if there are any additional constraints on that filter's output. Do not use it without fully understanding the implications of its use.

  hwupload
Upload system memory frames to hardware surfaces.

The device to upload to must be supplied when the filter is initialised. If using ffmpeg, select the appropriate device with the -filter_hw_device option or with the derive_device option. The input and output devices must be of different types and compatible - the exact meaning of this is system-dependent, but typically it means that they must refer to the same underlying hardware context (for example, refer to the same graphics card).

The following additional parameters are accepted:

derive_device type
    Rather than using the device supplied at initialisation, instead derive a new device of type type from the device the input frames exist on.

  hwupload_cuda
Upload system memory frames to a CUDA device.

It accepts the following optional parameters:

device
    The number of the CUDA device to use

  hqx
Apply a high-quality magnification filter designed for pixel art. This filter was originally created by Maxim Stepin.

It accepts the following option:

n   Set the scaling dimension: 2 for "hq2x", 3 for "hq3x" and 4 for "hq4x". Default is 3.

  hstack
Stack input videos horizontally.

All streams must be of same pixel format and of same height.

Note that this filter is faster than using overlay and pad filter to create same output.

The filter accepts the following option:

inputs
    Set number of input streams. Default is 2.

shortest
    If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

  hsvhold
Turns a certain HSV range into gray values.

This filter measures color difference between set HSV color in options and ones measured in video stream. Depending on options, output colors can be changed to be gray or not.

The filter accepts the following options:

hue Set the hue value which will be used in color difference calculation. Allowed range is from -360 to 360. Default value is 0.

sat Set the saturation value which will be used in color difference calculation. Allowed range is from -1 to 1. Default value is 0.

val Set the value which will be used in color difference calculation. Allowed range is from -1 to 1. Default value is 0.

similarity
    Set similarity percentage with the key color. Allowed range is from 0 to 1. Default value is 0.01.

    0.00001 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage. Allowed range is from 0 to 1. Default value is 0.

    0.0 makes pixels either fully gray, or not gray at all.

    Higher values result in more gray pixels, with a higher gray pixel the more similar the pixels color is to the key color.

  hsvkey
Turns a certain HSV range into transparency.

This filter measures color difference between set HSV color in options and ones measured in video stream. Depending on options, output colors can be changed to transparent by adding alpha channel.

The filter accepts the following options:

hue Set the hue value which will be used in color difference calculation. Allowed range is from -360 to 360. Default value is 0.

sat Set the saturation value which will be used in color difference calculation. Allowed range is from -1 to 1. Default value is 0.

val Set the value which will be used in color difference calculation. Allowed range is from -1 to 1. Default value is 0.

similarity
    Set similarity percentage with the key color. Allowed range is from 0 to 1. Default value is 0.01.

    0.00001 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage. Allowed range is from 0 to 1. Default value is 0.

    0.0 makes pixels either fully transparent, or not transparent at all.

    Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

  hue
Modify the hue and/or the saturation of the input.

It accepts the following parameters:

h   Specify the hue angle as a number of degrees. It accepts an expression, and defaults to "0".

s   Specify the saturation in the [-10,10] range. It accepts an expression and defaults to "1".

H   Specify the hue angle as a number of radians. It accepts an expression, and defaults to "0".

b   Specify the brightness in the [-10,10] range. It accepts an expression and defaults to "0".

h and H are mutually exclusive, and can't be specified at the same time.

The b, h, H and s option values are expressions containing the following constants:

n   frame count of the input frame starting from 0

pts presentation timestamp of the input frame expressed in time base units

r   frame rate of the input video, NAN if the input frame rate is unknown

t   timestamp expressed in seconds, NAN if the input timestamp is unknown

tb  time base of the input video

Examples

•   Set the hue to 90 degrees and the saturation to 1.0:

            hue=h=90:s=1

•   Same command but expressing the hue in radians:

            hue=H=PI/2:s=1

•   Rotate hue and make the saturation swing between 0 and 2 over a period of 1 second:

            hue="H=2*PI*t: s=sin(2*PI*t)+1"

•   Apply a 3 seconds saturation fade-in effect starting at 0:

            hue="s=min(t/3\,1)"

    The general fade-in expression can be written as:

            hue="s=min(0\, max((t-START)/DURATION\, 1))"

•   Apply a 3 seconds saturation fade-out effect starting at 5 seconds:

            hue="s=max(0\, min(1\, (8-t)/3))"

    The general fade-out expression can be written as:

            hue="s=max(0\, min(1\, (START+DURATION-t)/DURATION))"

Commands

This filter supports the following commands:

b
s
h
H   Modify the hue and/or the saturation and/or brightness of the input video. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

  huesaturation
Apply hue-saturation-intensity adjustments to input video stream.

This filter operates in RGB colorspace.

This filter accepts the following options:

hue Set the hue shift in degrees to apply. Default is 0. Allowed range is from -180 to 180.

saturation
    Set the saturation shift. Default is 0. Allowed range is from -1 to 1.

intensity
    Set the intensity shift. Default is 0. Allowed range is from -1 to 1.

colors
    Set which primary and complementary colors are going to be adjusted. This options is set by providing one or multiple values. This can select multiple colors at once. By default all colors are selected.

    r   Adjust reds.

    y   Adjust yellows.

    g   Adjust greens.

    c   Adjust cyans.

    b   Adjust blues.

    m   Adjust magentas.

    a   Adjust all colors.

strength
    Set strength of filtering. Allowed range is from 0 to 100. Default value is 1.

rw, gw, bw
    Set weight for each RGB component. Allowed range is from 0 to 1. By default is set to 0.333, 0.334, 0.333. Those options are used in saturation and lightess processing.

lightness
    Set preserving lightness, by default is disabled. Adjusting hues can change lightness from original RGB triplet, with this option enabled lightness is kept at same value.

  hysteresis
Grow first stream into second stream by connecting components. This makes it possible to build more robust edge masks.

This filter accepts the following options:

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

threshold
    Set threshold which is used in filtering. If pixel component value is higher than this value filter algorithm for connecting components is activated. By default value is 0.

The "hysteresis" filter also supports the framesync options.

  iccdetect
Detect the colorspace from an embedded ICC profile (if present), and update the frame's tags accordingly.

This filter accepts the following options:

force
    If true, the frame's existing colorspace tags will always be overridden by values detected from an ICC profile. Otherwise, they will only be assigned if they contain "unknown". Enabled by default.

  iccgen
Generate ICC profiles and attach them to frames.

This filter accepts the following options:

color_primaries
color_trc
    Configure the colorspace that the ICC profile will be generated for. The default value of "auto" infers the value from the input frame's metadata, defaulting to BT.709/sRGB as appropriate.

    See the setparams filter for a list of possible values, but note that "unknown" are not valid values for this filter.

force
    If true, an ICC profile will be generated even if it would overwrite an already existing ICC profile. Disabled by default.

  identity
Obtain the identity score between two input videos.

This filter takes two input videos.

Both input videos must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained per component, average, min and max identity score is printed through the logging system.

The filter stores the calculated identity scores of each frame in frame metadata.

This filter also supports the framesync options.

In the below example the input file main.mpg being processed is compared with the reference file ref.mpg.

        ffmpeg -i main.mpg -i ref.mpg -lavfi identity -f null -

  idet
Detect video interlacing type.

This filter tries to detect if the input frames are interlaced, progressive, top or bottom field first. It will also try to detect fields that are repeated between adjacent frames (a sign of telecine).

Single frame detection considers only immediately adjacent frames when classifying each frame. Multiple frame detection incorporates the classification history of previous frames.

The filter will log these metadata values:

single.current_frame
    Detected type of current frame using single-frame detection. One of: ``tff'' (top field first), ``bff'' (bottom field first), ``progressive'', or ``undetermined''

single.tff
    Cumulative number of frames detected as top field first using single-frame detection.

multiple.tff
    Cumulative number of frames detected as top field first using multiple-frame detection.

single.bff
    Cumulative number of frames detected as bottom field first using single-frame detection.

multiple.current_frame
    Detected type of current frame using multiple-frame detection. One of: ``tff'' (top field first), ``bff'' (bottom field first), ``progressive'', or ``undetermined''

multiple.bff
    Cumulative number of frames detected as bottom field first using multiple-frame detection.

single.progressive
    Cumulative number of frames detected as progressive using single-frame detection.

multiple.progressive
    Cumulative number of frames detected as progressive using multiple-frame detection.

single.undetermined
    Cumulative number of frames that could not be classified using single-frame detection.

multiple.undetermined
    Cumulative number of frames that could not be classified using multiple-frame detection.

repeated.current_frame
    Which field in the current frame is repeated from the last. One of ``neither'', ``top'', or ``bottom''.

repeated.neither
    Cumulative number of frames with no repeated field.

repeated.top
    Cumulative number of frames with the top field repeated from the previous frame's top field.

repeated.bottom
    Cumulative number of frames with the bottom field repeated from the previous frame's bottom field.

The filter accepts the following options:

intl_thres
    Set interlacing threshold.

prog_thres
    Set progressive threshold.

rep_thres
    Threshold for repeated field detection.

half_life
    Number of frames after which a given frame's contribution to the statistics is halved (i.e., it contributes only 0.5 to its classification). The default of 0 means that all frames seen are given full weight of 1.0 forever.

analyze_interlaced_flag
    When this is not 0 then idet will use the specified number of frames to determine if the interlaced flag is accurate, it will not count undetermined frames. If the flag is found to be accurate it will be used without any further computations, if it is found to be inaccurate it will be cleared without any further computations. This allows inserting the idet filter as a low computational method to clean up the interlaced flag

Examples

Inspect the field order of the first 360 frames in a video, in verbose detail:

        ffmpeg -i INPUT -filter:v idet,metadata=mode=print -frames:v 360 -an -f null -

The idet filter will add analysis metadata to each frame, which will then be discarded. At the end, the filter will also print a final report with statistics.

  il
Deinterleave or interleave fields.

This filter allows one to process interlaced images fields without deinterlacing them. Deinterleaving splits the input frame into 2 fields (so called half pictures). Odd lines are moved to the top half of the output image, even lines to the bottom half. You can process (filter) them independently and then re-interleave them.

The filter accepts the following options:

luma_mode, l
chroma_mode, c
alpha_mode, a
    Available values for luma_mode, chroma_mode and alpha_mode are:

    none
        Do nothing.

    deinterleave, d
        Deinterleave fields, placing one above the other.

    interleave, i
        Interleave fields. Reverse the effect of deinterleaving.

    Default value is "none".

luma_swap, ls
chroma_swap, cs
alpha_swap, as
    Swap luma/chroma/alpha fields. Exchange even & odd lines. Default value is 0.

Commands

This filter supports the all above options as commands.

  inflate
Apply inflate effect to the video.

This filter replaces the pixel by the local(3x3) average by taking into account only values higher than the pixel.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane, default is 65535. If 0, plane will remain unchanged.

Commands

This filter supports the all above options as commands.

  interlace, interlace_vulkan
Simple interlacing filter from progressive contents. This interleaves upper (or lower) lines from odd frames with lower (or upper) lines from even frames, halving the frame rate and preserving image height.

           Original        Original             New Frame
           Frame 'j'      Frame 'j+1'             (tff)
          ==========      ===========       ==================
            Line 0  -------------------->    Frame 'j' Line 0
            Line 1          Line 1  ---->   Frame 'j+1' Line 1
            Line 2 --------------------->    Frame 'j' Line 2
            Line 3          Line 3  ---->   Frame 'j+1' Line 3
             ...             ...                   ...
        New Frame + 1 will be generated by Frame 'j+2' and Frame 'j+3' and so on

It accepts the following optional parameters:

scan
    This determines whether the interlaced frame is taken from the even (tff - default) or odd (bff) lines of the progressive frame.

lowpass
    Vertical lowpass filter to avoid twitter interlacing and reduce moire patterns.

    0, off
        Disable vertical lowpass filter

    1, linear
        Enable linear filter (default)

    2, complex
        Enable complex filter. This will slightly less reduce twitter and moire but better retain detail and subjective sharpness impression.

  kerndeint
Deinterlace input video by applying Donald Graft's adaptive kernel deinterling. Work on interlaced parts of a video to produce progressive frames.

The description of the accepted parameters follows.

thresh
    Set the threshold which affects the filter's tolerance when determining if a pixel line must be processed. It must be an integer in the range [0,255] and defaults to 10. A value of 0 will result in applying the process on every pixels.

map Paint pixels exceeding the threshold value to white if set to 1. Default is 0.

order
    Set the fields order. Swap fields if set to 1, leave fields alone if 0. Default is 0.

sharp
    Enable additional sharpening if set to 1. Default is 0.

twoway
    Enable twoway sharpening if set to 1. Default is 0.

Examples

•   Apply default values:

            kerndeint=thresh=10:map=0:order=0:sharp=0:twoway=0

•   Enable additional sharpening:

            kerndeint=sharp=1

•   Paint processed pixels in white:

            kerndeint=map=1

  kirsch
Apply kirsch operator to input video stream.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
    Set value which will be multiplied with filtered result.

delta
    Set value which will be added to filtered result.

Commands

This filter supports the all above options as commands.

  lagfun
Slowly update darker pixels.

This filter makes short flashes of light appear longer. This filter accepts the following options:

decay
    Set factor for decaying. Default is .95. Allowed range is from 0 to 1.

planes
    Set which planes to filter. Default is all. Allowed range is from 0 to 15.

Commands

This filter supports the all above options as commands.

  lenscorrection
Correct radial lens distortion

This filter can be used to correct for radial distortion as can result from the use of wide angle lenses, and thereby re-rectify the image. To find the right parameters one can use tools available for example as part of opencv or simply trial-and-error. To use opencv use the calibration sample (under samples/cpp) from the opencv sources and extract the k1 and k2 coefficients from the resulting matrix.

Note that effectively the same filter is available in the open-source tools Krita and Digikam from the KDE project.

In contrast to the vignette filter, which can also be used to compensate lens errors, this filter corrects the distortion of the image, whereas vignette corrects the brightness distribution, so you may want to use both filters together in certain cases, though you will have to take care of ordering, i.e. whether vignetting should be applied before or after lens correction.

Options

The filter accepts the following options:

cx  Relative x-coordinate of the focal point of the image, and thereby the center of the distortion. This value has a range [0,1] and is expressed as fractions of the image width. Default is 0.5.

cy  Relative y-coordinate of the focal point of the image, and thereby the center of the distortion. This value has a range [0,1] and is expressed as fractions of the image height. Default is 0.5.

k1  Coefficient of the quadratic correction term. This value has a range [-1,1]. 0 means no correction. Default is 0.

k2  Coefficient of the double quadratic correction term. This value has a range [-1,1]. 0 means no correction. Default is 0.

i   Set interpolation type. Can be "nearest" or "bilinear". Default is "nearest".

fc  Specify the color of the unmapped pixels. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual. Default color is "black@0".

The formula that generates the correction is:

r_src = r_tgt * (1 + k1 * (r_tgt / r_0)^2 + k2 * (r_tgt / r_0)^4)

where r_0 is halve of the image diagonal and r_src and r_tgt are the distances from the focal point in the source and target images, respectively.

Commands

This filter supports the all above options as commands.

  lensfun
Apply lens correction via the lensfun library (<http://lensfun.sourceforge.net/>).

The "lensfun" filter requires the camera make, camera model, and lens model to apply the lens correction. The filter will load the lensfun database and query it to find the corresponding camera and lens entries in the database. As long as these entries can be found with the given options, the filter can perform corrections on frames. Note that incomplete strings will result in the filter choosing the best match with the given options, and the filter will output the chosen camera and lens models (logged with level "info"). You must provide the make, camera model, and lens model as they are required.

To obtain a list of available makes and models, leave out one or both of "make" and "model" options. The filter will send the full list to the log with level "INFO". The first column is the make and the second column is the model. To obtain a list of available lenses, set any values for make and model and leave out the "lens_model" option. The filter will send the full list of lenses in the log with level "INFO". The ffmpeg tool will exit after the list is printed.

The filter accepts the following options:

make
    The make of the camera (for example, "Canon"). This option is required.

model
    The model of the camera (for example, "Canon EOS 100D"). This option is required.

lens_model
    The model of the lens (for example, "Canon EF-S 18-55mm f/3.5-5.6 IS STM"). This option is required.

db_path
    The full path to the lens database folder. If not set, the filter will attempt to load the database from the install path when the library was built. Default is unset.

mode
    The type of correction to apply. The following values are valid options:

    vignetting
        Enables fixing lens vignetting.

    geometry
        Enables fixing lens geometry. This is the default.

    subpixel
        Enables fixing chromatic aberrations.

    vig_geo
        Enables fixing lens vignetting and lens geometry.

    vig_subpixel
        Enables fixing lens vignetting and chromatic aberrations.

    distortion
        Enables fixing both lens geometry and chromatic aberrations.

    all Enables all possible corrections.

focal_length
    The focal length of the image/video (zoom; expected constant for video). For example, a 18--55mm lens has focal length range of [18--55], so a value in that range should be chosen when using that lens. Default 18.

aperture
    The aperture of the image/video (expected constant for video). Note that aperture is only used for vignetting correction. Default 3.5.

focus_distance
    The focus distance of the image/video (expected constant for video). Note that focus distance is only used for vignetting and only slightly affects the vignetting correction process. If unknown, leave it at the default value (which is 1000).

scale
    The scale factor which is applied after transformation. After correction the video is no longer necessarily rectangular. This parameter controls how much of the resulting image is visible. The value 0 means that a value will be chosen automatically such that there is little or no unmapped area in the output image. 1.0 means that no additional scaling is done. Lower values may result in more of the corrected image being visible, while higher values may avoid unmapped areas in the output.

target_geometry
    The target geometry of the output image/video. The following values are valid options:

    rectilinear (default)
    fisheye
    panoramic
    equirectangular
    fisheye_orthographic
    fisheye_stereographic
    fisheye_equisolid
    fisheye_thoby
reverse
    Apply the reverse of image correction (instead of correcting distortion, apply it).

interpolation
    The type of interpolation used when correcting distortion. The following values are valid options:

    nearest
    linear (default)
    lanczos

Examples

•   Apply lens correction with make "Canon", camera model "Canon EOS 100D", and lens model "Canon EF-S 18-55mm f/3.5-5.6 IS STM" with focal length of "18" and aperture of "8.0".

            ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8 -c:v h264 -b:v 8000k output.mov

•   Apply the same as before, but only for the first 5 seconds of video.

            ffmpeg -i input.mov -vf lensfun=make=Canon:model="Canon EOS 100D":lens_model="Canon EF-S 18-55mm f/3.5-5.6 IS STM":focal_length=18:aperture=8:enable='lte(t\,5)' -c:v h264 -b:v 8000k output.mov

  lcevc
Low Complexity Enhancement Video Codec filter based on liblcevc_dec (<https://github.com/v-novaltd/LCEVCdec>).

  libplacebo
Flexible GPU-accelerated processing filter based on libplacebo (<https://code.videolan.org/videolan/libplacebo>).

Options

The options for this filter are divided into the following sections:

Output mode

These options control the overall output mode. By default, libplacebo will try to preserve the source colorimetry and size as best as it can, but it will apply any embedded film grain, dolby vision metadata or anamorphic SAR present in source frames.

inputs
    Set the number of inputs. This can be used, alongside the "idx" variable, to allow placing/blending multiple inputs inside the output frame. This effectively enables functionality similar to hstack, overlay, etc.

w
h   Set the output video dimension expression. Default values are "iw" and "ih".

    Allows for the same expressions as the scale filter.

crop_x
crop_y
    Set the input crop x/y expressions, default values are "(iw-cw)/2" and "(ih-ch)/2".

crop_w
crop_h
    Set the input crop width/height expressions, default values are "iw" and "ih".

pos_x
pos_y
    Set the output placement x/y expressions, default values are "(ow-pw)/2" and "(oh-ph)/2".

pos_w
pos_h
    Set the output placement width/height expressions, default values are "ow" and "oh".

rotate
    Rotate the input frame clockwise by the specified angle.

    0, 360
    90
    180
    270
fps Set the output frame rate. This can be rational, e.g. "60000/1001". If set to the special string "none" (the default), input timestamps will instead be passed through to the output unmodified. Otherwise, the input video frames will be interpolated as necessary to rescale the video to the specified target framerate, in a manner as determined by the frame_mixer option.

format
    Set the output format override. If unset (the default), frames will be output in the same format as the respective input frames. Otherwise, format conversion will be performed.

force_original_aspect_ratio
force_divisible_by
    Work the same as the identical scale filter options. Note that force_divisible_by also works with "fit_sense=constraint".

reset_sar
    If enabled, output frames will always have a pixel aspect ratio of 1:1. If disabled (the default), any aspect ratio mismatches, including those from e.g. anamorphic video sources, are forwarded to the output pixel aspect ratio.

normalize_sar
    Like reset_sar, but instead of stretching the video content to fill the new output aspect ratio, the content is instead padded or cropped as necessary. Mutually exclusive with fit_mode. Disabled by default.

pad_crop_ratio
    Specifies a ratio (between 0.0 and 1.0) between padding and cropping when the input aspect ratio does not match the output aspect ratio and normalize_sar is in effect. The default of 0.0 always pads the content with black borders, while a value of 1.0 always crops off parts of the content. Intermediate values are possible, leading to a mix of the two approaches.

fit_mode
    Specify the content fit strategy according to a list of predefined modes. Determines how the input image is to be placed inside the destination crop rectangle (as defined by "pos_x/y" and "pos_w/h"). The names and their implementations are taken from the CSS 'object-fit' property. Note that this option is mutually exclusive with normalize_sar. Defaults to "fill". Valid values are:

    fill
        Stretch the input to the output rectangle, ignoring aspect ratio mismatches. Note that unless reset_sar is also enabled, the output will still have the correct pixel aspect ratio tagged.

    contain
        Scale the input to fit inside the output, preserving aspect ratio by padding. Equivalent to normalize_sar with pad_crop_ratio set to 0.0.

    cover
        Scale the input to fill the output, preserving aspect ratio by cropping. Equivalent to normalize_sar with pad_crop_ratio set to 1.0.

    none, place
        Don't scale the input. The input will be placed inside the output rectangle at its natural size; which may result in additional padding or cropping.

    scale_down
        Scale the input down as much as needed to fit inside the output. Equivalent to either "contain" or "none", depending on whether the input is larger than the output or not.

fit_sense
    When fit_mode is in use, this option controls how the fit strategy is applied against the specified output resolution. Mutually exclusive with force_original_aspect_ratio. Valid values are:

    target
        The computed output resolution is taken as the exact size of the output frame. This is the default behavior.

    constraint
        The computed output resolution is a size reference against which the fit mode is applied, enlarging or decreasing the true frame size as needed to fit the content.

fillcolor
    Set the color used to fill the output area not covered by the output image, for example as a result of normalize_sar. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual. Defaults to "black@0".

corner_rounding
    Render frames with rounded corners. The value, given as a float ranging from 0.0 to 1.0, indicates the relative degree of rounding, from fully square to fully circular. In other words, it gives the radius divided by half the smaller side length. Defaults to 0.0.

lut Specifies a custom LUT (in Adobe .cube format) to apply to the colors as part of color conversion. The exact interpretation depends on the value of lut_type.

lut_type
    Controls the interpretation of color values fed to and from the LUT specified as lut. Valid values are:

    auto
        Chooses the interpretation of the LUT automatically from tagged metadata, and otherwise falls back to native. (Default)

    native
        Applied to raw image contents in its native RGB colorspace (non-linear light), before conversion to the output color space.

    normalized
        Applied to the normalized RGB image contents, in linear light, before conversion to the output color space.

    conversion
        Fully replaces the conversion from the image color space to the output color space. If such a LUT is present, it has the highest priority, and overrides any ICC profiles, as well as options related to tone mapping and output colorimetry (color_primaries, color_trc).

extra_opts
    Pass extra libplacebo internal configuration options. These can be specified as a list of key=value pairs separated by ':'. The following example shows how to configure a custom filter kernel ("EWA LanczosSharp") and use it to double the input image resolution:

            -vf "libplacebo=w=iw*2:h=ih*2:extra_opts='upscaler=custom\:upscaler_preset=ewa_lanczos\:upscaler_blur=0.9812505644269356'"

shader_cache
    File path of a cache directory that libplacebo will use to store and load cached shader objects. This cache is not cleaned up automatically. If the path does not end in a directory separator, the generated filenames will be effectively prefixed by the last path component. All directories must already exist.

            -vf "libplacebo=shader_cache=/tmp/pl-shader-"

colorspace
color_primaries
color_trc
range
chroma_location
    Configure the colorspace that output frames will be delivered in. The default value of "auto" outputs frames in the same format as the input frames, leading to no change. For any other value, conversion will be performed.

    See the setparams filter for a list of possible values.

alpha_mode
    Choose the desired output alpha mode, when the output format has an alpha channel. See the setparams filter for a list of possible values.

apply_filmgrain
    Apply film grain (e.g. AV1 or H.274) if present in source frames, and strip it from the output. Enabled by default.

apply_dolbyvision
    Apply Dolby Vision RPU metadata if present in source frames, and strip it from the output. Enabled by default. Note that Dolby Vision will always output BT.2020+PQ, overriding the usual input frame metadata. These will also be picked as the values of "auto" for the respective frame output options.

In addition to the expression constants documented for the scale filter, the crop_w, crop_h, crop_x, crop_y, pos_w, pos_h, pos_x and pos_y options can also contain the following constants:

in_idx, idx
    The (0-based) numeric index of the currently active input stream.

crop_w, cw
crop_h, ch
    The computed values of crop_w and crop_h.

pos_w, pw
pos_h, ph
    The computed values of pos_w and pos_h.

in_t, t
    The input frame timestamp, in seconds. NAN if input timestamp is unknown.

out_t, ot
    The input frame timestamp, in seconds. NAN if input timestamp is unknown.

n   The input frame number, starting with 0.

Scaling

The options in this section control how libplacebo performs upscaling and (if necessary) downscaling. Note that libplacebo will always internally operate on 4:4:4 content, so any sub-sampled chroma formats such as "yuv420p" will necessarily be upsampled and downsampled as part of the rendering process. That means scaling might be in effect even if the source and destination resolution are the same.

upscaler
downscaler
    Configure the filter kernel used for upscaling and downscaling. The respective defaults are "spline36" and "mitchell". For a full list of possible values, pass "help" to these options. The most important values are:

    none
        Forces the use of built-in GPU texture sampling (typically bilinear). Extremely fast but poor quality, especially when downscaling.

    bilinear
        Bilinear interpolation. Can generally be done for free on GPUs, except when doing so would lead to aliasing. Fast and low quality.

    nearest
        Nearest-neighbour interpolation. Sharp but highly aliasing.

    oversample
        Algorithm that looks visually similar to nearest-neighbour interpolation but tries to preserve pixel aspect ratio. Good for pixel art, since it results in minimal distortion of the artistic appearance.

    lanczos
        Standard sinc-sinc interpolation kernel.

    spline36
        Cubic spline approximation of lanczos. No difference in performance, but has very slightly less ringing.

    ewa_lanczos
        Elliptically weighted average version of lanczos, based on a jinc-jinc kernel. This is also popularly referred to as just "Jinc scaling". Slow but very high quality.

    gaussian
        Gaussian kernel. Has certain ideal mathematical properties, but subjectively very blurry.

    mitchell
        Cubic BC spline with parameters recommended by Mitchell and Netravali. Very little ringing.

frame_mixer
    Controls the kernel used for mixing frames temporally. The default value is "none", which disables frame mixing. For a full list of possible values, pass "help" to this option. The most important values are:

    none
        Disables frame mixing, giving a result equivalent to "nearest neighbour" semantics.

    oversample
        Oversamples the input video to create a "Smooth Motion"-type effect: if an output frame would exactly fall on the transition between two video frames, it is blended according to the relative overlap. This is the recommended option whenever preserving the original subjective appearance is desired.

    mitchell_clamp
        Larger filter kernel that smoothly interpolates multiple frames in a manner designed to eliminate ringing and other artefacts as much as possible. This is the recommended option wherever maximum visual smoothness is desired.

    linear
        Linear blend/fade between frames. Especially useful for constructing e.g. slideshows.

antiringing
    Enables anti-ringing (for non-EWA filters). The value (between 0.0 and 1.0) configures the strength of the anti-ringing algorithm. May increase aliasing if set too high. Disabled by default.

sigmoid
    Enable sigmoidal compression during upscaling. Reduces ringing slightly. Enabled by default.

Deinterlacing

Deinterlacing is automatically supported when frames are tagged as interlaced, however frames are not deinterlaced unless a deinterlacing algorithm is chosen.

deinterlace
    The the deinterlacing algorithm to use.

    weave
        No deinterlacing, weave fields together into a single frame. This is the default.

    bob Naive bob deinterlacing, simply repeat each field line twice.

    yadif
        Yet another deinterlacing filter. See the yadif filter for more details.

    bwdif
        Bob weaver deinterlacing filter. See the bwdif filter for more details.

skip_spatial_check
    Skip the spatial deinterlacing check when using "yadif" deinterlacing.

send_fields
    Output a frame for each field, rather than for each frame. Note that this will always double the tagged output frame rate, even if the input does not contain any interlaced frames. Disabled by default.

Debanding

Libplacebo comes with a built-in debanding filter that is good at counteracting many common sources of banding and blocking. Turning this on is highly recommended whenever quality is desired.

deband
    Enable (fast) debanding algorithm. Disabled by default.

deband_iterations
    Number of deband iterations of the debanding algorithm. Each iteration is performed with progressively increased radius (and diminished threshold). Recommended values are in the range 1 to 4. Defaults to 1.

deband_threshold
    Debanding filter strength. Higher numbers lead to more aggressive debanding. Defaults to 4.0.

deband_radius
    Debanding filter radius. A higher radius is better for slow gradients, while a lower radius is better for steep gradients. Defaults to 16.0.

deband_grain
    Amount of extra output grain to add. Helps hide imperfections. Defaults to 6.0.

Color adjustment

A collection of subjective color controls. Not very rigorous, so the exact effect will vary somewhat depending on the input primaries and colorspace.

brightness
    Brightness boost, between "-1.0" and 1.0. Defaults to 0.0.

contrast
    Contrast gain, between 0.0 and 16.0. Defaults to 1.0.

saturation
    Saturation gain, between 0.0 and 16.0. Defaults to 1.0.

hue Hue shift in radians, between "-3.14" and 3.14. Defaults to 0.0. This will rotate the UV subvector, defaulting to BT.709 coefficients for RGB inputs.

gamma
    Gamma adjustment, between 0.0 and 16.0. Defaults to 1.0.

temperature
    Color temperature adjustment. Lower values make the output warmer/redder, down to 1667, while higher values make the output cooler/bluer, up to 25000. Defaults to 6500 (neutral white).

cones
    Cone model to use for color blindness simulation. Accepts any combination of "l", "m" and "s". Here are some examples:

    m   Deuteranomaly / deuteranopia (affecting 3%-4% of the population)

    l   Protanomaly / protanopia (affecting 1%-2% of the population)

    l+m Monochromacy (very rare)

    l+m+s
        Achromatopsy (complete loss of daytime vision, extremely rare)

cone-strength
    Gain factor for the cones specified by "cones", between 0.0 and 10.0. A value of 1.0 results in no change to color vision. A value of 0.0 (the default) simulates complete loss of those cones. Values above 1.0 result in exaggerating the differences between cones, which may help compensate for reduced color vision.

Peak detection

To help deal with sources that only have static HDR10 metadata (or no tagging whatsoever), libplacebo uses its own internal frame analysis compute shader to analyze source frames and adapt the tone mapping function in realtime. If this is too slow, or if exactly reproducible frame-perfect results are needed, it's recommended to turn this feature off.

peak_detect
    Enable HDR peak detection. Ignores static MaxCLL/MaxFALL values in favor of dynamic detection from the input. Note that the detected values do not get written back to the output frames, they merely guide the internal tone mapping process. Enabled by default.

smoothing_period
    Peak detection smoothing period, between 0.0 and 1000.0. Higher values result in peak detection becoming less responsive to changes in the input. Defaults to 20.0.

scene_threshold_low
scene_threshold_high
    Lower and upper thresholds for scene change detection. Expressed in a logarithmic scale between 0.0 and 100.0. Default to 1.0 and 3.0, respectively. Setting either to a negative value disables this functionality.

percentile
    Which percentile of the frame brightness histogram to use as the source peak for tone-mapping. Defaults to 99.995, a fairly conservative value. Setting this to 100.0 disables frame histogram measurement and instead uses the true peak brightness for tone-mapping.

Tone mapping

The options in this section control how libplacebo performs tone-mapping and gamut-mapping when dealing with mismatches between wide-gamut or HDR content. In general, libplacebo relies on accurate source tagging and mastering display gamut information to produce the best results.

gamut_mode
    How to handle out-of-gamut colors that can occur as a result of colorimetric gamut mapping.

    clip
        Do nothing, simply clip out-of-range colors to the RGB volume. Low quality but extremely fast.

    perceptual
        Perceptually soft-clip colors to the gamut volume. This is the default.

    relative
        Relative colorimetric hard-clip. Similar to "perceptual" but without the soft knee.

    saturation
        Saturation mapping, maps primaries directly to primaries in RGB space. Not recommended except for artificial computer graphics for which a bright, saturated display is desired.

    absolute
        Absolute colorimetric hard-clip. Performs no adjustment of the white point.

    desaturate
        Hard-desaturates out-of-gamut colors towards white, while preserving the luminance. Has a tendency to distort the visual appearance of bright objects.

    darken
        Linearly reduces content brightness to preserves saturated details, followed by clipping the remaining out-of-gamut colors.

    warn
        Highlight out-of-gamut pixels (by inverting/marking them).

    linear
        Linearly reduces chromaticity of the entire image to make it fit within the target color volume. Be careful when using this on BT.2020 sources without proper mastering metadata, as doing so will lead to excessive desaturation.

tonemapping
    Tone-mapping algorithm to use. Available values are:

    auto
        Automatic selection based on internal heuristics. This is the default.

    clip
        Performs no tone-mapping, just clips out-of-range colors. Retains perfect color accuracy for in-range colors but completely destroys out-of-range information. Does not perform any black point adaptation. Not configurable.

    st2094-40
        EETF from SMPTE ST 2094-40 Annex B, which applies the Bezier curves from HDR10+ dynamic metadata based on Bezier curves to perform tone-mapping. The OOTF used is adjusted based on the ratio between the targeted and actual display peak luminances.

    st2094-10
        EETF from SMPTE ST 2094-10 Annex B.2, which takes into account the input signal average luminance in addition to the maximum/minimum. The configurable contrast parameter influences the slope of the linear output segment, defaulting to 1.0 for no increase/decrease in contrast. Note that this does not currently include the subjective gain/offset/gamma controls defined in Annex B.3.

    bt.2390
        EETF from the ITU-R Report BT.2390, a hermite spline roll-off with linear segment. The knee point offset is configurable. Note that this parameter defaults to 1.0, rather than the value of 0.5 from the ITU-R spec.

    bt.2446a
        EETF from ITU-R Report BT.2446, method A. Designed for well-mastered HDR sources. Can be used for both forward and inverse tone mapping. Not configurable.

    spline
        Simple spline consisting of two polynomials, joined by a single pivot point. The parameter gives the pivot point (in PQ space), defaulting to 0.30. Can be used for both forward and inverse tone mapping.

    reinhard
        Simple non-linear, global tone mapping algorithm. The parameter specifies the local contrast coefficient at the display peak. Essentially, a parameter of 0.5 implies that the reference white will be about half as bright as when clipping. Defaults to 0.5, which results in the simplest formulation of this function.

    mobius
        Generalization of the reinhard tone mapping algorithm to support an additional linear slope near black. The tone mapping parameter indicates the trade-off between the linear section and the non-linear section. Essentially, for a given parameter x, every color value below x will be mapped linearly, while higher values get non-linearly tone-mapped. Values near 1.0 make this curve behave like "clip", while values near 0.0 make this curve behave like "reinhard". The default value is 0.3, which provides a good balance between colorimetric accuracy and preserving out-of-gamut details.

    hable
        Piece-wise, filmic tone-mapping algorithm developed by John Hable for use in Uncharted 2, inspired by a similar tone-mapping algorithm used by Kodak. Popularized by its use in video games with HDR rendering. Preserves both dark and bright details very well, but comes with the drawback of changing the average brightness quite significantly. This is sort of similar to "reinhard" with parameter 0.24.

    gamma
        Fits a gamma (power) function to transfer between the source and target color spaces, effectively resulting in a perceptual hard-knee joining two roughly linear sections. This preserves details at all scales fairly accurately, but can result in an image with a muted or dull appearance. The parameter is used as the cutoff point, defaulting to 0.5.

    linear
        Linearly stretches the input range to the output range, in PQ space. This will preserve all details accurately, but results in a significantly different average brightness. Can be used for inverse tone-mapping in addition to regular tone-mapping. The parameter can be used as an additional linear gain coefficient (defaulting to 1.0).

tonemapping_param
    For tunable tone mapping functions, this parameter can be used to fine-tune the curve behavior. Refer to the documentation of "tonemapping". The default value of 0.0 is replaced by the curve's preferred default setting.

inverse_tonemapping
    If enabled, this filter will also attempt stretching SDR signals to fill HDR output color volumes. Disabled by default.

tonemapping_lut_size
    Size of the tone-mapping LUT, between 2 and 1024. Defaults to 256. Note that this figure is squared when combined with "peak_detect".

contrast_recovery
    Contrast recovery strength. If set to a value above 0.0, the source image will be divided into high-frequency and low-frequency components, and a portion of the high-frequency image is added back onto the tone-mapped output. May cause excessive ringing artifacts for some HDR sources, but can improve the subjective sharpness and detail left over in the image after tone-mapping. Defaults to 0.30.

contrast_smoothness
    Contrast recovery lowpass kernel size. Defaults to 3.5. Increasing or decreasing this will affect the visual appearance substantially. Has no effect when "contrast_recovery" is disabled.

Dithering

By default, libplacebo will dither whenever necessary, which includes rendering to any integer format below 16-bit precision. It's recommended to always leave this on, since not doing so may result in visible banding in the output, even if the "debanding" filter is enabled. If maximum performance is needed, use "ordered_fixed" instead of disabling dithering.

dithering
    Dithering method to use. Accepts the following values:

    none
        Disables dithering completely. May result in visible banding.

    blue
        Dither with pseudo-blue noise. This is the default.

    ordered
        Tunable ordered dither pattern.

    ordered_fixed
        Faster ordered dither with a fixed size of 6. Texture-less.

    white
        Dither with white noise. Texture-less.

dither_lut_size
    Dither LUT size, as log base2 between 1 and 8. Defaults to 6, corresponding to a LUT size of "64x64".

dither_temporal
    Enables temporal dithering. Disabled by default.

Custom shaders

libplacebo supports a number of custom shaders based on the mpv .hook GLSL syntax. A collection of such shaders can be found here: <https://github.com/mpv-player/mpv/wiki/User-Scripts#user-shaders>

A full description of the mpv shader format is beyond the scope of this section, but a summary can be found here: <https://mpv.io/manual/master/#options-glsl-shader>

custom_shader_path
    Specifies a path to a custom shader file to load at runtime.

custom_shader_bin
    Specifies a complete custom shader as a raw string.

Debugging / performance

All of the options in this section default off. They may be of assistance when attempting to squeeze the maximum performance at the cost of quality.

skip_aa
    Disable anti-aliasing when downscaling.

disable_linear
    Disable linear light scaling.

disable_builtin
    Disable built-in GPU sampling (forces LUT).

disable_fbos
    Forcibly disable FBOs, resulting in loss of almost all functionality, but offering the maximum possible speed.

Commands

This filter supports almost all of the above options as commands.

Examples

•   Tone-map input to standard gamut BT.709 output:

            libplacebo=colorspace=bt709:color_primaries=bt709:color_trc=bt709:range=tv

•   Rescale input to fit into standard 1080p, with high quality scaling:

            libplacebo=w=1920:h=1080:force_original_aspect_ratio=decrease:normalize_sar=true:upscaler=ewa_lanczos:downscaler=ewa_lanczos

•   Interpolate low FPS / VFR input to smoothed constant 60 fps output:

            libplacebo=fps=60:frame_mixer=mitchell_clamp

•   Convert input to standard sRGB JPEG:

            libplacebo=format=yuv420p:colorspace=bt470bg:color_primaries=bt709:color_trc=iec61966-2-1:range=pc

•   Use higher quality debanding settings:

            libplacebo=deband=true:deband_iterations=3:deband_radius=8:deband_threshold=6

•   Run this filter on the CPU, on systems with Mesa installed (and with the most expensive options disabled):

            ffmpeg ... -init_hw_device vulkan:llvmpipe ... -vf libplacebo=upscaler=none:downscaler=none:peak_detect=false

•   Suppress CPU-based AV1/H.274 film grain application in the decoder, in favor of doing it with this filter. Note that this is only a gain if the frames are either already on the GPU, or if you're using libplacebo for other purposes, since otherwise the VRAM roundtrip will more than offset any expected speedup.

            ffmpeg -export_side_data +film_grain ... -vf libplacebo=apply_filmgrain=true

•   Interop with VAAPI hwdec to avoid round-tripping through RAM:

            ffmpeg -init_hw_device vulkan -hwaccel vaapi -hwaccel_output_format vaapi ... -vf libplacebo

  libvmaf
Calculate the VMAF (Video Multi-Method Assessment Fusion) score for a reference/distorted pair of input videos.

The first input is the distorted video, and the second input is the reference video.

The obtained VMAF score is printed through the logging system.

It requires Netflix's vmaf library (libvmaf) as a pre-requisite. After installing the library it can be enabled using: "./configure --enable-libvmaf".

The filter has following options:

model
    A `|` delimited list of vmaf models. Each model can be configured with a number of parameters. Default value: "version=vmaf_v0.6.1"

feature
    A `|` delimited list of features. Each feature can be configured with a number of parameters.

log_path
    Set the file path to be used to store log files.

log_fmt
    Set the format of the log file (xml, json, csv, or sub).

pool
    Set the pool method to be used for computing vmaf. Options are "min", "harmonic_mean" or "mean" (default).

n_threads
    Set number of threads to be used when initializing libvmaf. Default value: 0, no threads.

n_subsample
    Set frame subsampling interval to be used.

This filter also supports the framesync options.

Examples

•   In the examples below, a distorted video distorted.mpg is compared with a reference file reference.mpg.

•   Basic usage:

            ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf=log_path=output.xml -f null -

•   Example with multiple models:

            ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf='model=version=vmaf_v0.6.1\\:name=vmaf|version=vmaf_v0.6.1neg\\:name=vmaf_neg' -f null -

•   Example with multiple additional features:

            ffmpeg -i distorted.mpg -i reference.mpg -lavfi libvmaf='feature=name=psnr|name=ciede' -f null -

•   Example with options and different containers:

            ffmpeg -i distorted.mpg -i reference.mkv -lavfi "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]libvmaf=log_fmt=json:log_path=output.json" -f null -

  libvmaf_cuda
This is the CUDA variant of the libvmaf filter. It only accepts CUDA frames.

It requires Netflix's vmaf library (libvmaf) as a pre-requisite. After installing the library it can be enabled using: "./configure --enable-nonfree --enable-ffnvcodec --enable-libvmaf".

Examples

•   Basic usage showing CUVID hardware decoding and CUDA scaling with scale_cuda:

            ffmpeg \
                -hwaccel cuda -hwaccel_output_format cuda -codec:v av1_cuvid -i dis.obu \
                -hwaccel cuda -hwaccel_output_format cuda -codec:v av1_cuvid -i ref.obu \
                -filter_complex "
                    [0:v]scale_cuda=format=yuv420p[dis]; \
                    [1:v]scale_cuda=format=yuv420p[ref]; \
                    [dis][ref]libvmaf_cuda=log_fmt=json:log_path=output.json
                " \
                -f null -

  limitdiff
Apply limited difference filter using second and optionally third video stream.

The filter accepts the following options:

threshold
    Set the threshold to use when allowing certain differences between video streams. Any absolute difference value lower or exact than this threshold will pick pixel components from first video stream.

elasticity
    Set the elasticity of soft thresholding when processing video streams. This value multiplied with first one sets second threshold. Any absolute difference value greater or exact than second threshold will pick pixel components from second video stream. For values between those two threshold linear interpolation between first and second video stream will be used.

reference
    Enable the reference (third) video stream processing. By default is disabled. If set, this video stream will be used for calculating absolute difference with first video stream.

planes
    Specify which planes will be processed. Defaults to all available.

Commands

This filter supports the all above options as commands except option reference.

  limiter
Limits the pixel components values to the specified range [min, max].

The filter accepts the following options:

min Lower bound. Defaults to the lowest allowed value for the input.

max Upper bound. Defaults to the highest allowed value for the input.

planes
    Specify which planes will be processed. Defaults to all available.

Commands

This filter supports the all above options as commands.

  loop
Loop video frames.

The filter accepts the following options:

loop
    Set the number of loops. Setting this value to -1 will result in infinite loops. Default is 0.

size
    Set maximal size in number of frames. Default is 0.

start
    Set first frame of loop. Default is 0.

time
    Set the time of loop start in seconds. Only used if option named start is set to "-1".

Examples

•   Loop single first frame infinitely:

            loop=loop=-1:size=1:start=0

•   Loop single first frame 10 times:

            loop=loop=10:size=1:start=0

•   Loop 10 first frames 5 times:

            loop=loop=5:size=10:start=0

  lut1d
Apply a 1D LUT to an input video.

The filter accepts the following options:

file
    Set the 1D LUT file name.

    Currently supported formats:

    cube
        Iridas

    csp cineSpace

interp
    Select interpolation mode.

    Available values are:

    nearest
        Use values from the nearest defined point.

    linear
        Interpolate values using the linear interpolation.

    cosine
        Interpolate values using the cosine interpolation.

    cubic
        Interpolate values using the cubic interpolation.

    spline
        Interpolate values using the spline interpolation.

Commands

This filter supports the all above options as commands.

  lut3d
Apply a 3D LUT to an input video.

The filter accepts the following options:

file
    Set the 3D LUT file name.

    Currently supported formats:

    3dl AfterEffects

    cube
        Iridas

    dat DaVinci

    m3d Pandora

    csp cineSpace

interp
    Select interpolation mode.

    Available values are:

    nearest
        Use values from the nearest defined point.

    trilinear
        Interpolate values using the 8 points defining a cube.

    tetrahedral
        Interpolate values using a tetrahedron.

    pyramid
        Interpolate values using a pyramid.

    prism
        Interpolate values using a prism.

Commands

This filter supports the "interp" option as commands.

  lumakey
Turn certain luma values into transparency.

The filter accepts the following options:

threshold
    Set the luma which will be used as base for transparency. Default value is 0.

tolerance
    Set the range of luma values to be keyed out. Default value is 0.01.

softness
    Set the range of softness. Default value is 0. Use this to control gradual transition from zero to full transparency.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  lut, lutrgb, lutyuv
Compute a look-up table for binding each pixel component input value to an output value, and apply it to the input video.

lutyuv applies a lookup table to a YUV input video, lutrgb to an RGB input video.

These filters accept the following parameters:

c0  set first pixel component expression

c1  set second pixel component expression

c2  set third pixel component expression

c3  set fourth pixel component expression, corresponds to the alpha component

r   set red component expression

g   set green component expression

b   set blue component expression

a   alpha component expression

y   set Y/luma component expression

u   set U/Cb component expression

v   set V/Cr component expression

Each of them specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The exact component associated to each of the c* options depends on the format in input.

The lut filter requires either YUV or RGB pixel formats in input, lutrgb requires RGB pixel formats in input, and lutyuv requires YUV.

The expressions can contain the following constants and functions:

w
h   The input width and height.

val The input value for the pixel component.

clipval
    The input value, clipped to the minval-maxval range.

maxval
    The maximum value for the pixel component.

minval
    The minimum value for the pixel component.

negval
    The negated value for the pixel component value, clipped to the minval-maxval range; it corresponds to the expression "maxval-clipval+minval".

clip(val)
    The computed value in val, clipped to the minval-maxval range.

gammaval(gamma)
    The computed gamma correction value of the pixel component value, clipped to the minval-maxval range. It corresponds to the expression "pow((clipval-minval)/(maxval-minval)\,gamma)*(maxval-minval)+minval"

All expressions default to "clipval".

Commands

This filter supports same commands as options.

Examples

•   Negate input video:

            lutrgb="r=maxval+minval-val:g=maxval+minval-val:b=maxval+minval-val"
            lutyuv="y=maxval+minval-val:u=maxval+minval-val:v=maxval+minval-val"

    The above is the same as:

            lutrgb="r=negval:g=negval:b=negval"
            lutyuv="y=negval:u=negval:v=negval"

•   Negate luma:

            lutyuv=y=negval

•   Remove chroma components, turning the video into a graytone image:

            lutyuv="u=128:v=128"

•   Apply a luma burning effect:

            lutyuv="y=2*val"

•   Remove green and blue components:

            lutrgb="g=0:b=0"

•   Set a constant alpha channel value on input:

            format=rgba,lutrgb=a="maxval-minval/2"

•   Correct luma gamma by a factor of 0.5:

            lutyuv=y=gammaval(0.5)

•   Discard least significant bits of luma:

            lutyuv=y='bitand(val, 128+64+32)'

•   Technicolor like effect:

            lutyuv=u='(val-maxval/2)*2+maxval/2':v='(val-maxval/2)*2+maxval/2'

  lut2, tlut2
The "lut2" filter takes two input streams and outputs one stream.

The "tlut2" (time lut2) filter takes two consecutive frames from one single stream.

This filter accepts the following parameters:

c0  set first pixel component expression

c1  set second pixel component expression

c2  set third pixel component expression

c3  set fourth pixel component expression, corresponds to the alpha component

d   set output bit depth, only available for "lut2" filter. By default is 0, which means bit depth is automatically picked from first input format.

The "lut2" filter also supports the framesync options.

Each of them specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The exact component associated to each of the c* options depends on the format in inputs.

The expressions can contain the following constants:

w
h   The input width and height.

x   The first input value for the pixel component.

y   The second input value for the pixel component.

bdx The first input video bit depth.

bdy The second input video bit depth.

All expressions default to "x".

Commands

This filter supports the all above options as commands except option "d".

Examples

•   Highlight differences between two RGB video streams:

            lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,0,pow(2,bdx)-1)'

•   Highlight differences between two YUV video streams:

            lut2='ifnot(x-y,0,pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1):ifnot(x-y,pow(2,bdx-1),pow(2,bdx)-1)'

•   Show max difference between two video streams:

            lut2='if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1))):if(lt(x,y),0,if(gt(x,y),pow(2,bdx)-1,pow(2,bdx-1)))'

  maskedclamp
Clamp the first input stream with the second input and third input stream.

Returns the value of first stream to be between second input stream - "undershoot" and third input stream + "overshoot".

This filter accepts the following options:

undershoot
    Default value is 0.

overshoot
    Default value is 0.

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

Commands

This filter supports the all above options as commands.

  maskedmax
Merge the second and third input stream into output stream using absolute differences between second input stream and first input stream and absolute difference between third input stream and first input stream. The picked value will be from second input stream if second absolute difference is greater than first one or from third input stream otherwise.

This filter accepts the following options:

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

Commands

This filter supports the all above options as commands.

  maskedmerge
Merge the first input stream with the second input stream using per pixel weights in the third input stream.

A value of 0 in the third stream pixel component means that pixel component from first stream is returned unchanged, while maximum value (eg. 255 for 8-bit videos) means that pixel component from second stream is returned unchanged. Intermediate values define the amount of merging between both input stream's pixel components.

This filter accepts the following options:

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

Commands

This filter supports the all above options as commands.

  maskedmin
Merge the second and third input stream into output stream using absolute differences between second input stream and first input stream and absolute difference between third input stream and first input stream. The picked value will be from second input stream if second absolute difference is less than first one or from third input stream otherwise.

This filter accepts the following options:

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from first stream. By default value 0xf, all planes will be processed.

Commands

This filter supports the all above options as commands.

  maskedthreshold
Pick pixels comparing absolute difference of two video streams with fixed threshold.

If absolute difference between pixel component of first and second video stream is equal or lower than user supplied threshold than pixel component from first video stream is picked, otherwise pixel component from second video stream is picked.

This filter accepts the following options:

threshold
    Set threshold used when picking pixels from absolute difference from two input video streams.

planes
    Set which planes will be processed as bitmap, unprocessed planes will be copied from second stream. By default value 0xf, all planes will be processed.

mode
    Set mode of filter operation. Can be "abs" or "diff". Default is "abs".

Commands

This filter supports the all above options as commands.

  maskfun
Create mask from input video.

For example it is useful to create motion masks after "tblend" filter.

This filter accepts the following options:

low Set low threshold. Any pixel component lower or exact than this value will be set to 0.

high
    Set high threshold. Any pixel component higher than this value will be set to max value allowed for current pixel format.

planes
    Set planes to filter, by default all available planes are filtered.

fill
    Fill all frame pixels with this value.

sum Set max average pixel value for frame. If sum of all pixel components is higher that this average, output frame will be completely filled with value set by fill option. Typically useful for scene changes when used in combination with "tblend" filter.

Commands

This filter supports the all above options as commands.

  mcdeint
Apply motion-compensation deinterlacing.

It needs one field per frame as input and must thus be used together with yadif=1/3 or equivalent.

This filter accepts the following options:

mode
    Set the deinterlacing mode.

    It accepts one of the following values:

    fast
    medium
    slow
        use iterative motion estimation

    extra_slow
        like slow, but use multiple reference frames.

    Default value is fast.

parity
    Set the picture field parity assumed for the input video. It must be one of the following values:

    0, tff
        assume top field first

    1, bff
        assume bottom field first

    Default value is bff.

qp  Set per-block quantization parameter (QP) used by the internal encoder.

    Higher values should result in a smoother motion vector field but less optimal individual vectors. Default value is 1.

  median
Pick median pixel from certain rectangle defined by radius.

This filter accepts the following options:

radius
    Set horizontal radius size. Default value is 1. Allowed range is integer from 1 to 127.

planes
    Set which planes to process. Default is 15, which is all available planes.

radiusV
    Set vertical radius size. Default value is 0. Allowed range is integer from 0 to 127. If it is 0, value will be picked from horizontal "radius" option.

percentile
    Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

  mergeplanes
Merge color channel components from several video streams.

The filter accepts up to 4 input streams, and merge selected input planes to the output video.

This filter accepts the following options:

mapping
    Set input to output plane mapping. Default is 0.

    The mappings is specified as a bitmap. It should be specified as a hexadecimal number in the form 0xAa[Bb[Cc[Dd]]]. 'Aa' describes the mapping for the first plane of the output stream. 'A' sets the number of the input stream to use (from 0 to 3), and 'a' the plane number of the corresponding input to use (from 0 to 3). The rest of the mappings is similar, 'Bb' describes the mapping for the output stream second plane, 'Cc' describes the mapping for the output stream third plane and 'Dd' describes the mapping for the output stream fourth plane.

format
    Set output pixel format. Default is "yuva444p".

map0s
map1s
map2s
map3s
    Set input to output stream mapping for output Nth plane. Default is 0.

map0p
map1p
map2p
map3p
    Set input to output plane mapping for output Nth plane. Default is 0.

Examples

•   Merge three gray video streams of same width and height into single video stream:

            [a0][a1][a2]mergeplanes=0x001020:yuv444p

•   Merge 1st yuv444p stream and 2nd gray video stream into yuva444p video stream:

            [a0][a1]mergeplanes=0x00010210:yuva444p

•   Swap Y and A plane in yuva444p stream:

            format=yuva444p,mergeplanes=0x03010200:yuva444p

•   Swap U and V plane in yuv420p stream:

            format=yuv420p,mergeplanes=0x000201:yuv420p

•   Cast a rgb24 clip to yuv444p:

            format=rgb24,mergeplanes=0x000102:yuv444p

  mestimate
Estimate and export motion vectors using block matching algorithms. Motion vectors are stored in frame side data to be used by other filters.

This filter accepts the following options:

method
    Specify the motion estimation method. Accepts one of the following values:

    esa Exhaustive search algorithm.

    tss Three step search algorithm.

    tdls
        Two dimensional logarithmic search algorithm.

    ntss
        New three step search algorithm.

    fss Four step search algorithm.

    ds  Diamond search algorithm.

    hexbs
        Hexagon-based search algorithm.

    epzs
        Enhanced predictive zonal search algorithm.

    umh Uneven multi-hexagon search algorithm.

    Default value is esa.

mb_size
    Macroblock size. Default 16.

search_param
    Search parameter. Default 7.

  mestimate_d3d12
Estimate and export motion vectors using D3D12 hardware-accelerated motion estimation. This filter uses GPU hardware motion estimation capabilities available in DirectX 12 Video APIs to achieve significant performance improvements over the software-based "mestimate" filter.

Motion vectors are stored in frame side data to be used by other filters.

This filter requires the input to be in "d3d12" hardware pixel format. The filter uses quarter-pixel precision for motion vector estimation.

This filter accepts the following options:

mb_size
    Macroblock size. Only 8 and 16 are supported. Default 16.

Examples

Estimate motion vectors using D3D12 hardware acceleration with 16x16 blocks, and visualize them:

        ffmpeg -hwaccel d3d12va -hwaccel_output_format d3d12 -i input.mp4 \
                -vf mestimate_d3d12=mb_size=16,hwdownload,format=nv12,codecview=mv=pf \
                -c:v libx264 -preset fast -b:v 5M output.mp4

  midequalizer
Apply Midway Image Equalization effect using two video streams.

Midway Image Equalization adjusts a pair of images to have the same histogram, while maintaining their dynamics as much as possible. It's useful for e.g. matching exposures from a pair of stereo cameras.

This filter has two inputs and one output, which must be of same pixel format, but may be of different sizes. The output of filter is first input adjusted with midway histogram of both inputs.

This filter accepts the following option:

planes
    Set which planes to process. Default is 15, which is all available planes.

  minterpolate
Convert the video to specified frame rate using motion interpolation.

This filter accepts the following options:

fps Specify the output frame rate. This can be rational e.g. "60000/1001". Frames are dropped if fps is lower than source fps. Default 60.

mi_mode
    Motion interpolation mode. Following values are accepted:

    dup Duplicate previous or next frame for interpolating new ones.

    blend
        Blend source frames. Interpolated frame is mean of previous and next frames.

    mci Motion compensated interpolation. Following options are effective when this mode is selected:

        mc_mode
            Motion compensation mode. Following values are accepted:

            obmc
                Overlapped block motion compensation.

            aobmc
                Adaptive overlapped block motion compensation. Window weighting coefficients are controlled adaptively according to the reliabilities of the neighboring motion vectors to reduce oversmoothing.

            Default mode is obmc.

        me_mode
            Motion estimation mode. Following values are accepted:

            bidir
                Bidirectional motion estimation. Motion vectors are estimated for each source frame in both forward and backward directions.

            bilat
                Bilateral motion estimation. Motion vectors are estimated directly for interpolated frame.

            Default mode is bilat.

        me  The algorithm to be used for motion estimation. Following values are accepted:

            esa Exhaustive search algorithm.

            tss Three step search algorithm.

            tdls
                Two dimensional logarithmic search algorithm.

            ntss
                New three step search algorithm.

            fss Four step search algorithm.

            ds  Diamond search algorithm.

            hexbs
                Hexagon-based search algorithm.

            epzs
                Enhanced predictive zonal search algorithm.

            umh Uneven multi-hexagon search algorithm.

            Default algorithm is epzs.

        mb_size
            Macroblock size. Default 16.

        search_param
            Motion estimation search parameter. Default 32.

        vsbmc
            Enable variable-size block motion compensation. Motion estimation is applied with smaller block sizes at object boundaries in order to make them less blurry. Default is 0 (disabled).

scd Scene change detection method. Scene change leads motion vectors to be in random direction. Scene change detection replace interpolated frames by duplicate ones. May not be needed for other modes. Following values are accepted:

    none
        Disable scene change detection.

    fdiff
        Frame difference. Corresponding pixel values are compared and if it satisfies scd_threshold scene change is detected.

    Default method is fdiff.

scd_threshold
    Scene change detection threshold. Default is 10..

  mix
Mix several video input streams into one video stream.

A description of the accepted options follows.

inputs
    The number of inputs. If unspecified, it defaults to 2.

weights
    Specify weight of each input video stream as sequence. Each weight is separated by space. If number of weights is smaller than number of frames last specified weight will be used for all remaining unset weights.

scale
    Specify scale, if it is set it will be multiplied with sum of each weight multiplied with pixel values to give final destination pixel value. By default scale is auto scaled to sum of weights.

planes
    Set which planes to filter. Default is all. Allowed range is from 0 to 15.

duration
    Specify how end of stream is determined.

    longest
        The duration of the longest input. (default)

    shortest
        The duration of the shortest input.

    first
        The duration of the first input.

Commands

This filter supports the following commands:

weights
scale
planes
    Syntax is same as option with same name.

  monochrome
Convert video to gray using custom color filter.

A description of the accepted options follows.

cb  Set the chroma blue spot. Allowed range is from -1 to 1. Default value is 0.

cr  Set the chroma red spot. Allowed range is from -1 to 1. Default value is 0.

size
    Set the color filter size. Allowed range is from .1 to 10. Default value is 1.

high
    Set the highlights strength. Allowed range is from 0 to 1. Default value is 0.

Commands

This filter supports the all above options as commands.

  morpho
This filter allows to apply main morphological grayscale transforms, erode and dilate with arbitrary structures set in second input stream.

Unlike naive implementation and much slower performance in erosion and dilation filters, when speed is critical "morpho" filter should be used instead.

A description of accepted options follows,

mode
    Set morphological transform to apply, can be:

    erode
    dilate
    open
    close
    gradient
    tophat
    blackhat

    Default is "erode".

planes
    Set planes to filter, by default all planes except alpha are filtered.

structure
    Set which structure video frames will be processed from second input stream, can be first or all. Default is all.

The "morpho" filter also supports the framesync options.

Commands

This filter supports same commands as options.

  mpdecimate
Drop frames that do not differ greatly from the previous frame in order to reduce frame rate.

The main use of this filter is for very-low-bitrate encoding (e.g. streaming over dialup modem), but it could in theory be used for fixing movies that were inverse-telecined incorrectly.

A description of the accepted options follows.

max Set the maximum number of consecutive frames which can be dropped (if positive), or the minimum interval between dropped frames (if negative). If the value is 0, the frame is dropped disregarding the number of previous sequentially dropped frames.

    Default value is 0.

keep
    Set the maximum number of consecutive similar frames to ignore before to start dropping them. If the value is 0, the frame is dropped disregarding the number of previous sequentially similar frames.

    Default value is 0.

hi
lo
frac
    Set the dropping threshold values.

    Values for hi and lo are for 8x8 pixel blocks and represent actual pixel value differences, so a threshold of 64 corresponds to 1 unit of difference for each pixel, or the same spread out differently over the block.

    A frame is a candidate for dropping if no 8x8 blocks differ by more than a threshold of hi, and if no more than frac blocks (1 meaning the whole image) differ by more than a threshold of lo.

    Default value for hi is 64*12, default value for lo is 64*5, and default value for frac is 0.33.

  msad
Obtain the MSAD (Mean Sum of Absolute Differences) between two input videos.

This filter takes two input videos.

Both input videos must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained per component, average, min and max MSAD is printed through the logging system.

The filter stores the calculated MSAD of each frame in frame metadata.

This filter also supports the framesync options.

In the below example the input file main.mpg being processed is compared with the reference file ref.mpg.

        ffmpeg -i main.mpg -i ref.mpg -lavfi msad -f null -

  multiply
Multiply first video stream pixels values with second video stream pixels values.

The filter accepts the following options:

scale
    Set the scale applied to second video stream. By default is 1. Allowed range is from 0 to 9.

offset
    Set the offset applied to second video stream. By default is 0.5. Allowed range is from "-1" to 1.

planes
    Specify planes from input video stream that will be processed. By default all planes are processed.

Commands

This filter supports same commands as options.

  negate
Negate (invert) the input video.

It accepts the following option:

components
    Set components to negate.

    Available values for components are:

    y
    u
    v
    a
    r
    g
    b
negate_alpha
    With value 1, it negates the alpha component, if present. Default value is 0.

Commands

This filter supports same commands as options.

  nlmeans
Denoise frames using Non-Local Means algorithm.

Each pixel is adjusted by looking for other pixels with similar contexts. This context similarity is defined by comparing their surrounding patches of size pxp. Patches are searched in an area of rxr around the pixel.

Note that the research area defines centers for patches, which means some patches will be made of pixels outside that research area.

The filter accepts the following options.

s   Set denoising strength. Default is 1.0. Must be in range [1.0, 30.0].

p   Set patch size. Default is 7. Must be odd number in range [0, 99].

pc  Same as p but for chroma planes.

    The default value is 0 and means automatic.

r   Set research size. Default is 15. Must be odd number in range [0, 99].

rc  Same as r but for chroma planes.

    The default value is 0 and means automatic.

  nnedi
Deinterlace video using neural network edge directed interpolation.

This filter accepts the following options:

weights
    Mandatory option, without binary file filter can not work. Currently file can be found here: https://github.com/dubhater/vapoursynth-nnedi3/blob/master/src/nnedi3_weights.bin

deint
    Set which frames to deinterlace, by default it is "all". Can be "all" or "interlaced".

field
    Set mode of operation.

    Can be one of the following:

    af  Use frame flags, both fields.

    a   Use frame flags, single field.

    t   Use top field only.

    b   Use bottom field only.

    tf  Use both fields, top first.

    bf  Use both fields, bottom first.

planes
    Set which planes to process, by default filter process all frames.

nsize
    Set size of local neighborhood around each pixel, used by the predictor neural network.

    Can be one of the following:

    s8x6
    s16x6
    s32x6
    s48x6
    s8x4
    s16x4
    s32x4
nns Set the number of neurons in predictor neural network. Can be one of the following:

    n16
    n32
    n64
    n128
    n256
qual
    Controls the number of different neural network predictions that are blended together to compute the final output value. Can be "fast", default or "slow".

etype
    Set which set of weights to use in the predictor. Can be one of the following:

    a, abs
        weights trained to minimize absolute error

    s, mse
        weights trained to minimize squared error

pscrn
    Controls whether or not the prescreener neural network is used to decide which pixels should be processed by the predictor neural network and which can be handled by simple cubic interpolation. The prescreener is trained to know whether cubic interpolation will be sufficient for a pixel or whether it should be predicted by the predictor nn. The computational complexity of the prescreener nn is much less than that of the predictor nn. Since most pixels can be handled by cubic interpolation, using the prescreener generally results in much faster processing. The prescreener is pretty accurate, so the difference between using it and not using it is almost always unnoticeable.

    Can be one of the following:

    none
    original
    new
    new2
    new3

    Default is "new".

Commands

This filter supports same commands as options, excluding weights option.

  noformat
Force libavfilter not to use any of the specified pixel formats for the input to the next filter.

It accepts the following parameters:

pix_fmts
    A '|'-separated list of pixel format names, such as pix_fmts=yuv420p|monow|rgb24".

Examples

•   Force libavfilter to use a format different from yuv420p for the input to the vflip filter:

            noformat=pix_fmts=yuv420p,vflip

•   Convert the input video to any of the formats not contained in the list:

            noformat=yuv420p|yuv444p|yuv410p

  noise
Add noise on video input frame.

The filter accepts the following options:

all_seed
c0_seed
c1_seed
c2_seed
c3_seed
    Set noise seed for specific pixel component or all pixel components in case of all_seed. Default value is 123457.

all_strength, alls
c0_strength, c0s
c1_strength, c1s
c2_strength, c2s
c3_strength, c3s
    Set noise strength for specific pixel component or all pixel components in case all_strength. Default value is 0. Allowed range is [0, 100].

all_flags, allf
c0_flags, c0f
c1_flags, c1f
c2_flags, c2f
c3_flags, c3f
    Set pixel component flags or set flags for all components if all_flags. Available values for component flags are:

    a   averaged temporal noise (smoother)

    p   mix random noise with a (semi)regular pattern

    t   temporal noise (noise pattern changes between frames)

    u   uniform noise (gaussian otherwise)

Examples

Add temporal and uniform noise to input video:

        noise=alls=20:allf=t+u

  normalize
Normalize RGB video (aka histogram stretching, contrast stretching). See: https://en.wikipedia.org/wiki/Normalization_(image_processing)

For each channel of each frame, the filter computes the input range and maps it linearly to the user-specified output range. The output range defaults to the full dynamic range from pure black to pure white.

Temporal smoothing can be used on the input range to reduce flickering (rapid changes in brightness) caused when small dark or bright objects enter or leave the scene. This is similar to the auto-exposure (automatic gain control) on a video camera, and, like a video camera, it may cause a period of over- or under-exposure of the video.

The R,G,B channels can be normalized independently, which may cause some color shifting, or linked together as a single channel, which prevents color shifting. Linked normalization preserves hue. Independent normalization does not, so it can be used to remove some color casts. Independent and linked normalization can be combined in any ratio.

The normalize filter accepts the following options:

blackpt
whitept
    Colors which define the output range. The minimum input value is mapped to the blackpt. The maximum input value is mapped to the whitept. The defaults are black and white respectively. Specifying white for blackpt and black for whitept will give color-inverted, normalized video. Shades of grey can be used to reduce the dynamic range (contrast). Specifying saturated colors here can create some interesting effects.

smoothing
    The number of previous frames to use for temporal smoothing. The input range of each channel is smoothed using a rolling average over the current frame and the smoothing previous frames. The default is 0 (no temporal smoothing).

independence
    Controls the ratio of independent (color shifting) channel normalization to linked (color preserving) normalization. 0.0 is fully linked, 1.0 is fully independent. Defaults to 1.0 (fully independent).

strength
    Overall strength of the filter. 1.0 is full strength. 0.0 is a rather expensive no-op. Defaults to 1.0 (full strength).

Commands

This filter supports same commands as options, excluding smoothing option. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples

Stretch video contrast to use the full dynamic range, with no temporal smoothing; may flicker depending on the source content:

        normalize=blackpt=black:whitept=white:smoothing=0

As above, but with 50 frames of temporal smoothing; flicker should be reduced, depending on the source content:

        normalize=blackpt=black:whitept=white:smoothing=50

As above, but with hue-preserving linked channel normalization:

        normalize=blackpt=black:whitept=white:smoothing=50:independence=0

As above, but with half strength:

        normalize=blackpt=black:whitept=white:smoothing=50:independence=0:strength=0.5

Map the darkest input color to red, the brightest input color to cyan:

        normalize=blackpt=red:whitept=cyan

  null
Pass the video source unchanged to the output.

  ocio
OpenColorIO library filter

This filter allows you to do color management using the OpenColorIO library. See https://opencolorio.org/ for more details. To Enable compilation of this filter, you need to configure FFmpeg with "--enable-libopencolorio".

It accepts the following options:

config
    By default the filter will use the OCIO config defined by the OCIO environment variable, but this parameter allows you to explicitly specify its location. If you are getting started, you can use config=ocio://studio-config-v1.0.0_aces-v1.3_ocio-v2.1 which specifies one of the built in defaults.

input
    Set the input colorspace.

output
    Set the output colorspace.

display
    Set the display colorspace, used in combination with view.

view
    Set the view colorspace, used in combination with display.

inverse
    When used in combination with display and view, this inverts the transform, so going from a display/view to the "input colorspace".

filetransform
    Allows you to specify an external file-transform to use instead of the OCIO config file. This is useful for applying a single transform without needing a full OCIO config file.

format
    Allow you to specify the output pix_fmt of the OCIO filter. This *has* to be a RGB colorspace, so you really are limited to rgb24, rgba, rgb48, rgba48, gbrp10, gbrp12, gbrpf32le, gbrapf32le, for most encoding we would recommend rgb48

context_params
    Allow you to specify additional context parameters for the OCIO filter. This is a list of key=value pairs, separated by colons.

Examples

Map from ACEScg to ACEScct, this assumes the OCIO file is defined with the OCIO environment variable.

        input=ACEScg:output=ACEScct:format=rgb48

Map from ACEScg to a sRGB display using the "ACES 1.0 - SDR Video" view transform, this assumes the OCIO file is defined with the OCIO environment variable. Note you will need to wrap the argument in quotes to ensure that the spaces are interpreted correctly.

        input=ACEScg:display=sRGB - Display:view=ACES 1.0 - SDR Video:format=rgb48

As above but using the OCIO file studio-config-v1.0.0_aces-v1.3_ocio-v2.1_ns.ocio rather than the OCIO environment variable.

        config=studio-config-v1.0.0_aces-v1.3_ocio-v2.1_ns.ocio:input=ACEScg:display=sRGB - Display:view=ACES 1.0 - SDR Video:format=rgb48

If you are converting to YCrCb you still will want to set the color matrix for the conversion. This is a good example of combining the two.

        ffmpeg -y -i SOURCEFRAMES.%05d.exr -c:v libx265 -vf "ocio=input=ACEScg:output=ACEScct:format=rgb48,scale=in_color_matrix=bt709:out_color_matrix=bt709,format=yuv444p10"  OUTPUTFILE.mov

  ocr
Optical Character Recognition

This filter uses Tesseract for optical character recognition. To enable compilation of this filter, you need to configure FFmpeg with "--enable-libtesseract".

It accepts the following options:

datapath
    Set datapath to tesseract data. Default is to use whatever was set at installation.

language
    Set language, default is "eng".

whitelist
    Set character whitelist.

blacklist
    Set character blacklist.

The filter exports recognized text as the frame metadata "lavfi.ocr.text". The filter exports confidence of recognized words as the frame metadata "lavfi.ocr.confidence".

  ocv
Apply a video transform using libopencv.

To enable this filter, install the libopencv library and headers and configure FFmpeg with "--enable-libopencv".

It accepts the following parameters:

filter_name
    The name of the libopencv filter to apply.

filter_params
    The parameters to pass to the libopencv filter. If not specified, the default values are assumed.

Refer to the official libopencv documentation for more precise information: <http://docs.opencv.org/master/modules/imgproc/doc/filtering.html>

Several libopencv filters are supported; see the following subsections.

dilate

Dilate an image by using a specific structuring element. It corresponds to the libopencv function "cvDilate".

It accepts the parameters: struct_el|nb_iterations.

struct_el represents a structuring element, and has the syntax: colsxrows+anchor_xxanchor_y/shape

cols and rows represent the number of columns and rows of the structuring element, anchor_x and anchor_y the anchor point, and shape the shape for the structuring element. shape must be "rect", "cross", "ellipse", or "custom".

If the value for shape is "custom", it must be followed by a string of the form "=filename". The file with name filename is assumed to represent a binary image, with each printable character corresponding to a bright pixel. When a custom shape is used, cols and rows are ignored, the number or columns and rows of the read file are assumed instead.

The default value for struct_el is "3x3+0x0/rect".

nb_iterations specifies the number of times the transform is applied to the image, and defaults to 1.

Some examples:

        # Use the default values
        ocv=dilate

        # Dilate using a structuring element with a 5x5 cross, iterating two times
        ocv=filter_name=dilate:filter_params=5x5+2x2/cross|2

        # Read the shape from the file diamond.shape, iterating two times.
        # The file diamond.shape may contain a pattern of characters like this
        #   *
        #  ***
        # *****
        #  ***
        #   *
        # The specified columns and rows are ignored
        # but the anchor point coordinates are not
        ocv=dilate:0x0+2x2/custom=diamond.shape|2

erode

Erode an image by using a specific structuring element. It corresponds to the libopencv function "cvErode".

It accepts the parameters: struct_el:nb_iterations, with the same syntax and semantics as the dilate filter.

smooth

Smooth the input video.

The filter takes the following parameters: type|param1|param2|param3|param4.

type is the type of smooth filter to apply, and must be one of the following values: "blur", "blur_no_scale", "median", "gaussian", or "bilateral". The default value is "gaussian".

The meaning of param1, param2, param3, and param4 depends on the smooth type. param1 and param2 accept integer positive values or 0. param3 and param4 accept floating point values.

The default value for param1 is 3. The default value for the other parameters is 0.

These parameters correspond to the parameters assigned to the libopencv function "cvSmooth".

  oscilloscope
2D Video Oscilloscope.

Useful to measure spatial impulse, step responses, chroma delays, etc.

It accepts the following parameters:

x   Set scope center x position.

y   Set scope center y position.

s   Set scope size, relative to frame diagonal.

t   Set scope tilt/rotation.

o   Set trace opacity.

tx  Set trace center x position.

ty  Set trace center y position.

tw  Set trace width, relative to width of frame.

th  Set trace height, relative to height of frame.

c   Set which components to trace. By default it traces first three components.

g   Draw trace grid. By default is enabled.

st  Draw some statistics. By default is enabled.

sc  Draw scope. By default is enabled.

Commands

This filter supports same commands as options. The command accepts the same syntax of the corresponding option.

If the specified expression is not valid, it is kept at its current value.

Examples

•   Inspect full first row of video frame.

            oscilloscope=x=0.5:y=0:s=1

•   Inspect full last row of video frame.

            oscilloscope=x=0.5:y=1:s=1

•   Inspect full 5th line of video frame of height 1080.

            oscilloscope=x=0.5:y=5/1080:s=1

•   Inspect full last column of video frame.

            oscilloscope=x=1:y=0.5:s=1:t=1

  overlay
Overlay one video on top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid.

It accepts the following parameters:

A description of the accepted options follows.

x
y   Set the expression for the x and y coordinates of the overlaid video on the main video. Default value is "0" for both expressions. In case the expression is invalid, it is set to a huge value (meaning that the overlay will not be displayed within the output visible area).

eof_action
    See framesync.

eval
    Set when the expressions for x, and y are evaluated.

    It accepts the following values:

    init
        only evaluate expressions once during the filter initialization or when a command is processed

    frame
        evaluate expressions for each incoming frame

    Default value is frame.

shortest
    See framesync.

format
    Set the format for the output video.

    It accepts the following values:

    yuv420
        force YUV 4:2:0 8-bit planar output

    yuv420p10
        force YUV 4:2:0 10-bit planar output

    yuv422
        force YUV 4:2:2 8-bit planar output

    yuv422p10
        force YUV 4:2:2 10-bit planar output

    yuv444
        force YUV 4:4:4 8-bit planar output

    yuv444p10
        force YUV 4:4:4 10-bit planar output

    rgb force RGB 8-bit packed output

    gbrp
        force RGB 8-bit planar output

    auto
        automatically pick format

    Default value is yuv420.

repeatlast
    See framesync.

alpha
    Set format of alpha of the overlaid video, it can be straight or premultiplied, or auto to choose the alpha mode automatically. Default is auto.

The x, and y expressions can contain the following parameters.

main_w, W
main_h, H
    The main input width and height.

overlay_w, w
overlay_h, h
    The overlay input width and height.

x
y   The computed values for x and y. They are evaluated for each new frame.

hsub
vsub
    horizontal and vertical chroma subsample values of the output format. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

n   the number of input frame, starting from 0

pos the position in the file of the input frame, NAN if unknown; deprecated, do not use

t   The timestamp, expressed in seconds. It's NAN if the input timestamp is unknown.

This filter also supports the framesync options.

Note that the n, t variables are available only when evaluation is done per frame, and will evaluate to NAN when eval is set to init.

Be aware that frames are taken from each input video in timestamp order, hence, if their initial timestamps differ, it is a good idea to pass the two inputs through a setpts=PTS-STARTPTS filter to have them begin in the same zero timestamp, as the example for the movie filter does.

You can chain together more overlays but you should test the efficiency of such approach.

Commands

This filter supports the following commands:

x
y   Modify the x and y of the overlay input. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

Examples

•   Draw the overlay at 10 pixels from the bottom right corner of the main video:

            overlay=main_w-overlay_w-10:main_h-overlay_h-10

    Using named options the example above becomes:

            overlay=x=main_w-overlay_w-10:y=main_h-overlay_h-10

•   Insert a transparent PNG logo in the bottom left corner of the input, using the ffmpeg tool with the "-filter_complex" option:

            ffmpeg -i input -i logo -filter_complex 'overlay=10:main_h-overlay_h-10' output

•   Insert 2 different transparent PNG logos (second logo on bottom right corner) using the ffmpeg tool:

            ffmpeg -i input -i logo1 -i logo2 -filter_complex 'overlay=x=10:y=H-h-10,overlay=x=W-w-10:y=H-h-10' output

•   Add a transparent color layer on top of the main video; "WxH" must specify the size of the main input to the overlay filter:

            color=color=red@.3:size=WxH [over]; [in][over] overlay [out]

•   Play an original video and a filtered version (here with the deshake filter) side by side using the ffplay tool:

            ffplay input.avi -vf 'split[a][b]; [a]pad=iw*2:ih[src]; [b]deshake[filt]; [src][filt]overlay=w'

    The above command is the same as:

            ffplay input.avi -vf 'split[b], pad=iw*2[src], [b]deshake, [src]overlay=w'

•   Make a sliding overlay appearing from the left to the right top part of the screen starting since time 2:

            overlay=x='if(gte(t,2), -w+(t-2)*20, NAN)':y=0

•   Compose output by putting two input videos side to side:

            ffmpeg -i left.avi -i right.avi -filter_complex "
            nullsrc=size=200x100 [background];
            [0:v] setpts=PTS-STARTPTS, scale=100x100 [left];
            [1:v] setpts=PTS-STARTPTS, scale=100x100 [right];
            [background][left]       overlay=shortest=1       [background+left];
            [background+left][right] overlay=shortest=1:x=100 [left+right]
            "

•   Mask 10-20 seconds of a video by applying the delogo filter to a section

            ffmpeg -i test.avi -codec:v:0 wmv2 -ar 11025 -b:v 9000k
            -vf '[in]split[split_main][split_delogo];[split_delogo]trim=start=360:end=371,delogo=0:0:640:480[delogoed];[split_main][delogoed]overlay=eof_action=pass[out]'
            masked.avi

•   Chain several overlays in cascade:

            nullsrc=s=200x200 [bg];
            testsrc=s=100x100, split=4 [in0][in1][in2][in3];
            [in0] lutrgb=r=0, [bg]   overlay=0:0     [mid0];
            [in1] lutrgb=g=0, [mid0] overlay=100:0   [mid1];
            [in2] lutrgb=b=0, [mid1] overlay=0:100   [mid2];
            [in3] null,       [mid2] overlay=100:100 [out0]

  owdenoise
Apply Overcomplete Wavelet denoiser.

The filter accepts the following options:

depth
    Set depth.

    Larger depth values will denoise lower frequency components more, but slow down filtering.

    Must be an int in the range 8-16, default is 8.

luma_strength, ls
    Set luma strength.

    Must be a double value in the range 0-1000, default is 1.0.

chroma_strength, cs
    Set chroma strength.

    Must be a double value in the range 0-1000, default is 1.0.

  pad
Add paddings to the input image, and place the original input at the provided x, y coordinates.

It accepts the following parameters:

width, w
height, h
    Specify an expression for the size of the output image with the paddings added. If the value for width or height is 0, the corresponding input size is used for the output.

    The width expression can reference the value set by the height expression, and vice versa.

    The default value of width and height is 0.

x
y   Specify the offsets to place the input image at within the padded area, with respect to the top/left border of the output image.

    The x expression can reference the value set by the y expression, and vice versa.

    The default value of x and y is 0.

    If x or y evaluate to a negative number, they'll be changed so the input image is centered on the padded area.

color
    Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of color is "black".

eval
    Specify when to evaluate width, height, x and y expression.

    It accepts the following values:

    init
        Only evaluate expressions once during the filter initialization or when a command is processed.

    frame
        Evaluate expressions for each incoming frame.

    Default value is init.

aspect
    Pad to aspect instead to a resolution.

The value for the width, height, x, and y options are expressions containing the following constants:

in_w
in_h
    The input video width and height.

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output width and height (the size of the padded area), as specified by the width and height expressions.

ow
oh  These are the same as out_w and out_h.

x
y   The x and y offsets as specified by the x and y expressions, or NAN if not yet specified.

a   same as iw / ih

sar input sample aspect ratio

dar input display aspect ratio, it is the same as (iw / ih) * sar

hsub
vsub
    The horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

Examples

•   Add paddings with the color "violet" to the input video. The output video size is 640x480, and the top-left corner of the input video is placed at column 0, row 40

            pad=640:480:0:40:violet

    The example above is equivalent to the following command:

            pad=width=640:height=480:x=0:y=40:color=violet

•   Pad the input to get an output with dimensions increased by 3/2, and put the input video at the center of the padded area:

            pad="3/2*iw:3/2*ih:(ow-iw)/2:(oh-ih)/2"

•   Pad the input to get a squared output with size equal to the maximum value between the input width and height, and put the input video at the center of the padded area:

            pad="max(iw\,ih):ow:(ow-iw)/2:(oh-ih)/2"

•   Pad the input to get a final w/h ratio of 16:9:

            pad="ih*16/9:ih:(ow-iw)/2:(oh-ih)/2"

•   In case of anamorphic video, in order to set the output display aspect correctly, it is necessary to use sar in the expression, according to the relation:

            (ih * X / ih) * sar = output_dar
            X = output_dar / sar

    Thus the previous example needs to be modified to:

            pad="ih*16/9/sar:ih:(ow-iw)/2:(oh-ih)/2"

•   Double the output size and put the input video in the bottom-right corner of the output padded area:

            pad="2*iw:2*ih:ow-iw:oh-ih"

  palettegen
Generate one palette for a whole video stream.

It accepts the following options:

max_colors
    Set the maximum number of colors to quantize in the palette. Note: the palette will still contain 256 colors; the unused palette entries will be black.

reserve_transparent
    Create a palette of 255 colors maximum and reserve the last one for transparency. Reserving the transparency color is useful for GIF optimization. If not set, the maximum of colors in the palette will be 256. You probably want to disable this option for a standalone image. Set by default.

transparency_color
    Set the color that will be used as background for transparency.

stats_mode
    Set statistics mode.

    It accepts the following values:

    full
        Compute full frame histograms.

    diff
        Compute histograms only for the part that differs from previous frame. This might be relevant to give more importance to the moving part of your input if the background is static.

    single
        Compute new histogram for each frame.

    Default value is full.

The filter also exports the frame metadata "lavfi.color_quant_ratio" ("nb_color_in / nb_color_out") which you can use to evaluate the degree of color quantization of the palette. This information is also visible at info logging level.

Examples

•   Generate a representative palette of a given video using ffmpeg:

            ffmpeg -i input.mkv -vf palettegen palette.png

  paletteuse
Use a palette to downsample an input video stream.

The filter takes two inputs: one video stream and a palette. The palette must be a 256 pixels image.

It accepts the following options:

dither
    Select dithering mode. Available algorithms are:

    bayer
        Ordered 8x8 bayer dithering (deterministic)

    heckbert
        Dithering as defined by Paul Heckbert in 1982 (simple error diffusion). Note: this dithering is sometimes considered "wrong" and is included as a reference.

    floyd_steinberg
        Floyd and Steingberg dithering (error diffusion)

    sierra2
        Frankie Sierra dithering v2 (error diffusion)

    sierra2_4a
        Frankie Sierra dithering v2 "Lite" (error diffusion)

    sierra3
        Frankie Sierra dithering v3 (error diffusion)

    burkes
        Burkes dithering (error diffusion)

    atkinson
        Atkinson dithering by Bill Atkinson at Apple Computer (error diffusion)

    none
        Disable dithering.

    Default is sierra2_4a.

bayer_scale
    When bayer dithering is selected, this option defines the scale of the pattern (how much the crosshatch pattern is visible). A low value means more visible pattern for less banding, and higher value means less visible pattern at the cost of more banding.

    The option must be an integer value in the range [0,5]. Default is 2.

diff_mode
    If set, define the zone to process

    rectangle
        Only the changing rectangle will be reprocessed. This is similar to GIF cropping/offsetting compression mechanism. This option can be useful for speed if only a part of the image is changing, and has use cases such as limiting the scope of the error diffusal dither to the rectangle that bounds the moving scene (it leads to more deterministic output if the scene doesn't change much, and as a result less moving noise and better GIF compression).

    Default is none.

new Take new palette for each output frame.

alpha_threshold
    Sets the alpha threshold for transparency. Alpha values above this threshold will be treated as completely opaque, and values below this threshold will be treated as completely transparent.

    The option must be an integer value in the range [0,255]. Default is 128.

Examples

•   Use a palette (generated for example with palettegen) to encode a GIF using ffmpeg:

            ffmpeg -i input.mkv -i palette.png -lavfi paletteuse output.gif

  perspective
Correct perspective of video not recorded perpendicular to the screen.

A description of the accepted parameters follows.

x0
y0
x1
y1
x2
y2
x3
y3  Set coordinates expression for top left, top right, bottom left and bottom right corners. Default values are "0:0:W:0:0:H:W:H" with which perspective will remain unchanged. If the "sense" option is set to "source", then the specified points will be sent to the corners of the destination. If the "sense" option is set to "destination", then the corners of the source will be sent to the specified coordinates.

    The expressions can use the following variables:

    W
    H   the width and height of video frame.

    in  Input frame count.

    on  Output frame count.

interpolation
    Set interpolation for perspective correction.

    It accepts the following values:

    linear
    cubic

    Default value is linear.

sense
    Set interpretation of coordinate options.

    It accepts the following values:

    0, source
        Send point in the source specified by the given coordinates to the corners of the destination.

    1, destination
        Send the corners of the source to the point in the destination specified by the given coordinates.

        Default value is source.

eval
    Set when the expressions for coordinates x0,y0,...x3,y3 are evaluated.

    It accepts the following values:

    init
        only evaluate expressions once during the filter initialization or when a command is processed

    frame
        evaluate expressions for each incoming frame

    Default value is init.

  phase
Delay interlaced video by one field time so that the field order changes.

The intended use is to fix PAL movies that have been captured with the opposite field order to the film-to-video transfer.

A description of the accepted parameters follows.

mode
    Set phase mode.

    It accepts the following values:

    t   Capture field order top-first, transfer bottom-first. Filter will delay the bottom field.

    b   Capture field order bottom-first, transfer top-first. Filter will delay the top field.

    p   Capture and transfer with the same field order. This mode only exists for the documentation of the other options to refer to, but if you actually select it, the filter will faithfully do nothing.

    a   Capture field order determined automatically by field flags, transfer opposite. Filter selects among t and b modes on a frame by frame basis using field flags. If no field information is available, then this works just like u.

    u   Capture unknown or varying, transfer opposite. Filter selects among t and b on a frame by frame basis by analyzing the images and selecting the alternative that produces best match between the fields.

    T   Capture top-first, transfer unknown or varying. Filter selects among t and p using image analysis.

    B   Capture bottom-first, transfer unknown or varying. Filter selects among b and p using image analysis.

    A   Capture determined by field flags, transfer unknown or varying. Filter selects among t, b and p using field flags and image analysis. If no field information is available, then this works just like U. This is the default mode.

    U   Both capture and transfer unknown or varying. Filter selects among t, b and p using image analysis only.

Commands

This filter supports the all above options as commands.

  photosensitivity
Reduce various flashes in video, so to help users with epilepsy.

It accepts the following options:

frames, f
    Set how many frames to use when filtering. Default is 30.

threshold, t
    Set detection threshold factor. Default is 1. Lower is stricter.

skip
    Set how many pixels to skip when sampling frames. Default is 1. Allowed range is from 1 to 1024.

bypass
    Leave frames unchanged. Default is disabled.

  pixdesctest
Pixel format descriptor test filter, mainly useful for internal testing. The output video should be equal to the input video.

For example:

        format=monow, pixdesctest

can be used to test the monowhite pixel format descriptor definition.

  pixelize
Apply pixelization to video stream.

The filter accepts the following options:

width, w
height, h
    Set block dimensions that will be used for pixelization. Default value is 16.

mode, m
    Set the mode of pixelization used.

    Possible values are:

    avg
    min
    max

    Default value is "avg".

planes, p
    Set what planes to filter. Default is to filter all planes.

Commands

This filter supports all options as commands.

  pixscope
Display sample values of color channels. Mainly useful for checking color and levels. Minimum supported resolution is 640x480.

The filters accept the following options:

x   Set scope X position, relative offset on X axis.

y   Set scope Y position, relative offset on Y axis.

w   Set scope width.

h   Set scope height.

o   Set window opacity. This window also holds statistics about pixel area.

wx  Set window X position, relative offset on X axis.

wy  Set window Y position, relative offset on Y axis.

Commands

This filter supports same commands as options.

  pp7
Apply Postprocessing filter 7. It is variant of the spp filter, similar to spp = 6 with 7 point DCT, where only the center sample is used after IDCT.

The filter accepts the following options:

qp  Force a constant quantization parameter. It accepts an integer in range 0 to 63. If not set, the filter will use the QP from the video stream (if available).

mode
    Set thresholding mode. Available modes are:

    hard
        Set hard thresholding.

    soft
        Set soft thresholding (better de-ringing effect, but likely blurrier).

    medium
        Set medium thresholding (good results, default).

  premultiply
Apply alpha premultiply effect to input video stream using first plane of second stream as alpha.

Both streams must have same dimensions and same pixel format.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

inplace
    Do not require 2nd input for processing, instead use alpha plane from input stream.

  premultiply_dynamic
Dynamically premultiply or unpremultiply the input video stream as needed, to match the requirements of the downstream filter graph. This is roughly equivalent to either "premultiply:inplace=yes" or "unpremultiply:inplace=yes", or otherwise a noop.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

  prewitt
Apply prewitt operator to input video stream.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
    Set value which will be multiplied with filtered result.

delta
    Set value which will be added to filtered result.

Commands

This filter supports the all above options as commands.

  pseudocolor
Alter frame colors in video with pseudocolors.

This filter accepts the following options:

c0  set pixel first component expression

c1  set pixel second component expression

c2  set pixel third component expression

c3  set pixel fourth component expression, corresponds to the alpha component

index, i
    set component to use as base for altering colors

preset, p
    Pick one of built-in LUTs. By default is set to none.

    Available LUTs:

    magma
    inferno
    plasma
    viridis
    turbo
    cividis
    range1
    range2
    shadows
    highlights
    solar
    nominal
    preferred
    total
    spectral
    cool
    heat
    fiery
    blues
    green
    helix
opacity
    Set opacity of output colors. Allowed range is from 0 to 1. Default value is set to 1.

Each of the expression options specifies the expression to use for computing the lookup table for the corresponding pixel component values.

The expressions can contain the following constants and functions:

w
h   The input width and height.

val The input value for the pixel component.

ymin, umin, vmin, amin
    The minimum allowed component value.

ymax, umax, vmax, amax
    The maximum allowed component value.

All expressions default to "val".

Commands

This filter supports the all above options as commands.

Examples

•   Change too high luma values to gradient:

            pseudocolor="'if(between(val,ymax,amax),lerp(ymin,ymax,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(umax,umin,(val-ymax)/(amax-ymax)),-1):if(between(val,ymax,amax),lerp(vmin,vmax,(val-ymax)/(amax-ymax)),-1):-1'"

  psnr
Obtain the average, maximum and minimum PSNR (Peak Signal to Noise Ratio) between two input videos.

This filter takes in input two input videos, the first input is considered the "main" source and is passed unchanged to the output. The second input is used as a "reference" video for computing the PSNR.

Both video inputs must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained average PSNR is printed through the logging system.

The filter stores the accumulated MSE (mean squared error) of each frame, and at the end of the processing it is averaged across all frames equally, and the following formula is applied to obtain the PSNR:

        PSNR = 10*log10(MAX^2/MSE)

Where MAX is the average of the maximum values of each component of the image.

The description of the accepted parameters follows.

stats_file, f
    If specified the filter will use the named file to save the PSNR of each individual frame. When filename equals "-" the data is sent to standard output.

stats_version
    Specifies which version of the stats file format to use. Details of each format are written below. Default value is 1.

output_max
    Determines whether the max value is output to the stats log. Default value is 0. Requires stats_version >= 2. If this is set and stats_version < 2, the filter will return an error.

This filter also supports the framesync options.

The file printed if stats_file is selected, contains a sequence of key/value pairs of the form key:value for each compared couple of frames.

If a stats_version greater than 1 is specified, a header line precedes the list of per-frame-pair stats, with key value pairs following the frame format with the following parameters:

psnr_log_version
    The version of the log file format. Will match stats_version.

fields
    A comma separated list of the per-frame-pair parameters included in the log.

A description of each shown per-frame-pair parameter follows:

n   sequential number of the input frame, starting from 1

mse_avg
    Mean Square Error pixel-by-pixel average difference of the compared frames, averaged over all the image components.

mse_y, mse_u, mse_v, mse_r, mse_g, mse_b, mse_a
    Mean Square Error pixel-by-pixel average difference of the compared frames for the component specified by the suffix.

psnr_y, psnr_u, psnr_v, psnr_r, psnr_g, psnr_b, psnr_a
    Peak Signal to Noise ratio of the compared frames for the component specified by the suffix.

max_avg, max_y, max_u, max_v
    Maximum allowed value for each channel, and average over all channels.

Examples

•   For example:

            movie=ref_movie.mpg, setpts=PTS-STARTPTS [main];
            [main][ref] psnr="stats_file=stats.log" [out]

    On this example the input file being processed is compared with the reference file ref_movie.mpg. The PSNR of each individual frame is stored in stats.log.

•   Another example with different containers:

            ffmpeg -i main.mpg -i ref.mkv -lavfi  "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]psnr" -f null -

  pullup
Pulldown reversal (inverse telecine) filter, capable of handling mixed hard-telecine, 24000/1001 fps progressive, and 30000/1001 fps progressive content.

The pullup filter is designed to take advantage of future context in making its decisions. This filter is stateless in the sense that it does not lock onto a pattern to follow, but it instead looks forward to the following fields in order to identify matches and rebuild progressive frames.

To produce content with an even framerate, insert the fps filter after pullup, use "fps=24000/1001" if the input frame rate is 29.97fps, "fps=24" for 30fps and the (rare) telecined 25fps input.

The filter accepts the following options:

jl
jr
jt
jb  These options set the amount of "junk" to ignore at the left, right, top, and bottom of the image, respectively. Left and right are in units of 8 pixels, while top and bottom are in units of 2 lines. The default is 8 pixels on each side.

sb  Set the strict breaks. Setting this option to 1 will reduce the chances of filter generating an occasional mismatched frame, but it may also cause an excessive number of frames to be dropped during high motion sequences. Conversely, setting it to -1 will make filter match fields more easily. This may help processing of video where there is slight blurring between the fields, but may also cause there to be interlaced frames in the output. Default value is 0.

mp  Set the metric plane to use. It accepts the following values:

    l   Use luma plane.

    u   Use chroma blue plane.

    v   Use chroma red plane.

    This option may be set to use chroma plane instead of the default luma plane for doing filter's computations. This may improve accuracy on very clean source material, but more likely will decrease accuracy, especially if there is chroma noise (rainbow effect) or any grayscale video. The main purpose of setting mp to a chroma plane is to reduce CPU load and make pullup usable in realtime on slow machines.

For best results (without duplicated frames in the output file) it is necessary to change the output frame rate. For example, to inverse telecine NTSC input:

        ffmpeg -i input -vf pullup -r 24000/1001 ...

  qp
Change video quantization parameters (QP).

The filter accepts the following option:

qp  Set expression for quantization parameter.

The expression is evaluated through the eval API and can contain, among others, the following constants:

known
    1 if index is not 129, 0 otherwise.

qp  Sequential index starting from -129 to 128.

Examples

•   Some equation like:

            qp=2+2*sin(PI*qp)

  qrencode
Generate a QR code using the libqrencode library (see <https://fukuchi.org/works/qrencode/>), and overlay it on top of the current frame.

To enable the compilation of this filter, you need to configure FFmpeg with "--enable-libqrencode".

The QR code is generated from the provided text or text pattern. The corresponding QR code is scaled and overlaid into the video output according to the specified options.

In case no text is specified, no QR code is overlaied.

This filter accepts the following options:

qrcode_width, q
padded_qrcode_width, Q
    Specify an expression for the width of the rendered QR code, with and without padding. The qrcode_width expression can reference the value set by the padded_qrcode_width expression, and vice versa. By default padded_qrcode_width is set to qrcode_width, meaning that there is no padding.

    These expressions are evaluated for each new frame.

    See the qrencode Expressions section for details.

x
y   Specify an expression for positioning the padded QR code top-left corner. The x expression can reference the value set by the y expression, and vice.

    By default x and y are set set to 0, meaning that the QR code is placed in the top left corner of the input.

    These expressions are evaluated for each new frame.

    See the qrencode Expressions section for details.

case_sensitive, cs
    Instruct libqrencode to use case sensitive encoding. This is enabled by default. This can be disabled to reduce the QR encoding size.

level, l
    Specify the QR encoding error correction level. With an higher correction level, the encoding size will increase but the code will be more robust to corruption. Lower level is L.

    It accepts the following values:

    L
    M
    Q
    H
expansion
    Select how the input text is expanded. Can be either "none", or "normal" (default). See the qrencode Text expansion section below for details.

text
textfile
    Define the text to be rendered. In case neither is specified, no QR is encoded (just an empty colored frame).

    In case expansion is enabled, the text is treated as a text template, using the qrencode expansion mechanism. See the qrencode Text expansion section below for details.

background_color, bc
foreground_color, fc
    Set the QR code and background color. The default value of foreground_color is "black", the default value of background_color is "white".

    For the syntax of the color options, check the "Color" section in the ffmpeg-utils manual.

qrencode Expressions

The expressions set by the options contain the following constants and functions.

dar input display aspect ratio, it is the same as (w / h) * sar

duration
    the current frame's duration, in seconds

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

main_h, H
    the input height

main_w, W
    the input width

n   the number of input frame, starting from 0

pict_type
    a number representing the picture type

qr_w, w
    the width of the encoded QR code

rendered_qr_w, q
rendered_padded_qr_w, Q
    the width of the rendered QR code, without and without padding.

    These parameters allow the q and Q expressions to refer to each other, so you can for example specify "q=3/4*Q".

rand(min, max)
    return a random number included between min and max

sar the input sample aspect ratio

t   timestamp expressed in seconds, NAN if the input timestamp is unknown

x
y   the x and y offset coordinates where the text is drawn.

    These parameters allow the x and y expressions to refer to each other, so you can for example specify "y=x/dar".

qrencode Text expansion

If expansion is set to "none", the text is printed verbatim.

If expansion is set to "normal" (which is the default), the following expansion mechanism is used.

The backslash character \, followed by any character, always expands to the second character.

Sequences of the form "%{...}" are expanded. The text between the braces is a function name, possibly followed by arguments separated by ':'. If the arguments contain special characters or delimiters (':' or '}'), they should be escaped.

Note that they probably must also be escaped as the value for the text option in the filter argument string and as the filter argument in the filtergraph description, and possibly also for the shell, that makes up to four levels of escaping; using a text file with the textfile option avoids these problems.

The following functions are available:

n, frame_num
    return the frame number

pts Return the presentation timestamp of the current frame.

    It can take up to two arguments.

    The first argument is the format of the timestamp; it defaults to "flt" for seconds as a decimal number with microsecond accuracy; "hms" stands for a formatted [-]HH:MM:SS.mmm timestamp with millisecond accuracy. "gmtime" stands for the timestamp of the frame formatted as UTC time; "localtime" stands for the timestamp of the frame formatted as local time zone time. If the format is set to "hms24hh", the time is formatted in 24h format (00-23).

    The second argument is an offset added to the timestamp.

    If the format is set to "localtime" or "gmtime", a third argument may be supplied: a "strftime" C function format string. By default, YYYY-MM-DD HH:MM:SS format will be used.

expr, e
    Evaluate the expression's value and output as a double.

    It must take one argument specifying the expression to be evaluated, accepting the constants and functions defined in qrencode_expressions.

expr_formatted, ef
    Evaluate the expression's value and output as a formatted string.

    The first argument is the expression to be evaluated, just as for the expr function. The second argument specifies the output format. Allowed values are x, X, d and u. They are treated exactly as in the "printf" function. The third parameter is optional and sets the number of positions taken by the output. It can be used to add padding with zeros from the left.

gmtime
    The time at which the filter is running, expressed in UTC. It can accept an argument: a "strftime" C function format string. The format string is extended to support the variable %[1-6]N which prints fractions of the second with optionally specified number of digits.

localtime
    The time at which the filter is running, expressed in the local time zone. It can accept an argument: a "strftime" C function format string. The format string is extended to support the variable %[1-6]N which prints fractions of the second with optionally specified number of digits.

metadata
    Frame metadata. Takes one or two arguments.

    The first argument is mandatory and specifies the metadata key.

    The second argument is optional and specifies a default value, used when the metadata key is not found or empty.

    Available metadata can be identified by inspecting entries starting with TAG included within each frame section printed by running "ffprobe -show_frames".

    String metadata generated in filters leading to the qrencode filter are also available.

rand(min, max)
    return a random number included between min and max

Examples

•   Generate a QR code encoding the specified text with the default size, overalaid in the top left corner of the input video, with the default size:

            qrencode=text=www.ffmpeg.org

•   Same as below, but select blue on pink colors:

            qrencode=text=www.ffmpeg.org:bc=pink@0.5:fc=blue

•   Place the QR code in the bottom right corner of the input video:

            qrencode=text=www.ffmpeg.org:x=W-Q:y=H-Q

•   Generate a QR code with width of 200 pixels and padding, making the padded width 4/3 of the QR code width:

            qrencode=text=www.ffmpeg.org:q=200:Q=4/3*q

•   Generate a QR code with padded width of 200 pixels and padding, making the QR code width 3/4 of the padded width:

            qrencode=text=www.ffmpeg.org:Q=200:q=3/4*Q

•   Make the QR code a fraction of the input video width:

            qrencode=text=www.ffmpeg.org:q=W/5

•   Generate a QR code encoding the frame number:

            qrencode=text=%{n}

•   Generate a QR code encoding the GMT timestamp:

            qrencode=text=%{gmtime}

•   Generate a QR code encoding the timestamp expressed as a float:

            qrencode=text=%{pts}

  quirc
Identify and decode a QR code using the libquirc library (see <https://github.com/dlbeer/quirc/>), and print the identified QR codes positions and payload as metadata.

To enable the compilation of this filter, you need to configure FFmpeg with "--enable-libquirc".

For each found QR code in the input video, some metadata entries are added with the prefix lavfi.quirc.N, where N is the index, starting from 0, associated to the QR code.

A description of each metadata value follows:

lavfi.quirc.count
    the number of found QR codes, it is not set in case none was found

lavfi.quirc.N.corner.M.x
lavfi.quirc.N.coreer.M.y
    the x/y positions of the four corners of the square containing the QR code, where M is the index of the corner starting from 0

lavfi.quirc.N.payload
    the payload of the QR code

  random
Flush video frames from internal cache of frames into a random order. No frame is discarded. Inspired by frei0r nervous filter.

frames
    Set size in number of frames of internal cache, in range from 2 to 512. Default is 30.

seed
    Set seed for random number generator, must be an integer included between 0 and "UINT32_MAX". If not specified, or if explicitly set to less than 0, the filter will try to use a good random seed on a best effort basis.

  readeia608
Read closed captioning (EIA-608) information from the top lines of a video frame.

This filter adds frame metadata for "lavfi.readeia608.X.cc" and "lavfi.readeia608.X.line", where "X" is the number of the identified line with EIA-608 data (starting from 0). A description of each metadata value follows:

lavfi.readeia608.X.cc
    The two bytes stored as EIA-608 data (printed in hexadecimal).

lavfi.readeia608.X.line
    The number of the line on which the EIA-608 data was identified and read.

This filter accepts the following options:

scan_min
    Set the line to start scanning for EIA-608 data. Default is 0.

scan_max
    Set the line to end scanning for EIA-608 data. Default is 29.

spw Set the ratio of width reserved for sync code detection. Default is 0.27. Allowed range is "[0.1 - 0.7]".

chp Enable checking the parity bit. In the event of a parity error, the filter will output 0x00 for that character. Default is false.

lp  Lowpass lines prior to further processing. Default is enabled.

Commands

This filter supports the all above options as commands.

Examples

•   Output a csv with presentation time and the first two lines of identified EIA-608 captioning data.

            ffprobe -f lavfi -i movie=captioned_video.mov,readeia608 -show_entries frame=pts_time:frame_tags=lavfi.readeia608.0.cc,lavfi.readeia608.1.cc -of csv

  readvitc
Read vertical interval timecode (VITC) information from the top lines of a video frame.

The filter adds frame metadata key "lavfi.readvitc.tc_str" with the timecode value, if a valid timecode has been detected. Further metadata key "lavfi.readvitc.found" is set to 0/1 depending on whether timecode data has been found or not.

This filter accepts the following options:

scan_max
    Set the maximum number of lines to scan for VITC data. If the value is set to "-1" the full video frame is scanned. Default is 45.

thr_b
    Set the luma threshold for black. Accepts float numbers in the range [0.0,1.0], default value is 0.2. The value must be equal or less than "thr_w".

thr_w
    Set the luma threshold for white. Accepts float numbers in the range [0.0,1.0], default value is 0.6. The value must be equal or greater than "thr_b".

Examples

•   Detect and draw VITC data onto the video frame; if no valid VITC is detected, draw "--:--:--:--" as a placeholder:

            ffmpeg -i input.avi -filter:v 'readvitc,drawtext=fontfile=FreeMono.ttf:text=%{metadata\\:lavfi.readvitc.tc_str\\:--\\\\\\:--\\\\\\:--\\\\\\:--}:x=(w-tw)/2:y=400-ascent'

  remap
Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream.

Destination pixel at position (X, Y) will be picked from source (x, y) position where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero value for pixel will be used for destination pixel.

Xmap and Ymap input video streams must be of same dimensions. Output video stream will have Xmap/Ymap video stream dimensions. Xmap and Ymap input video streams are 16bit depth, single channel.

format
    Specify pixel format of output from this filter. Can be "color" or "gray". Default is "color".

fill
    Specify the color of the unmapped pixels. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual. Default color is "black".

  removegrain
The removegrain filter is a spatial denoiser for progressive video.

m0  Set mode for the first plane.

m1  Set mode for the second plane.

m2  Set mode for the third plane.

m3  Set mode for the fourth plane.

Range of mode is from 0 to 24. Description of each mode follows:

0   Leave input plane unchanged. Default.

1   Clips the pixel with the minimum and maximum of the 8 neighbour pixels.

2   Clips the pixel with the second minimum and maximum of the 8 neighbour pixels.

3   Clips the pixel with the third minimum and maximum of the 8 neighbour pixels.

4   Clips the pixel with the fourth minimum and maximum of the 8 neighbour pixels. This is equivalent to a median filter.

5   Line-sensitive clipping giving the minimal change.

6   Line-sensitive clipping, intermediate.

7   Line-sensitive clipping, intermediate.

8   Line-sensitive clipping, intermediate.

9   Line-sensitive clipping on a line where the neighbours pixels are the closest.

10  Replaces the target pixel with the closest neighbour.

11  [1 2 1] horizontal and vertical kernel blur.

12  Same as mode 11.

13  Bob mode, interpolates top field from the line where the neighbours pixels are the closest.

14  Bob mode, interpolates bottom field from the line where the neighbours pixels are the closest.

15  Bob mode, interpolates top field. Same as 13 but with a more complicated interpolation formula.

16  Bob mode, interpolates bottom field. Same as 14 but with a more complicated interpolation formula.

17  Clips the pixel with the minimum and maximum of respectively the maximum and minimum of each pair of opposite neighbour pixels.

18  Line-sensitive clipping using opposite neighbours whose greatest distance from the current pixel is minimal.

19  Replaces the pixel with the average of its 8 neighbours.

20  Averages the 9 pixels ([1 1 1] horizontal and vertical blur).

21  Clips pixels using the averages of opposite neighbour.

22  Same as mode 21 but simpler and faster.

23  Small edge and halo removal, but reputed useless.

24  Similar as 23.

  removelogo
Suppress a TV station logo, using an image file to determine which pixels comprise the logo. It works by filling in the pixels that comprise the logo with neighboring pixels.

The filter accepts the following options:

filename, f
    Set the filter bitmap file, which can be any image format supported by libavformat. The width and height of the image file must match those of the video stream being processed.

Pixels in the provided bitmap image with a value of zero are not considered part of the logo, non-zero pixels are considered part of the logo. If you use white (255) for the logo and black (0) for the rest, you will be safe. For making the filter bitmap, it is recommended to take a screen capture of a black frame with the logo visible, and then using a threshold filter followed by the erode filter once or twice.

If needed, little splotches can be fixed manually. Remember that if logo pixels are not covered, the filter quality will be much reduced. Marking too many pixels as part of the logo does not hurt as much, but it will increase the amount of blurring needed to cover over the image and will destroy more information than necessary, and extra pixels will slow things down on a large logo.

  repeatfields
This filter uses the repeat_field flag from the Video ES headers and hard repeats fields based on its value.

  reverse
Reverse a video clip.

Warning: This filter requires memory to buffer the entire clip, so trimming is suggested.

Examples

•   Take the first 5 seconds of a clip, and reverse it.

            trim=end=5,reverse

  rgbashift
Shift R/G/B/A pixels horizontally and/or vertically.

The filter accepts the following options:

rh  Set amount to shift red horizontally.

rv  Set amount to shift red vertically.

gh  Set amount to shift green horizontally.

gv  Set amount to shift green vertically.

bh  Set amount to shift blue horizontally.

bv  Set amount to shift blue vertically.

ah  Set amount to shift alpha horizontally.

av  Set amount to shift alpha vertically.

edge
    Set edge mode, can be smear, default, or warp.

Commands

This filter supports the all above options as commands.

  roberts
Apply roberts cross operator to input video stream.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
    Set value which will be multiplied with filtered result.

delta
    Set value which will be added to filtered result.

Commands

This filter supports the all above options as commands.

  rotate
Rotate video by an arbitrary angle expressed in radians.

The filter accepts the following options:

A description of the optional parameters follows.

angle, a
    Set an expression for the angle by which to rotate the input video clockwise, expressed as a number of radians. A negative value will result in a counter-clockwise rotation. By default it is set to "0".

    This expression is evaluated for each frame.

out_w, ow
    Set the output width expression, default value is "iw". This expression is evaluated just once during configuration.

out_h, oh
    Set the output height expression, default value is "ih". This expression is evaluated just once during configuration.

bilinear
    Enable bilinear interpolation if set to 1, a value of 0 disables it. Default value is 1.

fillcolor, c
    Set the color used to fill the output area not covered by the rotated image. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual. If the special value "none" is selected then no background is printed (useful for example if the background is never shown).

    Default value is "black".

The expressions for the angle and the output size can contain the following constants and functions:

n   sequential number of the input frame, starting from 0. It is always NAN before the first frame is filtered.

t   time in seconds of the input frame, it is set to 0 when the filter is configured. It is always NAN before the first frame is filtered.

hsub
vsub
    horizontal and vertical chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

in_w, iw
in_h, ih
    the input video width and height

out_w, ow
out_h, oh
    the output width and height, that is the size of the padded area as specified by the width and height expressions

rotw(a)
roth(a)
    the minimal width/height required for completely containing the input video rotated by a radians.

    These are only available when computing the out_w and out_h expressions.

Examples

•   Rotate the input by PI/6 radians clockwise:

            rotate=PI/6

•   Rotate the input by PI/6 radians counter-clockwise:

            rotate=-PI/6

•   Rotate the input by 45 degrees clockwise:

            rotate=45*PI/180

•   Apply a constant rotation with period T, starting from an angle of PI/3:

            rotate=PI/3+2*PI*t/T

•   Make the input video rotation oscillating with a period of T seconds and an amplitude of A radians:

            rotate=A*sin(2*PI/T*t)

•   Rotate the video, output size is chosen so that the whole rotating input video is always completely contained in the output:

            rotate='2*PI*t:ow=hypot(iw,ih):oh=ow'

•   Rotate the video, reduce the output size so that no background is ever shown:

            rotate=2*PI*t:ow='min(iw,ih)/sqrt(2)':oh=ow:c=none

Commands

The filter supports the following commands:

a, angle
    Set the angle expression. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

  sab
Apply Shape Adaptive Blur.

The filter accepts the following options:

luma_radius, lr
    Set luma blur filter strength, must be a value in range 0.1-4.0, default value is 1.0. A greater value will result in a more blurred image, and in slower processing.

luma_pre_filter_radius, lpfr
    Set luma pre-filter radius, must be a value in the 0.1-2.0 range, default value is 1.0.

luma_strength, ls
    Set luma maximum difference between pixels to still be considered, must be a value in the 0.1-100.0 range, default value is 1.0.

chroma_radius, cr
    Set chroma blur filter strength, must be a value in range -0.9-4.0. A greater value will result in a more blurred image, and in slower processing.

chroma_pre_filter_radius, cpfr
    Set chroma pre-filter radius, must be a value in the -0.9-2.0 range.

chroma_strength, cs
    Set chroma maximum difference between pixels to still be considered, must be a value in the -0.9-100.0 range.

Each chroma option value, if not explicitly specified, is set to the corresponding luma option value.

  scale
Scale (resize) the input video, using the libswscale library.

The scale filter forces the output display aspect ratio to be the same of the input, by changing the output sample aspect ratio.

If the input image format is different from the format requested by the next filter, the scale filter will convert the input to the requested format.

Options

The filter accepts the following options, any of the options supported by the libswscale scaler, as well as any of the framesync options.

See the ffmpeg-scaler manual for the complete list of scaler options.

width, w
height, h
    Set the output video dimension expression. Default value is the input dimension.

    If the width or w value is 0, the input width is used for the output. If the height or h value is 0, the input height is used for the output.

    If one and only one of the values is -n with n >= 1, the scale filter will use a value that maintains the aspect ratio of the input image, calculated from the other specified dimension. After that it will, however, make sure that the calculated dimension is divisible by n and adjust the value if necessary.

    If both values are -n with n >= 1, the behavior will be identical to both values being set to 0 as previously detailed.

    See below for the list of accepted constants for use in the dimension expression.

eval
    Specify when to evaluate width and height expression. It accepts the following values:

    init
        Only evaluate expressions once during the filter initialization or when a command is processed.

    frame
        Evaluate expressions for each incoming frame.

    Default value is init.

interl
    Set the interlacing mode. It accepts the following values:

    1   Force interlaced aware scaling.

    0   Do not apply interlaced scaling.

    -1  Select interlaced aware scaling depending on whether the source frames are flagged as interlaced or not.

    Default value is 0.

flags
    Set libswscale scaling flags. See the ffmpeg-scaler manual for the complete list of values. If not explicitly specified the filter applies the default flags.

param0, param1
    Set libswscale input parameters for scaling algorithms that need them. See the ffmpeg-scaler manual for the complete documentation. If not explicitly specified the filter applies empty parameters.

intent
    Set the ICC rendering intent to use when transforming between different color spaces. It accepts the following values:

    perceptual
        Use a perceptually guided tone and gamut mapping curve. The exact details of the mapping used may change at any time and should not be relied on as stable. This intent is recommended for final viewing of image/video content in typical viewing settings.

    relative_colorimetric
        Statically clip out-of-gamut colors using a colorimetric clipping curve which attempts to find the colorimetrically least dissimilar in-gamut color. This intent performs white point adaptation and black point adaptation. This is the default. This intent is recommended wherever faithful color reproduction is of the utmost importance, even at the cost of clipping.

    absolute_colorimetric
        Hard clip out-of-gamut colors with no attempt at white or black point reproduction. This intent will reproduce in-gamut colors 1:1 on the output display as they would appear on the reference display, assuming the output display is appropriately calibrated.

    saturation
        Performs saturation mapping - that is, stretches the input color volume directly onto the output color volume, in non-linear fashion that preserves the original signal appearance as much as possible. This intent is recommended for signal content evaluation, as it will not lead to any clipping. It is roughly analogous to not performing any color mapping, although it still takes into account the mastering display primaries and any differences in encoding TRC.

size, s
    Set the video size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

in_color_matrix
out_color_matrix
    Set in/output YCbCr color space type.

    This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder.

    If not specified, the color space type depends on the pixel format.

    Possible values:

    auto
        Choose automatically.

    bt709
        Format conforming to International Telecommunication Union (ITU) Recommendation BT.709.

    fcc Set color space conforming to the United States Federal Communications Commission (FCC) Code of Federal Regulations (CFR) Title 47 (2003) 73.682 (a).

    bt601
    bt470
    smpte170m
        Set color space conforming to:

        •   ITU Radiocommunication Sector (ITU-R) Recommendation BT.601

        •   ITU-R Rec. BT.470-6 (1998) Systems B, B1, and G

        •   Society of Motion Picture and Television Engineers (SMPTE) ST 170:2004

    smpte240m
        Set color space conforming to SMPTE ST 240:1999.

    bt2020
        Set color space conforming to ITU-R BT.2020 non-constant luminance system.

in_range
out_range
    Set in/output YCbCr sample range.

    This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder. If not specified, the range depends on the pixel format. Possible values:

    auto/unknown
        Choose automatically.

    jpeg/full/pc
        Set full range (0-255 in case of 8-bit luma).

    mpeg/limited/tv
        Set "MPEG" range (16-235 in case of 8-bit luma).

in_chroma_loc
out_chroma_loc
    Set in/output chroma sample location. If not specified, center-sited chroma is used by default. Possible values:

    auto, unknown
    left
    center
    topleft
    top
    bottomleft
    bottom
in_primaries
out_primaries
    Set in/output RGB primaries.

    This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder. Possible values:

    auto
        Choose automatically. This is the default.

    bt709
    bt470m
    bt470bg
    smpte170m
    smpte240m
    film
    bt2020
    smpte428
    smpte431
    smpte432
    jedec-p22
    ebu3213
in_transfer
out_transfer
    Set in/output transfer response curve (TRC).

    This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder. Possible values:

    auto
        Choose automatically. This is the default.

    bt709
    bt470m
    gamma22
    bt470bg
    gamma28
    smpte170m
    smpte240m
    linear
    iec61966-2-1
    srgb
    iec61966-2-4
    xvycc
    bt1361e
    bt2020-10
    bt2020-12
    smpte2084
    smpte428
    arib-std-b67
force_original_aspect_ratio
    Enable decreasing or increasing output video width or height if necessary to keep the original aspect ratio. Possible values:

    disable
        Scale the video as specified and disable this feature.

    decrease
        The output video dimensions will automatically be decreased if needed.

    increase
        The output video dimensions will automatically be increased if needed.

    One useful instance of this option is that when you know a specific device's maximum allowed resolution, you can use this to limit the output video to that, while retaining the aspect ratio. For example, device A allows 1280x720 playback, and your video is 1920x800. Using this option (set it to decrease) and specifying 1280x720 to the command line makes the output 1280x533.

    Please note that this is a different thing than specifying -1 for w or h, you still need to specify the output resolution for this option to work.

force_divisible_by
    Ensures that both the output dimensions, width and height, are divisible by the given integer when used together with force_original_aspect_ratio. This works similar to using "-n" in the w and h options.

    This option respects the value set for force_original_aspect_ratio, increasing or decreasing the resolution accordingly. The video's aspect ratio may be slightly modified.

    This option can be handy if you need to have a video fit within or exceed a defined resolution using force_original_aspect_ratio but also have encoder restrictions on width or height divisibility.

reset_sar
    Enabling this option leads to the output SAR being reset to 1. Additionally, if the user requests proportional scaling either through the width or height expressions, e.g. "w=-4:h=360" or "w=iw/2:h=-1" or by enabling "force_original_aspect_ratio", then the input DAR is taken into account and the output is scaled to produce square pixels. Default is false.

The values of the w and h options are expressions containing the following constants:

in_w
in_h
    The input width and height

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output (scaled) width and height

ow
oh  These are the same as out_w and out_h

a   The same as iw / ih

sar input sample aspect ratio

dar The input display aspect ratio. Calculated from "(iw / ih) * sar".

hsub
vsub
    horizontal and vertical input chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

ohsub
ovsub
    horizontal and vertical output chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

n   The (sequential) number of the input frame, starting from 0. Only available with "eval=frame".

t   The presentation timestamp of the input frame, expressed as a number of seconds. Only available with "eval=frame".

pos The position (byte offset) of the frame in the input stream, or NaN if this information is unavailable and/or meaningless (for example in case of synthetic video). Only available with "eval=frame". Deprecated, do not use.

ref_w, rw
ref_h, rh
ref_a
ref_dar, rdar
ref_n
ref_t
ref_pos
    Eqvuialent to the above, but for a second reference input. If any of these variables are present, this filter accepts two inputs.

Examples

•   Scale the input video to a size of 200x100

            scale=w=200:h=100

    This is equivalent to:

            scale=200:100

    or:

            scale=200x100

•   Specify a size abbreviation for the output size:

            scale=qcif

    which can also be written as:

            scale=size=qcif

•   Scale the input to 2x:

            scale=w=2*iw:h=2*ih

•   The above is the same as:

            scale=2*in_w:2*in_h

•   Scale the input to 2x with forced interlaced scaling:

            scale=2*iw:2*ih:interl=1

•   Scale the input to half size:

            scale=w=iw/2:h=ih/2

•   Increase the width, and set the height to the same size:

            scale=3/2*iw:ow

•   Seek Greek harmony:

            scale=iw:1/PHI*iw
            scale=ih*PHI:ih

•   Increase the height, and set the width to 3/2 of the height:

            scale=w=3/2*oh:h=3/5*ih

•   Increase the size, making the size a multiple of the chroma subsample values:

            scale="trunc(3/2*iw/hsub)*hsub:trunc(3/2*ih/vsub)*vsub"

•   Increase the width to a maximum of 500 pixels, keeping the same aspect ratio as the input:

            scale=w='min(500\, iw*3/2):h=-1'

•   Make pixels square by combining scale and setsar:

            scale='trunc(ih*dar):ih',setsar=1/1

•   Make pixels square using reset_sar, making sure the resulting resolution is even (required by some codecs):

            scale='-2:ih-mod(ih,2):reset_sar=1'

•   Scale to target exactly, however reset SAR to 1:

            scale='400:300:reset_sar=1'

•   Scale to even dimensions that fit within 400x300, preserving input SAR:

            scale='400:300:force_original_aspect_ratio=decrease:force_divisible_by=2'

•   Scale to produce square pixels with even dimensions that fit within 400x300:

            scale='400:300:force_original_aspect_ratio=decrease:force_divisible_by=2:reset_sar=1'

•   Scale a subtitle stream (sub) to match the main video (main) in size before overlaying. ("scale2ref")

            '[main]split[a][b]; [ref][a]scale=rw:rh[c]; [b][c]overlay'

•   Scale a logo to 1/10th the height of a video, while preserving its display aspect ratio.

            [logo-in][video-in]scale=w=oh*dar:h=rh/10[logo-out]

Commands

This filter supports the following commands:

width, w
height, h
    Set the output video dimension expression. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

  scharr
Apply scharr operator to input video stream.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
    Set value which will be multiplied with filtered result.

delta
    Set value which will be added to filtered result.

Commands

This filter supports the all above options as commands.

  scroll
Scroll input video horizontally and/or vertically by constant speed.

The filter accepts the following options:

horizontal, h
    Set the horizontal scrolling speed. Default is 0. Allowed range is from -1 to 1. Negative values changes scrolling direction.

vertical, v
    Set the vertical scrolling speed. Default is 0. Allowed range is from -1 to 1. Negative values changes scrolling direction.

hpos
    Set the initial horizontal scrolling position. Default is 0. Allowed range is from 0 to 1.

vpos
    Set the initial vertical scrolling position. Default is 0. Allowed range is from 0 to 1.

Commands

This filter supports the following commands:

horizontal, h
    Set the horizontal scrolling speed.

vertical, v
    Set the vertical scrolling speed.

  scdet
Detect video scene change.

This filter sets frame metadata with mafd between frame, the scene score, and forward the frame to the next filter, so they can use these metadata to detect scene change or others.

In addition, this filter logs a message and sets frame metadata when it detects a scene change by threshold.

"lavfi.scd.mafd" metadata keys are set with mafd for every frame.

"lavfi.scd.score" metadata keys are set with scene change score for every frame to detect scene change.

"lavfi.scd.time" metadata keys are set with current filtered frame time which detect scene change with threshold.

The filter accepts the following options:

threshold, t
    Set the scene change detection threshold as a percentage of maximum change. Good values are in the "[8.0, 14.0]" range. The range for threshold is "[0., 100.]".

    Default value is 10..

sc_pass, s
    Set the flag to pass scene change frames to the next filter. Default value is 0 You can enable it if you want to get snapshot of scene change frames only.

  selectivecolor
Adjust cyan, magenta, yellow and black (CMYK) to certain ranges of colors (such as "reds", "yellows", "greens", "cyans", ...). The adjustment range is defined by the "purity" of the color (that is, how saturated it already is).

This filter is similar to the Adobe Photoshop Selective Color tool.

The filter accepts the following options:

correction_method
    Select color correction method.

    Available values are:

    absolute
        Specified adjustments are applied "as-is" (added/subtracted to original pixel component value).

    relative
        Specified adjustments are relative to the original component value.

    Default is "absolute".

reds
    Adjustments for red pixels (pixels where the red component is the maximum)

yellows
    Adjustments for yellow pixels (pixels where the blue component is the minimum)

greens
    Adjustments for green pixels (pixels where the green component is the maximum)

cyans
    Adjustments for cyan pixels (pixels where the red component is the minimum)

blues
    Adjustments for blue pixels (pixels where the blue component is the maximum)

magentas
    Adjustments for magenta pixels (pixels where the green component is the minimum)

whites
    Adjustments for white pixels (pixels where all components are greater than 128)

neutrals
    Adjustments for all pixels except pure black and pure white

blacks
    Adjustments for black pixels (pixels where all components are lesser than 128)

psfile
    Specify a Photoshop selective color file (".asv") to import the settings from.

All the adjustment settings (reds, yellows, ...) accept up to 4 space separated floating point adjustment values in the [-1,1] range, respectively to adjust the amount of cyan, magenta, yellow and black for the pixels of its range.

Examples

•   Increase cyan by 50% and reduce yellow by 33% in every green areas, and increase magenta by 27% in blue areas:

            selectivecolor=greens=.5 0 -.33 0:blues=0 .27

•   Use a Photoshop selective color preset:

            selectivecolor=psfile=MySelectiveColorPresets/Misty.asv

  separatefields
The "separatefields" takes a frame-based video input and splits each frame into its components fields, producing a new half height clip with twice the frame rate and twice the frame count.

This filter use field-dominance information in frame to decide which of each pair of fields to place first in the output. If it gets it wrong use setfield filter before "separatefields" filter.

  setdar, setsar
The "setdar" filter sets the Display Aspect Ratio for the filter output video.

This is done by changing the specified Sample (aka Pixel) Aspect Ratio, according to the following equation:

        <DAR> = <HORIZONTAL_RESOLUTION> / <VERTICAL_RESOLUTION> * <SAR>

Keep in mind that the "setdar" filter does not modify the pixel dimensions of the video frame. Also, the display aspect ratio set by this filter may be changed by later filters in the filterchain, e.g. in case of scaling or if another "setdar" or a "setsar" filter is applied.

The "setsar" filter sets the Sample (aka Pixel) Aspect Ratio for the filter output video.

Note that as a consequence of the application of this filter, the output display aspect ratio will change according to the equation above.

Keep in mind that the sample aspect ratio set by the "setsar" filter may be changed by later filters in the filterchain, e.g. if another "setsar" or a "setdar" filter is applied.

It accepts the following parameters:

r, ratio, dar ("setdar" only), sar ("setsar" only)
    Set the aspect ratio used by the filter.

    The parameter can be a floating point number string, or an expression. If the parameter is not specified, the value "0" is assumed, meaning that the same input value is used.

max Set the maximum integer value to use for expressing numerator and denominator when reducing the expressed aspect ratio to a rational. Default value is 100.

The parameter sar is an expression containing the following constants:

w, h
    The input width and height.

a   Same as w / h.

sar The input sample aspect ratio.

dar The input display aspect ratio. It is the same as (w / h) * sar.

hsub, vsub
    Horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p" hsub is 2 and vsub is 1.

Examples

•   To change the display aspect ratio to 16:9, specify one of the following:

            setdar=dar=1.77777
            setdar=dar=16/9

•   To change the sample aspect ratio to 10:11, specify:

            setsar=sar=10/11

•   To set a display aspect ratio of 16:9, and specify a maximum integer value of 1000 in the aspect ratio reduction, use the command:

            setdar=ratio=16/9:max=1000

  setfield
Force field for the output video frame.

The "setfield" filter marks the interlace type field for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by following filters (e.g. "fieldorder" or "yadif").

The filter accepts the following options:

mode
    Available values are:

    auto
        Keep the same field property.

    bff Mark the frame as bottom-field-first.

    tff Mark the frame as top-field-first.

    prog
        Mark the frame as progressive.

  setparams
Force frame parameter for the output video frame.

The "setparams" filter marks interlace and color range for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by filters/encoders.

field_mode
    Available values are:

    auto
        Keep the same field property (default).

    bff Mark the frame as bottom-field-first.

    tff Mark the frame as top-field-first.

    prog
        Mark the frame as progressive.

range
    Available values are:

    auto
        Keep the same color range property (default).

    unspecified, unknown
        Mark the frame as unspecified color range.

    limited, tv, mpeg
        Mark the frame as limited range.

    full, pc, jpeg
        Mark the frame as full range.

color_primaries
    Set the color primaries. Available values are:

    auto
        Keep the same color primaries property (default).

    bt709
    unknown
    bt470m
    bt470bg
    smpte170m
    smpte240m
    film
    bt2020
    smpte428
    smpte431
    smpte432
    jedec-p22
color_trc
    Set the color transfer. Available values are:

    auto
        Keep the same color trc property (default).

    bt709
    unknown
    bt470m
    bt470bg
    smpte170m
    smpte240m
    linear
    log100
    log316
    iec61966-2-4
    bt1361e
    iec61966-2-1
    bt2020-10
    bt2020-12
    smpte2084
    smpte428
    arib-std-b67
colorspace
    Set the colorspace. Available values are:

    auto
        Keep the same colorspace property (default).

    gbr
    bt709
    unknown
    fcc
    bt470bg
    smpte170m
    smpte240m
    ycgco
    bt2020nc
    bt2020c
    smpte2085
    chroma-derived-nc
    chroma-derived-c
    ictcp
chroma_location
    Set the chroma sample location. Available values are:

    auto
        Keep the same chroma location (default).

    unspecified, unknown
    left
    center
    topleft
    top
    bottomleft
    bottom
alpha_mode
    Set the alpha moda. Available values are:

    auto
        Keep the same alpha mode (default).

    unspecified, unknown
    premultiplied
    straight

  shear
Apply shear transform to input video.

This filter supports the following options:

shx Shear factor in X-direction. Default value is 0. Allowed range is from -2 to 2.

shy Shear factor in Y-direction. Default value is 0. Allowed range is from -2 to 2.

fillcolor, c
    Set the color used to fill the output area not covered by the transformed video. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual. If the special value "none" is selected then no background is printed (useful for example if the background is never shown).

    Default value is "black".

interp
    Set interpolation type. Can be "bilinear" or "nearest". Default is "bilinear".

Commands

This filter supports the all above options as commands.

  showinfo
Show a line containing various information for each input video frame. The input video is not modified.

This filter supports the following options:

checksum
    Calculate checksums of each plane. By default enabled.

udu_sei_as_ascii
    Try to print user data unregistered SEI as ascii character when possible, in hex format otherwise.

The shown line contains a sequence of key/value pairs of the form key:value.

The following values are shown in the output:

n   The (sequential) number of the input frame, starting from 0.

pts The Presentation TimeStamp of the input frame, expressed as a number of time base units. The time base unit depends on the filter input pad.

pts_time
    The Presentation TimeStamp of the input frame, expressed as a number of seconds.

fmt The pixel format name.

sar The sample aspect ratio of the input frame, expressed in the form num/den.

s   The size of the input frame. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

i   The type of interlaced mode ("P" for "progressive", "T" for top field first, "B" for bottom field first).

iskey
    This is 1 if the frame is a key frame, 0 otherwise.

type
    The picture type of the input frame ("I" for an I-frame, "P" for a P-frame, "B" for a B-frame, or "?" for an unknown type). Also refer to the documentation of the "AVPictureType" enum and of the "av_get_picture_type_char" function defined in libavutil/avutil.h.

checksum
    The Adler-32 checksum (printed in hexadecimal) of all the planes of the input frame.

plane_checksum
    The Adler-32 checksum (printed in hexadecimal) of each plane of the input frame, expressed in the form "[c0 c1 c2 c3]".

mean
    The mean value of pixels in each plane of the input frame, expressed in the form "[mean0 mean1 mean2 mean3]".

stdev
    The standard deviation of pixel values in each plane of the input frame, expressed in the form "[stdev0 stdev1 stdev2 stdev3]".

  showpalette
Displays the 256 colors palette of each frame. This filter is only relevant for pal8 pixel format frames.

It accepts the following option:

s   Set the size of the box used to represent one palette color entry. Default is 30 (for a "30x30" pixel box).

  shuffleframes
Reorder and/or duplicate and/or drop video frames.

It accepts the following parameters:

mapping
    Set the destination indexes of input frames. This is space or '|' separated list of indexes that maps input frames to output frames. Number of indexes also sets maximal value that each index may have. '-1' index have special meaning and that is to drop frame.

The first frame has the index 0. The default is to keep the input unchanged.

Examples

•   Swap second and third frame of every three frames of the input:

            ffmpeg -i INPUT -vf "shuffleframes=0 2 1" OUTPUT

•   Swap 10th and 1st frame of every ten frames of the input:

            ffmpeg -i INPUT -vf "shuffleframes=9 1 2 3 4 5 6 7 8 0" OUTPUT

  shufflepixels
Reorder pixels in video frames.

This filter accepts the following options:

direction, d
    Set shuffle direction. Can be forward or inverse direction. Default direction is forward.

mode, m
    Set shuffle mode. Can be horizontal, vertical or block mode.

width, w
height, h
    Set shuffle block_size. In case of horizontal shuffle mode only width part of size is used, and in case of vertical shuffle mode only height part of size is used.

seed, s
    Set random seed used with shuffling pixels. Mainly useful to set to be able to reverse filtering process to get original input. For example, to reverse forward shuffle you need to use same parameters and exact same seed and to set direction to inverse.

  shuffleplanes
Reorder and/or duplicate video planes.

It accepts the following parameters:

map0
    The index of the input plane to be used as the first output plane.

map1
    The index of the input plane to be used as the second output plane.

map2
    The index of the input plane to be used as the third output plane.

map3
    The index of the input plane to be used as the fourth output plane.

The first plane has the index 0. The default is to keep the input unchanged.

Examples

•   Swap the second and third planes of the input:

            ffmpeg -i INPUT -vf shuffleplanes=0:2:1:3 OUTPUT

  signalstats
Evaluate various visual metrics that assist in determining issues associated with the digitization of analog video media.

By default the filter will log these metadata values:

YMIN
    Display the minimal Y value contained within the input frame. Expressed in range of [0-255].

YLOW
    Display the Y value at the 10% percentile within the input frame. Expressed in range of [0-255].

YAVG
    Display the average Y value within the input frame. Expressed in range of [0-255].

YHIGH
    Display the Y value at the 90% percentile within the input frame. Expressed in range of [0-255].

YMAX
    Display the maximum Y value contained within the input frame. Expressed in range of [0-255].

UMIN
    Display the minimal U value contained within the input frame. Expressed in range of [0-255].

ULOW
    Display the U value at the 10% percentile within the input frame. Expressed in range of [0-255].

UAVG
    Display the average U value within the input frame. Expressed in range of [0-255].

UHIGH
    Display the U value at the 90% percentile within the input frame. Expressed in range of [0-255].

UMAX
    Display the maximum U value contained within the input frame. Expressed in range of [0-255].

VMIN
    Display the minimal V value contained within the input frame. Expressed in range of [0-255].

VLOW
    Display the V value at the 10% percentile within the input frame. Expressed in range of [0-255].

VAVG
    Display the average V value within the input frame. Expressed in range of [0-255].

VHIGH
    Display the V value at the 90% percentile within the input frame. Expressed in range of [0-255].

VMAX
    Display the maximum V value contained within the input frame. Expressed in range of [0-255].

SATMIN
    Display the minimal saturation value contained within the input frame. Expressed in range of [0-~181.02].

SATLOW
    Display the saturation value at the 10% percentile within the input frame. Expressed in range of [0-~181.02].

SATAVG
    Display the average saturation value within the input frame. Expressed in range of [0-~181.02].

SATHIGH
    Display the saturation value at the 90% percentile within the input frame. Expressed in range of [0-~181.02].

SATMAX
    Display the maximum saturation value contained within the input frame. Expressed in range of [0-~181.02].

HUEMED
    Display the median value for hue within the input frame. Expressed in range of [0-360].

HUEAVG
    Display the average value for hue within the input frame. Expressed in range of [0-360].

YDIF
    Display the average of sample value difference between all values of the Y plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

UDIF
    Display the average of sample value difference between all values of the U plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

VDIF
    Display the average of sample value difference between all values of the V plane in the current frame and corresponding values of the previous input frame. Expressed in range of [0-255].

YBITDEPTH
    Display bit depth of Y plane in current frame. Expressed in range of [0-16].

UBITDEPTH
    Display bit depth of U plane in current frame. Expressed in range of [0-16].

VBITDEPTH
    Display bit depth of V plane in current frame. Expressed in range of [0-16].

The filter accepts the following options:

stat
out stat specify an additional form of image analysis. out output video with the specified type of pixel highlighted.

    Both options accept the following values:

    tout
        Identify temporal outliers pixels. A temporal outlier is a pixel unlike the neighboring pixels of the same field. Examples of temporal outliers include the results of video dropouts, head clogs, or tape tracking issues.

    vrep
        Identify vertical line repetition. Vertical line repetition includes similar rows of pixels within a frame. In born-digital video vertical line repetition is common, but this pattern is uncommon in video digitized from an analog source. When it occurs in video that results from the digitization of an analog source it can indicate concealment from a dropout compensator.

    brng
        Identify pixels that fall outside of legal broadcast range.

color, c
    Set the highlight color for the out option. The default color is yellow.

Examples

•   Output data of various video metrics:

            ffprobe -f lavfi movie=example.mov,signalstats="stat=tout+vrep+brng" -show_frames

•   Output specific data about the minimum and maximum values of the Y plane per frame:

            ffprobe -f lavfi movie=example.mov,signalstats -show_entries frame_tags=lavfi.signalstats.YMAX,lavfi.signalstats.YMIN

•   Playback video while highlighting pixels that are outside of broadcast range in red.

            ffplay example.mov -vf signalstats="out=brng:color=red"

•   Playback video with signalstats metadata drawn over the frame.

            ffplay example.mov -vf signalstats=stat=brng+vrep+tout,drawtext=fontfile=FreeSerif.ttf:textfile=signalstat_drawtext.txt

    The contents of signalstat_drawtext.txt used in the command are:

            time %{pts:hms}
            Y (%{metadata:lavfi.signalstats.YMIN}-%{metadata:lavfi.signalstats.YMAX})
            U (%{metadata:lavfi.signalstats.UMIN}-%{metadata:lavfi.signalstats.UMAX})
            V (%{metadata:lavfi.signalstats.VMIN}-%{metadata:lavfi.signalstats.VMAX})
            saturation maximum: %{metadata:lavfi.signalstats.SATMAX}

  signature
Calculates the MPEG-7 Video Signature. The filter can handle more than one input. In this case the matching between the inputs can be calculated additionally. The filter always passes through the first input. The signature of each stream can be written into a file.

It accepts the following options:

detectmode
    Enable or disable the matching process.

    Available values are:

    off Disable the calculation of a matching (default).

    full
        Calculate the matching for the whole video and output whether the whole video matches or only parts.

    fast
        Calculate only until a matching is found or the video ends. Should be faster in some cases.

nb_inputs
    Set the number of inputs. The option value must be a non negative integer. Default value is 1.

filename
    Set the path to which the output is written. If there is more than one input, the path must be a prototype, i.e. must contain %d or %0nd (where n is a positive integer), that will be replaced with the input number. If no filename is specified, no output will be written. This is the default.

format
    Choose the output format.

    Available values are:

    binary
        Use the specified binary representation (default).

    xml Use the specified xml representation.

th_d
    Set threshold to detect one word as similar. The option value must be an integer greater than zero. The default value is 9000.

th_dc
    Set threshold to detect all words as similar. The option value must be an integer greater than zero. The default value is 60000.

th_xh
    Set threshold to detect frames as similar. The option value must be an integer greater than zero. The default value is 116.

th_di
    Set the minimum length of a sequence in frames to recognize it as matching sequence. The option value must be a non negative integer value. The default value is 0.

th_it
    Set the minimum relation, that matching frames to all frames must have. The option value must be a double value between 0 and 1. The default value is 0.5.

Examples

•   To calculate the signature of an input video and store it in signature.bin:

            ffmpeg -i input.mkv -vf signature=filename=signature.bin -map 0:v -f null -

•   To detect whether two videos match and store the signatures in XML format in signature0.xml and signature1.xml:

            ffmpeg -i input1.mkv -i input2.mkv -filter_complex "[0:v][1:v] signature=nb_inputs=2:detectmode=full:format=xml:filename=signature%d.xml" -map :v -f null -

  siti
Calculate Spatial Information (SI) and Temporal Information (TI) scores for a video, as defined in ITU-T Rec. P.910 (11/21): Subjective video quality assessment methods for multimedia applications. Available PDF at <https://www.itu.int/rec/T-REC-P.910-202111-S/en>. Note that this is a legacy implementation that corresponds to a superseded recommendation. Refer to ITU-T Rec. P.910 (07/22) for the latest version: <https://www.itu.int/rec/T-REC-P.910-202207-I/en>

It accepts the following option:

print_summary
    If set to 1, Summary statistics will be printed to the console. Default 0.

Examples

•   To calculate SI/TI metrics and print summary:

            ffmpeg -i input.mp4 -vf siti=print_summary=1 -f null -

  smartblur
Blur the input video without impacting the outlines.

It accepts the following options:

luma_radius, lr
    Set the luma radius. The option value must be a float number in the range [0.1,5.0] that specifies the variance of the gaussian filter used to blur the image (slower if larger). Default value is 1.0.

luma_strength, ls
    Set the luma strength. The option value must be a float number in the range [-1.0,1.0] that configures the blurring. A value included in [0.0,1.0] will blur the image whereas a value included in [-1.0,0.0] will sharpen the image. Default value is 1.0.

luma_threshold, lt
    Set the luma threshold used as a coefficient to determine whether a pixel should be blurred or not. The option value must be an integer in the range [-30,30]. A value of 0 will filter all the image, a value included in [0,30] will filter flat areas and a value included in [-30,0] will filter edges. Default value is 0.

chroma_radius, cr
    Set the chroma radius. The option value must be a float number in the range [0.1,5.0] that specifies the variance of the gaussian filter used to blur the image (slower if larger). Default value is luma_radius.

chroma_strength, cs
    Set the chroma strength. The option value must be a float number in the range [-1.0,1.0] that configures the blurring. A value included in [0.0,1.0] will blur the image whereas a value included in [-1.0,0.0] will sharpen the image. Default value is luma_strength.

chroma_threshold, ct
    Set the chroma threshold used as a coefficient to determine whether a pixel should be blurred or not. The option value must be an integer in the range [-30,30]. A value of 0 will filter all the image, a value included in [0,30] will filter flat areas and a value included in [-30,0] will filter edges. Default value is luma_threshold.

alpha_radius, ar
    Set the alpha radius. The option value must be a float number in the range [0.1,5.0] that specifies the variance of the gaussian filter used to blur the image (slower if larger). Default value is luma_radius.

alpha_strength, as
    Set the alpha strength. The option value must be a float number in the range [-1.0,1.0] that configures the blurring. A value included in [0.0,1.0] will blur the image whereas a value included in [-1.0,0.0] will sharpen the image. Default value is luma_strength.

alpha_threshold, at
    Set the alpha threshold used as a coefficient to determine whether a pixel should be blurred or not. The option value must be an integer in the range [-30,30]. A value of 0 will filter all the image, a value included in [0,30] will filter flat areas and a value included in [-30,0] will filter edges. Default value is luma_threshold.

If a chroma or alpha option is not explicitly set, the corresponding luma value is set.

  sobel
Apply sobel operator to input video stream.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

scale
    Set value which will be multiplied with filtered result.

delta
    Set value which will be added to filtered result.

Commands

This filter supports the all above options as commands.

  spp
Apply a simple postprocessing filter that compresses and decompresses the image at several (or - in the case of quality level 6 - all) shifts and average the results.

The filter accepts the following options:

quality
    Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 0-6. If set to 0, the filter will have no effect. A value of 6 means the higher quality. For each increment of that value the speed drops by a factor of approximately 2. Default value is 3.

qp  Force a constant quantization parameter. If not set, the filter will use the QP from the video stream (if available).

mode
    Set thresholding mode. Available modes are:

    hard
        Set hard thresholding (default).

    soft
        Set soft thresholding (better de-ringing effect, but likely blurrier).

use_bframe_qp
    Enable the use of the QP from the B-Frames if set to 1. Using this option may cause flicker since the B-Frames have often larger QP. Default is 0 (not enabled).

Commands

This filter supports the following commands:

quality, level
    Set quality level. The value "max" can be used to set the maximum level, currently 6.

  sr
Scale the input by applying one of the super-resolution methods based on convolutional neural networks. Supported models:

•   Super-Resolution Convolutional Neural Network model (SRCNN). See <https://arxiv.org/abs/1501.00092>.

•   Efficient Sub-Pixel Convolutional Neural Network model (ESPCN). See <https://arxiv.org/abs/1609.05158>.

Training scripts as well as scripts for model file (.pb) saving can be found at <https://github.com/XueweiMeng/sr/tree/sr_dnn_native>. Original repository is at <https://github.com/HighVoltageRocknRoll/sr.git>.

The filter accepts the following options:

dnn_backend
    Specify which DNN backend to use for model loading and execution. This option accepts the following values:

    tensorflow
        TensorFlow backend. To enable this backend you need to install the TensorFlow for C library (see <https://www.tensorflow.org/install/lang_c>) and configure FFmpeg with "--enable-libtensorflow"

model
    Set path to model file specifying network architecture and its parameters. Note that different backends use different file formats. TensorFlow, OpenVINO backend can load files for only its format.

scale_factor
    Set scale factor for SRCNN model. Allowed values are 2, 3 and 4. Default value is 2. Scale factor is necessary for SRCNN model, because it accepts input upscaled using bicubic upscaling with proper scale factor.

To get full functionality (such as async execution), please use the dnn_processing filter.

  sr_amf
Upscale (size increasing) for the input video using AMD Advanced Media Framework library for hardware acceleration. Use advanced algorithms for upscaling with higher output quality. Setting the output width and height works in the same way as for the scale filter.

The filter accepts the following options:

w
h   Set the output video dimension expression. Default value is the input dimension.

    Allows for the same expressions as the scale filter.

algorithm
    Sets the algorithm used for scaling:

    bilinear
        Bilinear

    bicubic
        Bicubic

    sr1-0
        Video SR1.0 This is a default value

    point
        Point

    sr1-1
        Video SR1.1

sharpness
    Control hq scaler sharpening. The value is a float in the range of [0.0, 2.0]

format
    Controls the output pixel format. By default, or if none is specified, the input pixel format is used.

keep-ratio
    Force the scaler to keep the aspect ratio of the input image when the output size has a different aspect ratio. Default value is false.

fill
    Specifies whether the output image outside the region of interest, which does not fill the entire output surface should be filled with a solid color.

Examples

•   Scale input to 720p, keeping aspect ratio and ensuring the output is yuv420p.

            sr_amf=-2:720:format=yuv420p

•   Upscale to 4K with algorithm video SR1.1.

            sr_amf=4096:2160:algorithm=sr1-1

  ssim
Obtain the SSIM (Structural SImilarity Metric) between two input videos.

This filter takes in input two input videos, the first input is considered the "main" source and is passed unchanged to the output. The second input is used as a "reference" video for computing the SSIM.

Both video inputs must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The filter stores the calculated SSIM of each frame.

The description of the accepted parameters follows.

stats_file, f
    If specified the filter will use the named file to save the SSIM of each individual frame. When filename equals "-" the data is sent to standard output.

The file printed if stats_file is selected, contains a sequence of key/value pairs of the form key:value for each compared couple of frames.

A description of each shown parameter follows:

n   sequential number of the input frame, starting from 1

Y, U, V, R, G, B
    SSIM of the compared frames for the component specified by the suffix.

All SSIM of the compared frames for the whole frame.

dB  Same as above but in dB representation.

This filter also supports the framesync options.

Examples

•   For example:

            movie=ref_movie.mpg, setpts=PTS-STARTPTS [main];
            [main][ref] ssim="stats_file=stats.log" [out]

    On this example the input file being processed is compared with the reference file ref_movie.mpg. The SSIM of each individual frame is stored in stats.log.

•   Another example with both psnr and ssim at same time:

            ffmpeg -i main.mpg -i ref.mpg -lavfi  "ssim;[0:v][1:v]psnr" -f null -

•   Another example with different containers:

            ffmpeg -i main.mpg -i ref.mkv -lavfi  "[0:v]settb=AVTB,setpts=PTS-STARTPTS[main];[1:v]settb=AVTB,setpts=PTS-STARTPTS[ref];[main][ref]ssim" -f null -

  stereo3d
Convert between different stereoscopic image formats.

The filters accept the following options:

in  Set stereoscopic image format of input.

    Available values for input image formats are:

    sbsl
        side by side parallel (left eye left, right eye right)

    sbsr
        side by side crosseye (right eye left, left eye right)

    sbs2l
        side by side parallel with half width resolution (left eye left, right eye right)

    sbs2r
        side by side crosseye with half width resolution (right eye left, left eye right)

    abl
    tbl above-below (left eye above, right eye below)

    abr
    tbr above-below (right eye above, left eye below)

    ab2l
    tb2l
        above-below with half height resolution (left eye above, right eye below)

    ab2r
    tb2r
        above-below with half height resolution (right eye above, left eye below)

    al  alternating frames (left eye first, right eye second)

    ar  alternating frames (right eye first, left eye second)

    irl interleaved rows (left eye has top row, right eye starts on next row)

    irr interleaved rows (right eye has top row, left eye starts on next row)

    icl interleaved columns, left eye first

    icr interleaved columns, right eye first

        Default value is sbsl.

out Set stereoscopic image format of output.

    sbsl
        side by side parallel (left eye left, right eye right)

    sbsr
        side by side crosseye (right eye left, left eye right)

    sbs2l
        side by side parallel with half width resolution (left eye left, right eye right)

    sbs2r
        side by side crosseye with half width resolution (right eye left, left eye right)

    abl
    tbl above-below (left eye above, right eye below)

    abr
    tbr above-below (right eye above, left eye below)

    ab2l
    tb2l
        above-below with half height resolution (left eye above, right eye below)

    ab2r
    tb2r
        above-below with half height resolution (right eye above, left eye below)

    al  alternating frames (left eye first, right eye second)

    ar  alternating frames (right eye first, left eye second)

    irl interleaved rows (left eye has top row, right eye starts on next row)

    irr interleaved rows (right eye has top row, left eye starts on next row)

    arbg
        anaglyph red/blue gray (red filter on left eye, blue filter on right eye)

    argg
        anaglyph red/green gray (red filter on left eye, green filter on right eye)

    arcg
        anaglyph red/cyan gray (red filter on left eye, cyan filter on right eye)

    arch
        anaglyph red/cyan half colored (red filter on left eye, cyan filter on right eye)

    arcc
        anaglyph red/cyan color (red filter on left eye, cyan filter on right eye)

    arcd
        anaglyph red/cyan color optimized with the least squares projection of dubois (red filter on left eye, cyan filter on right eye)

    agmg
        anaglyph green/magenta gray (green filter on left eye, magenta filter on right eye)

    agmh
        anaglyph green/magenta half colored (green filter on left eye, magenta filter on right eye)

    agmc
        anaglyph green/magenta colored (green filter on left eye, magenta filter on right eye)

    agmd
        anaglyph green/magenta color optimized with the least squares projection of dubois (green filter on left eye, magenta filter on right eye)

    aybg
        anaglyph yellow/blue gray (yellow filter on left eye, blue filter on right eye)

    aybh
        anaglyph yellow/blue half colored (yellow filter on left eye, blue filter on right eye)

    aybc
        anaglyph yellow/blue colored (yellow filter on left eye, blue filter on right eye)

    aybd
        anaglyph yellow/blue color optimized with the least squares projection of dubois (yellow filter on left eye, blue filter on right eye)

    ml  mono output (left eye only)

    mr  mono output (right eye only)

    chl checkerboard, left eye first

    chr checkerboard, right eye first

    icl interleaved columns, left eye first

    icr interleaved columns, right eye first

    hdmi
        HDMI frame pack

    Default value is arcd.

Examples

•   Convert input video from side by side parallel to anaglyph yellow/blue dubois:

            stereo3d=sbsl:aybd

•   Convert input video from above below (left eye above, right eye below) to side by side crosseye.

            stereo3d=abl:sbsr

  streamselect, astreamselect
Select video or audio streams.

The filter accepts the following options:

inputs
    Set number of inputs. Default is 2.

map Set input indexes to remap to outputs.

Commands

The "streamselect" and "astreamselect" filter supports the following commands:

map Set input indexes to remap to outputs.

Examples

•   Select first 5 seconds 1st stream and rest of time 2nd stream:

            sendcmd='5.0 streamselect map 1',streamselect=inputs=2:map=0

•   Same as above, but for audio:

            asendcmd='5.0 astreamselect map 1',astreamselect=inputs=2:map=0

  subtitles
Draw subtitles on top of input video using the libass library.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libass". This filter also requires a build with libavcodec and libavformat to convert the passed subtitles file to ASS (Advanced Substation Alpha) subtitles format.

The filter accepts the following options:

filename, f
    Set the filename of the subtitle file to read. It must be specified.

original_size
    Specify the size of the original video, the video for which the ASS file was composed. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Due to a misdesign in ASS aspect ratio arithmetic, this is necessary to correctly scale the fonts if the aspect ratio has been changed.

fontsdir
    Set a directory path containing fonts that can be used by the filter. These fonts will be used in addition to whatever the font provider uses.

alpha
    Process alpha channel, by default alpha channel is untouched.

charenc
    Set subtitles input character encoding. "subtitles" filter only. Only useful if not UTF-8.

stream_index, si
    Set subtitles stream index. "subtitles" filter only.

force_style
    Override default style or script info parameters of the subtitles. It accepts a string containing ASS style format "KEY=VALUE" couples separated by ",".

wrap_unicode
    Break lines according to the Unicode Line Breaking Algorithm. Availability requires at least libass release 0.17.0 (or LIBASS_VERSION 0x01600010), and libass must have been built with libunibreak.

    The option is enabled by default except for native ASS.

If the first key is not specified, it is assumed that the first value specifies the filename.

For example, to render the file sub.srt on top of the input video, use the command:

        subtitles=sub.srt

which is equivalent to:

        subtitles=filename=sub.srt

To render the default subtitles stream from file video.mkv, use:

        subtitles=video.mkv

To render the second subtitles stream from that file, use:

        subtitles=video.mkv:si=1

To make the subtitles stream from sub.srt appear in 80% transparent blue "DejaVu Serif", use:

        subtitles=sub.srt:force_style='Fontname=DejaVu Serif,PrimaryColour=&HCCFF0000'

  super2xsai
Scale the input by 2x and smooth using the Super2xSaI (Scale and Interpolate) pixel art scaling algorithm.

Useful for enlarging pixel art images without reducing sharpness.

  swaprect
Swap two rectangular objects in video.

This filter accepts the following options:

w   Set object width.

h   Set object height.

x1  Set 1st rect x coordinate.

y1  Set 1st rect y coordinate.

x2  Set 2nd rect x coordinate.

y2  Set 2nd rect y coordinate.

    All expressions are evaluated once for each frame.

The all options are expressions containing the following constants:

w
h   The input width and height.

a   same as w / h

sar input sample aspect ratio

dar input display aspect ratio, it is the same as (w / h) * sar

n   The number of the input frame, starting from 0.

t   The timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

pos the position in the file of the input frame, NAN if unknown; deprecated, do not use

Commands

This filter supports the all above options as commands.

  swapuv
Swap U & V plane.

  tblend
Blend successive video frames.

See blend

  telecine
Apply telecine process to the video.

This filter accepts the following options:

first_field
    top, t
        top field first

    bottom, b
        bottom field first The default value is "top".

pattern
    A string of numbers representing the pulldown pattern you wish to apply. The default value is 23.

        Some typical patterns:

        NTSC output (30i):
        27.5p: 32222
        24p: 23 (classic)
        24p: 2332 (preferred)
        20p: 33
        18p: 334
        16p: 3444

        PAL output (25i):
        27.5p: 12222
        24p: 222222222223 ("Euro pulldown")
        16.67p: 33
        16p: 33333334

  thistogram
Compute and draw a color distribution histogram for the input video across time.

Unlike histogram video filter which only shows histogram of single input frame at certain time, this filter shows also past histograms of number of frames defined by "width" option.

The computed histogram is a representation of the color component distribution in an image.

The filter accepts the following options:

width, w
    Set width of single color component output. Default value is 0. Value of 0 means width will be picked from input video. This also set number of passed histograms to keep. Allowed range is [0, 8192].

display_mode, d
    Set display mode. It accepts the following values:

    stack
        Per color component graphs are placed below each other.

    parade
        Per color component graphs are placed side by side.

    overlay
        Presents information identical to that in the "parade", except that the graphs representing color components are superimposed directly over one another.

    Default is "stack".

levels_mode, m
    Set mode. Can be either "linear", or "logarithmic". Default is "linear".

components, c
    Set what color components to display. Default is 7.

bgopacity, b
    Set background opacity. Default is 0.9.

envelope, e
    Show envelope. Default is disabled.

ecolor, ec
    Set envelope color. Default is "gold".

slide
    Set slide mode.

    Available values for slide is:

    frame
        Draw new frame when right border is reached.

    replace
        Replace old columns with new ones.

    scroll
        Scroll from right to left.

    rscroll
        Scroll from left to right.

    picture
        Draw single picture.

    Default is "replace".

  threshold
Apply threshold effect to video stream.

This filter needs four video streams to perform thresholding. First stream is stream we are filtering. Second stream is holding threshold values, third stream is holding min values, and last, fourth stream is holding max values.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

For example if first stream pixel's component value is less then threshold value of pixel component from 2nd threshold stream, third stream value will picked, otherwise fourth stream pixel component value will be picked.

Using color source filter one can perform various types of thresholding:

Commands

This filter supports the all options as commands.

Examples

•   Binary threshold, using gray color as threshold:

            ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=black -f lavfi -i color=white -lavfi threshold output.avi

•   Inverted binary threshold, using gray color as threshold:

            ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -f lavfi -i color=black -lavfi threshold output.avi

•   Truncate binary threshold, using gray color as threshold:

            ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=gray -lavfi threshold output.avi

•   Threshold to zero, using gray color as threshold:

            ffmpeg -i 320x240.avi -f lavfi -i color=gray -f lavfi -i color=white -i 320x240.avi -lavfi threshold output.avi

•   Inverted threshold to zero, using gray color as threshold:

            ffmpeg -i 320x240.avi -f lavfi -i color=gray -i 320x240.avi -f lavfi -i color=white -lavfi threshold output.avi

  thumbnail
Select the most representative frame in a given sequence of consecutive frames.

The filter accepts the following options:

n   Set the frames batch size to analyze; in a set of n frames, the filter will pick one of them, and then handle the next batch of n frames until the end. Default is 100.

log Set the log level to display picked frame stats. Default is "info".

Since the filter keeps track of the whole frames sequence, a bigger n value will result in a higher memory usage, so a high value is not recommended.

Examples

•   Extract one picture each 50 frames:

            thumbnail=50

•   Complete example of a thumbnail creation with ffmpeg:

            ffmpeg -i in.avi -vf thumbnail,scale=300:200 -frames:v 1 out.png

  tile
Tile several successive frames together.

The untile filter can do the reverse.

The filter accepts the following options:

layout
    Set the grid size in the form "COLUMNSxROWS". Range is up to UINT_MAX cells. Default is "6x5".

nb_frames
    Set the maximum number of frames to render in the given area. It must be less than or equal to wxh. The default value is 0, meaning all the area will be used.

margin
    Set the outer border margin in pixels. Range is 0 to 1024. Default is 0.

padding
    Set the inner border thickness (i.e. the number of pixels between frames). For more advanced padding options (such as having different values for the edges), refer to the pad video filter. Range is 0 to 1024. Default is 0.

color
    Specify the color of the unused area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual. The default value of color is "black".

overlap
    Set the number of frames to overlap when tiling several successive frames together. The value must be between 0 and nb_frames - 1. Default is 0.

init_padding
    Set the number of frames to initially be empty before displaying first output frame. This controls how soon will one get first output frame. The value must be between 0 and nb_frames - 1. Default is 0.

Examples

•   Produce 8x8 PNG tiles of all keyframes (-skip_frame nokey) in a movie:

            ffmpeg -skip_frame nokey -i file.avi -vf 'scale=128:72,tile=8x8' -an -vsync 0 keyframes%03d.png

    The -vsync 0 is necessary to prevent ffmpeg from duplicating each output frame to accommodate the originally detected frame rate.

•   Display 5 pictures in an area of "3x2" frames, with 7 pixels between them, and 2 pixels of initial margin, using mixed flat and named options:

            tile=3x2:nb_frames=5:padding=7:margin=2

  tiltandshift
Apply tilt-and-shift effect.

What happens when you invert time and space?

Normally a video is composed of several frames that represent a different instant of time and shows a scene that evolves in the space captured by the frame. This filter is the antipode of that concept, taking inspiration from tilt and shift photography.

A filtered frame contains the whole timeline of events composing the sequence, and this is obtained by placing a slice of pixels from each frame into a single one. However, since there are no infinite-width frames, this is done up the width of the input frame, and a video is recomposed by shifting away one column for each subsequent frame. In order to map space to time, the filter tilts each input frame as well, so that motion is preserved. This is accomplished by progressively selecting a different column from each input frame.

The end result is a sort of inverted parallax, so that far away objects move much faster that the ones in the front. The ideal conditions for this video effect are when there is either very little motion and the background is static, or when there is a lot of motion and a very wide depth of field (e.g. wide panorama, while moving on a train).

The filter accepts the following parameters:

tilt
    Tilt video while shifting (default). When unset, video will be sliding a static image, composed of the first column of each frame.

start
    What to do at the start of filtering (see below).

end What to do at the end of filtering (see below).

hold
    How many columns should pass through before start of filtering.

pad How many columns should be inserted before end of filtering.

Normally the filter shifts and tilts from the very first frame, and stops when the last one is received. However, before filtering starts, normal video may be preserved, so that the effect is slowly shifted in its place. Similarly, the last video frame may be reconstructed at the end. Alternatively it is possible to just start and end with black.

none
    Filtering starts immediately and ends when the last frame is received.

frame
    The first frames or the very last frame are kept intact during processing.

black
    Black is padded at the beginning or at the end of filtering.

  tinterlace
Perform various types of temporal field interlacing.

Frames are counted starting from 1, so the first input frame is considered odd.

The filter accepts the following options:

mode
    Specify the mode of the interlacing. This option can also be specified as a value alone. See below for a list of values for this option.

    Available values are:

    merge, 0
        Move odd frames into the upper field, even into the lower field, generating a double height frame at half frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444

                Output:
                11111                           33333
                22222                           44444
                11111                           33333
                22222                           44444
                11111                           33333
                22222                           44444
                11111                           33333
                22222                           44444

    drop_even, 1
        Only output odd frames, even frames are dropped, generating a frame with unchanged height at half frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444

                Output:
                11111                           33333
                11111                           33333
                11111                           33333
                11111                           33333

    drop_odd, 2
        Only output even frames, odd frames are dropped, generating a frame with unchanged height at half frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444

                Output:
                                22222                           44444
                                22222                           44444
                                22222                           44444
                                22222                           44444

    pad, 3
        Expand each frame to full height, but pad alternate lines with black, generating a frame with double height at the same input frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444

                Output:
                11111           .....           33333           .....
                .....           22222           .....           44444
                11111           .....           33333           .....
                .....           22222           .....           44444
                11111           .....           33333           .....
                .....           22222           .....           44444
                11111           .....           33333           .....
                .....           22222           .....           44444

    interleave_top, 4
        Interleave the upper field from odd frames with the lower field from even frames, generating a frame with unchanged height at half frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111<-         22222           33333<-         44444
                11111           22222<-         33333           44444<-
                11111<-         22222           33333<-         44444
                11111           22222<-         33333           44444<-

                Output:
                11111                           33333
                22222                           44444
                11111                           33333
                22222                           44444

    interleave_bottom, 5
        Interleave the lower field from odd frames with the upper field from even frames, generating a frame with unchanged height at half frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222<-         33333           44444<-
                11111<-         22222           33333<-         44444
                11111           22222<-         33333           44444<-
                11111<-         22222           33333<-         44444

                Output:
                22222                           44444
                11111                           33333
                22222                           44444
                11111                           33333

    interlacex2, 6
        Double frame rate with unchanged height. Frames are inserted each containing the second temporal field from the previous input frame and the first temporal field from the next input frame. This mode relies on the top_field_first flag. Useful for interlaced video displays with no field synchronisation.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                 11111           22222           33333           44444
                11111           22222           33333           44444
                 11111           22222           33333           44444

                Output:
                11111   22222   22222   33333   33333   44444   44444
                 11111   11111   22222   22222   33333   33333   44444
                11111   22222   22222   33333   33333   44444   44444
                 11111   11111   22222   22222   33333   33333   44444

    mergex2, 7
        Move odd frames into the upper field, even into the lower field, generating a double height frame at same frame rate.

                 ------> time
                Input:
                Frame 1         Frame 2         Frame 3         Frame 4

                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444
                11111           22222           33333           44444

                Output:
                11111           33333           33333           55555
                22222           22222           44444           44444
                11111           33333           33333           55555
                22222           22222           44444           44444
                11111           33333           33333           55555
                22222           22222           44444           44444
                11111           33333           33333           55555
                22222           22222           44444           44444

    Numeric values are deprecated but are accepted for backward compatibility reasons.

    Default mode is "merge".

flags
    Specify flags influencing the filter process.

    Available value for flags is:

    low_pass_filter, vlpf
        Enable linear vertical low-pass filtering in the filter. Vertical low-pass filtering is required when creating an interlaced destination from a progressive source which contains high-frequency vertical detail. Filtering will reduce interlace 'twitter' and Moire patterning.

    complex_filter, cvlpf
        Enable complex vertical low-pass filtering. This will slightly less reduce interlace 'twitter' and Moire patterning but better retain detail and subjective sharpness impression.

    bypass_il
        Bypass already interlaced frames, only adjust the frame rate.

    Vertical low-pass filtering and bypassing already interlaced frames can only be enabled for mode interleave_top and interleave_bottom.

  tmedian
Pick median pixels from several successive input video frames.

The filter accepts the following options:

radius
    Set radius of median filter. Default is 1. Allowed range is from 1 to 127.

planes
    Set which planes to filter. Default value is 15, by which all planes are processed.

percentile
    Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

Commands

This filter supports all above options as commands, excluding option "radius".

  tmidequalizer
Apply Temporal Midway Video Equalization effect.

Midway Video Equalization adjusts a sequence of video frames to have the same histograms, while maintaining their dynamics as much as possible. It's useful for e.g. matching exposures from a video frames sequence.

This filter accepts the following option:

radius
    Set filtering radius. Default is 5. Allowed range is from 1 to 127.

sigma
    Set filtering sigma. Default is 0.5. This controls strength of filtering. Setting this option to 0 effectively does nothing.

planes
    Set which planes to process. Default is 15, which is all available planes.

  tmix
Mix successive video frames.

A description of the accepted options follows.

frames
    The number of successive frames to mix. If unspecified, it defaults to 3.

weights
    Specify weight of each input video frame. Each weight is separated by space. If number of weights is smaller than number of frames last specified weight will be used for all remaining unset weights.

scale
    Specify scale, if it is set it will be multiplied with sum of each weight multiplied with pixel values to give final destination pixel value. By default scale is auto scaled to sum of weights.

planes
    Set which planes to filter. Default is all. Allowed range is from 0 to 15.

Examples

•   Average 7 successive frames:

            tmix=frames=7:weights="1 1 1 1 1 1 1"

•   Apply simple temporal convolution:

            tmix=frames=3:weights="-1 3 -1"

•   Similar as above but only showing temporal differences:

            tmix=frames=3:weights="-1 2 -1":scale=1

Commands

This filter supports the following commands:

weights
scale
planes
    Syntax is same as option with same name.

  tonemap
Tone map colors from different dynamic ranges.

This filter expects data in single precision floating point, as it needs to operate on (and can output) out-of-range values. Another filter, such as zscale, is needed to convert the resulting frame to a usable format.

The tonemapping algorithms implemented only work on linear light, so input data should be linearized beforehand (and possibly correctly tagged).

        ffmpeg -i INPUT -vf zscale=transfer=linear,tonemap=clip,zscale=transfer=bt709,format=yuv420p OUTPUT

Options

The filter accepts the following options.

tonemap
    Set the tone map algorithm to use.

    Possible values are:

    none
        Do not apply any tone map, only desaturate overbright pixels.

    clip
        Hard-clip any out-of-range values. Use it for perfect color accuracy for in-range values, while distorting out-of-range values.

    linear
        Stretch the entire reference gamut to a linear multiple of the display.

    gamma
        Fit a logarithmic transfer between the tone curves.

    reinhard
        Preserve overall image brightness with a simple curve, using nonlinear contrast, which results in flattening details and degrading color accuracy.

    hable
        Preserve both dark and bright details better than reinhard, at the cost of slightly darkening everything. Use it when detail preservation is more important than color and brightness accuracy.

    mobius
        Smoothly map out-of-range values, while retaining contrast and colors for in-range material as much as possible. Use it when color accuracy is more important than detail preservation.

    Default is none.

param
    Tune the tone mapping algorithm.

    This affects the following algorithms:

    none
        Ignored.

    linear
        Specifies the scale factor to use while stretching. Default to 1.0.

    gamma
        Specifies the exponent of the function. Default to 1.8.

    clip
        Specify an extra linear coefficient to multiply into the signal before clipping. Default to 1.0.

    reinhard
        Specify the local contrast coefficient at the display peak. Default to 0.5, which means that in-gamut values will be about half as bright as when clipping.

    hable
        Ignored.

    mobius
        Specify the transition point from linear to mobius transform. Every value below this point is guaranteed to be mapped 1:1. The higher the value, the more accurate the result will be, at the cost of losing bright details. Default to 0.3, which due to the steep initial slope still preserves in-range colors fairly accurately.

desat
    Apply desaturation for highlights that exceed this level of brightness. The higher the parameter, the more color information will be preserved. This setting helps prevent unnaturally blown-out colors for super-highlights, by (smoothly) turning into white instead. This makes images feel more natural, at the cost of reducing information about out-of-range colors.

    The default of 2.0 is somewhat conservative and will mostly just apply to skies or directly sunlit surfaces. A setting of 0.0 disables this option.

    This option works only if the input frame has a supported color tag.

peak
    Override signal/nominal/reference peak with this value. Useful when the embedded peak information in display metadata is not reliable or when tone mapping from a lower range to a higher range.

  tpad
Temporarily pad video frames.

The filter accepts the following options:

start
    Specify number of delay frames before input video stream. Default is 0.

stop
    Specify number of padding frames after input video stream. Set to -1 to pad indefinitely. Default is 0.

start_mode
    Set kind of frames added to beginning of stream. Can be either add or clone. With add frames of solid-color are added. With clone frames are clones of first frame. Default is add.

stop_mode
    Set kind of frames added to end of stream. Can be either add or clone. With add frames of solid-color are added. With clone frames are clones of last frame. Default is add.

start_duration, stop_duration
    Specify the duration of the start/stop delay. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax. These options override start and stop. Default is 0.

color
    Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

    The default value of color is "black".

  transpose
Transpose rows with columns in the input video and optionally flip it.

It accepts the following parameters:

dir Specify the transposition direction.

    Can assume the following values:

    0, 4, cclock_flip
        Rotate by 90 degrees counterclockwise and vertically flip (default), that is:

                L.R     L.l
                . . ->  . .
                l.r     R.r

    1, 5, clock
        Rotate by 90 degrees clockwise, that is:

                L.R     l.L
                . . ->  . .
                l.r     r.R

    2, 6, cclock
        Rotate by 90 degrees counterclockwise, that is:

                L.R     R.r
                . . ->  . .
                l.r     L.l

    3, 7, clock_flip
        Rotate by 90 degrees clockwise and vertically flip, that is:

                L.R     r.R
                . . ->  . .
                l.r     l.L

    For values between 4-7, the transposition is only done if the input video geometry is portrait and not landscape. These values are deprecated, the "passthrough" option should be used instead.

    Numerical values are deprecated, and should be dropped in favor of symbolic constants.

passthrough
    Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

    none
        Always apply transposition.

    portrait
        Preserve portrait geometry (when height >= width).

    landscape
        Preserve landscape geometry (when width >= height).

    Default value is "none".

For example to rotate by 90 degrees clockwise and preserve portrait layout:

        transpose=dir=1:passthrough=portrait

The command above can also be specified as:

        transpose=1:portrait

  trim
Trim the input so that the output contains one continuous subpart of the input.

It accepts the following parameters:

start
    Specify the time of the start of the kept section, i.e. the frame with the timestamp start will be the first frame in the output.

end Specify the time of the first frame that will be dropped, i.e. the frame immediately preceding the one with the timestamp end will be the last frame in the output.

start_pts
    This is the same as start, except this option sets the start timestamp in timebase units instead of seconds.

end_pts
    This is the same as end, except this option sets the end timestamp in timebase units instead of seconds.

duration
    The maximum duration of the output in seconds.

start_frame
    The number of the first frame that should be passed to the output.

end_frame
    The number of the first frame that should be dropped.

start, end, and duration are expressed as time duration specifications; see the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

Note that the first two sets of the start/end options and the duration option look at the frame timestamp, while the _frame variants simply count the frames that pass through the filter. Also note that this filter does not modify the timestamps. If you wish for the output timestamps to start at zero, insert a setpts filter after the trim filter.

If multiple start or end options are set, this filter tries to be greedy and keep all the frames that match at least one of the specified constraints. To keep only the part that matches all the constraints at once, chain multiple trim filters.

The defaults are such that all the input is kept. So it is possible to set e.g. just the end values to keep everything before the specified time.

Examples:

•   Drop everything except the second minute of input:

            ffmpeg -i INPUT -vf trim=60:120

•   Keep only the first second:

            ffmpeg -i INPUT -vf trim=duration=1

  unpremultiply
Apply alpha unpremultiply effect to input video stream using first plane of second stream as alpha.

Both streams must have same dimensions and same pixel format.

The filter accepts the following option:

planes
    Set which planes will be processed, unprocessed planes will be copied. By default value 0xf, all planes will be processed.

    If the format has 1 or 2 components, then luma is bit 0. If the format has 3 or 4 components: for RGB formats bit 0 is green, bit 1 is blue and bit 2 is red; for YUV formats bit 0 is luma, bit 1 is chroma-U and bit 2 is chroma-V. If present, the alpha channel is always the last bit.

inplace
    Do not require 2nd input for processing, instead use alpha plane from input stream.

  unsharp
Sharpen or blur the input video.

It accepts the following parameters:

luma_msize_x, lx
    Set the luma matrix horizontal size. It must be an odd integer between 3 and 23. The default value is 5.

luma_msize_y, ly
    Set the luma matrix vertical size. It must be an odd integer between 3 and 23. The default value is 5.

luma_amount, la
    Set the luma effect strength. It must be a floating point number, reasonable values lay between -1.5 and 1.5.

    Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

    Default value is 1.0.

chroma_msize_x, cx
    Set the chroma matrix horizontal size. It must be an odd integer between 3 and 23. The default value is 5.

chroma_msize_y, cy
    Set the chroma matrix vertical size. It must be an odd integer between 3 and 23. The default value is 5.

chroma_amount, ca
    Set the chroma effect strength. It must be a floating point number, reasonable values lay between -1.5 and 1.5.

    Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

    Default value is 0.0.

alpha_msize_x, ax
    Set the alpha matrix horizontal size. It must be an odd integer between 3 and 23. The default value is 5.

alpha_msize_y, ay
    Set the alpha matrix vertical size. It must be an odd integer between 3 and 23. The default value is 5.

alpha_amount, aa
    Set the alpha effect strength. It must be a floating point number, reasonable values lay between -1.5 and 1.5.

    Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

    Default value is 0.0.

All parameters are optional and default to the equivalent of the string '5:5:1.0:5:5:0.0'.

Examples

•   Apply strong luma sharpen effect:

            unsharp=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5

•   Apply a strong blur of both luma and chroma parameters:

            unsharp=7:7:-2:7:7:-2

  untile
Decompose a video made of tiled images into the individual images.

The frame rate of the output video is the frame rate of the input video multiplied by the number of tiles.

This filter does the reverse of tile.

The filter accepts the following options:

layout
    Set the grid size (i.e. the number of lines and columns). For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

Examples

•   Produce a 1-second video from a still image file made of 25 frames stacked vertically, like an analogic film reel:

            ffmpeg -r 1 -i image.jpg -vf untile=1x25 movie.mkv

  uspp
Apply ultra slow/simple postprocessing filter that compresses and decompresses the image at several (or - in the case of quality level 8 - all) shifts and average the results.

The way this differs from the behavior of spp is that uspp actually encodes & decodes each case with libavcodec Snow, whereas spp uses a simplified intra only 8x8 DCT similar to MJPEG.

This filter is not available in ffmpeg versions between 5.0 and 6.0.

The filter accepts the following options:

quality
    Set quality. This option defines the number of levels for averaging. It accepts an integer in the range 0-8. If set to 0, the filter will have no effect. A value of 8 means the higher quality. For each increment of that value the speed drops by a factor of approximately 2. Default value is 3.

qp  Force a constant quantization parameter. If not set, the filter will use the QP from the video stream (if available).

codec
    Use specified codec instead of snow.

  v360
Convert 360 videos between various formats.

The filter accepts the following options:

input
output
    Set format of the input/output video.

    Available formats:

    e
    equirect
        Equirectangular projection.

    c3x2
    c6x1
    c1x6
        Cubemap with 3x2/6x1/1x6 layout.

        Format specific options:

        in_pad
        out_pad
            Set padding proportion for the input/output cubemap. Values in decimals.

            Example values:

            0   No padding.

            0.01
                1% of face is padding. For example, with 1920x1280 resolution face size would be 640x640 and padding would be 3 pixels from each side. (640 * 0.01 = 6 pixels)

            Default value is @samp{0}. Maximum value is @samp{0.1}.

        fin_pad
        fout_pad
            Set fixed padding for the input/output cubemap. Values in pixels.

            Default value is @samp{0}. If greater than zero it overrides other padding options.

        in_forder
        out_forder
            Set order of faces for the input/output cubemap. Choose one direction for each position.

            Designation of directions:

            r   right

            l   left

            u   up

            d   down

            f   forward

            b   back

            Default value is @samp{rludfb}.

        in_frot
        out_frot
            Set rotation of faces for the input/output cubemap. Choose one angle for each position.

            Designation of angles:

            0   0 degrees clockwise

            1   90 degrees clockwise

            2   180 degrees clockwise

            3   270 degrees clockwise

            Default value is @samp{000000}.

    eac Equi-Angular Cubemap.

    flat
    gnomonic
    rectilinear
        Regular video.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    dfisheye
        Dual fisheye.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    barrel
    fb
    barrelsplit
        Facebook's 360 formats.

    sg  Stereographic format.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    mercator
        Mercator format.

    ball
        Ball format, gives significant distortion toward the back.

    hammer
        Hammer-Aitoff map projection format.

    sinusoidal
        Sinusoidal map projection format.

    fisheye
        Fisheye projection.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    pannini
        Pannini projection.

        Format specific options:

        h_fov
            Set output pannini parameter.

        ih_fov
            Set input pannini parameter.

    cylindrical
        Cylindrical projection.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    perspective
        Perspective projection. (output only)

        Format specific options:

        v_fov
            Set perspective parameter.

    tetrahedron
        Tetrahedron projection.

    tsp Truncated square pyramid projection.

    he
    hequirect
        Half equirectangular projection.

    equisolid
        Equisolid format.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    og  Orthographic format.

        Format specific options:

        h_fov
        v_fov
        d_fov
            Set output horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

        ih_fov
        iv_fov
        id_fov
            Set input horizontal/vertical/diagonal field of view. Values in degrees.

            If diagonal field of view is set it overrides horizontal and vertical field of view.

    octahedron
        Octahedron projection.

    cylindricalea
        Cylindrical Equal Area projection.

interp
    Set interpolation method.Note: more complex interpolation methods require much more memory to run.

    Available methods:

    near
    nearest
        Nearest neighbour.

    line
    linear
        Bilinear interpolation.

    lagrange9
        Lagrange9 interpolation.

    cube
    cubic
        Bicubic interpolation.

    lanc
    lanczos
        Lanczos interpolation.

    sp16
    spline16
        Spline16 interpolation.

    gauss
    gaussian
        Gaussian interpolation.

    mitchell
        Mitchell interpolation.

    Default value is @samp{line}.

w
h   Set the output video resolution.

    Default resolution depends on formats.

in_stereo
out_stereo
    Set the input/output stereo format.

    2d  2D mono

    sbs Side by side

    tb  Top bottom

    Default value is @samp{2d} for input and output format.

yaw
pitch
roll
    Set rotation for the output video. Values in degrees.

rorder
    Set rotation order for the output video. Choose one item for each position.

    y, Y
        yaw

    p, P
        pitch

    r, R
        roll

    Default value is @samp{ypr}.

h_flip
v_flip
d_flip
    Flip the output video horizontally(swaps left-right)/vertically(swaps up-down)/in-depth(swaps back-forward). Boolean values.

ih_flip
iv_flip
    Set if input video is flipped horizontally/vertically. Boolean values.

in_trans
    Set if input video is transposed. Boolean value, by default disabled.

out_trans
    Set if output video needs to be transposed. Boolean value, by default disabled.

h_offset
v_offset
    Set output horizontal/vertical off-axis offset. Default is set to 0. Allowed range is from -1 to 1.

alpha_mask
    Build mask in alpha plane for all unmapped pixels by marking them fully transparent. Boolean value, by default disabled.

reset_rot
    Reset rotation of output video. Boolean value, by default disabled.

Examples

•   Convert equirectangular video to cubemap with 3x2 layout and 1% padding using bicubic interpolation:

            ffmpeg -i input.mkv -vf v360=e:c3x2:cubic:out_pad=0.01 output.mkv

•   Extract back view of Equi-Angular Cubemap:

            ffmpeg -i input.mkv -vf v360=eac:flat:yaw=180 output.mkv

•   Convert transposed and horizontally flipped Equi-Angular Cubemap in side-by-side stereo format to equirectangular top-bottom stereo format:

            v360=eac:equirect:in_stereo=sbs:in_trans=1:ih_flip=1:out_stereo=tb

Commands

This filter supports subset of above options as commands.

  vaguedenoiser
Apply a wavelet based denoiser.

It transforms each frame from the video input into the wavelet domain, using Cohen-Daubechies-Feauveau 9/7. Then it applies some filtering to the obtained coefficients. It does an inverse wavelet transform after. Due to wavelet properties, it should give a nice smoothed result, and reduced noise, without blurring picture features.

This filter accepts the following options:

threshold
    The filtering strength. The higher, the more filtered the video will be. Hard thresholding can use a higher threshold than soft thresholding before the video looks overfiltered. Default value is 2.

method
    The filtering method the filter will use.

    It accepts the following values:

    hard
        All values under the threshold will be zeroed.

    soft
        All values under the threshold will be zeroed. All values above will be reduced by the threshold.

    garrote
        Scales or nullifies coefficients - intermediary between (more) soft and (less) hard thresholding.

    Default is garrote.

nsteps
    Number of times, the wavelet will decompose the picture. Picture can't be decomposed beyond a particular point (typically, 8 for a 640x480 frame - as 2^9 = 512 > 480). Valid values are integers between 1 and 32. Default value is 6.

percent
    Partial of full denoising (limited coefficients shrinking), from 0 to 100. Default value is 85.

planes
    A list of the planes to process. By default all planes are processed.

type
    The threshold type the filter will use.

    It accepts the following values:

    universal
        Threshold used is same for all decompositions.

    bayes
        Threshold used depends also on each decomposition coefficients.

    Default is universal.

  varblur
Apply variable blur filter by using 2nd video stream to set blur radius. The 2nd stream must have the same dimensions.

This filter accepts the following options:

min_r
    Set min allowed radius. Allowed range is from 0 to 254. Default is 0.

max_r
    Set max allowed radius. Allowed range is from 1 to 255. Default is 8.

planes
    Set which planes to process. By default, all are used.

The "varblur" filter also supports the framesync options.

Commands

This filter supports all the above options as commands.

  vectorscope
Display 2 color component values in the two dimensional graph (which is called a vectorscope).

This filter accepts the following options:

mode, m
    Set vectorscope mode.

    It accepts the following values:

    gray
    tint
        Gray values are displayed on graph, higher brightness means more pixels have same component color value on location in graph. This is the default mode.

    color
        Gray values are displayed on graph. Surrounding pixels values which are not present in video frame are drawn in gradient of 2 color components which are set by option "x" and "y". The 3rd color component is static.

    color2
        Actual color components values present in video frame are displayed on graph.

    color3
        Similar as color2 but higher frequency of same values "x" and "y" on graph increases value of another color component, which is luminance by default values of "x" and "y".

    color4
        Actual colors present in video frame are displayed on graph. If two different colors map to same position on graph then color with higher value of component not present in graph is picked.

    color5
        Gray values are displayed on graph. Similar to "color" but with 3rd color component picked from radial gradient.

x   Set which color component will be represented on X-axis. Default is 1.

y   Set which color component will be represented on Y-axis. Default is 2.

intensity, i
    Set intensity, used by modes: gray, color, color3 and color5 for increasing brightness of color component which represents frequency of (X, Y) location in graph.

envelope, e
    none
        No envelope, this is default.

    instant
        Instant envelope, even darkest single pixel will be clearly highlighted.

    peak
        Hold maximum and minimum values presented in graph over time. This way you can still spot out of range values without constantly looking at vectorscope.

    peak+instant
        Peak and instant envelope combined together.

graticule, g
    Set what kind of graticule to draw.

    none
    green
    color
    invert
opacity, o
    Set graticule opacity.

flags, f
    Set graticule flags.

    white
        Draw graticule for white point.

    black
        Draw graticule for black point.

    name
        Draw color points short names.

bgopacity, b
    Set background opacity.

lthreshold, l
    Set low threshold for color component not represented on X or Y axis. Values lower than this value will be ignored. Default is 0. Note this value is multiplied with actual max possible value one pixel component can have. So for 8-bit input and low threshold value of 0.1 actual threshold is 0.1 * 255 = 25.

hthreshold, h
    Set high threshold for color component not represented on X or Y axis. Values higher than this value will be ignored. Default is 1. Note this value is multiplied with actual max possible value one pixel component can have. So for 8-bit input and high threshold value of 0.9 actual threshold is 0.9 * 255 = 230.

colorspace, c
    Set what kind of colorspace to use when drawing graticule.

    auto
    601
    709

    Default is auto.

tint0, t0
tint1, t1
    Set color tint for gray/tint vectorscope mode. By default both options are zero. This means no tint, and output will remain gray.

  vidstabdetect
Analyze video stabilization/deshaking. Perform pass 1 of 2, see vidstabtransform for pass 2.

This filter generates a file with relative translation and rotation transform information about subsequent frames, which is then used by the vidstabtransform filter.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libvidstab".

This filter accepts the following options:

result
    Set the path to the file used to write the transforms information. Default value is transforms.trf.

shakiness
    Set how shaky the video is and how quick the camera is. It accepts an integer in the range 1-10, a value of 1 means little shakiness, a value of 10 means strong shakiness. Default value is 5.

accuracy
    Set the accuracy of the detection process. It must be a value in the range 1-15. A value of 1 means low accuracy, a value of 15 means high accuracy. Default value is 15.

stepsize
    Set stepsize of the search process. The region around minimum is scanned with 1 pixel resolution. Default value is 6.

mincontrast
    Set minimum contrast. Below this value a local measurement field is discarded. Must be a floating point value in the range 0-1. Default value is 0.3.

tripod
    Set reference frame number for tripod mode.

    If enabled, the motion of the frames is compared to a reference frame in the filtered stream, identified by the specified number. The idea is to compensate all movements in a more-or-less static scene and keep the camera view absolutely still.

    If set to 0, it is disabled. The frames are counted starting from 1.

show
    Show fields and transforms in the resulting frames. It accepts an integer in the range 0-2. Default value is 0, which disables any visualization.

fileformat
    Format for the transforms data file to be written. Acceptable values are

    ascii
        Human-readable plain text

    binary
        Binary format, roughly 40% smaller than "ascii". (default)

Examples

•   Use default values:

            vidstabdetect

•   Analyze strongly shaky movie and put the results in file mytransforms.trf:

            vidstabdetect=shakiness=10:accuracy=15:result="mytransforms.trf"

•   Visualize the result of internal transformations in the resulting video:

            vidstabdetect=show=1

•   Analyze a video with medium shakiness using ffmpeg:

            ffmpeg -i input -vf vidstabdetect=shakiness=5:show=1 dummy.avi

  vidstabtransform
Video stabilization/deshaking: pass 2 of 2, see vidstabdetect for pass 1.

Read a file with transform information for each frame and apply/compensate them. Together with the vidstabdetect filter this can be used to deshake videos. See also <http://public.hronopik.de/vid.stab>. It is important to also use the unsharp filter, see below.

To enable compilation of this filter you need to configure FFmpeg with "--enable-libvidstab".

Options

input
    Set path to the file used to read the transforms. Default value is transforms.trf.

smoothing
    Set the number of frames (value*2 + 1) used for lowpass filtering the camera movements. Default value is 10.

    For example a number of 10 means that 21 frames are used (10 in the past and 10 in the future) to smoothen the motion in the video. A larger value leads to a smoother video, but limits the acceleration of the camera (pan/tilt movements). 0 is a special case where a static camera is simulated.

optalgo
    Set the camera path optimization algorithm.

    Accepted values are:

    gauss
        gaussian kernel low-pass filter on camera motion (default)

    avg averaging on transformations

maxshift
    Set maximal number of pixels to translate frames. Default value is -1, meaning no limit.

maxangle
    Set maximal angle in radians (degree*PI/180) to rotate frames. Default value is -1, meaning no limit.

crop
    Specify how to deal with borders that may be visible due to movement compensation.

    Available values are:

    keep
        keep image information from previous frame (default)

    black
        fill the border black

invert
    Invert transforms if set to 1. Default value is 0.

relative
    Consider transforms as relative to previous frame if set to 1, absolute if set to 0. Default value is 0.

zoom
    Set percentage to zoom. A positive value will result in a zoom-in effect, a negative value in a zoom-out effect. Default value is 0 (no zoom).

optzoom
    Set optimal zooming to avoid borders.

    Accepted values are:

    0   disabled

    1   optimal static zoom value is determined (only very strong movements will lead to visible borders) (default)

    2   optimal adaptive zoom value is determined (no borders will be visible), see zoomspeed

    Note that the value given at zoom is added to the one calculated here.

zoomspeed
    Set percent to zoom maximally each frame (enabled when optzoom is set to 2). Range is from 0 to 5, default value is 0.25.

interpol
    Specify type of interpolation.

    Available values are:

    no  no interpolation

    linear
        linear only horizontal

    bilinear
        linear in both directions (default)

    bicubic
        cubic in both directions (slow)

tripod
    Enable virtual tripod mode if set to 1, which is equivalent to "relative=0:smoothing=0". Default value is 0.

    Use also "tripod" option of vidstabdetect.

debug
    Increase log verbosity if set to 1. Also the detected global motions are written to the temporary file global_motions.trf. Default value is 0.

Examples

•   Use ffmpeg for a typical stabilization with default values:

            ffmpeg -i inp.mpeg -vf vidstabtransform,unsharp=5:5:0.8:3:3:0.4 inp_stabilized.mpeg

    Note the use of the unsharp filter which is always recommended.

•   Zoom in a bit more and load transform data from a given file:

            vidstabtransform=zoom=5:input="mytransforms.trf"

•   Smoothen the video even more:

            vidstabtransform=smoothing=30

  vflip
Flip the input video vertically.

For example, to vertically flip a video with ffmpeg:

        ffmpeg -i in.avi -vf "vflip" out.avi

  vfrdet
Detect variable frame rate video.

This filter tries to detect if the input is variable or constant frame rate.

At end it will output number of frames detected as having variable delta pts, and ones with constant delta pts. If there was frames with variable delta, than it will also show min, max and average delta encountered.

  vibrance
Boost or alter saturation.

The filter accepts the following options:

intensity
    Set strength of boost if positive value or strength of alter if negative value. Default is 0. Allowed range is from -2 to 2.

rbal
    Set the red balance. Default is 1. Allowed range is from -10 to 10.

gbal
    Set the green balance. Default is 1. Allowed range is from -10 to 10.

bbal
    Set the blue balance. Default is 1. Allowed range is from -10 to 10.

rlum
    Set the red luma coefficient.

glum
    Set the green luma coefficient.

blum
    Set the blue luma coefficient.

alternate
    If "intensity" is negative and this is set to 1, colors will change, otherwise colors will be less saturated, more towards gray.

Commands

This filter supports the all above options as commands.

  vif
Obtain the average VIF (Visual Information Fidelity) between two input videos.

This filter takes two input videos.

Both input videos must have the same resolution and pixel format for this filter to work correctly. Also it assumes that both inputs have the same number of frames, which are compared one by one.

The obtained average VIF score is printed through the logging system.

The filter stores the calculated VIF score of each frame.

This filter also supports the framesync options.

In the below example the input file main.mpg being processed is compared with the reference file ref.mpg.

        ffmpeg -i main.mpg -i ref.mpg -lavfi vif -f null -

  vignette
Make or reverse a natural vignetting effect.

The filter accepts the following options:

angle, a
    Set lens angle expression as a number of radians.

    The value is clipped in the "[0,PI/2]" range.

    Default value: "PI/5"

x0
y0  Set center coordinates expressions. Respectively "w/2" and "h/2" by default.

mode
    Set forward/backward mode.

    Available modes are:

    forward
        The larger the distance from the central point, the darker the image becomes.

    backward
        The larger the distance from the central point, the brighter the image becomes. This can be used to reverse a vignette effect, though there is no automatic detection to extract the lens angle and other settings (yet). It can also be used to create a burning effect.

    Default value is forward.

eval
    Set evaluation mode for the expressions (angle, x0, y0).

    It accepts the following values:

    init
        Evaluate expressions only once during the filter initialization.

    frame
        Evaluate expressions for each incoming frame. This is way slower than the init mode since it requires all the scalers to be re-computed, but it allows advanced dynamic expressions.

    Default value is init.

dither
    Set dithering to reduce the circular banding effects. Default is 1 (enabled).

aspect
    Set vignette aspect. This setting allows one to adjust the shape of the vignette. Setting this value to the SAR of the input will make a rectangular vignetting following the dimensions of the video.

    Default is "1/1".

Expressions

The alpha, x0 and y0 expressions can contain the following parameters.

w
h   input width and height

n   the number of input frame, starting from 0

pts the PTS (Presentation TimeStamp) time of the filtered video frame, expressed in TB units, NAN if undefined

r   frame rate of the input video, NAN if the input frame rate is unknown

t   the PTS (Presentation TimeStamp) of the filtered video frame, expressed in seconds, NAN if undefined

tb  time base of the input video

Examples

•   Apply simple strong vignetting effect:

            vignette=PI/4

•   Make a flickering vignetting:

            vignette='PI/4+random(1)*PI/50':eval=frame

  vmafmotion
Obtain the average VMAF motion score of a video. It is one of the component metrics of VMAF.

The obtained average motion score is printed through the logging system.

The filter accepts the following options:

stats_file
    If specified, the filter will use the named file to save the motion score of each frame with respect to the previous frame. When filename equals "-" the data is sent to standard output.

Example:

        ffmpeg -i ref.mpg -vf vmafmotion -f null -

  vpp_amf
Scale (resize) and convert colorspace, transfer characteristics or color primaries for the input video, using AMD Advanced Media Framework library for hardware acceleration. Setting the output width and height works in the same way as for the scale filter.

The filter accepts the following options:

w
h   Set the output video dimension expression. Default value is the input dimension.

    Allows for the same expressions as the scale filter.

scale_type
    Sets the algorithm used for scaling:

    bilinear
        Bilinear

        This is the default.

    bicubic
        Bicubic

format
    Controls the output pixel format. By default, or if none is specified, the input pixel format is used.

force_original_aspect_ratio
force_divisible_by
    Work the same as the identical scale filter options.

reset_sar
    Works the same as the identical scale filter option.

color_profile
    Specify all color properties at once.

    The accepted values are:

    bt601
        BT.601

    bt709
        BT.709

    bt2020
        BT.2020

trc Specify output transfer characteristics.

    The accepted values are:

    bt709
        BT.709

    gamma22
        Constant gamma of 2.2

    gamma28
        Constant gamma of 2.8

    smpte170m
        SMPTE-170M

    smpte240m
        SMPTE-240M

    linear
        Linear

    log LOG

    log-sqrt
        LOG_SQRT

    iec61966-2-4
        iec61966-2-4

    bt1361-ecg
        BT1361_ECG

    iec61966-2-1
        iec61966-2-1

    bt2020-10
        BT.2020 for 10-bits content

    bt2020-12
        BT.2020 for 12-bits content

    smpte2084
        SMPTE2084

    smpte428
        SMPTE428

    arib-std-b67
        ARIB_STD_B67

primaries
    Specify output color primaries.

    The accepted values are:

    bt709
        BT.709

    bt470m
        BT.470M

    bt470bg
        BT.470BG or BT.601-6 625

    smpte170m
        SMPTE-170M or BT.601-6 525

    smpte240m
        SMPTE-240M

    film
        film

    bt2020
        BT.2020

    smpte428
        SMPTE-428

    smpte431
        SMPTE-431

    smpte432
        SMPTE-432

    jedec-p22
        JEDEC P22 phosphors

Examples

•   Scale input to 720p, keeping aspect ratio and ensuring the output is yuv420p.

            vpp_amf=-2:720:format=yuv420p

•   Upscale to 4K and change color profile to bt2020.

            vpp_amf=4096:2160:color_profile=bt2020

  vstack
Stack input videos vertically.

All streams must be of same pixel format and of same width.

Note that this filter is faster than using overlay and pad filter to create same output.

The filter accepts the following options:

inputs
    Set number of input streams. Default is 2.

shortest
    If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

  w3fdif
Deinterlace the input video ("w3fdif" stands for "Weston 3 Field Deinterlacing Filter").

Based on the process described by Martin Weston for BBC R&D, and implemented based on the de-interlace algorithm written by Jim Easterbrook for BBC R&D, the Weston 3 field deinterlacing filter uses filter coefficients calculated by BBC R&D.

This filter uses field-dominance information in frame to decide which of each pair of fields to place first in the output. If it gets it wrong use setfield filter before "w3fdif" filter.

There are two sets of filter coefficients, so called "simple" and "complex". Which set of filter coefficients is used can be set by passing an optional parameter:

filter
    Set the interlacing filter coefficients. Accepts one of the following values:

    simple
        Simple filter coefficient set.

    complex
        More-complex filter coefficient set.

    Default value is complex.

mode
    The interlacing mode to adopt. It accepts one of the following values:

    frame
        Output one frame for each frame.

    field
        Output one frame for each field.

    The default value is "field".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    tff Assume the top field is first.

    bff Assume the bottom field is first.

    auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    all Deinterlace all frames,

    interlaced
        Only deinterlace frames marked as interlaced.

    Default value is all.

Commands

This filter supports same commands as options.

  waveform
Video waveform monitor.

The waveform monitor plots color component intensity. By default luma only. Each column of the waveform corresponds to a column of pixels in the source video.

It accepts the following options:

mode, m
    Can be either "row", or "column". Default is "column". In row mode, the graph on the left side represents color component value 0 and the right side represents value = 255. In column mode, the top side represents color component value = 0 and bottom side represents value = 255.

intensity, i
    Set intensity. Smaller values are useful to find out how many values of the same luminance are distributed across input rows/columns. Default value is 0.04. Allowed range is [0, 1].

mirror, r
    Set mirroring mode. 0 means unmirrored, 1 means mirrored. In mirrored mode, higher values will be represented on the left side for "row" mode and at the top for "column" mode. Default is 1 (mirrored).

display, d
    Set display mode. It accepts the following values:

    overlay
        Presents information identical to that in the "parade", except that the graphs representing color components are superimposed directly over one another.

        This display mode makes it easier to spot relative differences or similarities in overlapping areas of the color components that are supposed to be identical, such as neutral whites, grays, or blacks.

    stack
        Display separate graph for the color components side by side in "row" mode or one below the other in "column" mode.

    parade
        Display separate graph for the color components side by side in "column" mode or one below the other in "row" mode.

        Using this display mode makes it easy to spot color casts in the highlights and shadows of an image, by comparing the contours of the top and the bottom graphs of each waveform. Since whites, grays, and blacks are characterized by exactly equal amounts of red, green, and blue, neutral areas of the picture should display three waveforms of roughly equal width/height. If not, the correction is easy to perform by making level adjustments the three waveforms.

    Default is "stack".

components, c
    Set which color components to display. Default is 1, which means only luma or red color component if input is in RGB colorspace. If is set for example to 7 it will display all 3 (if) available color components.

envelope, e
    none
        No envelope, this is default.

    instant
        Instant envelope, minimum and maximum values presented in graph will be easily visible even with small "step" value.

    peak
        Hold minimum and maximum values presented in graph across time. This way you can still spot out of range values without constantly looking at waveforms.

    peak+instant
        Peak and instant envelope combined together.

filter, f
    lowpass
        No filtering, this is default.

    flat
        Luma and chroma combined together.

    aflat
        Similar as above, but shows difference between blue and red chroma.

    xflat
        Similar as above, but use different colors.

    yflat
        Similar as above, but again with different colors.

    chroma
        Displays only chroma.

    color
        Displays actual color value on waveform.

    acolor
        Similar as above, but with luma showing frequency of chroma values.

graticule, g
    Set which graticule to display.

    none
        Do not display graticule.

    green
        Display green graticule showing legal broadcast ranges.

    orange
        Display orange graticule showing legal broadcast ranges.

    invert
        Display invert graticule showing legal broadcast ranges.

opacity, o
    Set graticule opacity.

flags, fl
    Set graticule flags.

    numbers
        Draw numbers above lines. By default enabled.

    dots
        Draw dots instead of lines.

scale, s
    Set scale used for displaying graticule.

    digital
    millivolts
    ire

    Default is digital.

bgopacity, b
    Set background opacity.

tint0, t0
tint1, t1
    Set tint for output. Only used with lowpass filter and when display is not overlay and input pixel formats are not RGB.

fitmode, fm
    Set sample aspect ratio of video output frames. Can be used to configure waveform so it is not stretched too much in one of directions.

    none
        Set sample aspect ration to 1/1.

    size
        Set sample aspect ratio to match input size of video

    Default is none.

input
    Set input formats for filter to pick from. Can be all, for selecting from all available formats, or first, for selecting first available format. Default is first.

  weave, doubleweave
The "weave" takes a field-based video input and join each two sequential fields into single frame, producing a new double height clip with half the frame rate and half the frame count.

The "doubleweave" works same as "weave" but without halving frame rate and frame count.

It accepts the following option:

first_field
    Set first field. Available values are:

    top, t
        Set the frame as top-field-first.

    bottom, b
        Set the frame as bottom-field-first.

Examples

•   Interlace video using select and separatefields filter:

            separatefields,select=eq(mod(n,4),0)+eq(mod(n,4),3),weave

  xbr
Apply the xBR high-quality magnification filter which is designed for pixel art. It follows a set of edge-detection rules, see <https://forums.libretro.com/t/xbr-algorithm-tutorial/123>.

It accepts the following option:

n   Set the scaling dimension: 2 for "2xBR", 3 for "3xBR" and 4 for "4xBR". Default is 3.

  xcorrelate
Apply normalized cross-correlation between first and second input video stream.

Second input video stream dimensions must be lower than first input video stream.

The filter accepts the following options:

planes
    Set which planes to process.

secondary
    Set which secondary video frames will be processed from second input video stream, can be first or all. Default is all.

The "xcorrelate" filter also supports the framesync options.

  xfade
Apply cross fade from one input video stream to another input video stream. The cross fade is applied for specified duration.

Both inputs must be constant frame-rate and have the same resolution, pixel format, frame rate and timebase.

The filter accepts the following options:

transition
    Set one of available transition effects:

    custom
    fade
    wipeleft
    wiperight
    wipeup
    wipedown
    slideleft
    slideright
    slideup
    slidedown
    circlecrop
    rectcrop
    distance
    fadeblack
    fadewhite
    radial
    smoothleft
    smoothright
    smoothup
    smoothdown
    circleopen
    circleclose
    vertopen
    vertclose
    horzopen
    horzclose
    dissolve
    pixelize
    diagtl
    diagtr
    diagbl
    diagbr
    hlslice
    hrslice
    vuslice
    vdslice
    hblur
    fadegrays
    wipetl
    wipetr
    wipebl
    wipebr
    squeezeh
    squeezev
    zoomin
    fadefast
    fadeslow
    hlwind
    hrwind
    vuwind
    vdwind
    coverleft
    coverright
    coverup
    coverdown
    revealleft
    revealright
    revealup
    revealdown

    Default transition effect is fade.

duration
    Set cross fade duration in seconds. Range is 0 to 60 seconds. Default duration is 1 second.

offset
    Set cross fade start relative to first input stream in seconds. Default offset is 0.

expr
    Set expression for custom transition effect.

    The expressions can use the following variables and functions:

    X
    Y   The coordinates of the current sample.

    W
    H   The width and height of the image.

    P   Progress of transition effect.

    PLANE
        Currently processed plane.

    A   Return value of first input at current location and plane.

    B   Return value of second input at current location and plane.

    a0(x, y)
    a1(x, y)
    a2(x, y)
    a3(x, y)
        Return the value of the pixel at location (x,y) of the first/second/third/fourth component of first input.

    b0(x, y)
    b1(x, y)
    b2(x, y)
    b3(x, y)
        Return the value of the pixel at location (x,y) of the first/second/third/fourth component of second input.

Examples

•   Cross fade from one input video to another input video, with fade transition and duration of transition of 2 seconds starting at offset of 5 seconds:

            ffmpeg -i first.mp4 -i second.mp4 -filter_complex xfade=transition=fade:duration=2:offset=5 output.mp4

  xmedian
Pick median pixels from several input videos.

The filter accepts the following options:

inputs
    Set number of inputs. Default is 3. Allowed range is from 3 to 255. If number of inputs is even number, than result will be mean value between two median values.

planes
    Set which planes to filter. Default value is 15, by which all planes are processed.

percentile
    Set median percentile. Default value is 0.5. Default value of 0.5 will pick always median values, while 0 will pick minimum values, and 1 maximum values.

Commands

This filter supports all above options as commands, excluding option "inputs".

  xpsnr
Obtain the average (across all input frames) and minimum (across all color plane averages) eXtended Perceptually weighted peak Signal-to-Noise Ratio (XPSNR) between two input videos.

The XPSNR is a low-complexity psychovisually motivated distortion measurement algorithm for assessing the difference between two video streams or images. This is especially useful for objectively quantifying the distortions caused by video and image codecs, as an alternative to a formal subjective test. The logarithmic XPSNR output values are in a similar range as those of traditional psnr assessments but better reflect human impressions of visual coding quality. More details on the XPSNR measure, which essentially represents a blockwise weighted variant of the PSNR measure, can be found in the following freely available papers:

•   C. R. Helmrich, M. Siekmann, S. Becker, S. Bosse, D. Marpe, and T. Wiegand, "XPSNR: A Low-Complexity Extension of the Perceptually Weighted Peak Signal-to-Noise Ratio for High-Resolution Video Quality Assessment," in Proc. IEEE Int. Conf. Acoustics, Speech, Sig. Process. (ICASSP), virt./online, May 2020. <www.ecodis.de/xpsnr.htm>

•   C. R. Helmrich, S. Bosse, H. Schwarz, D. Marpe, and T. Wiegand, "A Study of the Extended Perceptually Weighted Peak Signal-to-Noise Ratio (XPSNR) for Video Compression with Different Resolutions and Bit Depths," ITU Journal: ICT Discoveries, vol. 3, no. 1, pp. 65 - 72, May 2020. <http://handle.itu.int/11.1002/pub/8153d78b-en>

When publishing the results of XPSNR assessments obtained using, e.g., this FFmpeg filter, a reference to the above papers as a means of documentation is strongly encouraged. The filter requires two input videos. The first input is considered a (usually not distorted) reference source and is passed unchanged to the output, whereas the second input is a (distorted) test signal. Except for the bit depth, these two video inputs must have the same pixel format. In addition, for best performance, both compared input videos should be in YCbCr color format.

The obtained overall XPSNR values mentioned above are printed through the logging system. In case of input with multiple color planes, we suggest reporting of the minimum XPSNR average.

The following parameter, which behaves like the one for the psnr filter, is accepted:

stats_file, f
    If specified, the filter will use the named file to save the XPSNR value of each individual frame and color plane. When the file name equals "-", that data is sent to standard output.

This filter also supports the framesync options.

Examples

•   XPSNR analysis of two 1080p HD videos, ref_source.yuv and test_video.yuv, both at 24 frames per second, with color format 4:2:0, bit depth 8, and output of a logfile named "xpsnr.log":

            ffmpeg -s 1920x1080 -framerate 24 -pix_fmt yuv420p -i ref_source.yuv -s 1920x1080 -framerate
            24 -pix_fmt yuv420p -i test_video.yuv -lavfi xpsnr="stats_file=xpsnr.log" -f null -

•   XPSNR analysis of two 2160p UHD videos, ref_source.yuv with bit depth 8 and test_video.yuv with bit depth 10, both at 60 frames per second with color format 4:2:0, no logfile output:

            ffmpeg -s 3840x2160 -framerate 60 -pix_fmt yuv420p -i ref_source.yuv -s 3840x2160 -framerate
            60 -pix_fmt yuv420p10le -i test_video.yuv -lavfi xpsnr="stats_file=-" -f null -

  xstack
Stack video inputs into custom layout.

All streams must be of same pixel format.

The filter accepts the following options:

inputs
    Set number of input streams. Default is 2.

layout
    Specify layout of inputs. This option requires the desired layout configuration to be explicitly set by the user. This sets position of each video input in output. Each input is separated by '|'. The first number represents the column, and the second number represents the row. Numbers start at 0 and are separated by '_'. Optionally one can use wX and hX, where X is video input from which to take width or height. Multiple values can be used when separated by '+'. In such case values are summed together.

    Note that if inputs are of different sizes gaps may appear, as not all of the output video frame will be filled. Similarly, videos can overlap each other if their position doesn't leave enough space for the full frame of adjoining videos.

    For 2 inputs, a default layout of "0_0|w0_0" (equivalent to "grid=2x1") is set. In all other cases, a layout or a grid must be set by the user. Either "grid" or "layout" can be specified at a time. Specifying both will result in an error.

grid
    Specify a fixed size grid of inputs. This option is used to create a fixed size grid of the input streams. Set the grid size in the form "COLUMNSxROWS". There must be "ROWS * COLUMNS" input streams and they will be arranged as a grid with "ROWS" rows and "COLUMNS" columns. When using this option, each input stream within a row must have the same height and all the rows must have the same width.

    If "grid" is set, then "inputs" option is ignored and is implicitly set to "ROWS * COLUMNS".

    For 2 inputs, a default grid of "2x1" (equivalent to "layout=0_0|w0_0") is set. In all other cases, a layout or a grid must be set by the user. Either "grid" or "layout" can be specified at a time. Specifying both will result in an error.

shortest
    If set to 1, force the output to terminate when the shortest input terminates. Default value is 0.

fill
    If set to valid color, all unused pixels will be filled with that color. By default fill is set to none, so it is disabled.

Examples

•   Display 4 inputs into 2x2 grid.

    Layout:

            input1(0, 0)  | input3(w0, 0)
            input2(0, h0) | input4(w0, h0)

            xstack=inputs=4:layout=0_0|0_h0|w0_0|w0_h0

    Note that if inputs are of different sizes, gaps or overlaps may occur.

•   Display 4 inputs into 1x4 grid.

    Layout:

            input1(0, 0)
            input2(0, h0)
            input3(0, h0+h1)
            input4(0, h0+h1+h2)

            xstack=inputs=4:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2

    Note that if inputs are of different widths, unused space will appear.

•   Display 9 inputs into 3x3 grid.

    Layout:

            input1(0, 0)       | input4(w0, 0)      | input7(w0+w3, 0)
            input2(0, h0)      | input5(w0, h0)     | input8(w0+w3, h0)
            input3(0, h0+h1)   | input6(w0, h0+h1)  | input9(w0+w3, h0+h1)

            xstack=inputs=9:layout=0_0|0_h0|0_h0+h1|w0_0|w0_h0|w0_h0+h1|w0+w3_0|w0+w3_h0|w0+w3_h0+h1

    Note that if inputs are of different sizes, gaps or overlaps may occur.

•   Display 16 inputs into 4x4 grid.

    Layout:

            input1(0, 0)       | input5(w0, 0)       | input9 (w0+w4, 0)       | input13(w0+w4+w8, 0)
            input2(0, h0)      | input6(w0, h0)      | input10(w0+w4, h0)      | input14(w0+w4+w8, h0)
            input3(0, h0+h1)   | input7(w0, h0+h1)   | input11(w0+w4, h0+h1)   | input15(w0+w4+w8, h0+h1)
            input4(0, h0+h1+h2)| input8(w0, h0+h1+h2)| input12(w0+w4, h0+h1+h2)| input16(w0+w4+w8, h0+h1+h2)

            xstack=inputs=16:layout=0_0|0_h0|0_h0+h1|0_h0+h1+h2|w0_0|w0_h0|w0_h0+h1|w0_h0+h1+h2|w0+w4_0|
            w0+w4_h0|w0+w4_h0+h1|w0+w4_h0+h1+h2|w0+w4+w8_0|w0+w4+w8_h0|w0+w4+w8_h0+h1|w0+w4+w8_h0+h1+h2

    Note that if inputs are of different sizes, gaps or overlaps may occur.

  yadif
Deinterlace the input video ("yadif" means "yet another deinterlacing filter").

It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    0, send_frame
        Output one frame for each frame.

    1, send_field
        Output one frame for each field.

    2, send_frame_nospatial
        Like "send_frame", but it skips the spatial interlacing check.

    3, send_field_nospatial
        Like "send_field", but it skips the spatial interlacing check.

    The default value is "send_frame".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    0, tff
        Assume the top field is first.

    1, bff
        Assume the bottom field is first.

    -1, auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    0, all
        Deinterlace all frames.

    1, interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

  yaepblur
Apply blur filter while preserving edges ("yaepblur" means "yet another edge preserving blur filter"). The algorithm is described in "J. S. Lee, Digital image enhancement and noise filtering by use of local statistics, IEEE Trans. Pattern Anal. Mach. Intell. PAMI-2, 1980."

It accepts the following parameters:

radius, r
    Set the window radius. Default value is 3.

planes, p
    Set which planes to filter. Default is only the first plane.

sigma, s
    Set blur strength. Default value is 128.

Commands

This filter supports same commands as options.

  zoompan
Apply Zoom & Pan effect.

This filter accepts the following options:

zoom, z
    Set the zoom expression. Range is 1-10. Default is 1.

x
y   Set the x and y expression. Default is 0.

d   Set the duration expression in number of frames. This sets for how many number of frames effect will last for single input image. Default is 90.

s   Set the output image size, default is 'hd720'.

fps Set the output frame rate, default is '25'.

Each expression can contain the following constants:

in_w, iw
    Input width.

in_h, ih
    Input height.

out_w, ow
    Output width.

out_h, oh
    Output height.

in  Input frame count.

on  Output frame count.

in_time, it
    The input timestamp expressed in seconds. It's NAN if the input timestamp is unknown.

out_time, time, ot
    The output timestamp expressed in seconds.

x
y   Last calculated 'x' and 'y' position from 'x' and 'y' expression for current input frame.

px
py  'x' and 'y' of last output frame of previous input frame or 0 when there was not yet such frame (first input frame).

zoom
    Last calculated zoom from 'z' expression for current input frame.

pzoom
    Last calculated zoom of last output frame of previous input frame.

duration
    Number of output frames for current input frame. Calculated from 'd' expression for each input frame.

pduration
    number of output frames created for previous input frame

a   Rational number: input width / input height

sar sample aspect ratio

dar display aspect ratio

Examples

•   Zoom in up to 1.5x and pan at same time to some spot near center of picture:

            zoompan=z='min(zoom+0.0015,1.5)':d=700:x='if(gte(zoom,1.5),x,x+1/a)':y='if(gte(zoom,1.5),y,y+1)':s=640x360

•   Zoom in up to 1.5x and pan always at center of picture:

            zoompan=z='min(zoom+0.0015,1.5)':d=700:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

•   Same as above but without pausing:

            zoompan=z='min(max(zoom,pzoom)+0.0015,1.5)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

•   Zoom in 2x into center of picture only for the first second of the input video:

            zoompan=z='if(between(in_time,0,1),2,1)':d=1:x='iw/2-(iw/zoom/2)':y='ih/2-(ih/zoom/2)'

  zscale
Scale (resize) the input video, using the z.lib library: <https://github.com/sekrit-twc/zimg>. To enable compilation of this filter, you need to configure FFmpeg with "--enable-libzimg".

The zscale filter forces the output display aspect ratio to be the same as the input, by changing the output sample aspect ratio.

If the input image format is different from the format requested by the next filter, the zscale filter will convert the input to the requested format.

Options

The filter accepts the following options.

width, w
height, h
    Set the output video dimension expression. Default value is the input dimension.

    If the width or w value is 0, the input width is used for the output. If the height or h value is 0, the input height is used for the output.

    If one and only one of the values is -n with n >= 1, the zscale filter will use a value that maintains the aspect ratio of the input image, calculated from the other specified dimension. After that it will, however, make sure that the calculated dimension is divisible by n and adjust the value if necessary.

    If both values are -n with n >= 1, the behavior will be identical to both values being set to 0 as previously detailed.

    See below for the list of accepted constants for use in the dimension expression.

size, s
    Set the video size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

dither, d
    Set the dither type.

    Possible values are:

    none
    ordered
    random
    error_diffusion

    Default is none.

filter, f
    Set the resize filter type.

    Possible values are:

    point
    bilinear
    bicubic
    spline16
    spline36
    spline64
    lanczos

    Default is bilinear.

range, r
    Set the color range.

    Possible values are:

    input
    limited
    full

    Default is same as input.

primaries, p
    Set the color primaries.

    Possible values are:

    input
    709
    unspecified
    170m
    240m
    2020

    Default is same as input.

transfer, t
    Set the transfer characteristics.

    Possible values are:

    input
    709
    unspecified
    601
    linear
    2020_10
    2020_12
    smpte2084
    iec61966-2-1
    arib-std-b67

    Default is same as input.

matrix, m
    Set the colorspace matrix.

    Possible value are:

    input
    709
    unspecified
    470bg
    170m
    2020_ncl
    2020_cl

    Default is same as input.

rangein, rin
    Set the input color range.

    Possible values are:

    input
    limited
    full

    Default is same as input.

primariesin, pin
    Set the input color primaries.

    Possible values are:

    input
    709
    unspecified
    170m
    240m
    2020

    Default is same as input.

transferin, tin
    Set the input transfer characteristics.

    Possible values are:

    input
    709
    unspecified
    601
    linear
    2020_10
    2020_12

    Default is same as input.

matrixin, min
    Set the input colorspace matrix.

    Possible value are:

    input
    709
    unspecified
    470bg
    170m
    2020_ncl
    2020_cl
chromal, c
    Set the output chroma location.

    Possible values are:

    input
    left
    center
    topleft
    top
    bottomleft
    bottom
chromalin, cin
    Set the input chroma location.

    Possible values are:

    input
    left
    center
    topleft
    top
    bottomleft
    bottom
npl Set the nominal peak luminance.

param_a
    Parameter A for scaling filters. Parameter "b" for bicubic, and the number of filter taps for lanczos.

param_b
    Parameter B for scaling filters. Parameter "c" for bicubic.

The values of the w and h options are expressions containing the following constants:

in_w
in_h
    The input width and height

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output (scaled) width and height

ow
oh  These are the same as out_w and out_h

a   The same as iw / ih

sar input sample aspect ratio

dar The input display aspect ratio. Calculated from "(iw / ih) * sar".

hsub
vsub
    horizontal and vertical input chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

ohsub
ovsub
    horizontal and vertical output chroma subsample values. For example for the pixel format "yuv422p" hsub is 2 and vsub is 1.

Commands

This filter supports the following commands:

width, w
height, h
    Set the output video dimension expression. The command accepts the same syntax of the corresponding option.

    If the specified expression is not valid, it is kept at its current value.

CUDA VIDEO FILTERS
To enable CUDA and/or NPP filters please refer to configuration guidelines for CUDA and for CUDA NPP filters.

Running CUDA filters requires you to initialize a hardware device and to pass that device to all filters in any filter graph.

-init_hw_device cuda[=name][:device[,key=value...]]
    Initialise a new hardware device of type cuda called name, using the given device parameters.

-filter_hw_device name
    Pass the hardware device called name to all filters in any filter graph.

For more detailed information see <https://www.ffmpeg.org/ffmpeg.html#Advanced-Video-options>

•   Example of initializing second CUDA device on the system and running scale_cuda and bilateral_cuda filters.

            ./ffmpeg -hwaccel cuda -hwaccel_output_format cuda -i input.mp4 -init_hw_device cuda:1 -filter_complex \
            "[0:v]scale_cuda=format=yuv444p[scaled_video];[scaled_video]bilateral_cuda=window_size=9:sigmaS=3.0:sigmaR=50.0" \
            -an -sn -c:v h264_nvenc -cq 20 out.mp4

Since CUDA filters operate exclusively on GPU memory, frame data must sometimes be uploaded (hwupload) to hardware surfaces associated with the appropriate CUDA device before processing, and downloaded (hwdownload) back to normal memory afterward, if required. Whether hwupload or hwdownload is necessary depends on the specific workflow:

*<If the input frames are already in GPU memory (e.g., when using "-hwaccel cuda" or "-hwaccel_output_format cuda"), explicit use of hwupload is not needed, as the data is already in the appropriate memory space.>
*<If the input frames are in CPU memory (e.g., software-decoded frames or frames processed by CPU-based filters), it is necessary to use hwupload to transfer the data to GPU memory for CUDA processing.>
*<If the output of the CUDA filters needs to be further processed by software-based filters or saved in a format not supported by GPU-based encoders, hwdownload is required to transfer the data back to CPU memory.>

Note that hwupload uploads data to a surface with the same layout as the software frame, so it may be necessary to add a format filter immediately before hwupload to ensure the input is in the correct format. Similarly, hwdownload may not support all output formats, so an additional format filter may need to be inserted immediately after hwdownload in the filter graph to ensure compatibility.

  CUDA
Below is a description of the currently available Nvidia CUDA video filters.

Prerequisites:

*<Install Nvidia CUDA Toolkit>

Note: If FFmpeg detects the Nvidia CUDA Toolkit during configuration, it will enable CUDA filters automatically without requiring any additional flags. If you want to explicitly enable them, use the following options:

*<Configure FFmpeg with "--enable-cuda-nvcc --enable-nonfree".>
*<Configure FFmpeg with "--enable-cuda-llvm". Additional requirement: "llvm" lib must be installed.>

bilateral_cuda

CUDA accelerated bilateral filter, an edge preserving filter. This filter is mathematically accurate thanks to the use of GPU acceleration. For best output quality, use one to one chroma subsampling, i.e. yuv444p format.

The filter accepts the following options:

sigmaS
    Set sigma of gaussian function to calculate spatial weight, also called sigma space. Allowed range is 0.1 to 512. Default is 0.1.

sigmaR
    Set sigma of gaussian function to calculate color range weight, also called sigma color. Allowed range is 0.1 to 512. Default is 0.1.

window_size
    Set window size of the bilateral function to determine the number of neighbours to loop on. If the number entered is even, one will be added automatically. Allowed range is 1 to 255. Default is 1.

Examples

•   Apply the bilateral filter on a video.

            ./ffmpeg -v verbose \
            -hwaccel cuda -hwaccel_output_format cuda -i input.mp4  \
            -init_hw_device cuda \
            -filter_complex \
            " \
            [0:v]scale_cuda=format=yuv444p[scaled_video];
            [scaled_video]bilateral_cuda=window_size=9:sigmaS=3.0:sigmaR=50.0" \
            -an -sn -c:v h264_nvenc -cq 20 out.mp4

bwdif_cuda

Deinterlace the input video using the bwdif algorithm, but implemented in CUDA so that it can work as part of a GPU accelerated pipeline with nvdec and/or nvenc.

It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    0, send_frame
        Output one frame for each frame.

    1, send_field
        Output one frame for each field.

    The default value is "send_field".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    0, tff
        Assume the top field is first.

    1, bff
        Assume the bottom field is first.

    -1, auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    0, all
        Deinterlace all frames.

    1, interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

chromakey_cuda

CUDA accelerated YUV colorspace color/chroma keying.

This filter works like normal chromakey filter but operates on CUDA frames. for more details and parameters see chromakey.

Examples

•   Make all the green pixels in the input video transparent and use it as an overlay for another video:

            ./ffmpeg \
                -hwaccel cuda -hwaccel_output_format cuda -i input_green.mp4  \
                -hwaccel cuda -hwaccel_output_format cuda -i base_video.mp4 \
                -init_hw_device cuda \
                -filter_complex \
                " \
                    [0:v]chromakey_cuda=0x25302D:0.1:0.12:1[overlay_video]; \
                    [1:v]scale_cuda=format=yuv420p[base]; \
                    [base][overlay_video]overlay_cuda" \
                -an -sn -c:v h264_nvenc -cq 20 output.mp4

•   Process two software sources, explicitly uploading the frames:

            ./ffmpeg -init_hw_device cuda=cuda -filter_hw_device cuda \
                -f lavfi -i color=size=800x600:color=white,format=yuv420p \
                -f lavfi -i yuvtestsrc=size=200x200,format=yuv420p \
                -filter_complex \
                " \
                    [0]hwupload[under]; \
                    [1]hwupload,chromakey_cuda=green:0.1:0.12[over]; \
                    [under][over]overlay_cuda" \
                -c:v hevc_nvenc -cq 18 -preset slow output.mp4

colorspace_cuda

CUDA accelerated implementation of the colorspace filter.

It is by no means feature complete compared to the software colorspace filter, and at the current time only supports color range conversion between jpeg/full and mpeg/limited range.

The filter accepts the following options:

range
    Specify output color range.

    The accepted values are:

    tv  TV (restricted) range

    mpeg
        MPEG (restricted) range

    pc  PC (full) range

    jpeg
        JPEG (full) range

overlay_cuda

Overlay one video on top of another.

This is the CUDA variant of the overlay filter. It only accepts CUDA frames. The underlying input pixel formats have to match.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid.

It accepts the following parameters:

x
y   Set expressions for the x and y coordinates of the overlaid video on the main video.

    They can contain the following parameters:

    main_w, W
    main_h, H
        The main input width and height.

    overlay_w, w
    overlay_h, h
        The overlay input width and height.

    x
    y   The computed values for x and y. They are evaluated for each new frame.

    n   The ordinal index of the main input frame, starting from 0.

    pos The byte offset position in the file of the main input frame, NAN if unknown. Deprecated, do not use.

    t   The timestamp of the main input frame, expressed in seconds, NAN if unknown.

    Default value is "0" for both expressions.

eval
    Set when the expressions for x and y are evaluated.

    It accepts the following values:

    init
        Evaluate expressions once during filter initialization or when a command is processed.

    frame
        Evaluate expressions for each incoming frame

    Default value is frame.

eof_action
    See framesync.

shortest
    See framesync.

repeatlast
    See framesync.

This filter also supports the framesync options.

pad_cuda

Add paddings to an input video stream using CUDA.

This filter is the CUDA-accelerated version of the pad filter. It accepts the same options and expressions and provides the same core functionality. For a detailed description of available options, please see the documentation for the pad filter.

Examples

•   Add a 200-pixel black border to all sides of a video frame:

            ffmpeg -hwaccel cuda -hwaccel_output_format cuda -i input.mp4 -vf "pad_cuda=w=iw+400:h=ih+400:x=200:y=200" -c:v h264_nvenc out.mp4

•   Pad the input video to a 16:9 aspect ratio, filling with the color "blue":

            ffmpeg -hwaccel cuda -hwaccel_output_format cuda -i input.mp4 -vf "pad_cuda=w=ih*16/9/sar:h=ih:x=(ow-iw)/2:y=(oh-ih)/2:color=blue" -c:v h264_nvenc out.mp4

scale_cuda

Scale (resize) and convert (pixel format) the input video, using accelerated CUDA kernels. Setting the output width and height works in the same way as for the scale filter.

The filter accepts the following options:

w
h   Set the output video dimension expression. Default value is the input dimension.

    Allows for the same expressions as the scale filter.

interp_algo
    Sets the algorithm used for scaling:

    nearest
        Nearest neighbour

        Used by default if input parameters match the desired output.

    bilinear
        Bilinear

    bicubic
        Bicubic

        This is the default.

    lanczos
        Lanczos

format
    Controls the output pixel format. By default, or if none is specified, the input pixel format is used.

    The filter does not support converting between YUV and RGB pixel formats.

passthrough
    If set to 0, every frame is processed, even if no conversion is necessary. This mode can be useful to use the filter as a buffer for a downstream frame-consumer that exhausts the limited decoder frame pool.

    If set to 1, frames are passed through as-is if they match the desired output parameters. This is the default behaviour.

param
    Algorithm-Specific parameter.

    Affects the curves of the bicubic algorithm.

force_original_aspect_ratio
force_divisible_by
    Work the same as the identical scale filter options.

reset_sar
    Works the same as the identical scale filter option.

Examples

•   Scale input to 720p, keeping aspect ratio and ensuring the output is yuv420p.

            scale_cuda=-2:720:format=yuv420p

•   Upscale to 4K using nearest neighbour algorithm.

            scale_cuda=4096:2160:interp_algo=nearest

•   Don't do any conversion or scaling, but copy all input frames into newly allocated ones. This can be useful to deal with a filter and encode chain that otherwise exhausts the decoders frame pool.

            scale_cuda=passthrough=0

thumbnail_cuda

Select the most representative frame in a given sequence of consecutive frames using CUDA.

The filter accepts the following options:

n   Set the frames batch size to analyze; in a set of n frames, the filter will pick one of them, and then handle the next batch of n frames until the end. Default is 100.

Since the filter keeps track of the whole frames sequence, a bigger n value will result in a higher memory usage, so a high value is not recommended.

Example

•   Thumbnails are extracted from every n=150-frame batch, selecting one per batch. Chosen frames are then scaled with scale_cuda.

            ./ffmpeg  -hwaccel cuda -hwaccel_output_format cuda  -i ./input.mp4 -vf "thumbnail_cuda=150,scale_cuda=1920:1080,hwdownload,format=nv12" ./output/out%03d.png

yadif_cuda

Deinterlace the input video using the yadif algorithm, but implemented in CUDA so that it can work as part of a GPU accelerated pipeline with nvdec and/or nvenc.

It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    0, send_frame
        Output one frame for each frame.

    1, send_field
        Output one frame for each field.

    2, send_frame_nospatial
        Like "send_frame", but it skips the spatial interlacing check.

    3, send_field_nospatial
        Like "send_field", but it skips the spatial interlacing check.

    The default value is "send_frame".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    0, tff
        Assume the top field is first.

    1, bff
        Assume the bottom field is first.

    -1, auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    0, all
        Deinterlace all frames.

    1, interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

  CUDA NPP
Below is a description of the currently available NVIDIA Performance Primitives (libnpp) video filters.

Prerequisites:

*<Install Nvidia CUDA Toolkit>
*<Install libnpp>

To enable CUDA NPP filters:

*<Configure FFmpeg with "--enable-nonfree --enable-libnpp".>

scale_npp

Use the NVIDIA Performance Primitives (libnpp) to perform scaling and/or pixel format conversion on CUDA video frames. Setting the output width and height works in the same way as for the scale filter.

The following additional options are accepted:

format
    The pixel format of the output CUDA frames. If set to the string "same" (the default), the input format will be kept. Note that automatic format negotiation and conversion is not yet supported for hardware frames

interp_algo
    The interpolation algorithm used for resizing. One of the following:

    nn  Nearest neighbour.

    linear
    cubic
    cubic2p_bspline
        2-parameter cubic (B=1, C=0)

    cubic2p_catmullrom
        2-parameter cubic (B=0, C=1/2)

    cubic2p_b05c03
        2-parameter cubic (B=1/2, C=3/10)

    super
        Supersampling

    lanczos
force_original_aspect_ratio
    Enable decreasing or increasing output video width or height if necessary to keep the original aspect ratio. Possible values:

    disable
        Scale the video as specified and disable this feature.

    decrease
        The output video dimensions will automatically be decreased if needed.

    increase
        The output video dimensions will automatically be increased if needed.

    One useful instance of this option is that when you know a specific device's maximum allowed resolution, you can use this to limit the output video to that, while retaining the aspect ratio. For example, device A allows 1280x720 playback, and your video is 1920x800. Using this option (set it to decrease) and specifying 1280x720 to the command line makes the output 1280x533.

    Please note that this is a different thing than specifying -1 for w or h, you still need to specify the output resolution for this option to work.

force_divisible_by
    Ensures that both the output dimensions, width and height, are divisible by the given integer when used together with force_original_aspect_ratio. This works similar to using "-n" in the w and h options.

    This option respects the value set for force_original_aspect_ratio, increasing or decreasing the resolution accordingly. The video's aspect ratio may be slightly modified.

    This option can be handy if you need to have a video fit within or exceed a defined resolution using force_original_aspect_ratio but also have encoder restrictions on width or height divisibility.

reset_sar
    Works the same as the identical scale filter option.

eval
    Specify when to evaluate width and height expression. It accepts the following values:

    init
        Only evaluate expressions once during the filter initialization or when a command is processed.

    frame
        Evaluate expressions for each incoming frame.

The values of the w and h options are expressions containing the following constants:

in_w
in_h
    The input width and height

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output (scaled) width and height

ow
oh  These are the same as out_w and out_h

a   The same as iw / ih

sar input sample aspect ratio

dar The input display aspect ratio. Calculated from "(iw / ih) * sar".

n   The (sequential) number of the input frame, starting from 0. Only available with "eval=frame".

t   The presentation timestamp of the input frame, expressed as a number of seconds. Only available with "eval=frame".

pos The position (byte offset) of the frame in the input stream, or NaN if this information is unavailable and/or meaningless (for example in case of synthetic video). Only available with "eval=frame". Deprecated, do not use.

scale2ref_npp

Use the NVIDIA Performance Primitives (libnpp) to scale (resize) the input video, based on a reference video.

See the scale_npp filter for available options, scale2ref_npp supports the same but uses the reference video instead of the main input as basis. scale2ref_npp also supports the following additional constants for the w and h options:

main_w
main_h
    The main input video's width and height

main_a
    The same as main_w / main_h

main_sar
    The main input video's sample aspect ratio

main_dar, mdar
    The main input video's display aspect ratio. Calculated from "(main_w / main_h) * main_sar".

main_n
    The (sequential) number of the main input frame, starting from 0. Only available with "eval=frame".

main_t
    The presentation timestamp of the main input frame, expressed as a number of seconds. Only available with "eval=frame".

main_pos
    The position (byte offset) of the frame in the main input stream, or NaN if this information is unavailable and/or meaningless (for example in case of synthetic video). Only available with "eval=frame".

Examples

•   Scale a subtitle stream (b) to match the main video (a) in size before overlaying

            'scale2ref_npp[b][a];[a][b]overlay_cuda'

•   Scale a logo to 1/10th the height of a video, while preserving its display aspect ratio.

            [logo-in][video-in]scale2ref_npp=w=oh*mdar:h=ih/10[logo-out][video-out]

sharpen_npp

Use the NVIDIA Performance Primitives (libnpp) to perform image sharpening with border control.

The following additional options are accepted:

border_type
    Type of sampling to be used ad frame borders. One of the following:

    replicate
        Replicate pixel values.

transpose_npp

Transpose rows with columns in the input video and optionally flip it. For more in depth examples see the transpose video filter, which shares mostly the same options.

It accepts the following parameters:

dir Specify the transposition direction.

    Can assume the following values:

    cclock_flip
        Rotate by 90 degrees counterclockwise and vertically flip. (default)

    clock
        Rotate by 90 degrees clockwise.

    cclock
        Rotate by 90 degrees counterclockwise.

    clock_flip
        Rotate by 90 degrees clockwise and vertically flip.

passthrough
    Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

    none
        Always apply transposition. (default)

    portrait
        Preserve portrait geometry (when height >= width).

    landscape
        Preserve landscape geometry (when width >= height).

OPENCL VIDEO FILTERS
Below is a description of the currently available OpenCL video filters.

To enable compilation of these filters you need to configure FFmpeg with "--enable-opencl".

Running OpenCL filters requires you to initialize a hardware device and to pass that device to all filters in any filter graph.

-init_hw_device opencl[=name][:device[,key=value...]]
    Initialise a new hardware device of type opencl called name, using the given device parameters.

-filter_hw_device name
    Pass the hardware device called name to all filters in any filter graph.

For more detailed information see <https://www.ffmpeg.org/ffmpeg.html#Advanced-Video-options>

•   Example of choosing the first device on the second platform and running avgblur_opencl filter with default parameters on it.

            -init_hw_device opencl=gpu:1.0 -filter_hw_device gpu -i INPUT -vf "hwupload, avgblur_opencl, hwdownload" OUTPUT

Since OpenCL filters are not able to access frame data in normal memory, all frame data needs to be uploaded(hwupload) to hardware surfaces connected to the appropriate device before being used and then downloaded(hwdownload) back to normal memory. Note that hwupload will upload to a surface with the same layout as the software frame, so it may be necessary to add a format filter immediately before to get the input into the right format and hwdownload does not support all formats on the output - it may be necessary to insert an additional format filter immediately following in the graph to get the output in a supported format.

  avgblur_opencl
Apply average blur filter.

The filter accepts the following options:

sizeX
    Set horizontal radius size. Range is "[1, 1024]" and default value is 1.

planes
    Set which planes to filter. Default value is 0xf, by which all planes are processed.

sizeY
    Set vertical radius size. Range is "[1, 1024]" and default value is 0. If zero, "sizeX" value will be used.

Example

•   Apply average blur filter with horizontal and vertical size of 3, setting each pixel of the output to the average value of the 7x7 region centered on it in the input. For pixels on the edges of the image, the region does not extend beyond the image boundaries, and so out-of-range coordinates are not used in the calculations.

            -i INPUT -vf "hwupload, avgblur_opencl=3, hwdownload" OUTPUT

  boxblur_opencl
Apply a boxblur algorithm to the input video.

It accepts the following parameters:

luma_radius, lr
luma_power, lp
chroma_radius, cr
chroma_power, cp
alpha_radius, ar
alpha_power, ap

A description of the accepted options follows.

luma_radius, lr
chroma_radius, cr
alpha_radius, ar
    Set an expression for the box radius in pixels used for blurring the corresponding input plane.

    The radius value must be a non-negative number, and must not be greater than the value of the expression "min(w,h)/2" for the luma and alpha planes, and of "min(cw,ch)/2" for the chroma planes.

    Default value for luma_radius is "2". If not specified, chroma_radius and alpha_radius default to the corresponding value set for luma_radius.

    The expressions can contain the following constants:

    w
    h   The input width and height in pixels.

    cw
    ch  The input chroma image width and height in pixels.

    hsub
    vsub
        The horizontal and vertical chroma subsample values. For example, for the pixel format "yuv422p", hsub is 2 and vsub is 1.

luma_power, lp
chroma_power, cp
alpha_power, ap
    Specify how many times the boxblur filter is applied to the corresponding plane.

    Default value for luma_power is 2. If not specified, chroma_power and alpha_power default to the corresponding value set for luma_power.

    A value of 0 will disable the effect.

Examples

Apply boxblur filter, setting each pixel of the output to the average value of box-radiuses luma_radius, chroma_radius, alpha_radius for each plane respectively. The filter will apply luma_power, chroma_power, alpha_power times onto the corresponding plane. For pixels on the edges of the image, the radius does not extend beyond the image boundaries, and so out-of-range coordinates are not used in the calculations.

•   Apply a boxblur filter with the luma, chroma, and alpha radius set to 2 and luma, chroma, and alpha power set to 3. The filter will run 3 times with box-radius set to 2 for every plane of the image.

            -i INPUT -vf "hwupload, boxblur_opencl=luma_radius=2:luma_power=3, hwdownload" OUTPUT
            -i INPUT -vf "hwupload, boxblur_opencl=2:3, hwdownload" OUTPUT

•   Apply a boxblur filter with luma radius set to 2, luma_power to 1, chroma_radius to 4, chroma_power to 5, alpha_radius to 3 and alpha_power to 7.

    For the luma plane, a 2x2 box radius will be run once.

    For the chroma plane, a 4x4 box radius will be run 5 times.

    For the alpha plane, a 3x3 box radius will be run 7 times.

            -i INPUT -vf "hwupload, boxblur_opencl=2:1:4:5:3:7, hwdownload" OUTPUT

  colorkey_opencl
RGB colorspace color keying.

The filter accepts the following options:

color
    The color which will be replaced with transparency.

similarity
    Similarity percentage with the key color.

    0.01 matches only the exact key color, while 1.0 matches everything.

blend
    Blend percentage.

    0.0 makes pixels either fully transparent, or not transparent at all.

    Higher values result in semi-transparent pixels, with a higher transparency the more similar the pixels color is to the key color.

Examples

•   Make every semi-green pixel in the input transparent with some slight blending:

            -i INPUT -vf "hwupload, colorkey_opencl=green:0.3:0.1, hwdownload" OUTPUT

  convolution_opencl
Apply convolution of 3x3, 5x5, 7x7 matrix.

The filter accepts the following options:

0m
1m
2m
3m  Set matrix for each plane. Matrix is sequence of 9, 25 or 49 signed numbers. Default value for each plane is "0 0 0 0 1 0 0 0 0".

0rdiv
1rdiv
2rdiv
3rdiv
    Set multiplier for calculated value for each plane. If unset or 0, it will be sum of all matrix elements. The option value must be a float number greater or equal to 0.0. Default value is 1.0.

0bias
1bias
2bias
3bias
    Set bias for each plane. This value is added to the result of the multiplication. Useful for making the overall image brighter or darker. The option value must be a float number greater or equal to 0.0. Default value is 0.0.

Examples

•   Apply sharpen:

            -i INPUT -vf "hwupload, convolution_opencl=0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0:0 -1 0 -1 5 -1 0 -1 0, hwdownload" OUTPUT

•   Apply blur:

            -i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1 1 1 1 1 1 1 1 1:1/9:1/9:1/9:1/9, hwdownload" OUTPUT

•   Apply edge enhance:

            -i INPUT -vf "hwupload, convolution_opencl=0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:0 0 0 -1 1 0 0 0 0:5:1:1:1:0:128:128:128, hwdownload" OUTPUT

•   Apply edge detect:

            -i INPUT -vf "hwupload, convolution_opencl=0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:0 1 0 1 -4 1 0 1 0:5:5:5:1:0:128:128:128, hwdownload" OUTPUT

•   Apply laplacian edge detector which includes diagonals:

            -i INPUT -vf "hwupload, convolution_opencl=1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:1 1 1 1 -8 1 1 1 1:5:5:5:1:0:128:128:0, hwdownload" OUTPUT

•   Apply emboss:

            -i INPUT -vf "hwupload, convolution_opencl=-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2:-2 -1 0 -1 1 1 0 1 2, hwdownload" OUTPUT

  erosion_opencl
Apply erosion effect to the video.

This filter replaces the pixel by the local(3x3) minimum.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane. Range is "[0, 65535]" and default value is 65535. If 0, plane will remain unchanged.

coordinates
    Flag which specifies the pixel to refer to. Range is "[0, 255]" and default value is 255, i.e. all eight pixels are used.

    Flags to local 3x3 coordinates region centered on "x":

        1 2 3

        4 x 5

        6 7 8

Example

•   Apply erosion filter with threshold0 set to 30, threshold1 set 40, threshold2 set to 50 and coordinates set to 231, setting each pixel of the output to the local minimum between pixels: 1, 2, 3, 6, 7, 8 of the 3x3 region centered on it in the input. If the difference between input pixel and local minimum is more then threshold of the corresponding plane, output pixel will be set to input pixel - threshold of corresponding plane.

            -i INPUT -vf "hwupload, erosion_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT

  deshake_opencl
Feature-point based video stabilization filter.

The filter accepts the following options:

tripod
    Simulates a tripod by preventing any camera movement whatsoever from the original frame. Defaults to 0.

debug
    Whether or not additional debug info should be displayed, both in the processed output and in the console.

    Note that in order to see console debug output you will also need to pass "-v verbose" to ffmpeg.

    Viewing point matches in the output video is only supported for RGB input.

    Defaults to 0.

adaptive_crop
    Whether or not to do a tiny bit of cropping at the borders to cut down on the amount of mirrored pixels.

    Defaults to 1.

refine_features
    Whether or not feature points should be refined at a sub-pixel level.

    This can be turned off for a slight performance gain at the cost of precision.

    Defaults to 1.

smooth_strength
    The strength of the smoothing applied to the camera path from 0.0 to 1.0.

    1.0 is the maximum smoothing strength while values less than that result in less smoothing.

    0.0 causes the filter to adaptively choose a smoothing strength on a per-frame basis.

    Defaults to 0.0.

smooth_window_multiplier
    Controls the size of the smoothing window (the number of frames buffered to determine motion information from).

    The size of the smoothing window is determined by multiplying the framerate of the video by this number.

    Acceptable values range from 0.1 to 10.0.

    Larger values increase the amount of motion data available for determining how to smooth the camera path, potentially improving smoothness, but also increase latency and memory usage.

    Defaults to 2.0.

Examples

•   Stabilize a video with a fixed, medium smoothing strength:

            -i INPUT -vf "hwupload, deshake_opencl=smooth_strength=0.5, hwdownload" OUTPUT

•   Stabilize a video with debugging (both in console and in rendered video):

            -i INPUT -filter_complex "[0:v]format=rgba, hwupload, deshake_opencl=debug=1, hwdownload, format=rgba, format=yuv420p" -v verbose OUTPUT

  dilation_opencl
Apply dilation effect to the video.

This filter replaces the pixel by the local(3x3) maximum.

It accepts the following options:

threshold0
threshold1
threshold2
threshold3
    Limit the maximum change for each plane. Range is "[0, 65535]" and default value is 65535. If 0, plane will remain unchanged.

coordinates
    Flag which specifies the pixel to refer to. Range is "[0, 255]" and default value is 255, i.e. all eight pixels are used.

    Flags to local 3x3 coordinates region centered on "x":

        1 2 3

        4 x 5

        6 7 8

Example

•   Apply dilation filter with threshold0 set to 30, threshold1 set 40, threshold2 set to 50 and coordinates set to 231, setting each pixel of the output to the local maximum between pixels: 1, 2, 3, 6, 7, 8 of the 3x3 region centered on it in the input. If the difference between input pixel and local maximum is more then threshold of the corresponding plane, output pixel will be set to input pixel + threshold of corresponding plane.

            -i INPUT -vf "hwupload, dilation_opencl=30:40:50:coordinates=231, hwdownload" OUTPUT

  nlmeans_opencl
Non-local Means denoise filter through OpenCL, this filter accepts same options as nlmeans.

  overlay_opencl
Overlay one video on top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid. This filter requires same memory layout for all the inputs. So, format conversion may be needed.

The filter accepts the following options:

x   Set the x coordinate of the overlaid video on the main video. Default value is 0.

y   Set the y coordinate of the overlaid video on the main video. Default value is 0.

Examples

•   Overlay an image LOGO at the top-left corner of the INPUT video. Both inputs are yuv420p format.

            -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuv420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT

•   The inputs have same memory layout for color channels , the overlay has additional alpha plane, like INPUT is yuv420p, and the LOGO is yuva420p.

            -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuva420p, hwupload[b], [a][b]overlay_opencl, hwdownload" OUTPUT

  pad_opencl
Add paddings to the input image, and place the original input at the provided x, y coordinates.

It accepts the following options:

width, w
height, h
    Specify an expression for the size of the output image with the paddings added. If the value for width or height is 0, the corresponding input size is used for the output.

    The width expression can reference the value set by the height expression, and vice versa.

    The default value of width and height is 0.

x
y   Specify the offsets to place the input image at within the padded area, with respect to the top/left border of the output image.

    The x expression can reference the value set by the y expression, and vice versa.

    The default value of x and y is 0.

    If x or y evaluate to a negative number, they'll be changed so the input image is centered on the padded area.

color
    Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

aspect
    Pad to an aspect instead to a resolution.

The value for the width, height, x, and y options are expressions containing the following constants:

in_w
in_h
    The input video width and height.

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output width and height (the size of the padded area), as specified by the width and height expressions.

ow
oh  These are the same as out_w and out_h.

x
y   The x and y offsets as specified by the x and y expressions, or NAN if not yet specified.

a   same as iw / ih

sar input sample aspect ratio

dar input display aspect ratio, it is the same as (iw / ih) * sar

  prewitt_opencl
Apply the Prewitt operator (<https://en.wikipedia.org/wiki/Prewitt_operator>) to input video stream.

The filter accepts the following option:

planes
    Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
    Set value which will be multiplied with filtered result. Range is "[0.0, 65535]" and default value is 1.0.

delta
    Set value which will be added to filtered result. Range is "[-65535, 65535]" and default value is 0.0.

Example

•   Apply the Prewitt operator with scale set to 2 and delta set to 10.

            -i INPUT -vf "hwupload, prewitt_opencl=scale=2:delta=10, hwdownload" OUTPUT

  program_opencl
Filter video using an OpenCL program.

source
    OpenCL program source file.

kernel
    Kernel name in program.

inputs
    Number of inputs to the filter. Defaults to 1.

size, s
    Size of output frames. Defaults to the same as the first input.

The "program_opencl" filter also supports the framesync options.

The program source file must contain a kernel function with the given name, which will be run once for each plane of the output. Each run on a plane gets enqueued as a separate 2D global NDRange with one work-item for each pixel to be generated. The global ID offset for each work-item is therefore the coordinates of a pixel in the destination image.

The kernel function needs to take the following arguments:

•   Destination image, __write_only image2d_t.

    This image will become the output; the kernel should write all of it.

•   Frame index, unsigned int.

    This is a counter starting from zero and increasing by one for each frame.

•   Source images, __read_only image2d_t.

    These are the most recent images on each input. The kernel may read from them to generate the output, but they can't be written to.

Example programs:

•   Copy the input to the output (output must be the same size as the input).

            __kernel void copy(__write_only image2d_t destination,
                               unsigned int index,
                               __read_only  image2d_t source)
            {
                const sampler_t sampler = CLK_NORMALIZED_COORDS_FALSE;

                int2 location = (int2)(get_global_id(0), get_global_id(1));

                float4 value = read_imagef(source, sampler, location);

                write_imagef(destination, location, value);
            }

•   Apply a simple transformation, rotating the input by an amount increasing with the index counter. Pixel values are linearly interpolated by the sampler, and the output need not have the same dimensions as the input.

            __kernel void rotate_image(__write_only image2d_t dst,
                                       unsigned int index,
                                       __read_only  image2d_t src)
            {
                const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                           CLK_FILTER_LINEAR);

                float angle = (float)index / 100.0f;

                float2 dst_dim = convert_float2(get_image_dim(dst));
                float2 src_dim = convert_float2(get_image_dim(src));

                float2 dst_cen = dst_dim / 2.0f;
                float2 src_cen = src_dim / 2.0f;

                int2   dst_loc = (int2)(get_global_id(0), get_global_id(1));

                float2 dst_pos = convert_float2(dst_loc) - dst_cen;
                float2 src_pos = {
                    cos(angle) * dst_pos.x - sin(angle) * dst_pos.y,
                    sin(angle) * dst_pos.x + cos(angle) * dst_pos.y
                };
                src_pos = src_pos * src_dim / dst_dim;

                float2 src_loc = src_pos + src_cen;

                if (src_loc.x < 0.0f      || src_loc.y < 0.0f ||
                    src_loc.x > src_dim.x || src_loc.y > src_dim.y)
                    write_imagef(dst, dst_loc, 0.5f);
                else
                    write_imagef(dst, dst_loc, read_imagef(src, sampler, src_loc));
            }

•   Blend two inputs together, with the amount of each input used varying with the index counter.

            __kernel void blend_images(__write_only image2d_t dst,
                                       unsigned int index,
                                       __read_only  image2d_t src1,
                                       __read_only  image2d_t src2)
            {
                const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                           CLK_FILTER_LINEAR);

                float blend = (cos((float)index / 50.0f) + 1.0f) / 2.0f;

                int2  dst_loc = (int2)(get_global_id(0), get_global_id(1));
                int2 src1_loc = dst_loc * get_image_dim(src1) / get_image_dim(dst);
                int2 src2_loc = dst_loc * get_image_dim(src2) / get_image_dim(dst);

                float4 val1 = read_imagef(src1, sampler, src1_loc);
                float4 val2 = read_imagef(src2, sampler, src2_loc);

                write_imagef(dst, dst_loc, val1 * blend + val2 * (1.0f - blend));
            }

  remap_opencl
Remap pixels using 2nd: Xmap and 3rd: Ymap input video stream.

Destination pixel at position (X, Y) will be picked from source (x, y) position where x = Xmap(X, Y) and y = Ymap(X, Y). If mapping values are out of range, zero value for pixel will be used for destination pixel.

Xmap and Ymap input video streams must be of same dimensions. Output video stream will have Xmap/Ymap video stream dimensions. Xmap and Ymap input video streams are 32bit float pixel format, single channel.

interp
    Specify interpolation used for remapping of pixels. Allowed values are "near" and "linear". Default value is "linear".

fill
    Specify the color of the unmapped pixels. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual. Default color is "black".

  roberts_opencl
Apply the Roberts cross operator (<https://en.wikipedia.org/wiki/Roberts_cross>) to input video stream.

The filter accepts the following option:

planes
    Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
    Set value which will be multiplied with filtered result. Range is "[0.0, 65535]" and default value is 1.0.

delta
    Set value which will be added to filtered result. Range is "[-65535, 65535]" and default value is 0.0.

Example

•   Apply the Roberts cross operator with scale set to 2 and delta set to 10

            -i INPUT -vf "hwupload, roberts_opencl=scale=2:delta=10, hwdownload" OUTPUT

  sobel_opencl
Apply the Sobel operator (<https://en.wikipedia.org/wiki/Sobel_operator>) to input video stream.

The filter accepts the following option:

planes
    Set which planes to filter. Default value is 0xf, by which all planes are processed.

scale
    Set value which will be multiplied with filtered result. Range is "[0.0, 65535]" and default value is 1.0.

delta
    Set value which will be added to filtered result. Range is "[-65535, 65535]" and default value is 0.0.

Example

•   Apply sobel operator with scale set to 2 and delta set to 10

            -i INPUT -vf "hwupload, sobel_opencl=scale=2:delta=10, hwdownload" OUTPUT

  tonemap_opencl
Perform HDR(PQ/HLG) to SDR conversion with tone-mapping.

It accepts the following parameters:

tonemap
    Specify the tone-mapping operator to be used. Same as tonemap option in tonemap.

param
    Tune the tone mapping algorithm. same as param option in tonemap.

desat
    Apply desaturation for highlights that exceed this level of brightness. The higher the parameter, the more color information will be preserved. This setting helps prevent unnaturally blown-out colors for super-highlights, by (smoothly) turning into white instead. This makes images feel more natural, at the cost of reducing information about out-of-range colors.

    The default value is 0.5, and the algorithm here is a little different from the cpu version tonemap currently. A setting of 0.0 disables this option.

threshold
    The tonemapping algorithm parameters is fine-tuned per each scene. And a threshold is used to detect whether the scene has changed or not. If the distance between the current frame average brightness and the current running average exceeds a threshold value, we would re-calculate scene average and peak brightness. The default value is 0.2.

format
    Specify the output pixel format.

    Currently supported formats are:

    p010
    nv12
range, r
    Set the output color range.

    Possible values are:

    tv/mpeg
    pc/jpeg

    Default is same as input.

primaries, p
    Set the output color primaries.

    Possible values are:

    bt709
    bt2020

    Default is same as input.

transfer, t
    Set the output transfer characteristics.

    Possible values are:

    bt709
    bt2020

    Default is bt709.

matrix, m
    Set the output colorspace matrix.

    Possible value are:

    bt709
    bt2020

    Default is same as input.

Example

•   Convert HDR(PQ/HLG) video to bt2020-transfer-characteristic p010 format using linear operator.

            -i INPUT -vf "format=p010,hwupload,tonemap_opencl=t=bt2020:tonemap=linear:format=p010,hwdownload,format=p010" OUTPUT

  unsharp_opencl
Sharpen or blur the input video.

It accepts the following parameters:

luma_msize_x, lx
    Set the luma matrix horizontal size. Range is "[1, 23]" and default value is 5.

luma_msize_y, ly
    Set the luma matrix vertical size. Range is "[1, 23]" and default value is 5.

luma_amount, la
    Set the luma effect strength. Range is "[-10, 10]" and default value is 1.0.

    Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

chroma_msize_x, cx
    Set the chroma matrix horizontal size. Range is "[1, 23]" and default value is 5.

chroma_msize_y, cy
    Set the chroma matrix vertical size. Range is "[1, 23]" and default value is 5.

chroma_amount, ca
    Set the chroma effect strength. Range is "[-10, 10]" and default value is 0.0.

    Negative values will blur the input video, while positive values will sharpen it, a value of zero will disable the effect.

All parameters are optional and default to the equivalent of the string '5:5:1.0:5:5:0.0'.

Examples

•   Apply strong luma sharpen effect:

            -i INPUT -vf "hwupload, unsharp_opencl=luma_msize_x=7:luma_msize_y=7:luma_amount=2.5, hwdownload" OUTPUT

•   Apply a strong blur of both luma and chroma parameters:

            -i INPUT -vf "hwupload, unsharp_opencl=7:7:-2:7:7:-2, hwdownload" OUTPUT

  xfade_opencl
Cross fade two videos with custom transition effect by using OpenCL.

It accepts the following options:

transition
    Set one of possible transition effects.

    custom
        Select custom transition effect, the actual transition description will be picked from source and kernel options.

    fade
    wipeleft
    wiperight
    wipeup
    wipedown
    slideleft
    slideright
    slideup
    slidedown
        Default transition is fade.

source
    OpenCL program source file for custom transition.

kernel
    Set name of kernel to use for custom transition from program source file.

duration
    Set duration of video transition.

offset
    Set time of start of transition relative to first video.

The program source file must contain a kernel function with the given name, which will be run once for each plane of the output. Each run on a plane gets enqueued as a separate 2D global NDRange with one work-item for each pixel to be generated. The global ID offset for each work-item is therefore the coordinates of a pixel in the destination image.

The kernel function needs to take the following arguments:

•   Destination image, __write_only image2d_t.

    This image will become the output; the kernel should write all of it.

•   First Source image, __read_only image2d_t. Second Source image, __read_only image2d_t.

    These are the most recent images on each input. The kernel may read from them to generate the output, but they can't be written to.

•   Transition progress, float. This value is always between 0 and 1 inclusive.

Example programs:

•   Apply dots curtain transition effect:

            __kernel void blend_images(__write_only image2d_t dst,
                                       __read_only  image2d_t src1,
                                       __read_only  image2d_t src2,
                                       float progress)
            {
                const sampler_t sampler = (CLK_NORMALIZED_COORDS_FALSE |
                                           CLK_FILTER_LINEAR);
                int2  p = (int2)(get_global_id(0), get_global_id(1));
                float2 rp = (float2)(get_global_id(0), get_global_id(1));
                float2 dim = (float2)(get_image_dim(src1).x, get_image_dim(src1).y);
                rp = rp / dim;

                float2 dots = (float2)(20.0, 20.0);
                float2 center = (float2)(0,0);
                float2 unused;

                float4 val1 = read_imagef(src1, sampler, p);
                float4 val2 = read_imagef(src2, sampler, p);
                bool next = distance(fract(rp * dots, &unused), (float2)(0.5, 0.5)) < (progress / distance(rp, center));

                write_imagef(dst, p, next ? val1 : val2);
            }

VAAPI VIDEO FILTERS
VAAPI Video filters are usually used with VAAPI decoder and VAAPI encoder. Below is a description of VAAPI video filters.

To enable compilation of these filters you need to configure FFmpeg with "--enable-vaapi".

To use vaapi filters, you need to setup the vaapi device correctly. For more information, please read <https://trac.ffmpeg.org/wiki/Hardware/VAAPI>

  overlay_vaapi
Overlay one video on the top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid.

The filter accepts the following options:

x
y   Set expressions for the x and y coordinates of the overlaid video on the main video.

    Default value is "0" for both expressions.

w
h   Set expressions for the width and height the overlaid video on the main video.

    Default values are 'overlay_iw' for 'w' and 'overlay_ih*w/overlay_iw' for 'h'.

    The expressions can contain the following parameters:

    main_w, W
    main_h, H
        The main input width and height.

    overlay_iw
    overlay_ih
        The overlay input width and height.

    overlay_w, w
    overlay_h, h
        The overlay output width and height.

    overlay_x, x
    overlay_y, y
        Position of the overlay layer inside of main

alpha
    Set transparency of overlaid video. Allowed range is 0.0 to 1.0. Higher value means lower transparency. Default value is 1.0.

eof_action
    See framesync.

shortest
    See framesync.

repeatlast
    See framesync.

This filter also supports the framesync options.

Examples

•   Overlay an image LOGO at the top-left corner of the INPUT video. Both inputs for this filter are yuv420p format.

            -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuv420p, hwupload[b], [a][b]overlay_vaapi" OUTPUT

•   Overlay an image LOGO at the offset (200, 100) from the top-left corner of the INPUT video. The inputs have same memory layout for color channels, the overlay has additional alpha plane, like INPUT is yuv420p, and the LOGO is yuva420p.

            -i INPUT -i LOGO -filter_complex "[0:v]hwupload[a], [1:v]format=yuva420p, hwupload[b], [a][b]overlay_vaapi=x=200:y=100:w=400:h=300:alpha=1.0, hwdownload, format=nv12" OUTPUT

  tonemap_vaapi
Perform HDR-to-SDR or HDR-to-HDR tone-mapping. It currently only accepts HDR10 as input.

It accepts the following parameters:

format
    Specify the output pixel format.

    Default is nv12 for HDR-to-SDR tone-mapping and p010 for HDR-to-HDR tone-mapping.

primaries, p
    Set the output color primaries.

    Default is bt709 for HDR-to-SDR tone-mapping and same as input for HDR-to-HDR tone-mapping.

transfer, t
    Set the output transfer characteristics.

    Default is bt709 for HDR-to-SDR tone-mapping and same as input for HDR-to-HDR tone-mapping.

matrix, m
    Set the output colorspace matrix.

    Default is bt709 for HDR-to-SDR tone-mapping and same as input for HDR-to-HDR tone-mapping.

display
    Set the output mastering display colour volume. It is given by a '|'-separated list of two values, two values are space separated. It set display primaries x & y in G, B, R order, then white point x & y, the nominal minimum & maximum display luminances.

    HDR-to-HDR tone-mapping will be performed when this option is set.

light
    Set the output content light level information. It accepts 2 space-separated values, the first input is the maximum light level and the second input is the maximum average light level.

    It is ignored for HDR-to-SDR tone-mapping, and optional for HDR-to-HDR tone-mapping.

Example

•   Convert HDR(HDR10) video to bt2020-transfer-characteristic p010 format

            tonemap_vaapi=format=p010:t=bt2020-10

•   Convert HDR video to HDR video

            tonemap_vaapi=display=7500\ 3000|34000\ 16000|13250\ 34500|15635\ 16450|500\ 10000000

  hstack_vaapi
Stack input videos horizontally.

This is the VA-API variant of the hstack filter, each input stream may have different height, this filter will scale down/up each input stream while keeping the original aspect.

It accepts the following options:

inputs
    See hstack.

shortest
    See hstack.

height
    Set height of output. If set to 0, this filter will set height of output to height of the first input stream. Default value is 0.

  vstack_vaapi
Stack input videos vertically.

This is the VA-API variant of the vstack filter, each input stream may have different width, this filter will scale down/up each input stream while keeping the original aspect.

It accepts the following options:

inputs
    See vstack.

shortest
    See vstack.

width
    Set width of output. If set to 0, this filter will set width of output to width of the first input stream. Default value is 0.

  xstack_vaapi
Stack video inputs into custom layout.

This is the VA-API variant of the xstack filter, each input stream may have different size, this filter will scale down/up each input stream to the given output size, or the size of the first input stream.

It accepts the following options:

inputs
    See xstack.

shortest
    See xstack.

layout
    See xstack. Moreover, this permits the user to supply output size for each input stream.

            xstack_vaapi=inputs=4:layout=0_0_1920x1080|0_h0_1920x1080|w0_0_1920x1080|w0_h0_1920x1080

grid
    See xstack.

grid_tile_size
    Set output size for each input stream when grid is set. If this option is not set, this filter will set output size by default to the size of the first input stream. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

fill
    See xstack.

  pad_vaapi
Add paddings to the input image, and place the original input at the provided x, y coordinates.

It accepts the following options:

width, w
height, h
    Specify an expression for the size of the output image with the paddings added. If the value for width or height is 0, the corresponding input size is used for the output.

    The width expression can reference the value set by the height expression, and vice versa.

    The default value of width and height is 0.

x
y   Specify the offsets to place the input image at within the padded area, with respect to the top/left border of the output image.

    The x expression can reference the value set by the y expression, and vice versa.

    The default value of x and y is 0.

    If x or y evaluate to a negative number, they'll be changed so the input image is centered on the padded area.

color
    Specify the color of the padded area. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

aspect
    Pad to an aspect instead to a resolution.

The value for the width, height, x, and y options are expressions containing the following constants:

in_w
in_h
    The input video width and height.

iw
ih  These are the same as in_w and in_h.

out_w
out_h
    The output width and height (the size of the padded area), as specified by the width and height expressions.

ow
oh  These are the same as out_w and out_h.

x
y   The x and y offsets as specified by the x and y expressions, or NAN if not yet specified.

a   same as iw / ih

sar input sample aspect ratio

dar input display aspect ratio, it is the same as (iw / ih) * sar

  drawbox_vaapi
Draw a colored box on the input image.

It accepts the following parameters:

x
y   The expressions which specify the top left corner coordinates of the box. It defaults to 0.

width, w
height, h
    The expressions which specify the width and height of the box; if 0 they are interpreted as the input width and height. It defaults to 0.

color, c
    Specify the color of the box to write. For the general syntax of this option, check the "Color" section in the ffmpeg-utils manual.

thickness, t
    The expression which sets the thickness of the box edge. A value of "fill" will create a filled box. Default value is 3.

    See below for the list of accepted constants.

replace
    With value 1, the pixels of the painted box will overwrite the video's color and alpha pixels. Default is 0, which composites the box onto the input video.

The parameters for x, y, w and h and t are expressions containing the following constants:

in_h, ih
in_w, iw
    The input width and height.

x
y   The x and y offset coordinates where the box is drawn.

w
h   The width and height of the drawn box.

t   The thickness of the drawn box.

Examples

•   Draw a black box around the edge of the input image:

            drawbox

•   Draw a box with color red and an opacity of 50%:

            drawbox=10:20:200:60:red@0.5

    The previous example can be specified as:

            drawbox=x=10:y=20:w=200:h=60:color=red@0.5

•   Fill the box with pink color:

            drawbox=x=10:y=10:w=100:h=100:color=pink@0.5:t=fill

•   Draw a 2-pixel red 2.40:1 mask:

            drawbox=x=-t:y=0.5*(ih-iw/2.4)-t:w=iw+t*2:h=iw/2.4+t*2:t=2:c=red

VIDEOTOOLBOX VIDEO FILTERS
Below is a description of the currently available VideoToolbox video filters.

VideoToolbox filter depends on VideoToolbox framework, and is auto detected when building ffmpeg for an Apple platform such as macOS. Add "--enable-videotoolbox" to configure if autodetect is disabled.

  scale_vt
Scale and convert the color parameters using VTPixelTransferSession.

The filter accepts the following options:

w
h   Set the output video dimension expression. Default value is the input dimension.

color_matrix
    Set the output colorspace matrix.

color_primaries
    Set the output color primaries.

color_transfer
    Set the output transfer characteristics.

Examples

•   Perform HDR to SDR conversion, and scale to half size of input

            ffmpeg -hwaccel videotoolbox \
                    -hwaccel_output_format videotoolbox_vld \
                    -i hdr.mov \
                    -c:v hevc_videotoolbox \
                    -profile:v main \
                    -b:v 3M \
                    -vf scale_vt=w=iw/2:h=ih/2:color_matrix=bt709:color_primaries=bt709:color_transfer=bt709 \
                    -c:a copy \
                    -tag:v hvc1 \
                    sdr.mp4

  transpose_vt
Transpose rows with columns in the input video and optionally flip it. For more in depth examples see the transpose video filter, which shares mostly the same options.

It accepts the following parameters:

dir Specify the transposition direction.

    Can assume the following values:

    cclock_flip
        Rotate by 90 degrees counterclockwise and vertically flip. (default)

    clock
        Rotate by 90 degrees clockwise.

    cclock
        Rotate by 90 degrees counterclockwise.

    clock_flip
        Rotate by 90 degrees clockwise and vertically flip.

    hflip
        Flip the input video horizontally.

    vflip
        Flip the input video vertically.

passthrough
    Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

    none
        Always apply transposition. (default)

    portrait
        Preserve portrait geometry (when height >= width).

    landscape
        Preserve landscape geometry (when width >= height).

VULKAN VIDEO FILTERS
Below is a description of the currently available Vulkan video filters.

To enable compilation of these filters you need to configure FFmpeg with "--enable-vulkan" and either "--enable-libglslang" or "--enable-libshaderc".

Running Vulkan filters requires you to initialize a hardware device and to pass that device to all filters in any filter graph.

-init_hw_device vulkan[=name][:device[,key=value...]]
    Initialise a new hardware device of type vulkan called name, using the given device parameters and options in key=value. The following options are supported:

    debug
        Switches validation layers on if set to 1.

    linear_images
        Allocates linear images. Does not apply to decoding.

    disable_multiplane
        Disables multiplane images. Does not apply to decoding.

    avoid_host_import
        Avoids the use of dynamic host memory imports, in favor of a regular memcpy() into a previously mapped buffer.

-filter_hw_device name
    Pass the hardware device called name to all filters in any filter graph.

For more detailed information see <https://www.ffmpeg.org/ffmpeg.html#Advanced-Video-options>

•   Example of choosing the first device and running nlmeans_vulkan filter with default parameters on it.

            -init_hw_device vulkan=vk:0 -filter_hw_device vk -i INPUT -vf "hwupload,nlmeans_vulkan,hwdownload" OUTPUT

As Vulkan filters are not able to access frame data in normal memory, all frame data needs to be uploaded (hwupload) to hardware surfaces connected to the appropriate device before being used and then downloaded (hwdownload) back to normal memory. Note that hwupload will upload to a frame with the same layout as the software frame, so it may be necessary to add a format filter immediately before to get the input into the right format and hwdownload does not support all formats on the output - it is usually necessary to insert an additional format filter immediately following in the graph to get the output in a supported format.

  avgblur_vulkan
Apply an average blur filter, implemented on the GPU using Vulkan.

The filter accepts the following options:

sizeX
    Set horizontal radius size. Range is "[1, 32]" and default value is 3.

sizeY
    Set vertical radius size. Range is "[1, 32]" and default value is 3.

planes
    Set which planes to filter. Default value is 0xf, by which all planes are processed.

  blend_vulkan
Blend two Vulkan frames into each other.

The "blend" filter takes two input streams and outputs one stream, the first input is the "top" layer and second input is "bottom" layer. By default, the output terminates when the longest input terminates.

A description of the accepted options follows.

c0_mode
c1_mode
c2_mode
c3_mode
all_mode
    Set blend mode for specific pixel component or all pixel components in case of all_mode. Default value is "normal".

    Available values for component modes are:

    normal
    multiply

  bwdif_vulkan
Deinterlacer using bwdif, the "Bob Weaver Deinterlacing Filter" algorithm, implemented on the GPU using Vulkan.

It accepts the following parameters:

mode
    The interlacing mode to adopt. It accepts one of the following values:

    0, send_frame
        Output one frame for each frame.

    1, send_field
        Output one frame for each field.

    The default value is "send_field".

parity
    The picture field parity assumed for the input interlaced video. It accepts one of the following values:

    0, tff
        Assume the top field is first.

    1, bff
        Assume the bottom field is first.

    -1, auto
        Enable automatic detection of field parity.

    The default value is "auto". If the interlacing is unknown or the decoder does not export this information, top field first will be assumed.

deint
    Specify which frames to deinterlace. Accepts one of the following values:

    0, all
        Deinterlace all frames.

    1, interlaced
        Only deinterlace frames marked as interlaced.

    The default value is "all".

  chromaber_vulkan
Apply an effect that emulates chromatic aberration. Works best with RGB inputs, but provides a similar effect with YCbCr inputs too.

dist_x
    Horizontal displacement multiplier. Each chroma pixel's position will be multiplied by this amount, starting from the center of the image. Default is 0.

dist_y
    Similarly, this sets the vertical displacement multiplier. Default is 0.

  color_vulkan
Video source that creates a Vulkan frame of a solid color. Useful for benchmarking, or overlaying.

It accepts the following parameters:

color
    The color to use. Either a name, or a hexadecimal value. The default value is "black".

size
    The size of the output frame. Default value is "1920x1080".

rate
    The framerate to output at. Default value is 60 frames per second.

duration
    The video duration. Default value is "-0.000001".

sar The video signal aspect ratio. Default value is "1/1".

format
    The pixel format of the output Vulkan frames. Default value is "yuv444p".

out_range
    Set the output YCbCr sample range.

    This allows the autodetected value to be overridden as well as allows forcing a specific value used for the output and encoder. If not specified, the range depends on the pixel format. Possible values:

    auto/unknown
        Choose automatically.

    jpeg/full/pc
        Set full range (0-255 in case of 8-bit luma).

    mpeg/limited/tv
        Set "MPEG" range (16-235 in case of 8-bit luma).

  vflip_vulkan
Flips an image vertically.

  hflip_vulkan
Flips an image horizontally.

  flip_vulkan
Flips an image along both the vertical and horizontal axis.

  gblur_vulkan
Apply Gaussian blur filter on Vulkan frames.

The filter accepts the following options:

sigma
    Set horizontal sigma, standard deviation of Gaussian blur. Default is 0.5.

sigmaV
    Set vertical sigma, if negative it will be same as "sigma". Default is "-1".

planes
    Set which planes to filter. By default all planes are filtered.

size
    Set the kernel size along the horizontal axis. Default is 19.

sizeV
    Set the kernel size along the vertical axis. Default is 0, which sets to use the same value as size.

  nlmeans_vulkan
Denoise frames using Non-Local Means algorithm, implemented on the GPU using Vulkan. Supports more pixel formats than nlmeans or nlmeans_opencl, including alpha channel support.

The filter accepts the following options.

s   Set denoising strength for all components. Default is 1.0. Must be in range [0.0, 100.0].

p   Set patch size for all planes. Default is 7. Must be odd number in range [0, 99].

r   Set research size. Default is 15. Must be odd number in range [0, 99].

t   Set parallelism. Default is 8. Must be a number in the range [1, 64]. Larger values will use more VRAM but may not result in greater speed. The optimal value is hardware and input dependent.

s0
s1
s2
s3  Set denoising strength for a specific component. Default is 1.0, equal to s. Must be in range [0.0, 100.0]. 0.0 disables denoising in that component.

p0
p1
p2
p3  Set patch size for a specific component. Default is 7, equal to p. Must be odd number in range [0, 99].

  overlay_vulkan
Overlay one video on top of another.

It takes two inputs and has one output. The first input is the "main" video on which the second input is overlaid. This filter requires all inputs to use the same pixel format. So, format conversion may be needed.

The filter accepts the following options:

x   Set the x coordinate of the overlaid video on the main video. Default value is 0.

y   Set the y coordinate of the overlaid video on the main video. Default value is 0.

  transpose_vulkan
Transpose rows with columns in the input video and optionally flip it. For more in depth examples see the transpose video filter, which shares mostly the same options.

It accepts the following parameters:

dir Specify the transposition direction.

    Can assume the following values:

    cclock_flip
        Rotate by 90 degrees counterclockwise and vertically flip. (default)

    clock
        Rotate by 90 degrees clockwise.

    cclock
        Rotate by 90 degrees counterclockwise.

    clock_flip
        Rotate by 90 degrees clockwise and vertically flip.

passthrough
    Do not apply the transposition if the input geometry matches the one specified by the specified value. It accepts the following values:

    none
        Always apply transposition. (default)

    portrait
        Preserve portrait geometry (when height >= width).

    landscape
        Preserve landscape geometry (when width >= height).

QSV VIDEO FILTERS
Below is a description of the currently available QSV video filters.

To enable compilation of these filters you need to configure FFmpeg with "--enable-libmfx" or "--enable-libvpl".

To use QSV filters, you need to setup the QSV device correctly. For more information, please read <https://trac.ffmpeg.org/wiki/Hardware/QuickSync>

  hstack_qsv
Stack input videos horizontally.

This is the QSV variant of the hstack filter, each input stream may have different height, this filter will scale down/up each input stream while keeping the original aspect.

It accepts the following options:

inputs
    See hstack.

shortest
    See hstack.

height
    Set height of output. If set to 0, this filter will set height of output to height of the first input stream. Default value is 0.

  vstack_qsv
Stack input videos vertically.

This is the QSV variant of the vstack filter, each input stream may have different width, this filter will scale down/up each input stream while keeping the original aspect.

It accepts the following options:

inputs
    See vstack.

shortest
    See vstack.

width
    Set width of output. If set to 0, this filter will set width of output to width of the first input stream. Default value is 0.

  xstack_qsv
Stack video inputs into custom layout.

This is the QSV variant of the xstack filter.

It accepts the following options:

inputs
    See xstack.

shortest
    See xstack.

layout
    See xstack. Moreover, this permits the user to supply output size for each input stream.

            xstack_qsv=inputs=4:layout=0_0_1920x1080|0_h0_1920x1080|w0_0_1920x1080|w0_h0_1920x1080

grid
    See xstack.

grid_tile_size
    Set output size for each input stream when grid is set. If this option is not set, this filter will set output size by default to the size of the first input stream. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

fill
    See xstack.

VIDEO SOURCES
Below is a description of the currently available video sources.

  buffer
Buffer video frames, and make them available to the filter chain.

This source is mainly intended for a programmatic use, in particular through the interface defined in libavfilter/buffersrc.h.

It accepts the following parameters:

video_size
    Specify the size (width and height) of the buffered video frames. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

width
    The input video width.

height
    The input video height.

pix_fmt
    A string representing the pixel format of the buffered video frames. It may be a number corresponding to a pixel format, or a pixel format name.

time_base
    Specify the timebase assumed by the timestamps of the buffered frames.

frame_rate
    Specify the frame rate expected for the video stream.

colorspace
    A string representing the color space of the buffered video frames. It may be a number corresponding to a color space, or a color space name.

range
    A string representing the color range of the buffered video frames. It may be a number corresponding to a color range, or a color range name.

alpha_mode
    A string representing the alpha mode of the buffered video frames. It may be a number corresponding to an alpha mode, or an alpha mode name.

pixel_aspect, sar
    The sample (pixel) aspect ratio of the input video.

hw_frames_ctx
    When using a hardware pixel format, this should be a reference to an AVHWFramesContext describing input frames.

For example:

        buffer=width=320:height=240:pix_fmt=yuv410p:time_base=1/24:sar=1

will instruct the source to accept video frames with size 320x240 and with format "yuv410p", assuming 1/24 as the timestamps timebase and square pixels (1:1 sample aspect ratio). Since the pixel format with name "yuv410p" corresponds to the number 6 (check the enum AVPixelFormat definition in libavutil/pixfmt.h), this example corresponds to:

        buffer=size=320x240:pixfmt=6:time_base=1/24:pixel_aspect=1/1

Alternatively, the options can be specified as a flat string, but this syntax is deprecated:

width:height:pix_fmt:time_base.num:time_base.den:pixel_aspect.num:pixel_aspect.den

  cellauto
Create a pattern generated by an elementary cellular automaton.

The initial state of the cellular automaton can be defined through the filename and pattern options. If such options are not specified an initial state is created randomly.

At each new frame a new row in the video is filled with the result of the cellular automaton next generation. The behavior when the whole frame is filled is defined by the scroll option.

This source accepts the following options:

filename, f
    Read the initial cellular automaton state, i.e. the starting row, from the specified file. In the file, each non-whitespace character is considered an alive cell, a newline will terminate the row, and further characters in the file will be ignored.

pattern, p
    Read the initial cellular automaton state, i.e. the starting row, from the specified string.

    Each non-whitespace character in the string is considered an alive cell, a newline will terminate the row, and further characters in the string will be ignored.

rate, r
    Set the video rate, that is the number of frames generated per second. Default is 25.

random_fill_ratio, ratio
    Set the random fill ratio for the initial cellular automaton row. It is a floating point number value ranging from 0 to 1, defaults to 1/PHI.

    This option is ignored when a file or a pattern is specified.

random_seed, seed
    Set the seed for filling randomly the initial row, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

rule
    Set the cellular automaton rule, it is a number ranging from 0 to 255. Default value is 110.

size, s
    Set the size of the output video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

    If filename or pattern is specified, the size is set by default to the width of the specified initial state row, and the height is set to width * PHI.

    If size is set, it must contain the width of the specified pattern string, and the specified pattern will be centered in the larger row.

    If a filename or a pattern string is not specified, the size value defaults to "320x518" (used for a randomly generated initial state).

scroll
    If set to 1, scroll the output upward when all the rows in the output have been already filled. If set to 0, the new generated row will be written over the top row just after the bottom row is filled. Defaults to 1.

start_full, full
    If set to 1, completely fill the output with generated rows before outputting the first frame. This is the default behavior, for disabling set the value to 0.

stitch
    If set to 1, stitch the left and right row edges together. This is the default behavior, for disabling set the value to 0.

Examples

•   Read the initial state from pattern, and specify an output of size 200x400.

            cellauto=f=pattern:s=200x400

•   Generate a random initial row with a width of 200 cells, with a fill ratio of 2/3:

            cellauto=ratio=2/3:s=200x200

•   Create a pattern generated by rule 18 starting by a single alive cell centered on an initial row with width 100:

            cellauto=p=@s=100x400:full=0:rule=18

•   Specify a more elaborated initial pattern:

            cellauto=p='@@ @ @@':s=100x400:full=0:rule=18

  coreimagesrc
Video source generated on GPU using Apple's CoreImage API on OSX.

This video source is a specialized version of the coreimage video filter. Use a core image generator at the beginning of the applied filterchain to generate the content.

The coreimagesrc video source accepts the following options:

list_generators
    List all available generators along with all their respective options as well as possible minimum and maximum values along with the default values.

            list_generators=true

size, s
    Specify the size of the sourced video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. The default value is "320x240".

rate, r
    Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format frame_rate_num/frame_rate_den, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

sar Set the sample aspect ratio of the sourced video.

duration, d
    Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

Additionally, all options of the coreimage video filter are accepted. A complete filterchain can be used for further processing of the generated input without CPU-HOST transfer. See coreimage documentation and examples for details.

Examples

•   Use CIQRCodeGenerator to create a QR code for the FFmpeg homepage, given as complete and escaped command-line for Apple's standard bash shell:

            ffmpeg -f lavfi -i coreimagesrc=s=100x100:filter=CIQRCodeGenerator@inputMessage=https\\\\\://FFmpeg.org/@inputCorrectionLevel=H -frames:v 1 QRCode.png

    This example is equivalent to the QRCode example of coreimage without the need for a nullsrc video source.

  ddagrab
Captures the Windows Desktop via Desktop Duplication API.

The filter exclusively returns D3D11 Hardware Frames, for on-gpu encoding or processing. So an explicit hwdownload is needed for any kind of software processing.

It accepts the following options:

output_idx
    DXGI Output Index to capture.

    Usually corresponds to the index Windows has given the screen minus one, so it's starting at 0.

    Defaults to output 0.

draw_mouse
    Whether to draw the mouse cursor.

    Defaults to true.

    Only affects hardware cursors. If a game or application renders its own cursor, it'll always be captured.

framerate
    Maximum framerate at which the desktop will be captured - the interval between successive frames will not be smaller than the inverse of the framerate. When dup_frames is true (the default) and the desktop is not being updated often enough, the filter will duplicate a previous frame. Note that there is no background buffering going on, so when the filter is not polled often enough then the actual inter-frame interval may be significantly larger.

    Defaults to 30 FPS.

video_size
    Specify the size of the captured video.

    Defaults to the full size of the screen.

    Cropped from the bottom/right if smaller than screen size.

offset_x
    Horizontal offset of the captured video.

offset_y
    Vertical offset of the captured video.

output_fmt
    Desired filter output format. Defaults to 8 Bit BGRA.

    It accepts the following values:

    auto
        Passes all supported output formats to DDA and returns what DDA decides to use.

    8bit
    bgra
        8 Bit formats always work, and DDA will convert to them if necessary.

    10bit
    x2bgr10
        Filter initialization will fail if 10 bit format is requested but unavailable.

dup_frames
    When this option is set to true (the default), the filter will duplicate frames when the desktop has not been updated in order to maintain approximately constant target framerate. When this option is set to false, the filter will wait for the desktop to be updated (inter-frame intervals may vary significantly in this case).

Examples

Capture primary screen and encode using nvenc:

        ffmpeg -f lavfi -i ddagrab -c:v h264_nvenc -cq 18 output.mp4

You can also skip the lavfi device and directly use the filter. Also demonstrates downloading the frame and encoding with libx264. Explicit output format specification is required in this case:

        ffmpeg -filter_complex ddagrab=output_idx=1:framerate=60,hwdownload,format=bgra -c:v libx264 -crf 18 output.mp4

If you want to capture only a subsection of the desktop, this can be achieved by specifying a smaller size and its offsets into the screen:

        ddagrab=video_size=800x600:offset_x=100:offset_y=100

  gfxcapture
Capture windows or monitors using Windows.Graphics.Capture API.

This source provides low overhead capture of application windows or entire monitors. The filter outputs hardware frames in "d3d11" format; use "hwdownload,format=" if system memory frames are required.

The window to be captured can be selected via regular expressions on its title, class name or backing executable name, by explicit native handles, or by monitor index or explicit native handle. A window must match all provided expressions to be selected. The first matching window will be picked, in whatever order Windows returns them.

Explicit handles (hwnd, hmonitor) override pattern or index based selection. If neither handles nor a monitor index are given, the first window matching the provided regular expressions is captured.

This source does NOT hold a stable FPS. It returns frames at whatever rate the compositor provides them, only capped by the max_framerate. If you need a stable rate, you need to add an fps filter to drop/duplicate frames as needed.

If the capture source disappears mid-capture (window closed, monitor disconnected), the filter will return EOF.

This source accepts the following options:

window_title
    ECMAScript regular expression matched against the window title. Supports a PCRE style "(?i)" prefix for case-insensitive matching.

window_class
    As window_title, but matched against the window class name.

window_exe
    As window_title, but matched against the executable file name of the window's process.

monitor_idx
    Zero-based index of the monitor to capture.

    Can also be set to "window" to capture the monitor the selected window is displayed on at filter initialization time.

hwnd
    Explicit native window handle (HWND).

hmonitor
    Explicit native monitor handle (HMONITOR).

capture_cursor
    Capture the mouse cursor. Enabled by default.

capture_border
    Capture the full area of the window, including its window decorarions/border. Disabled by default.

display_border
    Draw a yellow highlight border around the captured window. Disabled by default.

max_framerate
    Maximum capture frame rate. Accepts a video rate (e.g. 30, "60/1", "24000/1001"). The default is 60 FPS. The actual rate is the rate at which the compositor renders the window/monitor, capped by this option.

width
    Force the output canvas width. If zero (default) the initial captured source width is used. If a negative number is provided, the width will be rounded down to the next multiple of that number.

    See resize_mode.

height
    Force the output canvas height. If zero (default) the initial captured source height is used. If a negative number is provided, the height will be rounded down to the next multiple of that number.

    See resize_mode.

crop_left
    Crop this many pixels from the left side of the captured frames.

crop_top
    Crop this many pixels from the left side of the captured frames.

crop_right
    Crop this many pixels from the left side of the captured frames.

crop_bottom
    Crop this many pixels from the left side of the captured frames.

premultiplied
    If set to 1, return frames with premultiplied alpha. Default is 0 (straight alpha).

resize_mode
    Defines how the captured content is fitted into the output canvas size. Possible values:

    crop
        Crop (or pad with black) to the canvas size. (default)

    scale
        Scale the source to fill the canvas, potentially altering aspect ratio.

    scale_aspect
        Scale the source to fit inside the canvas while preserving aspect ratio. Remaining area is filled with black.

scale_mode
    Scaling algorithm used when resizing is required.

    Possible values:

    point
        Nearest neighbour (pixelated) scaling.

    bilinear
        Bilinear filtering. (default)

    bicubic
        Bicubic filtering. Potentially more blurry, but fewer scaling artifacts depending on contents.

output_fmt
    Desired output pixel format inside the D3D11 hardware frames.

    Possible values:

    bgra
    8bit
        8 bit BGRA output (default)

    x2bgr10
    10bit
        10 bit BGR output

    rgbaf16
    16bit
        16bit float RGBA output

Examples

*<Capture a window by title (case-insensitive) at a maximum of 60 fps:>
            ffmpeg -filter_complex gfxcapture=window_title='(?i)My Application':max_framerate=60,hwdownload,format=bgra,format=yuv420p -c:v libx264 -crf 15 capture.mp4

*<Capture monitor 1 at native refresh, 10bit color depth, scale to 1920x1080 preserving aspect:>
            ffmpeg -filter_complex gfxcapture=monitor_idx=1:width=1920:height=1080:resize_mode=scale_aspect:output_fmt=10bit -c:v hevc_nvenc -cq 15 capture.mp4

*<Capture a window by executable name, draw border, force point scaling, fixed 60 fps:>
            ffmpeg -filter_complex gfxcapture=window_exe='^firefox.exe$':display_border=1:scale_mode=point,fps=60 -rc qvbr -qvbr_quality_level 15 -c:v h264_amf capture.mp4

  gradients
Generate several gradients.

size, s
    Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "640x480".

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

c0, c1, c2, c3, c4, c5, c6, c7
    Set 8 colors. Default values for colors is to pick random one.

x0, y0, y0, y1
    Set gradient line source and destination points. If negative or out of range, random ones are picked.

nb_colors, n
    Set number of colors to use at once. Allowed range is from 2 to 8. Default value is 2.

seed
    Set seed for picking gradient line points.

duration, d
    Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

speed
    Set speed of gradients rotation.

type, t
    Set type of gradients. Available values are:

    linear
    radial
    circular
    spiral
    square

    Default type is linear.

Commands

This source supports the some above options as commands.

  mandelbrot
Generate a Mandelbrot set fractal, and progressively zoom towards the point specified with start_x and start_y.

This source accepts the following options:

end_pts
    Set the terminal pts value. Default value is 400.

end_scale
    Set the terminal scale value. Must be a floating point value. Default value is 0.3.

inner
    Set the inner coloring mode, that is the algorithm used to draw the Mandelbrot fractal internal region.

    It shall assume one of the following values:

    black
        Set black mode.

    convergence
        Show time until convergence.

    mincol
        Set color based on point closest to the origin of the iterations.

    period
        Set period mode.

    Default value is mincol.

bailout
    Set the bailout value. Default value is 10.0.

maxiter
    Set the maximum of iterations performed by the rendering algorithm. Default value is 7189.

outer
    Set outer coloring mode. It shall assume one of following values:

    iteration_count
        Set iteration count mode.

    normalized_iteration_count
        set normalized iteration count mode.

    Default value is normalized_iteration_count.

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
    Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "640x480".

start_scale
    Set the initial scale value. Default value is 3.0.

start_x
    Set the initial x position. Must be a floating point value between -100 and 100. Default value is -0.743643887037158704752191506114774.

start_y
    Set the initial y position. Must be a floating point value between -100 and 100. Default value is -0.131825904205311970493132056385139.

  mptestsrc
Generate various test patterns, as generated by the MPlayer test filter.

The size of the generated video is fixed, and is 512x512. This source is useful in particular for testing encoding features.

This source accepts the following options:

rate, r
    Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format frame_rate_num/frame_rate_den, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

duration, d
    Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

test, t
    Set the number or the name of the test to perform. Supported tests are:

    dc_luma
    dc_chroma
    freq_luma
    freq_chroma
    amp_luma
    amp_chroma
    cbp
    mv
    ring1
    ring2
    all
    max_frames, m
        Set the maximum number of frames generated for each test, default value is 30.

    Default value is "all", which will cycle through the list of all tests.

Some examples:

        mptestsrc=t=dc_luma

will generate a "dc_luma" test pattern.

  frei0r_src
Provide a frei0r source.

To enable compilation of this filter you need to install the frei0r header and configure FFmpeg with "--enable-frei0r".

This source accepts the following parameters:

size
    The size of the video to generate. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

framerate
    The framerate of the generated video. It may be a string of the form num/den or a frame rate abbreviation.

filter_name
    The name to the frei0r source to load. For more information regarding frei0r and how to set the parameters, read the frei0r section in the video filters documentation.

filter_params
    A '|'-separated list of parameters to pass to the frei0r source.

For example, to generate a frei0r partik0l source with size 200x200 and frame rate 10 which is overlaid on the overlay filter main input:

        frei0r_src=size=200x200:framerate=10:filter_name=partik0l:filter_params=1234 [overlay]; [in][overlay] overlay

  life
Generate a life pattern.

This source is based on a generalization of John Conway's life game.

The sourced input represents a life grid, each pixel represents a cell which can be in one of two possible states, alive or dead. Every cell interacts with its eight neighbours, which are the cells that are horizontally, vertically, or diagonally adjacent.

At each interaction the grid evolves according to the adopted rule, which specifies the number of neighbor alive cells which will make a cell stay alive or born. The rule option allows one to specify the rule to adopt.

This source accepts the following options:

filename, f
    Set the file from which to read the initial grid state. In the file, each non-whitespace character is considered an alive cell, and newline is used to delimit the end of each row.

    If this option is not specified, the initial grid is generated randomly.

rate, r
    Set the video rate, that is the number of frames generated per second. Default is 25.

random_fill_ratio, ratio
    Set the random fill ratio for the initial random grid. It is a floating point number value ranging from 0 to 1, defaults to 1/PHI. It is ignored when a file is specified.

random_seed, seed
    Set the seed for filling the initial random grid, must be an integer included between 0 and UINT32_MAX. If not specified, or if explicitly set to -1, the filter will try to use a good random seed on a best effort basis.

rule
    Set the life rule.

    A rule can be specified with a code of the kind "SNS/BNB", where NS and NB are sequences of numbers in the range 0-8, NS specifies the number of alive neighbor cells which make a live cell stay alive, and NB the number of alive neighbor cells which make a dead cell to become alive (i.e. to "born"). "s" and "b" can be used in place of "S" and "B", respectively.

    Alternatively a rule can be specified by an 18-bits integer. The 9 high order bits are used to encode the next cell state if it is alive for each number of neighbor alive cells, the low order bits specify the rule for "borning" new cells. Higher order bits encode for an higher number of neighbor cells. For example the number 6153 = "(12<<9)+9" specifies a stay alive rule of 12 and a born rule of 9, which corresponds to "S23/B03".

    Default value is "S23/B3", which is the original Conway's game of life rule, and will keep a cell alive if it has 2 or 3 neighbor alive cells, and will born a new cell if there are three alive cells around a dead cell.

size, s
    Set the size of the output video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual.

    If filename is specified, the size is set by default to the same size of the input file. If size is set, it must contain the size specified in the input file, and the initial grid defined in that file is centered in the larger resulting area.

    If a filename is not specified, the size value defaults to "320x240" (used for a randomly generated initial grid).

stitch
    If set to 1, stitch the left and right grid edges together, and the top and bottom edges also. Defaults to 1.

mold
    Set cell mold speed. If set, a dead cell will go from death_color to mold_color with a step of mold. mold can have a value from 0 to 255.

life_color
    Set the color of living (or new born) cells.

death_color
    Set the color of dead cells. If mold is set, this is the first color used to represent a dead cell.

mold_color
    Set mold color, for definitely dead and moldy cells.

    For the syntax of these 3 color options, check the "Color" section in the ffmpeg-utils manual.

Examples

•   Read a grid from pattern, and center it on a grid of size 300x300 pixels:

            life=f=pattern:s=300x300

•   Generate a random grid of size 200x200, with a fill ratio of 2/3:

            life=ratio=2/3:s=200x200

•   Specify a custom rule for evolving a randomly generated grid:

            life=rule=S14/B34

•   Full example with slow death effect (mold) using ffplay:

            ffplay -f lavfi life=s=300x200:mold=10:r=60:ratio=0.1:death_color=#C83232:life_color=#00ff00,scale=1200:800:flags=16

  perlin
Generate Perlin noise.

Perlin noise is a kind of noise with local continuity in space. This can be used to generate patterns with continuity in space and time, e.g. to simulate smoke, fluids, or terrain.

In case more than one octave is specified through the octaves option, Perlin noise is generated as a sum of components, each one with doubled frequency. In this case the persistence option specify the ratio of the amplitude with respect to the previous component. More octave components enable to specify more high frequency details in the generated noise (e.g. small size variations due to boulders in a generated terrain).

Options

size, s
    Specify the size (width and height) of the buffered video frames. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "320x240".

rate, r
    Specify the frame rate expected for the video stream, expressed as a number of frames per second. Default value is 25.

octaves
    Specify the total number of components making up the noise, each one with doubled frequency. Default value is 1.

persistence
    Set the ratio used to compute the amplitude of the next octave component with respect to the previous component amplitude. Default value is 1.

xscale
yscale
    Define a scale factor used to multiple the x, y coordinates. This can be useful to define an effect with a pattern stretched along the x or y axis. Default value is 1.

tscale
    Define a scale factor used to multiple the time coordinate. This can be useful to change the time variation speed. Default value is 1.

random_mode
    Set random mode used to compute initial pattern.

    Supported values are:

    random
        Compute and use random seed.

    ken Use the predefined initial pattern defined by Ken Perlin in the original article, can be useful to compare the output with other sources.

    seed
        Use the value specified by random_seed option.

    Default value is "random".

random_seed, seed
    When random_mode is set to random_seed, use this value to compute the initial pattern. Default value is 0.

Examples

•   Generate single component:

            perlin

•   Use Perlin noise with 7 components, each one with a halved contribution to total amplitude:

            perlin=octaves=7:persistence=0.5

•   Chain Perlin noise with the lutyuv to generate a black&white effect:

            perlin=octaves=3:tscale=0.3,lutyuv=y='if(lt(val\,128)\,255\,0)'

•   Stretch noise along the y axis, and convert gray level to red-only signal:

            perlin=octaves=7:tscale=0.4:yscale=0.3,lutrgb=r=val:b=0:g=0

  qrencodesrc
Generate a QR code using the libqrencode library (see <https://fukuchi.org/works/qrencode/>).

To enable the compilation of this source, you need to configure FFmpeg with "--enable-libqrencode".

The QR code is generated from the provided text or text pattern. The corresponding QR code is scaled and put in the video output according to the specified output size options.

In case no text is specified, the QR code is not generated, but an empty colored output is returned instead.

This source accepts the following options:

qrcode_width, q
padded_qrcode_width, Q
    Specify an expression for the width of the rendered QR code, with and without padding. The qrcode_width expression can reference the value set by the padded_qrcode_width expression, and vice versa. By default padded_qrcode_width is set to qrcode_width, meaning that there is no padding.

    These expressions are evaluated only once, when initializing the source. See the qrencode Expressions section for details.

    Note that some of the constants are missing for the source (for example the x or t or Xn), since they only makes sense when evaluating the expression for each frame rather than at initialization time.

rate, r
    Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format frame_rate_num/frame_rate_den, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

case_sensitive, cs
    Instruct libqrencode to use case sensitive encoding. This is enabled by default. This can be disabled to reduce the QR encoding size.

level, l
    Specify the QR encoding error correction level. With an higher correction level, the encoding size will increase but the code will be more robust to corruption. Lower level is L.

    It accepts the following values:

    L
    M
    Q
    H
expansion
    Select how the input text is expanded. Can be either "none", or "normal" (default). See the qrencode Text expansion section for details.

text
textfile
    Define the text to be rendered. In case neither is specified, no QR is encoded (just an empty colored frame).

    In case expansion is enabled, the text is treated as a text template, using the qrencode expansion mechanism. See the qrencode Text expansion section for details.

background_color, bc
foreground_color, fc
    Set the QR code and background color. The default value of foreground_color is "black", the default value of background_color is "white".

    For the syntax of the color options, check the "Color" section in the ffmpeg-utils manual.

Examples

•   Generate a QR code encoding the specified text with the default size:

            qrencodesrc=text=www.ffmpeg.org

•   Same as below, but select blue on pink colors:

            qrencodesrc=text=www.ffmpeg.org:bc=pink:fc=blue

•   Generate a QR code with width of 200 pixels and padding, making the padded width 4/3 of the QR code width:

            qrencodesrc=text=www.ffmpeg.org:q=200:Q=4/3*q

•   Generate a QR code with padded width of 200 pixels and padding, making the QR code width 3/4 of the padded width:

            qrencodesrc=text=www.ffmpeg.org:Q=200:q=3/4*Q

•   Generate a QR code encoding the frame number:

            qrencodesrc=text=%{n}

•   Generate a QR code encoding the GMT timestamp:

            qrencodesrc=text=%{gmtime}

•   Generate a QR code encoding the timestamp expressed as a float:

            qrencodesrc=text=%{pts}

  allrgb, allyuv, color, colorchart, colorspectrum, haldclutsrc, nullsrc, pal75bars, pal100bars, rgbtestsrc, smptebars, smptehdbars, testsrc, testsrc2, yuvtestsrc
The "allrgb" source returns frames of size 4096x4096 of all rgb colors.

The "allyuv" source returns frames of size 4096x4096 of all yuv colors.

The "color" source provides an uniformly colored input.

The "colorchart" source provides a colors checker chart.

The "colorspectrum" source provides a color spectrum input.

The "haldclutsrc" source provides an identity Hald CLUT. See also haldclut filter.

The "nullsrc" source returns unprocessed video frames. It is mainly useful to be employed in analysis / debugging tools, or as the source for filters which ignore the input data.

The "pal75bars" source generates a color bars pattern, based on EBU PAL recommendations with 75% color levels.

The "pal100bars" source generates a color bars pattern, based on EBU PAL recommendations with 100% color levels.

The "rgbtestsrc" source generates an RGB test pattern useful for detecting RGB vs BGR issues. You should see a red, green and blue stripe from top to bottom.

The "smptebars" source generates a color bars pattern, based on the SMPTE Engineering Guideline EG 1-1990.

The "smptehdbars" source generates a color bars pattern, based on the SMPTE RP 219-2002.

The "testsrc" source generates a test video pattern, showing a color pattern, a scrolling gradient and a timestamp. This is mainly intended for testing purposes.

The "testsrc2" source is similar to testsrc, but supports more pixel formats instead of just "rgb24". This allows using it as an input for other tests without requiring a format conversion.

The "yuvtestsrc" source generates an YUV test pattern. You should see a y, cb and cr stripe from top to bottom.

The sources accept the following parameters:

level
    Specify the level of the Hald CLUT, only available in the "haldclutsrc" source. A level of "N" generates a picture of "N*N*N" by "N*N*N" pixels to be used as identity matrix for 3D lookup tables. Each component is coded on a "1/(N*N)" scale.

color, c
    Specify the color of the source, only available in the "color" source. For the syntax of this option, check the "Color" section in the ffmpeg-utils manual.

size, s
    Specify the size of the sourced video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. The default value is "320x240".

    This option is not available with the "allrgb", "allyuv", and "haldclutsrc" filters.

rate, r
    Specify the frame rate of the sourced video, as the number of frames generated per second. It has to be a string in the format frame_rate_num/frame_rate_den, an integer number, a floating point number or a valid video frame rate abbreviation. The default value is "25".

duration, d
    Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

    Since the frame rate is used as time base, all frames including the last one will have their full duration. If the specified duration is not a multiple of the frame duration, it will be rounded up.

sar Set the sample aspect ratio of the sourced video.

alpha
    Specify the alpha (opacity) of the background, only available in the "testsrc2" source. The value must be between 0 (fully transparent) and 255 (fully opaque, the default).

decimals, n
    Set the number of decimals to show in the timestamp, only available in the "testsrc" source.

    The displayed timestamp value will correspond to the original timestamp value multiplied by the power of 10 of the specified value. Default value is 0.

type
    Set the type of the color spectrum, only available in the "colorspectrum" source. Can be one of the following:

    black
    white
    all
patch_size
    Set patch size of single color patch, only available in the "colorchart" source. Default is "64x64".

preset
    Set colorchecker colors preset, only available in the "colorchart" source.

    Available values are:

    reference
    skintones

    Default value is "reference".

Examples

•   Generate a video with a duration of 5.3 seconds, with size 176x144 and a frame rate of 10 frames per second:

            testsrc=duration=5.3:size=qcif:rate=10

•   The following graph description will generate a red source with an opacity of 0.2, with size "qcif" and a frame rate of 10 frames per second:

            color=c=red@0.2:s=qcif:r=10

•   If the input content is to be ignored, "nullsrc" can be used. The following command generates noise in the luma plane by employing the "geq" filter:

            nullsrc=s=256x256, geq=random(1)*255:128:128

Commands

The "color" source supports the following commands:

c, color
    Set the color of the created image. Accepts the same syntax of the corresponding color option.

  openclsrc
Generate video using an OpenCL program.

source
    OpenCL program source file.

kernel
    Kernel name in program.

size, s
    Size of frames to generate. This must be set.

format
    Pixel format to use for the generated frames. This must be set.

rate, r
    Number of frames generated every second. Default value is '25'.

For details of how the program loading works, see the program_opencl filter.

Example programs:

•   Generate a colour ramp by setting pixel values from the position of the pixel in the output image. (Note that this will work with all pixel formats, but the generated output will not be the same.)

            __kernel void ramp(__write_only image2d_t dst,
                               unsigned int index)
            {
                int2 loc = (int2)(get_global_id(0), get_global_id(1));

                float4 val;
                val.xy = val.zw = convert_float2(loc) / convert_float2(get_image_dim(dst));

                write_imagef(dst, loc, val);
            }

•   Generate a Sierpinski carpet pattern, panning by a single pixel each frame.

            __kernel void sierpinski_carpet(__write_only image2d_t dst,
                                            unsigned int index)
            {
                int2 loc = (int2)(get_global_id(0), get_global_id(1));

                float4 value = 0.0f;
                int x = loc.x + index;
                int y = loc.y + index;
                while (x > 0 || y > 0) {
                    if (x % 3 == 1 && y % 3 == 1) {
                        value = 1.0f;
                        break;
                    }
                    x /= 3;
                    y /= 3;
                }

                write_imagef(dst, loc, value);
            }

  sierpinski
Generate a Sierpinski carpet/triangle fractal, and randomly pan around.

This source accepts the following options:

size, s
    Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "640x480".

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

seed
    Set seed which is used for random panning.

jump
    Set max jump for single pan destination. Allowed range is from 1 to 10000.

type
    Set fractal type, can be default "carpet" or "triangle".

  zoneplate
Generate a zoneplate test video pattern.

This source accepts the following options:

size, s
    Set frame size. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "320x240".

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

duration, d
    Set the duration of the sourced video. See the Time duration section in the ffmpeg-utils(1) manual for the accepted syntax.

    If not specified, or the expressed duration is negative, the video is supposed to be generated forever.

sar Set the sample aspect ratio of the sourced video.

precision
    Set precision in bits for look-up table for sine calculations. Default value is 10. Allowed range is from 4 to 16.

xo  Set horizontal axis offset for output signal. Default value is 0.

yo  Set vertical axis offset for output signal. Default value is 0.

to  Set time axis offset for output signal. Default value is 0.

k0  Set 0-order, constant added to signal phase. Default value is 0.

kx  Set 1-order, phase factor multiplier for horizontal axis. Default value is 0.

ky  Set 1-order, phase factor multiplier for vertical axis. Default value is 0.

kt  Set 1-order, phase factor multiplier for time axis. Default value is 0.

kxt, kyt, kxy
    Set phase factor multipliers for combination of spatial and temporal axis. Default value is 0.

kx2 Set 2-order, phase factor multiplier for horizontal axis. Default value is 0.

ky2 Set 2-order, phase factor multiplier for vertical axis. Default value is 0.

kt2 Set 2-order, phase factor multiplier for time axis. Default value is 0.

ku  Set the constant added to final phase to produce chroma-blue component of signal. Default value is 0.

kv  Set the constant added to final phase to produce chroma-red component of signal. Default value is 0.

Commands

This source supports the some above options as commands.

Examples

•   Generate horizontal color sine sweep:

            zoneplate=ku=512:kv=0:kt2=0:kx2=256:s=wvga:xo=-426:kt=11

•   Generate vertical color sine sweep:

            zoneplate=ku=512:kv=0:kt2=0:ky2=156:s=wvga:yo=-240:kt=11

•   Generate circular zone-plate:

            zoneplate=ku=512:kv=100:kt2=0:ky2=256:kx2=556:s=wvga:yo=0:kt=11

VIDEO SINKS
Below is a description of the currently available video sinks.

  buffersink
Buffer video frames, and make them available to the end of the filter graph.

This sink is mainly intended for programmatic use, in particular through the interface defined in libavfilter/buffersink.h or the options system.

It accepts a pointer to an AVBufferSinkContext structure, which defines the incoming buffers' formats, to be passed as the opaque parameter to "avfilter_init_filter" for initialization.

  nullsink
Null video sink: do absolutely nothing with the input video. It is mainly useful as a template and for use in analysis / debugging tools.

MULTIMEDIA FILTERS
Below is a description of the currently available multimedia filters.

  a3dscope
Convert input audio to 3d scope video output.

The filter accepts the following options:

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "hd720".

fov Set the camera field of view. Default is 90 degrees. Allowed range is from 40 to 150.

roll
    Set the camera roll.

pitch
    Set the camera pitch.

yaw Set the camera yaw.

xzoom
    Set the camera zoom on X-axis.

yzoom
    Set the camera zoom on Y-axis.

zzoom
    Set the camera zoom on Z-axis.

xpos
    Set the camera position on X-axis.

ypos
    Set the camera position on Y-axis.

zpos
    Set the camera position on Z-axis.

length
    Set the length of displayed audio waves in number of frames.

Commands

Filter supports the some above options as commands.

  abitscope
Convert input audio to a video output, displaying the audio bit scope.

The filter accepts the following options:

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "1024x256".

colors
    Specify list of colors separated by space or by '|' which will be used to draw channels. Unrecognized or missing colors will be replaced by white color.

mode, m
    Set output mode. Can be "bars" or "trace". Default is "bars".

  adrawgraph
Draw a graph using input audio metadata.

See drawgraph

  agraphmonitor
See graphmonitor.

  ahistogram
Convert input audio to a video output, displaying the volume histogram.

The filter accepts the following options:

dmode
    Specify how histogram is calculated.

    It accepts the following values:

    single
        Use single histogram for all channels.

    separate
        Use separate histogram for each channel.

    Default is "single".

rate, r
    Set frame rate, expressed as number of frames per second. Default value is "25".

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "hd720".

scale
    Set display scale.

    It accepts the following values:

    log logarithmic

    sqrt
        square root

    cbrt
        cubic root

    lin linear

    rlog
        reverse logarithmic

    Default is "log".

ascale
    Set amplitude scale.

    It accepts the following values:

    log logarithmic

    lin linear

    Default is "log".

acount
    Set how much frames to accumulate in histogram. Default is 1. Setting this to -1 accumulates all frames.

rheight
    Set histogram ratio of window height.

slide
    Set sonogram sliding.

    It accepts the following values:

    replace
        replace old rows with new ones.

    scroll
        scroll from top to bottom.

    Default is "replace".

hmode
    Set histogram mode.

    It accepts the following values:

    abs Use absolute values of samples.

    sign
        Use untouched values of samples.

    Default is "abs".

  aphasemeter
Measures phase of input audio, which is exported as metadata "lavfi.aphasemeter.phase", representing mean phase of current audio frame. A video output can also be produced and is enabled by default. The audio is passed through as first output.

Audio will be rematrixed to stereo if it has a different channel layout. Phase value is in range "[-1, 1]" where "-1" means left and right channels are completely out of phase and 1 means channels are in phase.

The filter accepts the following options, all related to its video output:

rate, r
    Set the output frame rate. Default value is 25.

size, s
    Set the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "800x400".

rc
gc
bc  Specify the red, green, blue contrast. Default values are 2, 7 and 1. Allowed range is "[0, 255]".

mpc Set color which will be used for drawing median phase. If color is "none" which is default, no median phase value will be drawn.

video
    Enable video output. Default is enabled.

phasing detection

The filter also detects out of phase and mono sequences in stereo streams. It logs the sequence start, end and duration when it lasts longer or as long as the minimum set.

The filter accepts the following options for this detection:

phasing
    Enable mono and out of phase detection. Default is disabled.

tolerance, t
    Set phase tolerance for mono detection, in amplitude ratio. Default is 0. Allowed range is "[0, 1]".

angle, a
    Set angle threshold for out of phase detection, in degree. Default is 170. Allowed range is "[90, 180]".

duration, d
    Set mono or out of phase duration until notification, expressed in seconds. Default is 2.

Examples

•   Complete example with ffmpeg to detect 1 second of mono with 0.001 phase tolerance:

            ffmpeg -i stereo.wav -af aphasemeter=video=0:phasing=1:duration=1:tolerance=0.001 -f null -

  avectorscope
Convert input audio to a video output, representing the audio vector scope.

The filter is used to measure the difference between channels of stereo audio stream. A monaural signal, consisting of identical left and right signal, results in straight vertical line. Any stereo separation is visible as a deviation from this line, creating a Lissajous figure. If the straight (or deviation from it) but horizontal line appears this indicates that the left and right channels are out of phase.

The filter accepts the following options:

mode, m
    Set the vectorscope mode.

    Available values are:

    lissajous
        Lissajous rotated by 45 degrees.

    lissajous_xy
        Same as above but not rotated.

    polar
        Shape resembling half of circle.

    Default value is lissajous.

size, s
    Set the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "400x400".

rate, r
    Set the output frame rate. Default value is 25.

rc
gc
bc
ac  Specify the red, green, blue and alpha contrast. Default values are 40, 160, 80 and 255. Allowed range is "[0, 255]".

rf
gf
bf
af  Specify the red, green, blue and alpha fade. Default values are 15, 10, 5 and 5. Allowed range is "[0, 255]".

zoom
    Set the zoom factor. Default value is 1. Allowed range is "[0, 10]". Values lower than 1 will auto adjust zoom factor to maximal possible value.

draw
    Set the vectorscope drawing mode.

    Available values are:

    dot Draw dot for each sample.

    line
        Draw line between previous and current sample.

    aaline
        Draw anti-aliased line between previous and current sample.

    Default value is dot.

scale
    Specify amplitude scale of audio samples.

    Available values are:

    lin Linear.

    sqrt
        Square root.

    cbrt
        Cubic root.

    log Logarithmic.

swap
    Swap left channel axis with right channel axis.

mirror
    Mirror axis.

    none
        No mirror.

    x   Mirror only x axis.

    y   Mirror only y axis.

    xy  Mirror both axis.

Examples

•   Complete example using ffplay:

            ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1];
                         [a] avectorscope=zoom=1.3:rc=2:gc=200:bc=10:rf=1:gf=8:bf=7 [out0]'

Commands

This filter supports the all above options as commands except options "size" and "rate".

  bench, abench
Benchmark part of a filtergraph.

The filter accepts the following options:

action
    Start or stop a timer.

    Available values are:

    start
        Get the current time, set it as frame metadata (using the key "lavfi.bench.start_time"), and forward the frame to the next filter.

    stop
        Get the current time and fetch the "lavfi.bench.start_time" metadata from the input frame metadata to get the time difference. Time difference, average, maximum and minimum time (respectively "t", "avg", "max" and "min") are then printed. The timestamps are expressed in seconds.

Examples

•   Benchmark selectivecolor filter:

            bench=start,selectivecolor=reds=-.2 .12 -.49,bench=stop

  concat
Concatenate audio and video streams, joining them together one after the other.

The filter works on segments of synchronized video and audio streams. All segments must have the same number of streams of each type, and that will also be the number of streams at output.

The filter accepts the following options:

n   Set the number of segments. Default is 2.

v   Set the number of output video streams, that is also the number of video streams in each segment. Default is 1.

a   Set the number of output audio streams, that is also the number of audio streams in each segment. Default is 0.

unsafe
    Activate unsafe mode: do not fail if segments have a different format.

The filter has v+a outputs: first v video outputs, then a audio outputs.

There are nx(v+a) inputs: first the inputs for the first segment, in the same order as the outputs, then the inputs for the second segment, etc.

Related streams do not always have exactly the same duration, for various reasons including codec frame size or sloppy authoring. For that reason, related synchronized streams (e.g. a video and its audio track) should be concatenated at once. The concat filter will use the duration of the longest stream in each segment (except the last one), and if necessary pad shorter audio streams with silence.

For this filter to work correctly, all segments must start at timestamp 0.

All corresponding streams must have the same parameters in all segments; the filtering system will automatically select a common pixel format for video streams, and a common sample format, sample rate and channel layout for audio streams, but other settings, such as resolution, must be converted explicitly by the user.

Different frame rates are acceptable but will result in variable frame rate at output; be sure to configure the output file to handle it.

Examples

•   Concatenate an opening, an episode and an ending, all in bilingual version (video in stream 0, audio in streams 1 and 2):

            ffmpeg -i opening.mkv -i episode.mkv -i ending.mkv -filter_complex \
              '[0:0] [0:1] [0:2] [1:0] [1:1] [1:2] [2:0] [2:1] [2:2]
               concat=n=3:v=1:a=2 [v] [a1] [a2]' \
              -map '[v]' -map '[a1]' -map '[a2]' output.mkv

•   Concatenate two parts, handling audio and video separately, using the (a)movie sources, and adjusting the resolution:

            movie=part1.mp4, scale=512:288 [v1] ; amovie=part1.mp4 [a1] ;
            movie=part2.mp4, scale=512:288 [v2] ; amovie=part2.mp4 [a2] ;
            [v1] [v2] concat [outv] ; [a1] [a2] concat=v=0:a=1 [outa]

    Note that a desync will happen at the stitch if the audio and video streams do not have exactly the same duration in the first file.

Commands

This filter supports the following commands:

next
    Close the current segment and step to the next one

  ebur128
EBU R128 scanner filter. This filter takes an audio stream and analyzes its loudness level. By default, it logs a message at a frequency of 10Hz with the Momentary loudness (identified by "M"), Short-term loudness ("S"), Integrated loudness ("I") and Loudness Range ("LRA").

The filter can only analyze streams which have sample format is double-precision floating point. The input stream will be converted to this specification, if needed. Users may need to insert aformat and/or aresample filters after this filter to obtain the original parameters.

The filter also has a video output (see the video option) with a real time graph to observe the loudness evolution. The graphic contains the logged message mentioned above, so it is not printed anymore when this option is set, unless the verbose logging is set. The main graphing area contains the short-term loudness (3 seconds of analysis), and the gauge on the right is for the momentary loudness (400 milliseconds), but can optionally be configured to instead display short-term loudness (see gauge).

The green area marks a +/- 1LU target range around the target loudness (-23LUFS by default, unless modified through target).

More information about the Loudness Recommendation EBU R128 on <http://tech.ebu.ch/loudness>.

The filter accepts the following options:

video
    Activate the video output. The audio stream is passed unchanged whether this option is set or no. The video stream will be the first output stream if activated. Default is 0.

size
    Set the video size. This option is for video only. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default and minimum resolution is "640x480".

meter
    Set the EBU scale meter. Default is 9. Common values are 9 and 18, respectively for EBU scale meter +9 and EBU scale meter +18. Any other integer value between this range is allowed.

metadata
    Set metadata injection. If set to 1, the audio input will be segmented into 100ms output frames, each of them containing various loudness information in metadata. All the metadata keys are prefixed with "lavfi.r128.".

    Default is 0.

framelog
    Force the frame logging level.

    Available values are:

    quiet
        logging disabled

    info
        information logging level

    verbose
        verbose logging level

    By default, the logging level is set to info. If the video or the metadata options are set, it switches to verbose.

peak
    Set peak mode(s).

    Available modes can be cumulated (the option is a "flag" type). Possible values are:

    none
        Disable any peak mode (default).

    sample
        Enable sample-peak mode.

        Simple peak mode looking for the higher sample value. It logs a message for sample-peak (identified by "SPK").

    true
        Enable true-peak mode.

        If enabled, the peak lookup is done on an over-sampled version of the input stream for better peak accuracy. It logs a message for true-peak. (identified by "TPK") and true-peak per frame (identified by "FTPK"). This mode requires a build with "libswresample".

dualmono
    Treat mono input files as "dual mono". If a mono file is intended for playback on a stereo system, its EBU R128 measurement will be perceptually incorrect. If set to "true", this option will compensate for this effect. Multi-channel input files are not affected by this option.

panlaw
    Set a specific pan law to be used for the measurement of dual mono files. This parameter is optional, and has a default value of -3.01dB.

target
    Set a specific target level (in LUFS) used as relative zero in the visualization. This parameter is optional and has a default value of -23LUFS as specified by EBU R128. However, material published online may prefer a level of -16LUFS (e.g. for use with podcasts or video platforms).

gauge
    Set the value displayed by the gauge. Valid values are "momentary" and s "shortterm". By default the momentary value will be used, but in certain scenarios it may be more useful to observe the short term value instead (e.g. live mixing).

scale
    Sets the display scale for the loudness. Valid parameters are "absolute" (in LUFS) or "relative" (LU) relative to the target. This only affects the video output, not the summary or continuous log output.

integrated
    Read-only exported value for measured integrated loudness, in LUFS.

range
    Read-only exported value for measured loudness range, in LU.

lra_low
    Read-only exported value for measured LRA low, in LUFS.

lra_high
    Read-only exported value for measured LRA high, in LUFS.

sample_peak
    Read-only exported value for measured sample peak, in dBFS.

true_peak
    Read-only exported value for measured true peak, in dBFS.

Examples

•   Real-time graph using ffplay, with a EBU scale meter +18:

            ffplay -f lavfi -i "amovie=input.mp3,ebur128=video=1:meter=18 [out0][out1]"

•   Run an analysis with ffmpeg:

            ffmpeg -nostats -i input.mp3 -filter_complex ebur128 -f null -

  interleave, ainterleave
Temporally interleave frames from several inputs.

"interleave" works with video inputs, "ainterleave" with audio.

These filters read frames from several inputs and send the oldest queued frame to the output.

Input streams must have well defined, monotonically increasing frame timestamp values.

In order to submit one frame to output, these filters need to enqueue at least one frame for each input, so they cannot work in case one input is not yet terminated and will not receive incoming frames.

For example consider the case when one input is a "select" filter which always drops input frames. The "interleave" filter will keep reading from that input, but it will never be able to send new frames to output until the input sends an end-of-stream signal.

Also, depending on inputs synchronization, the filters will drop frames in case one input receives more frames than the other ones, and the queue is already filled.

These filters accept the following options:

nb_inputs, n
    Set the number of different inputs, it is 2 by default.

duration
    How to determine the end-of-stream.

    longest
        The duration of the longest input. (default)

    shortest
        The duration of the shortest input.

    first
        The duration of the first input.

Examples

•   Interleave frames belonging to different streams using ffmpeg:

            ffmpeg -i bambi.avi -i pr0n.mkv -filter_complex "[0:v][1:v] interleave" out.avi

•   Add flickering blur effect:

            select='if(gt(random(0), 0.2), 1, 2)':n=2 [tmp], boxblur=2:2, [tmp] interleave

  latency, alatency
Measure filtering latency.

Report previous filter filtering latency, delay in number of audio samples for audio filters or number of video frames for video filters.

On end of input stream, filter will report min and max measured latency for previous running filter in filtergraph.

  metadata, ametadata
Manipulate frame metadata.

This filter accepts the following options:

mode
    Set mode of operation of the filter.

    Can be one of the following:

    select
        If both "value" and "key" is set, select frames which have such metadata. If only "key" is set, select every frame that has such key in metadata.

    add Add new metadata "key" and "value". If key is already available do nothing.

    modify
        Modify value of already present key.

    delete
        If "value" is set, delete only keys that have such value. Otherwise, delete key. If "key" is not set, delete all metadata values in the frame.

    print
        Print key and its value if metadata was found. If "key" is not set print all metadata values available in frame.

key Set key used with all modes. Must be set for all modes except "print" and "delete".

value
    Set metadata value which will be used. This option is mandatory for "modify" and "add" mode.

function
    Which function to use when comparing metadata value and "value".

    Can be one of following:

    same_str
        Values are interpreted as strings, returns true if metadata value is same as "value".

    starts_with
        Values are interpreted as strings, returns true if metadata value starts with the "value" option string.

    less
        Values are interpreted as floats, returns true if metadata value is less than "value".

    equal
        Values are interpreted as floats, returns true if "value" is equal with metadata value.

    greater
        Values are interpreted as floats, returns true if metadata value is greater than "value".

    expr
        Values are interpreted as floats, returns true if expression from option "expr" evaluates to true.

    ends_with
        Values are interpreted as strings, returns true if metadata value ends with the "value" option string.

expr
    Set expression which is used when "function" is set to "expr". The expression is evaluated through the eval API and can contain the following constants:

    VALUE1, FRAMEVAL
        Float representation of "value" from metadata key.

    VALUE2, USERVAL
        Float representation of "value" as supplied by user in "value" option.

file
    If specified in "print" mode, output is written to the named file. Instead of plain filename any writable url can be specified. Filename ``-'' is a shorthand for standard output. If "file" option is not set, output is written to the log with AV_LOG_INFO loglevel.

direct
    Reduces buffering in print mode when output is written to a URL set using file.

Examples

•   Print all metadata values for frames with key "lavfi.signalstats.YDIF" with values between 0 and 1.

            signalstats,metadata=print:key=lavfi.signalstats.YDIF:value=0:function=expr:expr='between(VALUE1,0,1)'

•   Print silencedetect output to file metadata.txt.

            silencedetect,ametadata=mode=print:file=metadata.txt

•   Direct all metadata to a pipe with file descriptor 4.

            metadata=mode=print:file='pipe\:4'

  perms, aperms
Set read/write permissions for the output frames.

These filters are mainly aimed at developers to test direct path in the following filter in the filtergraph.

The filters accept the following options:

mode
    Select the permissions mode.

    It accepts the following values:

    none
        Do nothing. This is the default.

    ro  Set all the output frames read-only.

    rw  Set all the output frames directly writable.

    toggle
        Make the frame read-only if writable, and writable if read-only.

    random
        Set each output frame read-only or writable randomly.

seed
    Set the seed for the random mode, must be an integer included between 0 and "UINT32_MAX". If not specified, or if explicitly set to "-1", the filter will try to use a good random seed on a best effort basis.

Note: in case of auto-inserted filter between the permission filter and the following one, the permission might not be received as expected in that following filter. Inserting a format or aformat filter before the perms/aperms filter can avoid this problem.

  realtime, arealtime
Slow down filtering to match real time approximately.

These filters will pause the filtering for a variable amount of time to match the output rate with the input timestamps. They are similar to the re option to "ffmpeg".

They accept the following options:

limit
    Time limit for the pauses. Any pause longer than that will be considered a timestamp discontinuity and reset the timer. Default is 2 seconds.

speed
    Speed factor for processing. The value must be a float larger than zero. Values larger than 1.0 will result in faster than realtime processing, smaller will slow processing down. The limit is automatically adapted accordingly. Default is 1.0.

    A processing speed faster than what is possible without these filters cannot be achieved.

Commands

Both filters supports the all above options as commands.

  segment, asegment
Split single input stream into multiple streams.

This filter does opposite of concat filters.

"segment" works on video frames, "asegment" on audio samples.

This filter accepts the following options:

timestamps
    Timestamps of output segments separated by '|'. The first segment will run from the beginning of the input stream. The last segment will run until the end of the input stream

frames, samples
    Exact frame/sample count to split the segments.

In all cases, prefixing an each segment with '+' will make it relative to the previous segment.

Examples

•   Split input audio stream into three output audio streams, starting at start of input audio stream and storing that in 1st output audio stream, then following at 60th second and storing than in 2nd output audio stream, and last after 150th second of input audio stream store in 3rd output audio stream:

            asegment=timestamps="60|150"

  select, aselect
Select frames to pass in output.

This filter accepts the following options:

expr, e
    Set expression, which is evaluated for each input frame.

    If the expression is evaluated to zero, the frame is discarded.

    If the evaluation result is negative or NaN, the frame is sent to the first output; otherwise it is sent to the output with index "ceil(val)-1", assuming that the input index starts from 0.

    For example a value of 1.2 corresponds to the output with index "ceil(1.2)-1 = 2-1 = 1", that is the second output.

outputs, n
    Set the number of outputs. The output to which to send the selected frame is based on the result of the evaluation. Default value is 1.

The expression can contain the following constants:

n   The (sequential) number of the filtered frame, starting from 0.

selected_n
    The (sequential) number of the selected frame, starting from 0.

prev_selected_n
    The sequential number of the last selected frame. It's NAN if undefined.

TB  The timebase of the input timestamps.

pts The PTS (Presentation TimeStamp) of the filtered frame, expressed in TB units. It's NAN if undefined.

t   The PTS of the filtered frame, expressed in seconds. It's NAN if undefined.

prev_pts
    The PTS of the previously filtered frame. It's NAN if undefined.

prev_selected_pts
    The PTS of the last previously filtered frame. It's NAN if undefined.

prev_selected_t
    The PTS of the last previously selected frame, expressed in seconds. It's NAN if undefined.

start_pts
    The first PTS in the stream which is not NAN. It remains NAN if not found.

start_t
    The first PTS, in seconds, in the stream which is not NAN. It remains NAN if not found.

pict_type (video only)
    The type of the filtered frame. It can assume one of the following values:

    I
    P
    B
    S
    SI
    SP
    BI
interlace_type (video only)
    The frame interlace type. It can assume one of the following values:

    PROGRESSIVE
        The frame is progressive (not interlaced).

    TOPFIRST
        The frame is top-field-first.

    BOTTOMFIRST
        The frame is bottom-field-first.

consumed_sample_n (audio only)
    the number of selected samples before the current frame

samples_n (audio only)
    the number of samples in the current frame

sample_rate (audio only)
    the input sample rate

key This is 1 if the filtered frame is a key-frame, 0 otherwise.

pos the position in the file of the filtered frame, -1 if the information is not available (e.g. for synthetic video); deprecated, do not use

scene (video only)
    value between 0 and 1 to indicate a new scene; a low value reflects a low probability for the current frame to introduce a new scene, while a higher value means the current frame is more likely to be one (see the example below)

concatdec_select
    The concat demuxer can select only part of a concat input file by setting an inpoint and an outpoint, but the output packets may not be entirely contained in the selected interval. By using this variable, it is possible to skip frames generated by the concat demuxer which are not exactly contained in the selected interval.

    This works by comparing the frame pts against the lavf.concat.start_time and the lavf.concat.duration packet metadata values which are also present in the decoded frames.

    The concatdec_select variable is -1 if the frame pts is at least start_time and either the duration metadata is missing or the frame pts is less than start_time + duration, 0 otherwise, and NaN if the start_time metadata is missing.

    That basically means that an input frame is selected if its pts is within the interval set by the concat demuxer.

iw (video only)
    Represents the width of the input video frame.

ih (video only)
    Represents the height of the input video frame.

view (video only)
    View ID for multi-view video.

The default value of the select expression is "1".

Examples

•   Select all frames in input:

            select

    The example above is the same as:

            select=1

•   Skip all frames:

            select=0

•   Select only I-frames:

            select='eq(pict_type\,I)'

•   Select one frame every 100:

            select='not(mod(n\,100))'

•   Select only frames contained in the 10-20 time interval:

            select=between(t\,10\,20)

•   Select only I-frames contained in the 10-20 time interval:

            select=between(t\,10\,20)*eq(pict_type\,I)

•   Select frames with a minimum distance of 10 seconds:

            select='isnan(prev_selected_t)+gte(t-prev_selected_t\,10)'

•   Use aselect to select only audio frames with samples number > 100:

            aselect='gt(samples_n\,100)'

•   Create a mosaic of the first scenes:

            ffmpeg -i video.avi -vf select='gt(scene\,0.4)',scale=160:120,tile -frames:v 1 preview.png

    Comparing scene against a value between 0.3 and 0.5 is generally a sane choice.

•   Send even and odd frames to separate outputs, and compose them:

            select=n=2:e='mod(n, 2)+1' [odd][even]; [odd] pad=h=2*ih [tmp]; [tmp][even] overlay=y=h

•   Select useful frames from an ffconcat file which is using inpoints and outpoints but where the source files are not intra frame only.

            ffmpeg -copyts -vsync 0 -segment_time_metadata 1 -i input.ffconcat -vf select=concatdec_select -af aselect=concatdec_select output.avi

  sendcmd, asendcmd
Send commands to filters in the filtergraph.

These filters read commands to be sent to other filters in the filtergraph.

"sendcmd" must be inserted between two video filters, "asendcmd" must be inserted between two audio filters, but apart from that they act the same way.

The specification of commands can be provided in the filter arguments with the commands option, or in a file specified by the filename option.

These filters accept the following options:

commands, c
    Set the commands to be read and sent to the other filters.

filename, f
    Set the filename of the commands to be read and sent to the other filters.

Commands syntax

A commands description consists of a sequence of interval specifications, comprising a list of commands to be executed when a particular event related to that interval occurs. The occurring event is typically the current frame time entering or leaving a given time interval.

An interval is specified by the following syntax:

        <START>[-<END>] <COMMANDS>;

The time interval is specified by the START and END times. END is optional and defaults to the maximum time.

The current frame time is considered within the specified interval if it is included in the interval [START, END), that is when the time is greater or equal to START and is lesser than END.

COMMANDS consists of a sequence of one or more command specifications, separated by ",", relating to that interval. The syntax of a command specification is given by:

        [<FLAGS>] <TARGET> <COMMAND> <ARG>

FLAGS is optional and specifies the type of events relating to the time interval which enable sending the specified command, and must be a non-null sequence of identifier flags separated by "+" or "|" and enclosed between "[" and "]".

The following flags are recognized:

enter
    The command is sent when the current frame timestamp enters the specified interval. In other words, the command is sent when the previous frame timestamp was not in the given interval, and the current is.

leave
    The command is sent when the current frame timestamp leaves the specified interval. In other words, the command is sent when the previous frame timestamp was in the given interval, and the current is not.

expr
    The command ARG is interpreted as expression and result of expression is passed as ARG.

    The expression is evaluated through the eval API and can contain the following constants:

    POS Original position in the file of the frame, or undefined if undefined for the current frame. Deprecated, do not use.

    PTS The presentation timestamp in input.

    N   The count of the input frame for video or audio, starting from 0.

    T   The time in seconds of the current frame.

    TS  The start time in seconds of the current command interval.

    TE  The end time in seconds of the current command interval.

    TI  The interpolated time of the current command interval, TI = (T - TS) / (TE - TS).

    W   The video frame width.

    H   The video frame height.

If FLAGS is not specified, a default value of "[enter]" is assumed.

TARGET specifies the target of the command, usually the name of the filter class or a specific filter instance name.

COMMAND specifies the name of the command for the target filter.

ARG is optional and specifies the optional list of argument for the given COMMAND.

Between one interval specification and another, whitespaces, or sequences of characters starting with "#" until the end of line, are ignored and can be used to annotate comments.

A simplified BNF description of the commands specification syntax follows:

        <COMMAND_FLAG>  ::= "enter" | "leave"
        <COMMAND_FLAGS> ::= <COMMAND_FLAG> [(+|"|")<COMMAND_FLAG>]
        <COMMAND>       ::= ["[" <COMMAND_FLAGS> "]"] <TARGET> <COMMAND> [<ARG>]
        <COMMANDS>      ::= <COMMAND> [,<COMMANDS>]
        <INTERVAL>      ::= <START>[-<END>] <COMMANDS>
        <INTERVALS>     ::= <INTERVAL>[;<INTERVALS>]

Examples

•   Specify audio tempo change at second 4:

            asendcmd=c='4.0 atempo tempo 1.5',atempo

•   Target a specific filter instance:

            asendcmd=c='4.0 atempo@my tempo 1.5',atempo@my

•   Specify a list of drawtext and hue commands in a file.

            # show text in the interval 5-10
            5.0-10.0 [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=hello world',
                     [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=';

            # desaturate the image in the interval 15-20
            15.0-20.0 [enter] hue s 0,
                      [enter] drawtext reinit 'fontfile=FreeSerif.ttf:text=nocolor',
                      [leave] hue s 1,
                      [leave] drawtext reinit 'fontfile=FreeSerif.ttf:text=color';

            # apply an exponential saturation fade-out effect, starting from time 25
            25 [enter] hue s exp(25-t)

    A filtergraph allowing to read and process the above command list stored in a file test.cmd, can be specified with:

            sendcmd=f=test.cmd,drawtext=fontfile=FreeSerif.ttf:text='',hue

  setpts, asetpts
Change the PTS (presentation timestamp) of the input frames.

"setpts" works on video frames, "asetpts" on audio frames.

This filter accepts the following options:

expr
    The expression which is evaluated for each frame to construct its timestamp.

strip_fps (video only)
    Boolean option which determines if the original framerate and frame duration metadata is unset. If set to true, be advised that a sane frame rate should be explicitly specified if output is sent to a constant frame rate muxer. Default is "false".

The expression is evaluated through the eval API and can contain the following constants:

FRAME_RATE, FR
    frame rate, only defined for constant frame-rate video

PTS The presentation timestamp in input

N   The count of the input frame for video or the number of consumed samples, not including the current frame for audio, starting from 0.

NB_CONSUMED_SAMPLES
    The number of consumed samples, not including the current frame (only audio)

NB_SAMPLES, S
    The number of samples in the current frame (only audio)

SAMPLE_RATE, SR
    The audio sample rate.

STARTPTS
    The PTS of the first frame.

STARTT
    the time in seconds of the first frame

INTERLACED
    State whether the current frame is interlaced.

T   the time in seconds of the current frame

POS original position in the file of the frame, or undefined if undefined for the current frame; deprecated, do not use

PREV_INPTS
    The previous input PTS.

PREV_INT
    previous input time in seconds

PREV_OUTPTS
    The previous output PTS.

PREV_OUTT
    previous output time in seconds

RTCTIME
    The wallclock (RTC) time in microseconds. This is deprecated, use time(0) instead.

RTCSTART
    The wallclock (RTC) time at the start of the movie in microseconds.

TB  The timebase of the input timestamps.

T_CHANGE
    Time of the first frame after command was applied or time of the first frame if no commands.

Examples

•   Start counting PTS from zero

            setpts=PTS-STARTPTS

•   Apply fast motion effect:

            setpts=0.5*PTS

•   Apply slow motion effect:

            setpts=2.0*PTS

•   Set fixed rate of 25 frames per second:

            setpts=N/(25*TB)

•   Apply a random jitter effect of +/-100 TB units:

            setpts=PTS+randomi(0, -100\,100)

•   Set fixed rate 25 fps with some jitter:

            setpts='1/(25*TB) * (N + 0.05 * sin(N*2*PI/25))'

•   Apply an offset of 10 seconds to the input PTS:

            setpts=PTS+10/TB

•   Generate timestamps from a "live source" and rebase onto the current timebase:

            setpts='(RTCTIME - RTCSTART) / (TB * 1000000)'

•   Generate timestamps by counting samples:

            asetpts=N/SR/TB

Commands

Both filters support all above options as commands.

  setrange
Force color range for the output video frame.

The "setrange" filter marks the color range property for the output frames. It does not change the input frame, but only sets the corresponding property, which affects how the frame is treated by following filters.

The filter accepts the following options:

range
    Available values are:

    auto
        Keep the same color range property.

    unspecified, unknown
        Set the color range as unspecified.

    limited, tv, mpeg
        Set the color range as limited.

    full, pc, jpeg
        Set the color range as full.

  settb, asettb
Set the timebase to use for the output frames timestamps. It is mainly useful for testing timebase configuration.

It accepts the following parameters:

expr, tb
    The expression which is evaluated into the output timebase.

The value for tb is an arithmetic expression representing a rational. The expression can contain the constants "AVTB" (the default timebase), "intb" (the input timebase) and "sr" (the sample rate, audio only). Default value is "intb".

Examples

•   Set the timebase to 1/25:

            settb=expr=1/25

•   Set the timebase to 1/10:

            settb=expr=0.1

•   Set the timebase to 1001/1000:

            settb=1+0.001

•   Set the timebase to 2*intb:

            settb=2*intb

•   Set the default timebase value:

            settb=AVTB

  showcqt
Convert input audio to a video output representing frequency spectrum logarithmically using Brown-Puckette constant Q transform algorithm with direct frequency domain coefficient calculation (but the transform itself is not really constant Q, instead the Q factor is actually variable/clamped), with musical tone scale, from E0 to D#10.

The filter accepts the following options:

size, s
    Specify the video size for the output. It must be even. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "1920x1080".

fps, rate, r
    Set the output frame rate. Default value is 25.

bar_h
    Set the bargraph height. It must be even. Default value is "-1" which computes the bargraph height automatically.

axis_h
    Set the axis height. It must be even. Default value is "-1" which computes the axis height automatically.

sono_h
    Set the sonogram height. It must be even. Default value is "-1" which computes the sonogram height automatically.

fullhd
    Set the fullhd resolution. This option is deprecated, use size, s instead. Default value is 1.

sono_v, volume
    Specify the sonogram volume expression. It can contain variables:

    bar_v
        the bar_v evaluated expression

    frequency, freq, f
        the frequency where it is evaluated

    timeclamp, tc
        the value of timeclamp option

    and functions:

    a_weighting(f)
        A-weighting of equal loudness

    b_weighting(f)
        B-weighting of equal loudness

    c_weighting(f)
        C-weighting of equal loudness.

    Default value is 16.

bar_v, volume2
    Specify the bargraph volume expression. It can contain variables:

    sono_v
        the sono_v evaluated expression

    frequency, freq, f
        the frequency where it is evaluated

    timeclamp, tc
        the value of timeclamp option

    and functions:

    a_weighting(f)
        A-weighting of equal loudness

    b_weighting(f)
        B-weighting of equal loudness

    c_weighting(f)
        C-weighting of equal loudness.

    Default value is "sono_v".

sono_g, gamma
    Specify the sonogram gamma. Lower gamma makes the spectrum more contrast, higher gamma makes the spectrum having more range. Default value is 3. Acceptable range is "[1, 7]".

bar_g, gamma2
    Specify the bargraph gamma. Default value is 1. Acceptable range is "[1, 7]".

bar_t
    Specify the bargraph transparency level. Lower value makes the bargraph sharper. Default value is 1. Acceptable range is "[0, 1]".

timeclamp, tc
    Specify the transform timeclamp. At low frequency, there is trade-off between accuracy in time domain and frequency domain. If timeclamp is lower, event in time domain is represented more accurately (such as fast bass drum), otherwise event in frequency domain is represented more accurately (such as bass guitar). Acceptable range is "[0.002, 1]". Default value is 0.17.

attack
    Set attack time in seconds. The default is 0 (disabled). Otherwise, it limits future samples by applying asymmetric windowing in time domain, useful when low latency is required. Accepted range is "[0, 1]".

basefreq
    Specify the transform base frequency. Default value is 20.01523126408007475, which is frequency 50 cents below E0. Acceptable range is "[10, 100000]".

endfreq
    Specify the transform end frequency. Default value is 20495.59681441799654, which is frequency 50 cents above D#10. Acceptable range is "[10, 100000]".

coeffclamp
    This option is deprecated and ignored.

tlength
    Specify the transform length in time domain. Use this option to control accuracy trade-off between time domain and frequency domain at every frequency sample. It can contain variables:

    frequency, freq, f
        the frequency where it is evaluated

    timeclamp, tc
        the value of timeclamp option.

    Default value is "384*tc/(384+tc*f)".

count
    Specify the transform count for every video frame. Default value is 6. Acceptable range is "[1, 30]".

fcount
    Specify the transform count for every single pixel. Default value is 0, which makes it computed automatically. Acceptable range is "[0, 10]".

fontfile
    Specify font file for use with freetype to draw the axis. If not specified, use embedded font. Note that drawing with font file or embedded font is not implemented with custom basefreq and endfreq, use axisfile option instead.

font
    Specify fontconfig pattern. This has lower priority than fontfile. The ":" in the pattern may be replaced by "|" to avoid unnecessary escaping.

fontcolor
    Specify font color expression. This is arithmetic expression that should return integer value 0xRRGGBB. It can contain variables:

    frequency, freq, f
        the frequency where it is evaluated

    timeclamp, tc
        the value of timeclamp option

    and functions:

    midi(f)
        midi number of frequency f, some midi numbers: E0(16), C1(24), C2(36), A4(69)

    r(x), g(x), b(x)
        red, green, and blue value of intensity x.

    Default value is "st(0, (midi(f)-59.5)/12); st(1, if(between(ld(0),0,1), 0.5-0.5*cos(2*PI*ld(0)), 0)); r(1-ld(1)) + b(ld(1))".

axisfile
    Specify image file to draw the axis. This option override fontfile and fontcolor option.

axis, text
    Enable/disable drawing text to the axis. If it is set to 0, drawing to the axis is disabled, ignoring fontfile and axisfile option. Default value is 1.

csp Set colorspace. The accepted values are:

    unspecified
        Unspecified (default)

    bt709
        BT.709

    fcc FCC

    bt470bg
        BT.470BG or BT.601-6 625

    smpte170m
        SMPTE-170M or BT.601-6 525

    smpte240m
        SMPTE-240M

    bt2020ncl
        BT.2020 with non-constant luminance

cscheme
    Set spectrogram color scheme. This is list of floating point values with format "left_r|left_g|left_b|right_r|right_g|right_b". The default is "1|0.5|0|0|0.5|1".

Examples

•   Playing audio while showing the spectrum:

            ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt [out0]'

•   Same as above, but with frame rate 30 fps:

            ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=fps=30:count=5 [out0]'

•   Playing at 1280x720:

            ffplay -f lavfi 'amovie=a.mp3, asplit [a][out1]; [a] showcqt=s=1280x720:count=4 [out0]'

•   Disable sonogram display:

            sono_h=0

•   A1 and its harmonics: A1, A2, (near)E3, A3:

            ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t),
                             asplit[a][out1]; [a] showcqt [out0]'

•   Same as above, but with more accuracy in frequency domain:

            ffplay -f lavfi 'aevalsrc=0.1*sin(2*PI*55*t)+0.1*sin(4*PI*55*t)+0.1*sin(6*PI*55*t)+0.1*sin(8*PI*55*t),
                             asplit[a][out1]; [a] showcqt=timeclamp=0.5 [out0]'

•   Custom volume:

            bar_v=10:sono_v=bar_v*a_weighting(f)

•   Custom gamma, now spectrum is linear to the amplitude.

            bar_g=2:sono_g=2

•   Custom tlength equation:

            tc=0.33:tlength='st(0,0.17); 384*tc / (384 / ld(0) + tc*f /(1-ld(0))) + 384*tc / (tc*f / ld(0) + 384 /(1-ld(0)))'

•   Custom fontcolor and fontfile, C-note is colored green, others are colored blue:

            fontcolor='if(mod(floor(midi(f)+0.5),12), 0x0000FF, g(1))':fontfile=myfont.ttf

•   Custom font using fontconfig:

            font='Courier New,Monospace,mono|bold'

•   Custom frequency range with custom axis using image file:

            axisfile=myaxis.png:basefreq=40:endfreq=10000

  showcwt
Convert input audio to video output representing frequency spectrum using Continuous Wavelet Transform and Morlet wavelet.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "640x512".

rate, r
    Set the output frame rate. Default value is 25.

scale
    Set the frequency scale used. Allowed values are:

    linear
    log
    bark
    mel
    erbs
    sqrt
    cbrt
    qdrt
    fm

    Default value is "linear".

iscale
    Set the intensity scale used. Allowed values are:

    linear
    log
    sqrt
    cbrt
    qdrt

    Default value is "log".

min Set the minimum frequency that will be used in output. Default is 20 Hz.

max Set the maximum frequency that will be used in output. Default is 20000 Hz. The real frequency upper limit depends on input audio's sample rate and such will be enforced on this value when it is set to value greater than Nyquist frequency.

imin
    Set the minimum intensity that will be used in output.

imax
    Set the maximum intensity that will be used in output.

logb
    Set the logarithmic basis for brightness strength when mapping calculated magnitude values to pixel values. Allowed range is from 0 to 1. Default value is 0.0001.

deviation
    Set the frequency deviation. Lower values than 1 are more frequency oriented, while higher values than 1 are more time oriented. Allowed range is from 0 to 10. Default value is 1.

pps Set the number of pixel output per each second in one row. Allowed range is from 1 to 1024. Default value is 64.

mode
    Set the output visual mode. Allowed values are:

    magnitude
        Show magnitude.

    phase
        Show only phase.

    magphase
        Show combination of magnitude and phase. Magnitude is mapped to brightness and phase to color.

    channel
        Show unique color per channel magnitude.

    stereo
        Show unique color per stereo difference.

    Default value is "magnitude".

slide
    Set the output slide method. Allowed values are:

    replace
    scroll
    frame
direction
    Set the direction method for output slide method. Allowed values are:

    lr  Direction from left to right.

    rl  Direction from right to left.

    ud  Direction from up to down.

    du  Direction from down to up.

bar Set the ratio of bargraph display to display size. Default is 0.

rotation
    Set color rotation, must be in [-1.0, 1.0] range. Default value is 0.

  showfreqs
Convert input audio to video output representing the audio power spectrum. Audio amplitude is on Y-axis while frequency is on X-axis.

The filter accepts the following options:

size, s
    Specify size of video. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default is "1024x512".

rate, r
    Set video rate. Default is 25.

mode
    Set display mode. This set how each frequency bin will be represented.

    It accepts the following values:

    line
    bar
    dot

    Default is "bar".

ascale
    Set amplitude scale.

    It accepts the following values:

    lin Linear scale.

    sqrt
        Square root scale.

    cbrt
        Cubic root scale.

    log Logarithmic scale.

    Default is "log".

fscale
    Set frequency scale.

    It accepts the following values:

    lin Linear scale.

    log Logarithmic scale.

    rlog
        Reverse logarithmic scale.

    Default is "lin".

win_size
    Set window size. Allowed range is from 16 to 65536.

    Default is 2048

win_func
    Set windowing function.

    It accepts the following values:

    rect
    bartlett
    hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default is "hanning".

overlap
    Set window overlap. In range "[0, 1]". Default is 1, which means optimal overlap for selected window function will be picked.

averaging
    Set time averaging. Setting this to 0 will display current maximal peaks. Default is 1, which means time averaging is disabled.

colors
    Specify list of colors separated by space or by '|' which will be used to draw channel frequencies. Unrecognized or missing colors will be replaced by white color.

cmode
    Set channel display mode.

    It accepts the following values:

    combined
    separate

    Default is "combined".

minamp
    Set minimum amplitude used in "log" amplitude scaler.

data
    Set data display mode.

    It accepts the following values:

    magnitude
    phase
    delay

    Default is "magnitude".

channels
    Set channels to use when processing audio. By default all are processed.

  showspatial
Convert stereo input audio to a video output, representing the spatial relationship between two channels.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "512x512".

win_size
    Set window size. Allowed range is from 1024 to 65536. Default size is 4096.

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann
    hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default value is "hann".

rate, r
    Set output framerate.

  showspectrum
Convert input audio to a video output, representing the audio frequency spectrum.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "640x512".

slide
    Specify how the spectrum should slide along the window.

    It accepts the following values:

    replace
        the samples start again on the left when they reach the right

    scroll
        the samples scroll from right to left

    fullframe
        frames are only produced when the samples reach the right

    rscroll
        the samples scroll from left to right

    lreplace
        the samples start again on the right when they reach the left

    Default value is "replace".

mode
    Specify display mode.

    It accepts the following values:

    combined
        all channels are displayed in the same row

    separate
        all channels are displayed in separate rows

    Default value is combined.

color
    Specify display color mode.

    It accepts the following values:

    channel
        each channel is displayed in a separate color

    intensity
        each channel is displayed using the same color scheme

    rainbow
        each channel is displayed using the rainbow color scheme

    moreland
        each channel is displayed using the moreland color scheme

    nebulae
        each channel is displayed using the nebulae color scheme

    fire
        each channel is displayed using the fire color scheme

    fiery
        each channel is displayed using the fiery color scheme

    fruit
        each channel is displayed using the fruit color scheme

    cool
        each channel is displayed using the cool color scheme

    magma
        each channel is displayed using the magma color scheme

    green
        each channel is displayed using the green color scheme

    viridis
        each channel is displayed using the viridis color scheme

    plasma
        each channel is displayed using the plasma color scheme

    cividis
        each channel is displayed using the cividis color scheme

    terrain
        each channel is displayed using the terrain color scheme

    Default value is channel.

scale
    Specify scale used for calculating intensity color values.

    It accepts the following values:

    lin linear

    sqrt
        square root, default

    cbrt
        cubic root

    log logarithmic

    4thrt
        4th root

    5thrt
        5th root

    Default value is sqrt.

fscale
    Specify frequency scale.

    It accepts the following values:

    lin linear

    log logarithmic

    Default value is lin.

saturation
    Set saturation modifier for displayed colors. Negative values provide alternative color scheme. 0 is no saturation at all. Saturation must be in [-10.0, 10.0] range. Default value is 1.

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann
    hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default value is "hann".

orientation
    Set orientation of time vs frequency axis. Can be "vertical" or "horizontal". Default is "vertical".

overlap
    Set ratio of overlap window. Default value is 0. When value is 1 overlap is set to recommended size for specific window function currently used.

gain
    Set scale gain for calculating intensity color values. Default value is 1.

data
    Set which data to display. Can be "magnitude", default or "phase", or unwrapped phase: "uphase".

rotation
    Set color rotation, must be in [-1.0, 1.0] range. Default value is 0.

start
    Set start frequency from which to display spectrogram. Default is 0.

stop
    Set stop frequency to which to display spectrogram. Default is 0.

fps Set upper frame rate limit. Default is "auto", unlimited.

legend
    Draw time and frequency axes and legends. Default is disabled.

drange
    Set dynamic range used to calculate intensity color values. Default is 120 dBFS. Allowed range is from 10 to 200.

limit
    Set upper limit of input audio samples volume in dBFS. Default is 0 dBFS. Allowed range is from -100 to 100.

opacity
    Set opacity strength when using pixel format output with alpha component.

The usage is very similar to the showwaves filter; see the examples in that section.

Examples

•   Large window with logarithmic color scaling:

            showspectrum=s=1280x480:scale=log

•   Complete example for a colored and sliding spectrum per channel using ffplay:

            ffplay -f lavfi 'amovie=input.mp3, asplit [a][out1];
                         [a] showspectrum=mode=separate:color=intensity:slide=1:scale=cbrt [out0]'

  showspectrumpic
Convert input audio to a single video frame, representing the audio frequency spectrum.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "4096x2048".

mode
    Specify display mode.

    It accepts the following values:

    combined
        all channels are displayed in the same row

    separate
        all channels are displayed in separate rows

    Default value is combined.

color
    Specify display color mode.

    It accepts the following values:

    channel
        each channel is displayed in a separate color

    intensity
        each channel is displayed using the same color scheme

    rainbow
        each channel is displayed using the rainbow color scheme

    moreland
        each channel is displayed using the moreland color scheme

    nebulae
        each channel is displayed using the nebulae color scheme

    fire
        each channel is displayed using the fire color scheme

    fiery
        each channel is displayed using the fiery color scheme

    fruit
        each channel is displayed using the fruit color scheme

    cool
        each channel is displayed using the cool color scheme

    magma
        each channel is displayed using the magma color scheme

    green
        each channel is displayed using the green color scheme

    viridis
        each channel is displayed using the viridis color scheme

    plasma
        each channel is displayed using the plasma color scheme

    cividis
        each channel is displayed using the cividis color scheme

    terrain
        each channel is displayed using the terrain color scheme

    Default value is intensity.

scale
    Specify scale used for calculating intensity color values.

    It accepts the following values:

    lin linear

    sqrt
        square root, default

    cbrt
        cubic root

    log logarithmic

    4thrt
        4th root

    5thrt
        5th root

    Default value is log.

fscale
    Specify frequency scale.

    It accepts the following values:

    lin linear

    log logarithmic

    Default value is lin.

saturation
    Set saturation modifier for displayed colors. Negative values provide alternative color scheme. 0 is no saturation at all. Saturation must be in [-10.0, 10.0] range. Default value is 1.

win_func
    Set window function.

    It accepts the following values:

    rect
    bartlett
    hann
    hanning
    hamming
    blackman
    welch
    flattop
    bharris
    bnuttall
    bhann
    sine
    nuttall
    lanczos
    gauss
    tukey
    dolph
    cauchy
    parzen
    poisson
    bohman
    kaiser

    Default value is "hann".

orientation
    Set orientation of time vs frequency axis. Can be "vertical" or "horizontal". Default is "vertical".

gain
    Set scale gain for calculating intensity color values. Default value is 1.

legend
    Draw time and frequency axes and legends. Default is enabled.

rotation
    Set color rotation, must be in [-1.0, 1.0] range. Default value is 0.

start
    Set start frequency from which to display spectrogram. Default is 0.

stop
    Set stop frequency to which to display spectrogram. Default is 0.

drange
    Set dynamic range used to calculate intensity color values. Default is 120 dBFS. Allowed range is from 10 to 200.

limit
    Set upper limit of input audio samples volume in dBFS. Default is 0 dBFS. Allowed range is from -100 to 100.

opacity
    Set opacity strength when using pixel format output with alpha component.

Examples

•   Extract an audio spectrogram of a whole audio track in a 1024x1024 picture using ffmpeg:

            ffmpeg -i audio.flac -lavfi showspectrumpic=s=1024x1024 spectrogram.png

  showvolume
Convert input audio volume to a video output.

The filter accepts the following options:

rate, r
    Set video rate.

b   Set border width, allowed range is [0, 5]. Default is 1.

w   Set channel width, allowed range is [80, 8192]. Default is 400.

h   Set channel height, allowed range is [1, 900]. Default is 20.

f   Set fade, allowed range is [0, 1]. Default is 0.95.

c   Set volume color expression.

    The expression can use the following variables:

    VOLUME
        Current max volume of channel in dB.

    PEAK
        Current peak.

    CHANNEL
        Current channel number, starting from 0.

t   If set, displays channel names. Default is enabled.

v   If set, displays volume values. Default is enabled.

o   Set orientation, can be horizontal: "h" or vertical: "v", default is "h".

s   Set step size, allowed range is [0, 5]. Default is 0, which means step is disabled.

p   Set background opacity, allowed range is [0, 1]. Default is 0.

m   Set metering mode, can be peak: "p" or rms: "r", default is "p".

ds  Set display scale, can be linear: "lin" or log: "log", default is "lin".

dm  In second. If set to > 0., display a line for the max level in the previous seconds. default is disabled: 0.

dmc The color of the max line. Use when "dm" option is set to > 0. default is: "orange"

  showwaves
Convert input audio to a video output, representing the samples waves.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "600x240".

mode
    Set display mode.

    Available values are:

    point
        Draw a point for each sample.

    line
        Draw a vertical line for each sample.

    p2p Draw a point for each sample and a line between them.

    cline
        Draw a centered vertical line for each sample.

    Default value is "point".

n   Set the number of samples which are printed on the same column. A larger value will decrease the frame rate. Must be a positive integer. This option can be set only if the value for rate is not explicitly specified.

rate, r
    Set the (approximate) output frame rate. This is done by setting the option n. Default value is "25".

split_channels
    Set if channels should be drawn separately or overlap. Default value is 0.

colors
    Set colors separated by '|' which are going to be used for drawing of each channel.

scale
    Set amplitude scale.

    Available values are:

    lin Linear.

    log Logarithmic.

    sqrt
        Square root.

    cbrt
        Cubic root.

    Default is linear.

draw
    Set the draw mode. This is mostly useful to set for high n.

    Available values are:

    scale
        Scale pixel values for each drawn sample.

    full
        Draw every sample directly.

    Default value is "scale".

Examples

•   Output the input file audio and the corresponding video representation at the same time:

            amovie=a.mp3,asplit[out0],showwaves[out1]

•   Create a synthetic signal and show it with showwaves, forcing a frame rate of 30 frames per second:

            aevalsrc=sin(1*2*PI*t)*sin(880*2*PI*t):cos(2*PI*200*t),asplit[out0],showwaves=r=30[out1]

  showwavespic
Convert input audio to a single video frame, representing the samples waves.

The filter accepts the following options:

size, s
    Specify the video size for the output. For the syntax of this option, check the "Video size" section in the ffmpeg-utils manual. Default value is "600x240".

split_channels
    Set if channels should be drawn separately or overlap. Default value is 0.

colors
    Set colors separated by '|' which are going to be used for drawing of each channel.

scale
    Set amplitude scale.

    Available values are:

    lin Linear.

    log Logarithmic.

    sqrt
        Square root.

    cbrt
        Cubic root.

    Default is linear.

draw
    Set the draw mode.

    Available values are:

    scale
        Scale pixel values for each drawn sample.

    full
        Draw every sample directly.

    Default value is "scale".

filter
    Set the filter mode.

    Available values are:

    average
        Use average samples values for each drawn sample.

    peak
        Use peak samples values for each drawn sample.

    Default value is "average".

Examples

•   Extract a channel split representation of the wave form of a whole audio track in a 1024x800 picture using ffmpeg:

            ffmpeg -i audio.flac -lavfi showwavespic=split_channels=1:s=1024x800 waveform.png

  sidedata, asidedata
Delete frame side data, or select frames based on it.

This filter accepts the following options:

mode
    Set mode of operation of the filter.

    Can be one of the following:

    select
        Select every frame with side data of "type".

    delete
        Delete side data of "type". If "type" is not set, delete all side data in the frame.

type
    Set side data type used with all modes. Must be set for "select" mode.

    Possible values are:

    PANSCAN
    A53_CC
    STEREO3D
    MATRIXENCODING
    DOWNMIX_INFO
    REPLAYGAIN
    DISPLAYMATRIX
    AFD
    MOTION_VECTORS
    SKIP_SAMPLES
    AUDIO_SERVICE_TYPE
    MASTERING_DISPLAY_METADATA
    GOP_TIMECODE
    SPHERICAL
    CONTENT_LIGHT_LEVEL
    ICC_PROFILE
    S12M_TIMECODE
    DYNAMIC_HDR_PLUS
    REGIONS_OF_INTEREST
    VIDEO_ENC_PARAMS
    SEI_UNREGISTERED
    FILM_GRAIN_PARAMS
    DETECTION_BOUNDING_BOXES
    DETECTION_BBOXES
    DOVI_RPU_BUFFER
    DOVI_METADATA
    DYNAMIC_HDR_VIVID
    AMBIENT_VIEWING_ENVIRONMENT
    VIDEO_HINT

  spectrumsynth
Synthesize audio from 2 input video spectrums, first input stream represents magnitude across time and second represents phase across time. The filter will transform from frequency domain as displayed in videos back to time domain as presented in audio output.

This filter is primarily created for reversing processed showspectrum filter outputs, but can synthesize sound from other spectrograms too. But in such case results are going to be poor if the phase data is not available, because in such cases phase data need to be recreated, usually it's just recreated from random noise. For best results use gray only output ("channel" color mode in showspectrum filter) and "log" scale for magnitude video and "lin" scale for phase video. To produce phase, for 2nd video, use "data" option. Inputs videos should generally use "fullframe" slide mode as that saves resources needed for decoding video.

The filter accepts the following options:

sample_rate
    Specify sample rate of output audio, the sample rate of audio from which spectrum was generated may differ.

channels
    Set number of channels represented in input video spectrums.

scale
    Set scale which was used when generating magnitude input spectrum. Can be "lin" or "log". Default is "log".

slide
    Set slide which was used when generating inputs spectrums. Can be "replace", "scroll", "fullframe" or "rscroll". Default is "fullframe".

win_func
    Set window function used for resynthesis.

overlap
    Set window overlap. In range "[0, 1]". Default is 1, which means optimal overlap for selected window function will be picked.

orientation
    Set orientation of input videos. Can be "vertical" or "horizontal". Default is "vertical".

Examples

•   First create magnitude and phase videos from audio, assuming audio is stereo with 44100 sample rate, then resynthesize videos back to audio with spectrumsynth:

            ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=log:overlap=0.875:color=channel:slide=fullframe:data=magnitude -an -c:v rawvideo magnitude.nut
            ffmpeg -i input.flac -lavfi showspectrum=mode=separate:scale=lin:overlap=0.875:color=channel:slide=fullframe:data=phase -an -c:v rawvideo phase.nut
            ffmpeg -i magnitude.nut -i phase.nut -lavfi spectrumsynth=channels=2:sample_rate=44100:win_func=hann:overlap=0.875:slide=fullframe output.flac

  split, asplit
Split input into several identical outputs.

"asplit" works with audio input, "split" with video.

The filter accepts a single parameter which specifies the number of outputs. If unspecified, it defaults to 2.

Examples

•   Create two separate outputs from the same input:

            [in] split [out0][out1]

•   To create 3 or more outputs, you need to specify the number of outputs, like in:

            [in] asplit=3 [out0][out1][out2]

•   Create two separate outputs from the same input, one cropped and one padded:

            [in] split [splitout1][splitout2];
            [splitout1] crop=100:100:0:0    [cropout];
            [splitout2] pad=200:200:100:100 [padout];

•   Create 5 copies of the input audio with ffmpeg:

            ffmpeg -i INPUT -filter_complex asplit=5 OUTPUT

  zmq, azmq
Receive commands sent through a libzmq client, and forward them to filters in the filtergraph.

"zmq" and "azmq" work as a pass-through filters. "zmq" must be inserted between two video filters, "azmq" between two audio filters. Both are capable to send messages to any filter type.

To enable these filters you need to install the libzmq library and headers and configure FFmpeg with "--enable-libzmq".

For more information about libzmq see: <http://www.zeromq.org/>

The "zmq" and "azmq" filters work as a libzmq server, which receives messages sent through a network interface defined by the bind_address (or the abbreviation "b") option. Default value of this option is tcp://localhost:5555. You may want to alter this value to your needs, but do not forget to escape any ':' signs (see filtergraph escaping).

The received message must be in the form:

        <TARGET> <COMMAND> [<ARG>]

TARGET specifies the target of the command, usually the name of the filter class or a specific filter instance name. The default filter instance name uses the pattern Parsed_<filter_name>_<index>, but you can override this by using the filter_name@id syntax (see Filtergraph syntax).

COMMAND specifies the name of the command for the target filter.

ARG is optional and specifies the optional argument list for the given COMMAND.

Upon reception, the message is processed and the corresponding command is injected into the filtergraph. Depending on the result, the filter will send a reply to the client, adopting the format:

        <ERROR_CODE> <ERROR_REASON>
        <MESSAGE>

MESSAGE is optional.

Examples

Look at tools/zmqsend for an example of a zmq client which can be used to send commands processed by these filters.

Consider the following filtergraph generated by ffplay. In this example the last overlay filter has an instance name. All other filters will have default instance names.

        ffplay -dumpgraph 1 -f lavfi "
        color=s=100x100:c=red  [l];
        color=s=100x100:c=blue [r];
        nullsrc=s=200x100, zmq [bg];
        [bg][l]   overlay     [bg+l];
        [bg+l][r] overlay@my=x=100 "

To change the color of the left side of the video, the following command can be used:

        echo Parsed_color_0 c yellow | tools/zmqsend

To change the right side:

        echo Parsed_color_1 c pink | tools/zmqsend

To change the position of the right side:

        echo overlay@my x 150 | tools/zmqsend

MULTIMEDIA SOURCES
Below is a description of the currently available multimedia sources.

  amovie
This is the same as movie source, except it selects an audio stream by default.

  avsynctest
Generate an Audio/Video Sync Test.

Generated stream periodically shows flash video frame and emits beep in audio. Useful to inspect A/V sync issues.

It accepts the following options:

size, s
    Set output video size. Default value is "hd720".

framerate, fr
    Set output video frame rate. Default value is 30.

samplerate, sr
    Set output audio sample rate. Default value is 44100.

amplitude, a
    Set output audio beep amplitude. Default value is 0.7.

period, p
    Set output audio beep period in seconds. Default value is 3.

delay, dl
    Set output video flash delay in number of frames. Default value is 0.

cycle, c
    Enable cycling of video delays, by default is disabled.

duration, d
    Set stream output duration. By default duration is unlimited.

fg, bg, ag
    Set foreground/background/additional color.

Commands

This source supports the some above options as commands.

  movie
Read audio and/or video stream(s) from a movie container.

It accepts the following parameters:

filename
    The name of the resource to read (not necessarily a file; it can also be a device or a stream accessed through some protocol).

format_name, f
    Specifies the format assumed for the movie to read, and can be either the name of a container or an input device. If not specified, the format is guessed from movie_name or by probing.

seek_point, sp
    Specifies the seek point in seconds. The frames will be output starting from this seek point. The parameter is evaluated with "av_strtod", so the numerical value may be suffixed by an IS postfix. The default value is "0".

streams, s
    Specifies the streams to read. Several streams can be specified, separated by "+". The source will then have as many outputs, in the same order. The syntax is explained in the "Stream specifiers" section in the ffmpeg manual. Two special names, "dv" and "da" specify respectively the default (best suited) video and audio stream. Default is "dv", or "da" if the filter is called as "amovie".

stream_index, si
    Specifies the index of the video stream to read. If the value is -1, the most suitable video stream will be automatically selected. The default value is "-1". Deprecated. If the filter is called "amovie", it will select audio instead of video.

loop
    Specifies how many times to read the stream in sequence. If the value is 0, the stream will be looped infinitely. Default value is "1".

    Note that when the movie is looped the source timestamps are not changed, so it will generate non monotonically increasing timestamps.

discontinuity
    Specifies the time difference between frames above which the point is considered a timestamp discontinuity which is removed by adjusting the later timestamps.

dec_threads
    Specifies the number of threads for decoding

format_opts
    Specify format options for the opened file. Format options can be specified as a list of key=value pairs separated by ':'. The following example shows how to add protocol_whitelist and protocol_blacklist options:

            ffplay -f lavfi
            "movie=filename='1.sdp':format_opts='protocol_whitelist=file,rtp,udp\:protocol_blacklist=http'"

It allows overlaying a second video on top of the main input of a filtergraph, as shown in this graph:

        input -----------> deltapts0 --> overlay --> output
                                            ^
                                            |
        movie --> scale--> deltapts1 -------+

Examples

•   Skip 3.2 seconds from the start of the AVI file in.avi, and overlay it on top of the input labelled "in":

            movie=in.avi:seek_point=3.2, scale=180:-1, setpts=PTS-STARTPTS [over];
            [in] setpts=PTS-STARTPTS [main];
            [main][over] overlay=16:16 [out]

•   Read from a video4linux2 device, and overlay it on top of the input labelled "in":

            movie=/dev/video0:f=video4linux2, scale=180:-1, setpts=PTS-STARTPTS [over];
            [in] setpts=PTS-STARTPTS [main];
            [main][over] overlay=16:16 [out]

•   Read the first video stream and the audio stream with id 0x81 from dvd.vob; the video is connected to the pad named "video" and the audio is connected to the pad named "audio":

            movie=dvd.vob:s=v:0+#0x81 [video] [audio]

Commands

Both movie and amovie support the following commands:

seek
    Perform seek using "av_seek_frame". The syntax is: seek stream_index|timestamp|flags

    •   stream_index: If stream_index is -1, a default stream is selected, and timestamp is automatically converted from AV_TIME_BASE units to the stream specific time_base.

    •   timestamp: Timestamp in AVStream.time_base units or, if no stream is specified, in AV_TIME_BASE units.

    •   flags: Flags which select direction and seeking mode.

get_duration
    Get movie duration in AV_TIME_BASE units.

SEE ALSO
ffmpeg(1), ffplay(1), ffprobe(1), libavfilter(3)

AUTHORS
The FFmpeg developers.

For details about the authorship, see the Git history of the project (https://git.ffmpeg.org/ffmpeg), e.g. by typing the command git log in the FFmpeg source directory, or browsing the online repository at <https://git.ffmpeg.org/ffmpeg>.

Maintainers for the specific components are listed in the file MAINTAINERS in the source code tree.